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Archive for August, 2013

Einblicke in das Leben der Feldhasen

10 Aug

Ein Beitrag von: Christoph Ruisz

Die einen sehen ihn als süßes Haus- und Kuscheltier, die anderen empfinden ihn als Schädling und Plage. Für uns Naturfotografen stellt er ein wunderschönes und willkommenes Motiv dar.

Feldhase © Christoph Ruisz

Der Feldhase ist ein scheuer Bewohner unserer Feld-, Wald- und Wiesenlandschaften. Oft wird er angesichts seiner ausgezeichneten Tarnung gar nicht erst wahrgenommen und übersehen. Das liegt auch daran, dass sich Feldhasen bei nähernder Gefahr in eine Kauerstellung begeben (in der Jägersprache nennt man diese Stellung „Sasse“) und sie dadurch noch schwieriger auszumachen sind.

Auch die rückläufigen Bestände in unseren Breitengraden tragen dazu bei, dass es immer wieder eine neue Herausforderung darstellt, Meister Lampe in einem ansprechenden Moment vor die Linse zu bekommen.

Insbesondere auch deshalb habe ich mich in den vergangenen Monaten auf diese interessanten Säuger konzentriert und dabei Einblicke in ihr tägliches Leben erhaschen dürfen.

Feldhase © Christoph Ruisz

Die wohl interessanteste Zeit für das Fotografieren und Beobachten von Feldhasen stellt das Frühjahr dar. Durch die kalten Wintermonate ist die Vegetation in dieser Zeit noch nicht so weit vorangeschritten wie beispielsweise in den Sommermonaten.

Dadurch ist es wesentlich einfacher, die Tiere zu entdecken und ohne störende Elemente wie Grashalme oder Ähnliches in den Sucher zu bekommen.

Feldhase © Christoph RuiszFeldhase © Christoph Ruisz

Allem voran ist dies aber der Beginn der Paarungszeit, was sich besonders auf die männlichen Tiere auswirkt. Mit ein bisschen Glück lassen sich die wilden Paarungskämpfe aus unmittelbarer Nähe verfolgen. Dabei handelt es sich um Boxkämpfe, bei denen der Gewinner die Gunst des Weibchens erwirbt.

Selten kristallisiert sich der Sieger nach nur einer einzigen Auseinandersetzung heraus. Die „Boxer“ richten sich dabei auf ihre Hinterpfoten auf und versuchen, sich gegenseitig mit den Vorderpfoten auf die Köpfe zu schlagen. Abgesehen davon kämpfen manchmal auch mehrere Hasen zugleich gegeneinander und verbünden sich zudem.

Aus großer Entfernung konnte ich genau solch eine Gruppenbildungen beobachten, bei der sich drei Säuger verbündeten und die restlichen Kontrahenten in die Flucht schlugen.

Feldhase © Christoph Ruisz

In der Paarungszeit steigt der Hormonspiegel bei den Männchen auf ein absolutes Maximum an und lässt die sonst schreckhaften Zeitgenossen auch abseits der Rivalitäten ihre Scheu ablegen.

Sie entwickeln in diesem Zeitraum eine regelrechte Neugierde, wie man sie sonst im restlichen Jahr nicht erlebt. Diese wirkt sich sehr positiv auf das Fotografieren aus, weil man die Feldhasen mit etwas Geduld und Glück dadurch aus nächster Nähe ablichten kann.

Feldhase © Christoph Ruisz

Oft ist es bei meinen Beobachtungen vorgekommen, dass die Hasen sogar unter die Naheinstellungsgrenze des Objektives kamen und mir direkt in die Augen blickten.

Die meisten meiner Eindrücke entstanden, als ich auf dem Bauch liegend mit meiner Kamera durch Wiesen und Felder robbte, um auf gleicher Augenhöhe mit den Tieren zu sein. So empfanden sie mich nicht als Bedrohung und ließen sich in ihren Handlungen kaum stören.

Feldhase © Christoph RuiszFeldhase © Christoph Ruisz

Besonders intensiv empfand ich auch jene Begegnung, bei der ein Feldhasen-Pärchen in der Abendsonne den Tag ausklingen ließ. Dabei robbte ich bis auf 20 Meter an die beiden heran und wartete mehrere Minuten, als plötzlich einer der beiden Hasen aufsprang und in meine Richtung hoppelte.

Unmittelbar danach setzte sich auch der zweite Mümmelmann in Bewegung und steuerte ebenfalls meine Richtung an. Dermaßen beeindruckt von dieser Entwicklung entschloss ich mich, auf das Fotografieren zu verzichten, um das Geschehen einfach zu genießen.

Für ein paar Sekunden hielten die beiden in ungefähr fünf Metern Entfernung vor mir inne, um danach einen regelrechten Tanz aufzuführen. Dabei umkreisten sie mich mehrmals und verfolgten sich gegenseitig.

