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Archive for May, 2013

Learning From My Mistakes: 5 Okay Shots That Could Have Been Great

28 May

by Lynsey Peterson.

I am incredibly lucky. It’s taken me a decade, but I have built a portrait photography business that depends solely on word-of-mouth marketing and stays plenty busy that way.

If there was a magic 3 step process for this, I promise I would share it.

I’ve learned a ton along the way: treat your clients like gold, be generous whenever you can, and everyone should blow their nose and empty their pockets before a single picture is taken. Yet……..I still learn every day. Which is odd because every day I am also pretty sure that I couldn’t possibly know more than I know now or be presented with a situation I have yet to encounter. Then again, sometimes my ego and I have trouble fitting thru doorways together.

Mistakesphoto1 1

See that? It’s a house. It’s actually my house – which I am putting on the market soon.

My wonderful realtor who knows I’m a photographer, asked if I wanted to go ahead and take the pictures myself to save time and money instead of bringing in the trained and experienced real estate photographer she usually uses.

Now, I am asking a little more than my hourly rate for this house. In fact, I am asking like a thousand of my hourly rates for this house. 999 of them are going to pay off the note with the bank, but I’m pretty excited about that one I might get back – and I don’t do real estate photography. I’m not even really sure how to go about it if we are being honest. But, hey, I have a fancy camera and an expensive lens and how hard could it be, right?

If you have those fore mentioned things, you are going to be asked at some point to shoot something that you don’t have any interest in shooting. Maybe it’s a house. Maybe it’s food. Maybe it’s dirt in a fetching abstract pattern. And it’s tempting to say yes, because after all…..how hard could it be? The answer is hard. The longer answer is that every time you shoot something subpar, if only because you don’t have the experience, training, and interest in shooting that, you are taking away from the work you do want to shoot. I get it. I really do. Favors for friends, good money in the off-season. But it’s rarely worth it.

The lesson: Stick with what you know. If you don’t have any desire to do it or learn how, don’t take it on.

Mistakesphoto2 1

I love photographing people upside down. It’s unexpected and quirky and different and fun. And, and, and. It’s also complicated and only works when the rest of what the viewer’s eye has to process is simple and easy. If I had stopped for a moment and viewed it without my camera, I would have seen how hard it was to take it. Why is one kid upside down and the other not? Who’s arms are those? How did they get like that? The cuteness of siblings rolling around in grass and beautiful light gets lost trying to understand the whole picture.

The lesson: Simplify.  If it takes you a second to process what is happening, it will take the viewer of the future photograph much more than a second and your concept could be completely lost….no matter how “perfect” the shot itself is.

Mistakesphoto3 1

When a plane went by, causing most everyone in this family to look toward the sky, I though I had hit pay dirt. I quickly envisioned them all looking up in amazement and excited baffle. Instead it only served as an interruption to what we were doing. At the moment I remember thinking I should encourage them to watch the plane. But I was so caught up in the moment passing us by that I didn’t think I had time.

Even if the plane had long passed by the time I conveyed what I meant, I still could have gotten the shot I imagined. But I didn’t say a word about it and therefore didn’t allow them their own moment, which would have produced an amazing shot. Instead I have this: everyone a bit thrown off by the interruption because I didn’t ease the situation.

The lesson: Take your time. No matter how tight the schedule, you always have 30 extra seconds to make a fun situation into a great shot.

Mistakesphoto4 1

Oh this picture. It was such a beautiful shot…………two hours of Photoshop ago. I love MORE. I’m a fan of bigger and better and faster too. When this cutie showed up with this adorable hat,

I got an idea. A crazy/complicated/fun idea.

I. Was. Going. To. Get. This. Shot.

We were going to stay here all day if that’s what it took. And I got a great shot (without the whole day bit luckily). However left to my own devices, I wanted to do everything I could to make it THE shot. What’s post-production, if not to enhance right? I felt it was a Gap Kid’s moment, what with the cute kid and fun hat and all. Deserving of the kind of “enhancement” ready for a catalog cover. Never mind that I don’t shoot fashion, that I rarely shoot commercial, and that for this shot I was being paid to shoot a portrait and nothing more.

