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Archive for February, 2014

Getting to grips with the GH4: a quick summary

07 Feb

GH4.png

We were visited recently by Panasonic product experts and got some time to handle Panasonic’s latest still/video hybrid camera – the Lumix DMC-GH4. We’ve dug through its feature set to get a feel for what it offers and have summarized what’s new and improved. And, although it’s the 4K-capability that will grab all the initial attention, there’s also plenty for 1080p shooters and even still photographers to take notice of. Click through to read more…

News: Digital Photography Review (dpreview.com)

 
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Artist Emma Jaubert Howell prints photos onto hand-blown glass

07 Feb

CAMERA1.jpg

Artist Emma Jaubert Howell has combined her passions for glass blowing and photography by adopting the wet plate collodion process to expose images directly onto her artwork. The process alone is tricky, but to expose onto her three-dimensional glasswork Howell had to create a camera from scratch that was large enough to accommodate the hand-blown bowls. We spoke to Emma about her project. Learn more about her process and see some of her art in our gallery. 

News: Digital Photography Review (dpreview.com)

 
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Monument & Void: Massive Stone Museum of Mayan History

07 Feb

[ By WebUrbanist in Architecture & Public & Institutional. ]

mayan museum central void

Commissioned for Guatemala City, this weighty megalithic structure is set to be the largest museum commemorating Mayan culture and history in Central America. Its architectural success, however, comes as much from its empty spaces as from its imposing structure, as evidenced by the eight-story central void shown above.

mayan museum plynth megalith

At a glance, the building looks like a monolithic box set upon a piecemeal plinth, the latter helping to give the former a sense of impossible mass. This humbling exterior gives way to an only somewhat-more-human-scaled series of spatial experiences inside.

maya museum monolithic void

Heavy stone-clad walls pierced by patchwork voids conspire to reinforce the sense of visual thickness that permeates the project, referencing ancient Mayan temples in terms of architectural materials and concepts but also sheer scale.

mayan museum exterior forest

This region-referencing design resulted from international collaboration between Harry Gugger Studio of Switzerland and Over,Under of Boston. More details from these firms below.

mayan museum gallery room

“The new Museo Maya de América is among the most ambitious cultural projects under development in Central America. It is planned to house one of the world’s most significant collections of objects, artefacts, artworks, textiles and knowledge relating to the history and culture of the Mayan Civilisation.”

mayan museum scale figure

“Located on the northern edge of L’Aurora Park, the new museum building will form the culmination of a cultural axis that includes the Guatemalan Museum of Contemporary Art and the Children’s Museum. This dense cluster of cultural institutions, in tandem with the large open spaces of the adjacent park will become a focal point for tourists and residents alike.”

mayan museum monolithic facade

An open central “void extends down in to the parking levels below ground, providing an interesting route up into the museum and a special place to display underworld-related artefacts. The landscaped roof of the museum is once again given back to the public with a series of different areas including a restaurant and terrace, roof gardens and viewing decks all accessible from the Cenote.”

mayan museum exploded axon

mayan museum central void

“The large surface of the roof will also be used to collect rainwater in a manner recalling traditional Maya practices by drawing water through a series of channels into the Cenote, enhancing the museums commitment to the environment through water recycling.”

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[ By WebUrbanist in Architecture & Public & Institutional. ]

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Fujifilm X-T1 images added to studio test scene

07 Feb

shared:TestScene2.jpg

We just added studio test scene images to our First Impressions Review of the Fujifilm X-T1. The X-T1 takes many familiar elements we’ve seen before in X-Series cameras but incorporates them in more DSLR-like shape and with even more external control. We also got a version of Adobe Camera Raw that supports the camera and have added it to our test scene comparison tool.

News: Digital Photography Review (dpreview.com)

 
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Stealing Light – Using Street Lights for Portraits

07 Feb

Turn the street into your studio by using street lights for portraits Most people that I see taking photos after dark around the city have a flash mounted on the camera pointing at their subject. If shooting outdoors with nothing to bounce the flash off, the result usually is that rabbit out in front of headlights look, and flat lighting that rarely flatters your subject. As a professional wedding and portrait photographer, I will share with you my secrets of stealing available light when taking portraits around cities. No need for softboxes, beauty dishes, just put that flash away and start hunting for good light available in a city near you. It’s liberating carrying less gear and after a few light foraging trips, you will be well trained to find that tasty light!