Es sah aus wie ein Spiel, vermutlich handelte es sich aber um einen Paarungstanz zwischen Männchen und Weibchen. Solche Verfolgungen leiten oft die Kopulation ein. An diesem Abend kam es jedoch zu keiner Rammelei.

Feldhase © Christoph Ruisz

Genau das sind die Momente, die die Wildlife-Fotografie so besonders und wunderschön machen. Bei solchen Begegnungen vergisst man fast, dass es sich dabei um wilde Tiere in freier Wildbahn handelt.

Für die Zukunft erhoffe ich mir im Speziellen, dass die Bestände in Europa wieder eine positive Entwicklung erfahren und der Feldhase von der Roten Liste der gefährdeten Arten verschwindet.


kwerfeldein – Fotografie Magazin

 
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Tough Decision? We round up the best rugged cameras of 2013

10 Aug

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Over the past few weeks we’ve been reviewing this year’s collection of weatherproof tough cameras, and in this article we’re rounding them up, comparing their relative strengths and weaknesses and taking a more detailed look at how their image quality and feature sets stack up. Even if you’ve read the full reviews, we recommend clicking through and reading our final, definitive roundup of this year’s class of waterproof rugged compacts. Click through for a link. 

News: Digital Photography Review (dpreview.com)

 
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Black and White Landscapes: Weekly Photography Challenge

10 Aug

Over the last couple of weeks we’ve been running ‘Landscapes’ challenges to celebrate the launch of our new Landscape Photography eBook – this week we’re going to continue that by nominating ‘Black and White Landscapes’ as the theme for your challenge.

Black & White

Once again – there’s a section on black and white landscapes in the eBook (see the screen shot of the first page of the section below) but whether you’ve read it or not – we think it’s a fun challenge because many photographers don’t think to take landscapes with out colour – to their own detriment.

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Don’t believe us – check out these 27 great Black and White Landscapes for some inspiration.

So grab your camera and head out and shoot some landscapes in black and white. If you’re not able to get out – how about finding an older landscape to convert?

Once you’ve taken your ‘Black and White Landscape’ photos upload your best ones to your favourite photo sharing site either share a link to them even better – embed them in the comments using the our new tool to do so.

If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSBWLANDSCAPES to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Also – don’t forget to check out some of the great shots posted in last weeks Leading Lines challenge – there were some great shots submitted.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Black and White Landscapes: Weekly Photography Challenge


Digital Photography School

 
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What The Duck #1429

10 Aug

wtdlogo_big.jpg

We’ve been fans of Aaron Johnson’s comic strip ‘What the Duck’ for years. ‘WTD’ is one of the best satirical comic strips in the world, and it’s published here every week, as well as being included in our weekly newsletter. Barbed, topical and always amusing, we hope you enjoy WTD as much as we do. 

News: Digital Photography Review (dpreview.com)

 
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What The Duck #1429

10 Aug

wtdlogo_big.jpg

We’ve been fans of Aaron Johnson’s comic strip ‘What the Duck’ for years. ‘WTD’ is one of the best satirical comic strips in the world, and it’s published here every week, as well as being included in our weekly newsletter. Barbed, topical and always amusing, we hope you enjoy WTD as much as we do. 

News: Digital Photography Review (dpreview.com)

 
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10 August, 2013 – Edward Curtis and Helicopter Production

10 Aug

Two new articles grace our pages today. The first is titled Edward Curtis, The Man Who Never Slept, by Eric Miola.

The second is the opening helicopter sequence to our Capture One 7 video training tutorial, which we just completed shooting. A helicopter sequence? Seriously? Yup.

"Having been to Antarctica with Michael and Kevin, I would say after having traveled the world and shot nearly my entire life as an exhibiting photographer,  it was one of my highlights in my life and I talk about it, all the time.  The images and experience of seeing something visionary and nearly extinct from the world, to see and experience the wildlife and scenery that does not fear humans is amazing.  The images I shot there won me two Smithsonian awards and nearly 18 other international awards". – Tim Wolcott

 Find Out More Now
These Expeditions Will Sell Out Quickly. They Always Do

 Find Out More Now
These Expeditions Will Sell Out Quickly. They Always Do


The Luminous Landscape – What’s New

 
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Olympus stems loses but PEN sales disappoint

10 Aug

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Olympus has announced reduction in its camera business’s loses but PEN sales have fallen behind expectations. The predominantly medical company said PEN sales had fallen 12% in the first quarter, but that it expected the year’s income from mirrorless models to be consistent with last year’s figure of ¥9bn ($ 90m). The company blamed the fall on its delay in releasing the E-P5 and said the camera business is on track to break even this financial year.