The lesson: Less is usually more. There’s a fine line between giving an image a little editing love and turning people into plastic.

Mistakesphoto5

Now I knew going into this shoot that I was photographing a large family and 8 dogs and you’d think that I would have come with my pockets full of dog treats and spent the hour and a half drive there practicing my whistle. But, alas, I did not.

This particular client was a referral who lived really far from me and was willing to pay me a significant travel fee to come to them – and their 8 dogs.

Admittedly my ego got the best of me here. There are hundreds of photographers closer and cheaper. Maybe even some with experience shooting 8 dogs. But they wanted me. And instead of saying, “do I really want to shoot this?”, I happily fed my ego a big serving of “I’m So Wanted” with a side dish of “How Awesome Am I? Answer: Really Awesome”.

Here’s the problem with that: this shot is forever my body of work. Even if I had never shown it to anyone, the client might. And it’s not my greatest work. Yet it may be the only work of mine someone sees.

This isn’t the shot I want to hang my hat on or be known for. I’m not embarrassed about it, but I do get a little bummed about the idea that a viewer may see this and think it’s the best example of my skills.

The lesson: Get over yourself. This shot doesn’t need to be in my body of work, but it is. I could have done more research and come in with better ideas for this 8 dog craziness and by not, the take-away is a shot that could have been so fun and different and interesting and…… isn’t.

Check out more of Lynsey Peterson’s work on her website.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Learning From My Mistakes: 5 Okay Shots That Could Have Been Great


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Shooting Locally

28 May
This shot was taken at Fire Island National Seashore in New York, about 20 minutes from where I live, making it easy to get to whenever I feel the need to make an image. This image was taken on a cold early spring day. EOS 5D Mark III, EF 8-15mm f/4L Fisheye Zoom. 1/60 @ f/16.

This shot was taken at Fire Island National Seashore in New York, about 20 minutes from where I live, making it easy to get to whenever I feel the need to make an image. This image was taken on a cold early spring day. EOS 5D Mark III, EF 8-15mm f/4L Fisheye Zoom. 1/60 @ f/16.

As an avid landscape photographer, I often hear the call of faraway places of natural beauty- Yosemite, Denali, the Canadian Rockies- you get the idea. But like most people, I don’t have unlimited funds allowing me to travel, so when the itch to make some photos strikes, I must try to find an inspiring vista nearby. It can be easy to get bored at the same old locations, but these familiar locations offer opportunities that the more exotic and sought-after locations don’t.

These stones sit in the bay on the north side of Fire Island. During the summer, thunderclouds move across the bay almost daily, giving nice dramatic skies. ISO 1600, f/11, 120 seconds. EOS 5D Mark III with EF 17-40mm f/4L.

These stones sit in the bay on the north side of Fire Island. During the summer, thunderclouds move across the bay almost daily, giving nice dramatic skies. ISO 1600, f/11, 120 seconds. EOS 5D Mark III with EF 17-40mm f/4L.

First of all, because these locations are local, they are not a “once in a lifetime” experience. This removes a lot of pressure to be sure you get “the shot”, and instead, allow for experimenting without the fear of coming away with nothing to show for your efforts.  You can always go back, since it’s nearby, giving you the opportunity to perfect new techniques so that when are on that once in a lifetime trip, you are ready to just make images without fear of messing it up. In addition to experimenting, local shooting locations present the opportunity to document the location at different times throughout the year. I’ve found that even my most visited places will present new looks as the seasons change, and even from day to day.

On the south side of Fire Island, you've got the ocean beaches with jetties and crashing waves, presenting more great opportunities.  Canon EOS-1D Mark III, EF 24-105 f/4L.  1/3 sec., f/22, ISO 50.

On the south side of Fire Island, you’ve got the ocean beaches with jetties and crashing waves, presenting more great opportunities. Canon EOS-1D Mark III, EF 24-105 f/4L. 1/3 sec., f/22, ISO 50.

