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Archive for August, 2013

18. August 2013

18 Aug

Ein Beitrag von: Christian Richter

Old Wreck © Christian Richter


kwerfeldein – Fotografie Magazin

 
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Gorgeous color photos of America in the 1930’s and 40’s

18 Aug

color_2.jpg

World War II and Depression-era America was mostly documented in black and white. That’s color photos of the time belonging to the Library of Congress is so engrossing. Shot in color at the same time as more widely recognized black-and-white photos, these images offer a vivid look into American life in 30’s and 40’s. We’ve picked a few favorites of the more than 1500 images total contained within the Library of Congress’ Flickr account. 

News: Digital Photography Review (dpreview.com)

 
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Full 360-degree camera rig takes your 3D portrait with 60 DSLRs

18 Aug

xIMG_0025.jpg.pagespeed.ic_.TP-LDuzYup.jpg

Printing in 3D is in the news a lot lately, but applications are usually limited to industrial prototypes. A company called Captured Dimensions has a different use for this technology. They’ve rigged 60 DSLRs in a 360-degree array to capture 3D portraits. The likeness is then printed using a substance containing gypsum powder, resulting in a 3D sculpture of 1/12 to 1/5 scale. Ready for your 3D closeup? Click through for more details (including how much it’ll set you back).

News: Digital Photography Review (dpreview.com)

 
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browserFruits August #3

18 Aug

In unseren Bücherschränken verstecken sich eine Menge verdammt guter Fotobände. Leider nimmt man diese viel zu selten zur Hand. Das haben wir nun geändert. Seit Anfang August präsentieren wir Euch zwei Mal in der Woche zu später Stunde, den Blickfang.

 

Fotospecial: Perspektivwechsel

Flickr

500px

 

Deutschsprachig

• Alessio Pizzicannella ist der offizielle Fotograf des Filmfestival Locarno und berichtet in einem Interview über seine Arbeit.

• Ein Video der Sendung ttt über den Fotografen Jimmy Nelson kann man hier nachsehen. Seine inszenierten Bilder indigener Völker sind sehr beeindruckend.

• Einen ausführlichen Artikel zum Thema Fotografie auf dem Kunstmarkt haben wir auf Zeit Online entdeckt.

• Zeit Online zeigt auch die Luftaufnahmen deutscher Städte des Fotografen Gerhard Launer. Meisterhaft musterhaft.

• Stern.de zeigt 12 Bilder aus Nordkorea vom Fotograf Jason Lee.

 

International

• Fong Qi Weis „Time is a Dimension“ bringt den Faktor Zeit ins gedruckte Bild. Wie? Schaut selbst.

• Brian Sokol fotografierte Flüchtlinge mit ihrem kostbarsten Besitz. Sehr beeindruckende Serie.

• James Sebright war vor dem Krieg in Syrien und hat dort die freundliche Stimmung des Landes dokumentiert.

• In Nigeria sind Hochzeiten nicht privat, sondern öffentlich. Glenna Gordon hat eine davon dokumentiert.

• Ana Carolina Fernandes lebte zwei Jahre unter Transvestiten in Rio de Janeiro – ihre Fotos sind schön und intensiv zugleich.

• Olivier Duong war süchtig. Wonach? Nach Kameras. Und hier schrieb er sich seinen Frust von der Seele.

• Jeff Jacobson, ehemaliger Magnum-Fotograf, spricht hier über die Entstehung seines einzigartigen Stiles – und seiner Traurigkeit, als Kodachrome eingestellt wurde.

• Martin Parr sagt, dass viele Menschen eigentlich die falschen Urlaubsfotos machen.

• David Harriman fotografierte illegale Einwanderer, die zurück nach Mexiko abgeschoben werden sollten, an deren Tiefpunkt.

• Sehr einfühlsame Fotos zum Thema Übergewicht gibt es von Abbie Trayler Smith.

 

Neuerscheinungen und Tipps vom Foto-Büchermarkt

Buchtipps

• Einmal den tollen Bildband „Rainbox Transit“* von Per-Anders Pettersson über Südafrika durchgeblättert bekommen? Bitteschön.

