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Archive for February, 2015

New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV

11 Feb

I’ve been getting a lot of questions about my thoughts on the recent Canon 5Ds and 5Ds R DSLR announcement including…

  • Are you getting one?
  • Which one?
  • What’s the difference?
  • Is this the Canon 5D IV
  • Is it worth sticking it out with Canon vs jumping to Nikon or Sony?

I’ve also seen a lot of random rash statements online such as….

  • Too late Canon I’ve already switched to Sony/Nikon.
  • Canon marketing sucks. How does this camera fit into their line up?
  • Canon loses.

Seeing that the Canon 5Ds /Ds R will not be released until June and Canon Marketing has seemingly done a poor job explaining the official stance on the 5D family line up there has been a lot of confusion and conjecture. Here is my personal opinion on the matter taking into account my 3 years of experience working in the online gear rental industry with BorrowLenses.

The Canon DSLR Hierarchy

In short the evolution of the top Canon DSLR product lines have been evolving as follows:

Photo: EOS 1Ds + EOS 1D => 1Dx

Video: New product branch with the 1D C

The 1D line has been and is being consolidated into the 1DX product. If you’ve been shooting Canon for a while you might remember that the 1Ds was the high end full-frame sensor camera used for commercial type work while the 1D was the high end sports and wildlife body with a faster burst mode. All of these use-types have been consolidated into one 1D body. The 1DX was released in March 2012 and then split again to include a 4K video solution with the 1D C in March 2013. Many people were angered with the 1D C release because it seemed to be the exact same camera as the 1D X, but with a firmware change that allowed 4K video. I’m sure it may be more than this, but that was the perception and only the Canon god Chuck Westfall could say publicly for sure.

EOS 5D III => EOS 5Ds + EOS 5Ds R + EOS 5D IV (?)

We seem to be in the midst of the next Canon product shift where the EOS 5D is being split into multiple models. When the 5D Mark II was released and included video it was a game changer that shook the industry. The trajectory of the 1D series forever changed and other manufacturers quickly started building up their product line to include video (and yes I know Nikon hit first with video with the D90).  Around this time Nikon had made revolutionary improvement with sensors that allowed for unheard of light sensitivity with noise free images at ISO 4000. They focused on noise and less so on video. This is where the seesawing began to happen with Nikon making gains in one area and Canon falling behind in others. Canon made some improvements with noise and ISO in the 5D Mark III and at the same time Nikon launched the D800 with improved dynamic range  in a 36 megapixel sensor. The seesawing continues with this next round of product releases.

Canon has countered by trying to attract customers with a need for high megapixel sensors namely 35mm users who lust after the likes of the D800/D810 or were itching for a medium format camera solution. In my opinion the 5Ds and 5Ds R are pure plays for medium format interested photographers who want greater lens options. The big unknown is how well the 50.6 megapixel sensor will handle low light, but by Canon’s own admission these cameras are not aligned to low light photography and all the example photos to date have been bright light situations. Also if you pay attention to rumor sites, the reports are that these cameras have been tuned for low ISO performance which speaks to studio type work.

Rumor sites have also been stating for sometime that the 5D series is being split into 3. The real successor to the 5D Mark III is due this August and is thought to have a lower megapixel sensor  fine tuned for lower light situations (higher ISO) and video.

Which Camera Should I Buy?

First I’m not a gear flipper and I seemingly am more patient than most with my upgrades. I’m not ranting about Canon losing or falling behind Nikon or Sony. I’ve long held the opinion that photographers flip out too easily on incremental improvements versus truly revolutionary technology shifts. I still own and use a Canon 5D II. If I need to shoot a specific type of subject that requires improvements over what I own then I rent gear from BorrowLenses. I could have purchased a 5D Mark III when it was announced, but I didn’t think it was worth it at the time.  I could have jumped ship to Nikon or Sony, but I have not because I know each manufacturer has product release cycles that are out of phase from each other. This amplifies the perception that one brand is being left behind while another announces an improvement to their products.

My advice is to buy the Canon EOS 5Ds and Canon EOS 5Ds R if you’re interested in medium format like images if you’re a low ISO shooter. Be warned you’ll need to ramp up on your storage and computing power. Those files will be large. Nikon users that jumped on the D800 bandwagon were hit hard by this. If you’re in the market for a camera that will perform better at at higher ISO with less noise then I’m betting the real EOS 5D IV or whatever Canon calls it is that camera you should be waiting for.  Odds are I’ll be waiting for the next Canon body announcement to see if it’s the right camera that I should purchase.