For me, it’s about how far I’m willing to drive in the time I have. Generally, it’s an hour or two if I have the whole day free. If the whole day isn’t free, it could be somewhere close by, maybe 15 or 20 minutes away.  Once I’ve decided how far I’m willing to drive, I have my choices- local parks, state parks, New York City (an hour drive for me), or many other locations.  No matter where you live, there are places local to you that you can go back to over and over again.

When I'm feeling like something more local, this park just a mile from my home is a great place for sunsets. EOS 5D Mark III w/ EF 17-40mm f/4L. 1/30, f/16, ISO 100.

When I’m feeling like something more local, this park just a mile from my home is a great place for sunsets. EOS 5D Mark III w/ EF 17-40mm f/4L. 1/30, f/16, ISO 100.

For me, my favorite location is Fire Island National Seashore, here on Long Island, NY. It’s a 20 minute drive, a great place for both sunrise and sunset, and offers a variety of photo opportunities each time I’m there.  There’s a lighthouse, jetties, the beach, the ocean, a bay, and plenty of wildlife.  It’s also a place that changes depending on the time of year, making it a place I can go back to over and over and never see it look the same way twice. In many ways, it’s become my muse.

These local places are not glamorous, but they present a perfect opportunity to hone your craft, and still come away with great images.

 

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Shooting Locally


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21st Century Cookout: 16 Modern Grills & Outdoor Kitchens

27 May

[ By Steph in Design & Fixtures & Interiors. ]

Modern Grills Main

If you’re tired of the ugly gas grill taking up space in your backyard, dreaming of a luxurious outdoor kitchen, or just wishing you had a cool portable BBQ to take out to the park, here are 16 (more!) design-centric options. Ranging from mobile kitchen carts and clever fold-up grills to sunken stone kitchens with swim-up bars, these outdoor cooking setups will have you craving a stylish cookout in no time flat.

Hot Pot Planter Grill Combo

Modern Grills Hot Pot

Hidden within an ordinary-looking terra-cotta planter is a charcoal grill, perfect for the city dweller with limited outdoor space for cookouts. The multi-functional Hot Pot serves as a mini garden when not in use, reduces clutter and avoids the clunky eyesore effect of conventional BBQ grills.

Steel Bowl Pivot Grill

Modern Grills Steel Bowl Pivot

Another dual-purpose product is a fire bowl that converts to a barbecue with the addition of a hanging grill pendulum/pulley set. The grill height is adjustable, and the arm folds down small for storage.

Modern Wood-Burning Grill

Modern Grills Wood Burning

Wood-burning grills get a modern update with the Ascot by Cera Design, a column-shaped grill and smoker with a glass door that lets you enjoy the flames as your food cooks. It includes optional outer plates for accessories, side storage units and a swivel grill. It can be used as an outdoor fireplace, too.

Modern Spiraling Gazebo with Built-In Kitchen

Modern Grills Spiral Gazebo 1

Modern Grills Spiral Gazebo 2

Commissioned by a yacht captain, this spiraling outdoor kitchen is fittingly shaped like the hull of a ship. Made of pale larch wood, the pavilion contains seating for eight and a black kitchen with a brick barbecue.

Druida Barbecue Chars Food with Geometric Patterns

Modern Grills Druida

Charred steaks will be a work of art when cooked on the Druida, a striking barbecue composed of a steel bowl on a tripod and a geometric waterjet-cut grille. The design of the grille is inspired by druidic cauldrons.

Compact Outdoor Kitchen by StudioMama

Modern Outdoor Grills COmpact Kitchen

Modern Grills Compact Kitchen 2

Made entirely of objects and materials that can be found at a hardware store, this mobile kitchen by London designer Nina Tolstrup of Studiomama features a bucket sink connected to a garden hose, a chopping board and a small stove eye as well as storage space. Studiomama offers instructions to make your own.

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27. Mai 2013

27 May

Ein Beitrag von: Stefan Behm

passion_©_Stefan-Behm


kwerfeldein – Fotografie Magazin

 
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30 Guys That Bring Faith Back to Instagram Photography

27 May

Instagram is the photo sharing and social networking service of the moment, bought solidly to the forefront with the acquisition of Instagram by Facebook and the release of the iPhone 5. With more than 5 million photos being uploaded every hour by the 50 millionusers across the world, Instagram is certainly representative of a larger iPhoneography movement that is captivating Continue Reading

The post 30 Guys That Bring Faith Back to Instagram Photography appeared first on Photodoto.