• Für Martin ein absolutes Muss: Die von Elliot Erwitt* selbst ausgewählten und von ihm als „die Besten“ deklarierten Aufnahmen. Zwar kein Hardcover, aber mit vollflächig bedruckten 30 cm ein Hingucker.

 

Wettbewerbe

• Für den Felix Schoeller Photo Award kann man sich noch bis Ende des Monats anmelden. Jeder Teilnehmer kann seine Arbeiten in bis zu fünf Kategorien einreichen: Portrait, Landschaft/Natur, Architektur/Industrie, Foto-Journalismus/Editorial und Freie/konzeptionelle Fotografie. Pro Arbeit sollen die Teilnehmer mindestens drei, maximal aber fünf Motive einreichen.

 

Videos

Zeitraffer scheint das beste Mittel zu sein, um das Gewusel von New York Citys Midtown wiederzugeben. Das Video entstand aus nicht weniger als 50.000 Einzelbildern.

 

Ein Blick über der Tellerrand eröffnet uns Kreativität auf allerhöchstem Level. Selbst der Abspann des Skate-Videos ist unglaublich schön.

 

Ausstellungen

Die nackte Wahrheit und anderes – Aktfotografie um 1900
Zeit: 03. Mai bis 25. August 2013
Ort: Museum für Fotografie, Berlin
Link

9 Blinkwinkel – Abschlussarbeiten der IMAGO-Fotoklasse 32
Zeit: 17. August – 14. September 2013
Ort: imago fotokunst • Linienstraße 145 • 10115 Berlin
Link

Götz Schleser – Politische Porträts
Zeit: 22. August – 10. Oktober 2013
Ort: FREELENS Galerie, Steinhöft 5, 20459 Hamburg
Link

“I’m not afraid of anything”. Porträts junger Europäer
Zeit: 2. August 2013 – 27. April 2014
Ort: Museum Europäischer Kulturen, Berlin
Link

Mehr aktuelle Ausstellungen

 

* Das ist ein Affiliate-Link zu Amazon. Wenn Ihr darüber etwas bestellt, erhalten wir eine kleine Provision, Ihr bezahlt aber keinen Cent mehr.


kwerfeldein – Fotografie Magazin

 
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B-Grip Camera Holster Review

18 Aug

10428898-origpic-b69c54
The B-Grip (short for “belt grip”) is a way to carry your camera on a belt, rather than around your neck. The camera is carried around in the holster with a quick release plate that’s easily accessed when you’re ready to shoot. It’s best paired with the hand strap also available, and it is this pair which I was sent for review by a local reseller. I tested this grip out on the busy weekend of an anime convention which I attend every year and usually take about 1000 photos a day for each of the two days. For Saturday I used the B-Grip. For Sunday I switched back to my preferred strap, a Sun Sniper strap. This way I was able to get a good comparison of the two.

Pros

  • It looks damn sexy! I posted the product photo to my facebook page when I got the holster for review and the most common comment was how cool/badass/sexy it looked. For a photographer who needs to look cool, this will not harm your image one bit.
  • This will save your neck and shoulders, as the weight of the camera and lens is moved to your hips, which can carry that weight far more easily. The advertising says “carry your camera comfortably”, and it is comfortable!
  • When holstered, the camera is very secure. I was concerned at first but after putting it all together I could see there was no way the camera would come loose. It’s probably more secure than a standard strap, since it doesn’t swing about.
  • The experience of going hands-free without worrying where a dangling camera might go if you bend over or turn around is a liberating one.