What will push me to upgrade you ask?

Primarily my interest lies with improved dynamic range, better low light performance namely lower noise at higher ISO values, video recording options that are closer to the EOS 1D C body (1080 60p, 4K, etc.) and marginally higher resolution with better buffering. We’ll see if the real EOS 5D Mark IV fits the bill.

By the way the real showstopper of the announcement was the Canon 11-14mm f/4 lens. I’ll have my eye on that.

Copyright Jim M. Goldstein, All Rights Reserved

New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV

The post New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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20+ Fantastic Free Photoshop Actions for Your Photography Toolkit

11 Feb

Photoshop actions are an amazing tool that can help you to automate your workflow and to add creativity to your photo library. Using actions, you can apply a photo effect to one or many images from your collection. It’s extremely useful when you need to edit a lot of images from the wedding photo shoot, for example, and make them Continue Reading

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Abandoned Mine is Now World’s Largest Indoor BMX Bike Park

11 Feb

[ By WebUrbanist in Abandoned Places & Architecture. ]

underground bmx bike park

Boasting 5 miles of trails, ramps and obstacles, this cavernous subterranean space sits 100 feet underground and totals 320,000 square feet. The wide-open footprint and copious mounds of dirt, able to be endlessly reformed into new types of terrain, lend themselves to this particularly fitting form of adaptive reuse.

underground converted limestone mine copy

Located in Louisville, Kentucky, and open as of yesterday, the Mega Underground Bike Park gains a number of advantages from being far below the surface, including a relatively consistent temperature and protection from wind, rain and other weather (without the typical costs of constructing a building to house these activities).

underground bike park ramps

Originally a limestone mine, there were plans to create a highs-security business park in the space – while there are a few businesses actually occupying other parts of the underground complex of caves, the big idea fell through, replaced by a plan to create zip lines, challenge courses and now the biggest interior bike park on the planet.

Currently the space offers 45 trails with differing degrees of of difficulty as well as clever additions like cargo containers turned into ramps and overpasses. Most of the materials needed, though, were already in place – it was mainly a matter of lighting, accessing and shaping the space.

underground dirt ramp caves

From their website: “Are you ready to experience a one of a kind Underground Bike Park? Over 320,000 square feet including over 45 trails, Jump Lines, Pump Tracks, Dual Slalom, BMX, Cross Country and Single Track all in a former limestone cavern 100 feet sub-surface. Enjoy the comfort of our 60 degree temperature year round. Come experience what the buzz is all about. You simply won’t believe what you see.”

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Nikon announces Coolpix AW130 and S33 rugged compacts

11 Feb

Nikon has just refreshed its rugged camera lineup with the Coolpix AW130 and budget-friendly S33. The AW130 sports a 16MP CMOS sensor, 24-120mm equivalent zoom range, a 3” 920k dot OLED, 1080/30p video capture, Wi-Fi/NFC and built-in GPS. It can be submerged down to 30m/100 ft, is shockproof up to 2.1m/7 ft and freeze proof down to -10C/14F. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm adds new lenses and teleconverter to official X-Series roadmap

11 Feb

A new macro lens, a miniature standard prime and a teleconverter have been added to the Fujifilm X-Series roadmap, while a previously hinted-at lens has been given a definite focal length range in an announcement from the company’s headquarters. The chart released indicates that a 1.4x teleconverter will be the first of the new products to become available in the second half of this year. Learn more

Articles: Digital Photography Review (dpreview.com)

 
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Serif launches Affinity Photo, a Photoshop alternative for Mac

11 Feb

Serif has launched Affinity Photo software, an alternative to Adobe Photoshop for Mac users. The company touches on a couple different notable selling points: its software is considerably cheaper than Photoshop, but no less robust, and comes with the added benefit of silky-smooth operation, at least according to its maker. Additionally, because it is newly created for the latest hardware, Serif says Affinity Photo offers performance that Photoshop struggles to match. Read more

Articles: Digital Photography Review (dpreview.com)

 
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10. Februar 2015

11 Feb

Das Bild des Tages von: Dor Reznik

15686429562 © Dor Reznik

Fotolinks des Tages

1. Fotografen und ihre bekanntesten Bilder

Tim Mantoani portraitierte über 150 berühmte Fotografen wie Steve McCurry, Elliott Erwitt und Douglas Kirkland zusammen mit ihren bekanntesten Bildern. Alle Aufnahmen entstanden mit einer 20×24-Polaroid-Kamera und zeigen die Menschen, die sonst unsichtbar hinter der Kamera stehen. → ansehen