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Bildvorstellung: Spinat Implosion

27 May

Der Winter war vorbei. Die Hände hatten keine Lust mehr auf Chemie und der Kopf wollte Farbe. Als die ersten wärmeren Sonnenstrahlen das Land umfingen, schnappte ich mir Anne und einen Adox „Color Implosion“-Film.

Genau danach war mir nämlich. Aus meinem Hirn musste der ganze Schmodder raus. Über die Wintermonate hatten sich böse Gedanken direkt neben die Geister gesetzt. Meine erste Ausstellung war gerade vorbei und meine Künstlerseele war in einem heftigen Disput mit sich selbst und ihrer Schaffenskraft.

Plötzlich überlegte ich nämlich, was das alles soll, wohin das überhaupt führt und führen soll. Die oft gestellte Frage – Warum macht man das überhaupt? – lief ins Nirgendwo, ankerlos wippte ich auf dem Meer der Möglichkeiten.

Der einzige Gedanke in meinem Kopf war: Raus hier! Ich ging konzeptlos in den Wald, ohne Bilder im Kopf, ohne eine Idee, ohne Anforderung an mich selbst und die anderen. Ich wollte die elendige Melancholie, die so oft von mir und anschließend auch von meiner Umgebung Besitz ergreift, abschütteln.

Ich lieh mir ein lachsfarbenes Kleid, wir suchten eine grüne Wiese und Bäume. Ich machte, was meine Hände schon ohne meinen Kopf ganz gut konnten: Durch den Sucher schauen, scharf stellen, klick, aber ohne dabei schwarzweiß zu denken. Denn die Kunst überließ ich dieses Mal ganz dem Film und seiner, so hieß es auf der Packung, surrealen Wirkung.

Anne-(9)

Ich liebte das Rot ihrer Lippen, die Farbe und den Schwung des Kleides. Ich liebte das Grünbraun der Wurzeln und das Moos auf Steinen und ausgewurzelten Bäumen. Ich liebte diesen Tag, die angenehme Wärme, den kühlen Wind, der nach Norden und Aufbruch duftete.

Wir waren wie Kinderseelen. Kletterten, erkundeten, fanden und staunten. Hin und wieder sagte ich stop, schaute sie an und hielt fest, was ich festhaltenswert fand.

So blieb in meinem Kopf dieses eine Bild. Der umgeworfene Baum, den wir zufällig fanden, weil wir die falsche Abbiegung nahmen, das moosige Grün, auf das sie sich bettete.

Vielleicht wird dieses Bild Teil einer Serie, aber vielleicht bleibt es auch einfach für sich selbst. Für ein Auftauchen aus dem Schwarzweiß meiner Gedanken, für einen anderen Teil meines Schaffens und Wollens. Vielleicht auch eine kleine Revolution gegen mich selbst, gegen das Stehenbleiben und Festgefahrene.

Über die Qualität dieses Films möchte ich jedoch keine Aussage treffen. Es ist vielleicht wie mit Spinat: Der eine mag’s und ein anderer ist zutiefst erschüttert.


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Software technique: Photoshop Gradient Tool: Part 2 – Adjusting Images

27 May

CompositeWithAdjustments_2.jpg

In the second, concluding article of his 2-part tutorial explaining Photoshop’s Gradient tool, Jean Miele explains how to use linear, reflected and radial gradients in layer masks to improve your digital photographs. In this article Jean takes us through four clear, easy steps, and also includes more tips for making the most out of gradients in both Photoshop and Lightroom. Click through for links to the article. 

News: Digital Photography Review (dpreview.com)

 
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5 Tips For Capturing Great Street Portraits

27 May

A Guest Post by Desmond Louw

I just love street photography and with this comes street portraiture.

DPS post 02.jpg

It can be a bit daunting to go up to a stranger and ask them to take their photo, but after a day or two it becomes addictive!  Here are some tricks that might make it a bit easier for you:

Trick number 1

?Always have your camera with you, don’t lug your whole photo bag or a tripod around like a tourist in your own town, just have your camera body and one lens handy. It sucks walking in the street and seeing something awesome and not having my camera with me!