Cons

JU0157HSWebDual

  • The major problem I faced with the holster is the necessity for a strap you slip your hand into before you can remove it from the holster. The alternative is no strap which means your own hand’s grip is the only thing stopping the camera from hitting the ground. I think that’s too risky, especially when trying to holster/unholster your camera.
  • The strap is a thick, flexible, slightly grippy rubber. It’s a little tricky to adjust to the right size, and can be quite difficult to put your hand into when you’re even a little bit sweaty.
  • The event I was shooting had me stopping to take photos every couple of minutes, so I was constantly holstering/unholstering my camera. I started leaving my hand in the grip all the time, and then I just stopped holstering it altogether, so I ended up always holding the camera in my hand and as a result my arm became tired.
  • Not only did this make my arm tired, but it also meant my hand wasn’t free. It took a few seconds to lift my shirt (which naturally fell over the holster), holster the camera and take my hand out of the grip in order to get my hand free. Long enough to be awkward when offered a hand to shake.
  • There’s an optional extra attachment for the grip on the camera that allows you to mate the plate for the holster onto a tripod mount. This is a solution for photographers who want to swap between handheld and tripod, but the adapter is plastic and I prefer metal for tripod plates.
  • Also, the grip is not compatible with my panorama head. This may not be a problem for many photographers (although stills/video shooters may have a similar issue), but the attachment is slow and fiddly enough – with some small plastic nuts used which could easily be dropped and lost – that I’d rather never have to remove the B-Grip from my camera.
  • Every time I wanted to sit down I had to slide the camera and belt around to my side, which then got in the way a bit.

Thoughts

  • I really like the concept of the holster mount, and the benefits are very nice indeed, however for the types of photography I do and the relatively burdensome process of adding and removing the B-Grip from the camera, I don’t think it’s suited to me.
  • I can imagine this being a great tool for a street photographer for example. You could walk around for hours, the camera securely stashed out of the way and not swinging about, then slip your hand in the grip when you come across a photo opportunity. Once you’re done, holster the camera again and go on your way.
  • It’s very true that you need the right tool for the right job, and there are many jobs which demand many different tools. The B-Grip is not a tool for the jobs I do however.

bgrip-friend-g-media-res

Conclusion

  • I find it hard to do a fair review of this holster, as I feel that it simply wasn’t a tool that benefited me, yet for another photographer it could be exactly what they need.
  • There are some annoyances, such as the finicky wrist strap and a slower process to add/remove the camera attachment than I’d rather.
  • The parts that did work for me – the weight of the camera being supported on my hips, being completely hands free and not worrying about a camera swinging around on a strap – were truly a liberating feeling.
  • For the right photographer, this could be a dream come true. But not for me. I’ll be sticking with my Sun Sniper.
  • To keep all of my reviews consistent I’ll still give the B-Grip a score, but please interpret it in the context of what I said above: 6/10

If you regularly find yourself in a situation where you carry your camera with you and stop for occasional shots, or have to have your camera secure without the possibility of it swinging around, the B-grip is a great solution. You can pick one up at Protog.

If you’d like to see early impressions and photos from other camera gear that I’m reviewing, pop over to Facebook and like my page. I post that kind of thing regularly!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

B-Grip Camera Holster Review


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18 August, 2013 – Panasonic FZ70 Field Report

18 Aug

I received two new cameras for testing recently, the Panasonic GX7 and the Panasonic FX70. The GX7 is coming with me to Mexico on vacation this week, and I’ll be putting it through its paces there with a variety of lenses, shooting both stills and video.

My review of Panasonic’s latest superzoom, the FZ70 is now online.


"Having been to Antarctica with Michael and Kevin, I would say after having traveled the world and shot nearly my entire life as an exhibiting photographer,  it was one of my highlights in my life and I talk about it, all the time.  The images and experience of seeing something visionary and nearly extinct from the world, to see and experience the wildlife and scenery that does not fear humans is amazing.  The images I shot there won me two Smithsonian awards and nearly 18 other international awards". – Tim Wolcott

 Find Out More Now
These Expeditions Will Sell Out Quickly. They Always Do

 


The Luminous Landscape – What’s New

 
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4 Scenes in 1 Photo: Illusion You Have to See to Disbelieve

17 Aug

[ By WebUrbanist in Art & Photography & Video. ]

4 scenes in 1

Without proof, it makes for a tough sell – what looks like four photographs arranged into a square is indeed a single shot, meticulously staged, as only accompanying images and videos will convince.

4 scenes 1 shot revealed

Bela Borsodi created and photographed the scene for use as an album cover. And while it is still hard to trick your mind into seeing the reality of the overlap, there are subtle cues – certain objects that span multiple quadrants and lead the eye between them. The animation below shows the stages of setup and construction in a kind of stop-motion animation format.