News: Digital Photography Review (dpreview.com)

 
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Behind the Shot: Nautilus

10 Aug

Nautilus_0_final_image.jpg

In the latest of his series of ‘Behind the Shot’ articles, landscape photographer Erez Marom shows us how he got his stunning shot inside an icecave in Vatnajökull, the largest glacier in Iceland. As well as setup and equipment choice, Marom also gives us a detailed look at the post-processing required to achieve the final result. Click through for a link to the full article. 

News: Digital Photography Review (dpreview.com)

 
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5 Steps to Building More Powerful Images

10 Aug

A Guest Contribution by Dan Bailey

We photographers seem to have it easy. Whereas most artists spend anywhere from hours, to months to years to manufacture their creations, we can simply point, press and be done. However, that kind of convenience doesn’t necessarily translate into great imagery.

Shooting powerful photos that have lasting visual appeal requires more than just pointing and clicking; it takes applying some fundamental compositional methods that are designed to simplify your compositions and actively engage your viewers. Here are five steps that will help you strengthen the visual impact of your imagery.

1. Use Awesome Light

Photography is all about light, and it’s the first thing that will make or break the shot. Not matter what you’re shooting, any and every subject will look better in great light. When we think of good light, we often think of Magic Hour, or the stretches of time during sunrise and sunset. As a general rule, shooting during these times will usually give excellent results.

However, be open to shooting at other times of the day, or even using other lighting sources. Fog, diffused window light or a camera flash can all make for compelling illumination. If you become proficient at wrangling the light, you can create great photos under any conditions.

NFLD HIK 100A

2. Have an Identifiable Main Subject

First and foremost, your image should have have a main subject. Period. It needs to be about something. The most powerful photographs are built around a single element that serves as the focal point of the shot. As a photographer, your job is to draw your viewer into the frame, and if you don’t give them something to lock onto, their eyes will wander aimlessly around your picture trying to figure out what they’re supposed to see. If you don’t know what your picture is about, then your viewer won’t either and they’ll just move on.

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3. Use Relationships to Tell the Story

A powerful photograph tells a story, which essentially means that it communicates some specific message or invokes an emotional response from the viewer. The best way to do build this story is to establish relationships between your main subject and the other elements inside the frame.

The job of these secondary elements is to compliment, reinforce or contrast the main subject in some way. An effective secondary subject can be as simple as a strong, out of focus background that gives a sense of place, or it can be two or three other things in the photo that give your subject something to play off of and help to establish the narrative of how your subject “fits” within the world of your frame.

Adding strong secondary elements to your photo also gives your viewer something else to explore as their eyes scan the image, and more importantly, it gives them something to think about. Anytime you activate your viewer’s brain, you’ve gone a long way towards creating a compelling image.

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4. Create Tension Through Framing

Depending on how you place your subjects in the frame, you determine the experience by which your viewer scans and respond to what’s in your photograph. The human eyes and brain are hard wired to see and recognize patterns, colors and imperfections in the world; it’s how we evolved to identify our surroundings and spot things like food and danger.

By using a mix of hot and cool colors and by placing your subjects in seemingly random areas in the frame, you cause an inherent uneasiness in your viewers. Their eyes will scan your image, trying to find patterns and that may not exist, and so they’ll keep looking, tracking back and forth between your different subject elements, and darting across broad patches of negative space in order to make sense of the photo. By contrast, if your composition is too perfect, or too balanced, your viewer will quickly spot this nice, easy pattern and move on. That’s not what you want.

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5. Don’t Show Everything

A common mistake with beginning photographers is to try and show too much. This leads to cluttered, boring images that do little to engage the viewer’s brain. As I said in number 2 above, in order to create a powerful photo, you need a main subject. However, I didn’t say that you had to show the whole thing.

Abbreviating your subjects can be a very powerful method towards creating a compelling shot. Especially if I they’re things that we’re all familiar with. If you only show part of a subject, you automatically activate your viewer’s imagination as they try to picture the rest in their mind. Photography is a two way street: You have creator and viewer, and if you bring your audience into the process, you invite them to become more connected to your shot.

Remember, good photography isn’t about perfectly reproducing your subject, it’s about creating a visual representation that communicates the ideas or emotions that you had about the scene right when you pressed the shutter.

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Further Reading

Makingcover125For more creative photography tips, I invite you to check out my eBook Making The Image – A Conceptual Guide to Creating Stronger Images. I’ll even give you a special price! Use discount code DPS you can get eBook for 50% off.

Dan Bailey is a full time professional outdoor, adventure and travel photographer based in Alaska. When he’s not off exploring in the mountains, writing about photography, or flying his little yellow bush plane, he can sometimes be found lurking in the forums right here at DPS.

Check out his blog and find him on Facebook and Google+.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

5 Steps to Building More Powerful Images


Digital Photography School

 
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9. August 2013

10 Aug

Ein Beitrag von: Georgie Pauwels

_long-summer-evenings-©-Georgie-Pauwels


kwerfeldein – Fotografie Magazin

 
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