DPS post 13.jpg

Trick number 2

?Have a good lens, this makes a huge impact. I like the 50mm F1.4/F1.8 and the 85mm F1.4/ F1.8, they are also small and relatively lightweight.

DPS post 01.jpg

The wide aperture isolates your subject nicely with a shallow depth of field.

Trick number 3

?Don’t use a flash! Remember you want to maintain a low profile. Rather push your ISO up if you have to. I personaly think an onboard flash could spoil a photo.

DPS post 07.jpg

Trick number 4

?Before approaching a person to ask him or her if you can take a photo, have your settings spot on. When they say yes, lift your arms and snap snap snap, say thank you, and walk away. Easy.

DPS post 09.jpg

Trick number 5

?If you are taking a shot of someone without them knowing, keep the auto focus assist light off, otherwise they will see it and spoil the mood.

DPS post 14.jpg

Connect with Desmnd Louw at his website and on instagram where his id is – desmond_in_capetown

Post originally from: Digital Photography Tips.

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Dear Marissa Mayer, Please Give Us a Tool to Better Block Bad Actors on Flickr

26 May

As an opinionated blogger, watching Flickr roll out recent changes to the site this past week has been an interesting experience, to say the least.

Thanks, Marissa Mayer, for making Flickr awesome again. Thanks also to the Flickr team who have worked so hard to roll out these changes. The new Flickr is the most photo immersive experience anywhere on the web. It is far more engaging and far more beautiful than I ever could have imagined.

Witnessing and countering in the vile hatefest that the Flickr Help Forum has become this past week has also been interesting. Simply for expressing my opinion in a public feedback forum on the new design, I’ve been called a shill, a troll, a sock puppet, a scrotum sack, and many things far worse that I don’t really feel like printing.

I’ve been told that my photography is absolute crap, been accused of working for Yahoo, of being related to Marissa Mayer, of trying to pump up Yahoo’s stock price by supporting the changes — my work, motives and integrity have all been subject to relentless attacks there.

There is little civility in a forum taken over by the ugliest and most vulgar of what the web represents.

The vandalization of Marissa Mayer’s own Flickrstream, and the encouraged vandalism in the same forum, saddens me. To see someone leave an offensive comment on a Mother’s Day Photo, of all things, makes Flickr less of a place to want to spend time.

One Flickr staffer had to actually turn off public comments on his Flickrstream. “You are going to hell,” was the comment that made him turn them off.

There is, at least, a partial answer to this problem: give us a tool to block other users on Flickr.

Flickr already does have a blocking feature of course, it’s just super weak and only prevents someone from leaving a comment on one of *your* photos.

On the other hand, even if you block someone, they can still attack you in all sorts of other places on Flickr, where you spend time. Flickr users should be able to use the public areas of the site without being subject to vile personal attacks. The Help Forum, Groups, other people’s photos, all should be places where Flickr users can visit and feel safe and comfortable.

I left Flickr groups for good a few years back (so did a lot of my friends). The reason why I left was that groups were becoming too ugly. Especially as an opinionated and high profile user, I found myself subject to constant terrible attacks. There was nothing that could really be done about this. Sure, you could report someone violating the Flickr Community Guidelines to Flickr, and maybe 5 days later their account would be deleted, but then they’d just make up a new troll account and be right back at it over and over again.

It was simply easier to just leave the public community of Flickr than to deal with the hate.

When I first joined Google+, I saw some of these same bad actors appear over there, too. I’d watch both myself and my good friends be attacked by others — jealous, petty haters and trolls, mostly. But then Google did a really smart thing. Google rolled out a really strong blocking tool and, just like that, all the hate went away.

You see, on Google+, when you block somebody, they become entirely invisible to you. They are entirely filtered out of all of your views on G+. Poof. Gone for good, not just in your stream, but *everywhere* for you on the site — and that has made Google+ a far better, nicer and more polite place for community than Flickr. Where the Flickr community is a negative hatefest, the G+ community is the most amazing, optimistic, supportive community I’ve ever known online.