4 scenes detailed view

About the artist: “Bela Borsodi was born in Vienna 1966. After studying graphic design and fine art he started to work as a photographer. In 1992 Bela moved to New York and in 1999 he focused on still life photography, which is still the main direction of his work. Bela lives and works in New York.” He has worked for editorial clients including The New York Times and Wired Magazine and advertising clients including Hermes, Puma, Nike and Freitag.

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[ By WebUrbanist in Art & Photography & Video. ]

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4 Ways To Make Money As A Photographer

17 Aug

Wouldn’t it be nice to make money doing something you love – even if it were just enough to cover the costs of that hobby?

I’m going to share with you four ways that I have personally used to try and make money as a photographer. I’ll share with you my experience with each, advice on getting started, and whether or not I was successful in my attempts. I’ve also found a few more posts on DPS that will help you find more information on a few of these topics if they peak your interest.

The Wedding Photographer

Sneak Peak-7

Wedding photography is probably one of the more profitable ventures – I know for me even having only photographed one wedding I’ve made more in that one day than the other three methods I’ve tried combined. It has a relatively low cost to entry and if you’re lucky enough to be in or know a lot of people in their early to mid 20s you have a pontential gold mine of a client base to tap.

I recently was asked to photograph my sister’s friend’s wedding and after some convicing I finally said yes. Instantly I felt the pressure of the task before me. Even though I had nearly a year to prepare before the big day it still felt like I had a mountian to climb. Now I’d suggest that if you don’t feel this pressure when you’re about to photograph your first wedding then you probably shouldn’t be photographing a wedding. It was this pressure that pushed me to get help and make sure that I did the best I possibly could with the experience that I had.

Four words of advice if you’re going to try breaking into wedding photography

  • Don’t do it for free – No matter who it is! If it’s the president of your company or some stranger off the street find a price that works for both of you and be happy with it. Wedding photography is a lot of work and a lot of responsibly. These photographs will have value to your client (even if they’re not the ones she has on her Pinterest board) because they will be the photographs that freeze this day in history.
  • Find a mentor – You’ll want to do the best that you possibility can and if you’ve never photographed a wedding let me tell you you’re not prepared. There is a million things that you need to know and the best way to learn these things is by doing. I found a great professional photographer who’s been in the business for decades and he allowed me to shadow him on two weddings prior to mine – it was the best thing I ever did!
  • Rent your gear – Odds are if you’re just starting out you won’t have top of the line gear – which at a wedding does make a difference. You’ll need something sharp and fast to get the best quality shots, but you don’t have to invest thousands of dollars in your first go. There are plenty of places that will rent you all the gear you want for a couple hundred dollars for a weekend. For example I rented a Nikon D600 and a 24-70mm f/2.8 for under $ 170 for 5 days for the wedding that I photographed.
  • Communicate Often – Stay in communication with your bride and groom. Find out their vision, what they expect of you, and who they want featured in their album. The better the relationship you have with your clients going into the wedding the better the photographs will be.

These are four of the most important ways to get started in wedding photography, but by no means is an exhaustive list of wedding photography tips. Here’s the first post in a great series here on DPS about wedding photography for more information.

The Real Estate Photographer

0

Okay so the global economy is still pretty much in the ICU, but things are starting to look a little better right? After all the housing market is slowly starting to come back to life and as it does there’s an opportunity here for a photographer to make some money on the side photographing interior and exterior shots for real estate agents to use in order to sell the house.

I’ve only done this once and I wasn’t even really looking towards this as an option, but out of the blue a real estate agent who helped me buy my house contacted me after seeing the photographs I share on Facebook and asked if I’d be interested – I agreed to give it a shot.

Again – don’t fall for the working for experience line here if you’re serious about making money the worst thing you can do is start out giving your time away for free so come up with a price and stick with it. The going rate for real estate photography is going to change based on region so you might want to see if you can find local rates in your area.

A Couple Ideas for Pricing Your Real Estate Shoot

  • A Flat Fee – Exterior only typically will be a simple job so you’d probably charge a flat rate for this. If they want interior shots too then you might want to charge on a per room basis.
  • Fee + Commission on Sale – I’ve seen this done before too, but typically you’ll have to have more of a reputation to demand a commission on the sale of the house. That said it’s worth a shot.
  • A Variable Fee – Set your rate based on the property. If you photograph a shack that’s going for less than $ 50,000 dollars you’d probably have a lower rate than if you were photographing something that’s listed for $ 1.5 million.