2. Alternative zu Photoshop?

Als eine erste Alternative zu Photoshop wird das Programm „Affinity Photo“ für den Mac beworben und das Video sieht in der Tat sehr vielversprechend aus. Das Programm soll nicht nur unglaublich schnell arbeiten, sondern es ist zudem völlig kostenlos. Die Beta-Version ist ab sofort als Download erhältlich. → ansehen

3. Fliegende Häuser

Ganz wunderbar surreale Aufnahmen von fliegenden Häusern und ihren Bewohnern zeigt der Fotograf Laurent Chéhère. My Modern Met zeigt eine Auswahl der Serie mit Detailaufnahmen, die die unglaubliche Kreativität des Künstlers unterstreichen. → ansehen


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Drone maker DJI announces support for Micro Four Thirds standard

11 Feb

Three companies joined the Micro Four Thirds system standard group this morning, including DJI, maker of both consumer and professional-level drones. JDC (GuangZhou) Optical Co., a small Chinese optics manufacturer, and Flovel Co., a Japanese optical company, both also announced support. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Freezeways: Using Bike Paths as Winter Ice Skating Corridors

11 Feb

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

freezeway design concept drawing

Proposed by a landscape architect from Edmonton, Alberta, this 7-mile urban project may not be as far fetched as it first sounds – in many regards it is simply a linear extension of an ice skating rink or more pragmatic variant of for-fun skateways found in Holland and Russia.

freezeway bike path summer

freezeway design concept drawings

For the many cities in the United States, Canada, Northern Europe and elsewhere that are only warm (and thawed) enough for comfortable biking half of the year, designs like The Freezeway by Matt Gibbs could provide a means to modify extant bike pathways to get exercise, have fun and commute to work during colder months. The process is not as simple as pouring ice on existing paths – issues of grade, embankments and connections would need to be addressed – but the concept is gaining momentum and these problems all have solutions.

freezeway winter commuting skaters

The idea has local appeal for places like its architect’s hometown, which is ice cold for much of the year and dark to boot, providing an excuse to get outdoors as well as a way to move about the city. It also has potential international appeal as a tourist attraction and urban icon akin to the High Line in New York, Garden Bridge coming to London, Sea Wall in Vancouver and other one-of-a-kind landscape projects around the world.

freezeway winter ice path

More details from the designer: “By shovelling a mapped out route, the space between snow banks could be flooded, perhaps by a fire hydrant at first (though it’s not ideal), creating a web of trails to explore on skates, requiring minimal expenditure …. This space could eventually be animated by lights and music. If popular, it could incrementally expanded every year.”

freezeway urban skate path

More on the advantages for and beyond commuting: “This project is not meant to be a tax payer’s burden. The Freezeway is meant upgrade city infrastructure for a multitude of uses, potentially doing wonders for the redeveloping City’s core, our international reputation, as well as attract investment into the City. The proposed route exists entirely on existing City infrastructure; the land is already secured. The numerous character areas along the route could be developed in phases, lending themselves well to private funding/sponsorship, like Calgary’s GlobalFest, or Vancouver’s Festival of Light fireworks shows, funded by donations of over 1 million dollars annually. The design team is currently exploring numbers.”

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Preparing for a Successful Client Photo Session

11 Feb

“Watch out”, she yelled a little too late as I slipped on an icy patch of snow and tumbled unceremoniously, almost flat on my face. The first thought racing through my head was, “My camera! Please God let nothing happen to my camera!”. Had I researched the location and the weather prior to my photoshoot, I would have realized that the temperatures had dipped quite a bit the night before, freezing the melting snow on the ground. A few hundred dollars later (my lens took the brunt of my fall and the focus ring got dislodged) with my ego a little bruised, I now always check the weather report before I head out. My car is my traveling studio and has everything I would ever need for any type of situation – photography related or otherwise!

Digital Photography School Preparing for your client photoshoot Memorable Jaunts

No matter what your level of photography expertise, a little anxiety or nervousness before a client photo session is very normal and typical. But with a little preparation ahead of time, you can reduce the anxiety, be confident that you have prepared for almost any eventuality, and actually have fun with your clients. I agree that preparations takes on different meaning for different types of client sessions – these are basic guidelines.