You see, blocking the worst of the web doesn’t just filter it out of your view. The more significant thing that it does is it *encourages* civility.

Right now on Flickr we have no power against incivility. People can be as nasty and as rude and as ugly and as disrespectful as they want. They can spam the Flickr help forum with images of excrement (as they actually did last week) and you can’t do a damn thing about it — but if you give us the ability to block these bad actors, then their power is reduced. They know that as soon as they begin the ugliest of hate that the vast majority of positive contributing members will simply block them. Their audience is diminished and soon they are standing on a soap box shouting only to the 10 or so other users who share their hate filled outlook on life.

Before I quit using Flickr groups, one particular nasty member was looking at the photos that I was favoriting (this is forced public and Flickr won’t allow me to control who gets to see it — unlike on G+ where it is private) and this person began leaving vile comments on every photo that I was commenting on. This way, every single one of their comments was showing up in my recent activity, even though I’d blocked them from commenting on my own photos. That’s just wrong.

If Flickr wants to be a place where community can flourish, they need to give us tools to protect ourselves from the hate.

Marissa, I don’t need to tell you how bad the hate can be on Flickr. If you’ve reviewed your own Flickrstream this past week, you know what I’m talking about. It’s deplorable. Especially when any user can so easily just keep making anonymous troll account after anonymous troll account — please, give us a tool to remove the bad actors from our Flickr experience.

This week’s new design work was fantastic, now let’s go to work on improving the community for those of us who want to positively contribute there as well.


Thomas Hawk Digital Connection

 
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Last Call: 11 Drunk Dry Abandoned Liquor Stores

26 May

[ By Steve in Abandoned Places & Architecture. ]

abandoned liquor stores
These 11 abandoned liquor stores are hangovers, as it were, from an era when Mom & Pop stores sold the kind of products Mom & Pop forbade you from buying.

Broadway The Hard Way

abandoned Broadway Liquor Outlet Minneapolis(image via: Minneapolis StarTribune)

Minneapolis’ Broadway Liquor Outlet may be outta liquor but it’s not outta luck, at least not yet. The striking photo above was taken by David Toles of the StarTribune. Toles’ dramatically tilted composition features the store silhouetted against an ominously cloudy sky, though this year no tornadoes descended to finish their destructive work.

Greening Of Detroit

Detroit abandoned liquor store garden shed(images via: Click Click Click)

If a tree can grow in Brooklyn, an abandoned liquor store in Detroit can be reborn as a garden shed. Not just ANY garden shed, mind you, but a pastoral-ly repainted edifice emblazoned with environmentally friendly graphics instead of the graffiti one more typically finds in today’s Motor City. We’ll drink to that!

Detroit abandoned liquor store garden shed(image via: Click Click Click)

Andra Johnson in association with The Greening Of Detroit volunteered for the re-purposing project which took place on July 30th, 2010. It must have been thirsty work cleaning, prepping and painting the mid-century building under the hot summer sun. If only there was a store that sold cold, refreshing beverages nearby… oh.

Florida Dry

St. Mary's Liquors Nassau County Florida(images via: Southern Exposure)

The former St. Mary’s Liquors store on U.S. 17 in Nassau County, Florida, molders away quietly alongside the also-abandoned Riverside Motel about a mile south of the Georgia state border. Historically, Georgia generally prohibited the sale of alcohol on Sunday – counties could hold local referendums to decide the issue but until recently the results usually upheld the status quo. That attitude is beginning to change, however, and if the county just north of Nassau flipped from dry to wet Sundays, it could explain St. Mary’s Liquors’ sinking fatally into a sea of red ink.

Too Big To Fail?

massive abandoned liquor store(image via: Pete Jelliffe)

Bigger isn’t always better, just ask the owners of this ridiculously massive abandoned liquor store – if you can find them. Simply stocking the multistory edifice would cost a king’s ransom and if there should ever be an earthquake, the tsunami of spilled alcohol (cirrhosis of the river?) surging out the front doors would be enough to make even the sternest teetotaler weep… especially if it then caught on fire.

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