The best part about this type of photography is you don’t really need too much gear. A DSLR, a wide-angle lens and a tripod will go a long way. Here’s a post with a bunch of DPS reader comments on the subject of entering the real estate photography business if you’re interested in more information.

The Stock Photographer

stockphoto

I’ll be honest here and tell you that I’ve only given stock photography a very half hearted attempt. I signed up for one of the many agencies out there and submitted a handful of my photographs – they didn’t sell – and I gave up.

It’s a very hard industry to break into if you’re just starting out because the agencies typically will feature popular photographer’s work first. One point I’d like to make is that you have to keep in mind that the photographs people are looking for are ones that will help them sell a product or service to their clients and therefore you have to think about that when you take your photos.

Just because I failed at selling anything through a stock agency doesn’t mean it’s not a good source of income for you. After all there are people out there who make good money with stock photography and that’s the main reason I chose to include it in this post.

So if you’d like to know more about getting into stock photography read this article on DPS it’s much more involved than what I’ve gone over here.

The Fine Art Photographer

The Fog Rolls In2

Fine art photography is probably the most competitive and most difficult avenue to break into due to the fact that the market is saturated with photographers trying to sell their photography and the fact that wall space is limited (we all only have four walls in each room to hang photographs on and typically we want those photographs to mean something to us).

Key Points to Think About as You Get Started

  • You’ll Need a Fan Base – Typically people aren’t going to buy a photograph from someone they don’t know or recognize. The best way to start selling your photographs as art is to build a fan base – I’ve done this through sharing my photos on my Facebook page.
  • Quality is Huge – If your sunset photographs look like the ones that dad took on the last family vacation then you’re not going to sell anything. Read more about how to avoid becoming part of the sunset paparazzi here.
  • Uniqueness Will Sell – As a continuation on quality the more unique you can develop your style to be the more likely you will set yourself apart and be able to sell prints to the fan base that you’ve built and even beyond.

Ways To Sell Your Photography

Okay so now that we’ve gone over some of the basics of what you’ll need to do before you even begin to sell your photography how do you actually go about selling it?

  • Direct Sales – If you can build a very loyal and close nit community of people in your town, college, or place of work you might be able to generate sales in this manner. Also, many local coffee shops will allow you to hang your work on their walls for a commission on sales (this is how I got my first print sale). It benefits them in that they get free art to hang on their walls and you get to have a lot of eyes on your photographs. 
  • Online Sales – Smugmug and Zenfolio are the two names that come to mind when I think about online sales (read about why I chose Zenfolio here). There are some other places as well like Etsy, Fine Art America and Redbubble which don’t offer as many features and typically will take a larger percentage of your sale. Again while all of these places will allow you to host your photographs, offer shopping cart options, and even print and ship the photo to your client they won’t promote it for you so we’re back to the first point above about needing a fan base to sell to.

Are you making money with your photography? If so are you using one of the options listed above or do you do something else? Share below!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

4 Ways To Make Money As A Photographer


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Fotogenes Deutschland – Dreiländereck

17 Aug

Ein Beitrag von: Kilian Schönberger

Im heutigen Beitrag zur Serie „Fotogenes Deutschland“ möchte ich Euch das Dreiländereck Deutschland – Tschechien – Österreich vorstellen. Als natürliche „Fortsetzung“ des Nationalparks Bayerischer Wald liegt es im äußersten Südosten Bayerns. Das Gebiet gehört vollständig zum Landkreis Freyung-Grafenau und liegt etwa 50 km nordöstlich von Passau.

Die Landschaft des Dreiländerecks Bayerischer Wald findet ihre Fortsetzung im tschechischen Nationalpark Sumava (Böhmerwald) und im Nordwaldkamm des oberösterreichischen Mühlviertels. Die dominantesten Berge auf deutscher Seite sind der von bizarren Granitklippen gekrönte 1.312 m hohe Dreisessel und der 1.167 m hohe Haidel mit seinem Aussichtsturm.