Types of light sources

Illuminated advertisement signs

Docklandsphoto 4

f/1.8, 1/100th, ISO 1600

One of my favorite methods is to light up my subjects with illuminated advertisement signs, every city has them. Above is a portrait of the couple lit with the bus stop’s advertisement. Just find a nice one with not too much colour if possible and it’s like photographing with a giant softbox. You get a nice soft light perfect for head shots. I’ve even used this method to great effect shooting friends in a nightclub with an iPhone.

Street lights

Tungsten streetlights are common, you see them everywhere. I prefer wall lights to give a nice directional light. The second bonus with using tungsten lights is that if there is any ambient light in the picture like you see in the back, it turns into a deep shade of blue. Great effect with no photoshop needed, all you have to do is to set your white balance to tungsten or if your camera has a manual colour temperature setting you can set it to 3000K (degrees Kelvin) during the shoot and play around with it. If I am under time pressure I usually leave the WB to auto and do the colour correction in post production. There is no loss of quality that way when shooting in RAW. Below image shot in London, notice how the background ambient light turns blue.

Docklandsphoto 1

f/2.8, 1/80th, ISO 1000, Tungsten White Balance

LED lights

LED lighting can be seen all over cites these days. They are getting popular as they are more power efficient than tungsten lights. They will offer a colder colour temperature compared to tungsten lights. The main thing to remember with LED lights is that there is a rapid light falloff. You need to have your subject as close as possible to the light source, normally within three feet, for the best quality of light. The couple below were lit with the LED lights attached to bridge hand rails. In the left image you can see where the light source was coming from, and I had to get the couple quite close to it for the effect.

Docklandsphoto 2

f/4, 1/30th, ISO 3200

Learn to see the light

When I first started out as a wedding photographer I would quiz other photographers and ask how they took their images. I recall posting on a forum asking a seasoned professional how he created such stunning portraiture, half expecting a response in the form of ISO, aperture, shutter values and lighting setup. He responded to a forum post with what I thought a rather abrupt and smug response. “Learn to see the light”. I now really do “see the light”, excuse the pun. For the photography that I shoot, it really is a case of training myself to understand and recognize good quality light. Below image left was shot after sunset and lit with the flood lights used to light St Paul’s Cathedral. A fast lens such as a 50mm f/1.4 comes in handy in these situations. The right image was just shot outside a Vietnamese restaurant lit with none other than a common halogen spotlight. The key to shooting with light source from above is to pose your subject so that their heads tilt up, to avoid the dreaded panda eyes!

Docklandsphoto 3

f/1.4, 1/80th, ISO 1600 left image
f/1.4, 1/100th, ISO 1600 right image

For more wedding and lighting tips read:

  • Are you Ready to be a Wedding Photographer?
  • “Photography Business Secrets” – A Review
  • Balancing Color for Flash and Ambient Light using Gels
  • 6 Portrait Lighting Patterns Every Photographer Should Know

The post Stealing Light – Using Street Lights for Portraits by Garry Chung appeared first on Digital Photography School.


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6. Februar 2014

07 Feb

Ein Beitrag von: Sarah Gallaun

© Sarah Gallaun


kwerfeldein – Fotografie Magazin

 
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Tamron to make new 28-300mm F3.5-6.3 superzoom for full frame SLRs

07 Feb

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Tamron has announced that it’s developing a new 28-300mm F/3.5-6.3 Di VC PZD superzoom lens for full frame SLRs. A near-twin of the co-announced 16-300mm F3.5-6.3 for APS-C, it’s distinguished from the current model by featuring an ultrasonic-type ‘Piezo Drive’ autofocus motor, splashproof construction and more-compact design with a 67mm filter thread. It’ll be made in Canon, Nikon and Sony mounts; pricing and availability are to be confirmed. Learn more

News: Digital Photography Review (dpreview.com)

 
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Long-Exposure Faces: Moody Light Art Painted with Sparks

07 Feb

[ By WebUrbanist in Art & Street Art & Graffiti. ]

face art factory find

Light painter Diliz has worked for three years to twist, turn and perfect his single-line sparkler sketches in urban settings around the world. Each successive shot is related to a new time and place but also reflects a fresh attempt at capturing a mood and creating a sense of site-specific interaction.

face art drawing

face light art

face art find exit

face art factory work

Diliz (aka Vincent Delesvaux) has experimented with all kinds of photographic light art. In this particular series, dubbed 60 Seconds to Find an Exit, he set up shop at night in out-of-the-way streets and alleys, abandoned buildings and deserted basements.

face art china

face art twofold

face art sparks

face art three tryptic

His travels took him everywhere from European locations (including Verbier, Switzerland and Grenoble, Franceto) all the way to cities in China, such as Lijiang, Yangshuo Fenghuang and Shanghai.