#1 Equipment related preparations

This is almost a no-brainer, but something that needs to be reiterated every single time. Recharge camera batteries, reformat memory cards, and clean lenses and cameras. Always carry spare batteries and extra cards. If you are going to be out for the whole day, carry your battery charger. You never know where you might find an electrical outlet, and those few extra seconds of battery life might just come in handy. I am very particular in downloading my images as soon as I get home from a client session. But that does not always happen, and there have been a couple of times where I had images on my card from prior shoots. There is nothing more unnerving than trying to remember if you have downloaded old images (or not) in front of your clients who are ready to be photographed.

#2 Location related preparations

Being a wedding and family photographer in Chicago means I have to deal with different types of clients, with different needs and expectations. Plus, weather is a huge factor in scheduling photo sessions. I am a natural light, outdoor photographer – that is what I do best. In a pinch, I will photograph indoors but that is not my first choice.

For family photo sessions, I have a few locations where I am very comfortable photographing. Those are my go-to location recommendations for my clients but every once in a while, I will get a client who wants to dictate the location. It could be a special place with special memories. This is where google maps comes in very handy. If it’s a local spot close to home, I will scope out the location prior to the shoot. But that is not always practical, especially with out of town weddings and engagement sessions, so I rely on google maps (any similar map tool will also do). Additionally ask around. I belong to several online groups of photographers and often times a quick question to the group gets me all the information I need about a particular location.

Digital Photography School Preparing for your client photoshoot location scouting Memorable Jaunts

Invest in location scouting ahead of time, you never know what hidden gems you may find.

Digital Photography School Preparing for your client photoshoot Location scounting Memorable Jaunts

The bike mural was hidden in an alleyway and could have been easily missed had I not scouted the location ahead of time.

#3 Business related – contracts, model releases and questionnaires

This might be different based on your own photography business, but generally having a contract and a model release is advisable. This helps in level setting for both parties. My workflow is such that clients are required to sign a contract and a model release form prior to the actual session. But life does get in the way and sometimes they forget. I always carry spare model release forms with me – clients are more than happy to sign the forms at the end of session rather than having to go back home and mail out the materials. With my wedding photography clients, I have the couple fill out a detailed questionnaire – this has specifics like names, relationships of people in the wedding party and wedding photo shot list. The more details I can get from the bride, the better prepared I am, even before the main event.

#4 Visualize and plan your poses

A little preparation goes a long way! Hopefully by following the above tips, you are feeling confident and prepared for the photo shoot. Take it a step further and visualize your session even before it happens. Research poses and looks you want to capture that are a true representation of your work. Mentally walk through the shoot. Having an idea of what, when and where will really help you create a road map of how you want to execute the shoot.

It is also okay to write down must-have poses and shots, and refer to them periodically during the shoot. I always take a few minutes during the shoot to check the back of my camera. I am open and honest with my clients and tell them that I want to make sure I have gotten the shot I visualized. Sometimes I also show them the back of the camera to see what I am seeing. Clients appreciate this feedback and it makes them feel like they are doing the right thing. Happy clients = confident clients = happy photographer! Remember that most clients are not professional models and putting them at ease is as much a part of your job as is taking pictures.

A little preparation and previsualization really helps in getting images that resonate with you and your brand.

A little preparation and previsualization really helps in getting images that resonate with you and your brand.

#5 Save the best for last

This goes hand in hand with #4. Most people get very self-conscious when a camera is pointed at them no matter how prepared they are. Often times the first 10 minutes of the shoot are the most awkward and uncomfortable for both parties. Do your best to set them at ease, talk to them from behind the camera, and encouragement them. Since you have pre-visualized your shoot, and also scoped out the location ahead of time, you know the best poses and the best light and location backdrop.

Save this for the last 10-15 minutes of the session. By this time the clients have warmed up to you and the camera and are having a good time. They are more open and receptive to trying out new things ensuring you have the shots that you want.

Traditional Outdoor Family Portraits Memorable Jaunts

One of the last frames of this outdoor family photoshoot – everyone was really relaxed and happy!

Of course, there are still a lot of things that can go wrong no matter how prepared you are. The weather might take a sudden turn for the worse, your car might have a flat tire 20 minutes before the session, the family might cancel at the last minute (I speak from experience). The key is to be prepared for all the obvious and apparent ones and just roll with the punches for the things you cannot control.

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