In den letzten Jahrzehnten hörte man häufig vom Waldsterben im Nationalpark Bayerischer Wald. Auch das hier vorgestellte Gebiet blieb von Stürmen und Borkenkäfern nicht verschont. Erst langsam wächst heute wieder ein junger artenreicher Bergmischwald zwischen den bleichen Baumgerippen der ehemaligen Fichtenwälder nach. Beste Bedingungen für Landschaftsfotografen, die gern mal den Blick bis zum Horizont schweifen lassen: Durch den abgestorbenen und zum Teil abgeholzten Wald bieten sich Ausblicke, die bis vor wenigen Jahren nicht möglich gewesen wären.

Spektaktulär Stimmungen erlebt man besonders im nahen Herbst, aber auch im Winter, wenn der Blick von den genannten Bergzügen weit nach Böhmen, Österreich und über Bayern hinweg bis zum Alpenhauptkamm reicht.

Für Landschaftsfotografen spielt das „gute Licht“ eine wichtige Rolle. Ein Vorteil der genannten Aussichtspunkte diesbezüglich ist ihre gute Erreichbarkeit. Der Dreisesselberg ist über eine Hochstraße gut erschlossen. Am Gipfel lockt die Fernsicht von den Felstürmen des Dreisessels und des nahen Hochsteins über den Bayerischen Wald, das oberösterreichische Mühlviertel und das Tal der jungen Moldau bis hin zu den Alpen.

Der 360° Rundumsicht bietende Haidel Aussichtsturm kann über Bischofsreut im Osten und Grainet im Westen ebenfalls schnell erreicht werden. Auf 1000 m Höhe wird von Graint aus der Ortsteil Obergrainet passiert – an sich schon ein hervorragender Aussichtspunkt.

Für Fernblicke bis zu den Alpen favorisiere ich den Spätherbst: Wenn bei Inversionswetterlagen die Täler bis hin zur Donau und Moldau im Nebel versinken, herrscht auf den Bergen Sonnenschein mit hervorragender Aussicht. Bei dieser recht stabilen Wetterlage bewegt sich die Nebelobergrenze meist zwischen 700 und 1000 m. Darüber finden sich dagegen blauer Himmel und Hochdruckeinfluss.

Nur die höheren Bayerwaldberge ragen dann wie Inseln aus dem schier endlosen Nebelmeer heraus. In südwestlicher Richtung begrenzen erst die 150 km entfernten Alpen das Naturschauspiel. Östlich und nördlich erheben sich in den Nationalparken Sumava und Bayerischer Wald weitere Bergkuppen (Rachel, Lusen, Bobik und Boubin) weit über die Nebelobergrenze und strukturieren das samtig weiße Meer.

Hervorragend ist die Fernsicht auch an Föhntagen im Winter. Dachstein, Großvenediger, Schneeberg und Watzmann bilden mit ihren Gipfeln gut auszumachende Landmarken am Horizont. Wobei zu bedenken ist, dass die Hochlagen des Bayerischen Waldes im Winter regelmäßig mehr als zwei Meter Schnee abbekommen und die Temperaturen unter 30 °C fallen.

Dann sind Tourenski oder Schneeschuhe für die Fortbewegung dringend zu empfehlen. Der Aufstieg auf die Aussichtspunkte ist dann ebenfalls nicht völlig risikofrei. Für die Mühen wird man dafür mit teils 25 cm Raureif an den Felsen und abgestorbenen Bäumen belohnt.

© Kilian Schönberger

© Kilian Schönberger

© Kilian Schönberger

© Kilian Schönberger

© Kilian Schönberger

© Kilian Schönberger

© Kilian Schönberger

Borkenkäfer und Stürme haben in jüngster Vergangenheit dazu beigetragen, dass der Hochwald des Bayerischen Waldes aus der Nähe betrachtet eher einer unfotogenen Geisterlandschaft gleicht. Aber gerade diese Umstände und die dadurch entstehenden neuen Aussichten machen das Dreiländereck Bayerischer Wald für mich zu einer der fotografisch spannendsten Mittelgebirgslocations in Deutschland.


kwerfeldein – Fotografie Magazin

 
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16. August 2013

17 Aug

Ein Beitrag von: Cem Edisboylu

MYL2388 © Cem Edisboylu


kwerfeldein – Fotografie Magazin

 
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