Next Page – Click Below to Read More:
Long Exposure Faces Moody Light Art Painted With Sparks

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Valentine Photo Gifts For Everyone

06 Feb

Valentine’s Day is February 14th. That’s just around the corner.

Now is the time to grab a gift for your sweetie (or heck, for yourself).

Whether your relationship is a baby f/22 or a full on f/2.8, if you’re head over heals in love, grateful for your friends or flying solo, we’ve got gift ideas for everyone!

Easy Macro Lens Band

Take detailed photos, up close and personal. → More

Instant Cam iPhone Decal

A true friend will stick by your side and this on their phone. → More

The Keyprop

Your friends can lean on you and their phone on this stand. → More

Phone-o-Chrome Filter

Friends don’t let friends photo without a rainbow-y filter. → More

Instagram Like Necklace

No filters here. Give a symbol of your undying like. → More

Snack Caps

A sweet treat that says, “I care for you and your lens’ safety.” → More

Power Boost Keychain

May your heart and battery always be full. → More

The Pocket Spotlight

Shed light on your true feelings and your photos. → More

Instax Mini 90 Camera

This camera makes mini instant prints but it has BIG heart. → More

Sony QX Smart Lenses

Your love’s phone will love this wireless lens camera. → More

Limited Edition SX-70s

Polaroid cameras lovingly restored to perfect condition. → More

Brooklyn Camera Bag

Made of the finest leather for your finest Valentine! → More

Muku Shutter Remote

No photo assistant? Grab a Muku to snap photos for you. → More

Autographer Smart Cam

Super intelligent. Always by your side. It logs your life! → More

Gorillapod Mobile

You and your phone know how to stand up for yourselves. → More

Touch Screen Gloves

Photoing cold? You’ve got your gloves to keep you warm. → More


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Winter Photography Tips | Bendy straws and Ziploc bags?

06 Feb
© Paul Burwell Photography

Black-capped Chickadee on a snowy branch

While a lot of photographers find that winter is an excellent time to hibernate, there are really no good excuses for staying indoors and avoiding winter.  But, you do need to take steps to protect your equipment.  Here’s a few ideas to keep things safe.

WINTER PHOTOGRAPHY TIPS

One of the biggest problems for cameras in cold weather is condensation.  Condensation occurs when you bring a camera from the dry cold temperatures outdoors, to the warm and relatively moist conditions in your vehicle or home. When that warm moist air reaches the sensor on your cold camera, condensation occurs which can leave your sensor covered in spots or even damage the electronics.  The solution to this issue is to remove your memory card and battery(s) from your camera and then transfer your gear into a Ziploc type of bag and seal it in there with the cold air while you are still outside.  Now when you bring the camera gear into a warm area, the moisture can’t get to the camera to condense  on the camera’s sensor.  Once everything warms up to room temperature you can remove it from the baggy.asj-222_1z

Another issue for winter photography is battery life.  Cold is the mortal enemy of battery life and unfortunately there just isn’t a lot you can do about that.  But, what you can do is keep a spare battery or two in an inside jacket pocket, next to your body.  The warmth of your body will keep the batteries toasty warm and when the battery in your camera succumbs to the cold, all you need to do is swap it for a warm battery.  The cold battery will slowly warm and you’ll probably find it has renewed energy when called upon.

Bendy StrawAnother bit of winter annoyance comes from having your breath condensate and freeze on your camera’s viewfinder while you’re trying to focus.  The solution for this frustration  may just be the cheapest photography accessory you will ever own. Are you ready for this brilliant invention?  Okay, here it is:

You can use a bendy straw as a type of snorkel to direct your warm moist breath away from your camera’s viewfinder so that you can continue to make those great winter shots. This  tip also provides endless entertainment for anyone who happens to be watching you.  Try it, it works!

Fight back against the winter doldrums and get out there and make some great photographs! Hopefully these tips will make your winter photography sessions more tolerable!

© Paul Burwell Photography

Northern Pygmy Owl on a frosty branch


Further reading on shooting on cold or inclement weather:

  • Tips to Protect your Gear in Harsh Weather Conditions
  • How to Protect your Camera in Extreme Conditions
  • 30 Foul Weather Photos for Inspiration

The post Winter Photography Tips | Bendy straws and Ziploc bags? by Paul Burwell appeared first on Digital Photography School.


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