RSS
 

Archive for March, 2013

Nice Visual Art photos

26 Mar

Some cool visual art images:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
Comments Off on Nice Visual Art photos

Posted in Photographs

 

Not Photoshopped: New Optical Illusions by Felice Varini

26 Mar

[ By Steph in Art & Street Art & Graffiti. ]

Varini Optical Illusions 1

As you approach a curve in a parking garage, suddenly a large abstract object seems to float in space just ahead, as if overlaid on top of a static image rather than a three-dimensional setting. You’re not hallucinating: it’s a painted geometric illusion by artist Felice Varini, who has a vast portfolio of similar works spanning decades.

Varini Optical Illusions 2

The Paris-based Swiss artist has painted dozens of settings, public and private, indoors and out, that come together into an optical illusion only when viewed from a certain vantage point. From every other perspective, the markings seem random and chaotic, splashed across railings, walls, ceilings and streets.

Varini Optical Illusions 3

Varini Optical Illusions 4

The effect is so disconcerting at times, that people coming across images of the large-scale paintings often assume they have been Photoshopped. But once you see photos of the scene from different angles, the magic of Varini’s work (and others like it) becomes clear.

Varini Optical Illusions 5

In order to be appreciated and understood, these anamorphic illusions require action – movement – on the part of the viewer. But if you never bother to explore the scene in order to make the image come together, Varini doesn’t mind.

Varini Optical Illusions 6

“The viewer can be present in the work, but as far as I am concerned he may go through it without noticing the painting at all. If he is aware of the work, he might observe it from the vantage point and see the complete shape. But he might look from other points of views where he will not be able to understand the painting because the shapes will be fragmented and the work too abstract. Whichever way, that is ok with me.”

Share on Facebook



[ By Steph in Art & Street Art & Graffiti. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


WebUrbanist

 
Comments Off on Not Photoshopped: New Optical Illusions by Felice Varini

Posted in Creativity

 

Sony Cyber-Shot RX1 Review

26 Mar

Sony Cyber-Shot RX1 Review.jpg

When reviewing this camera’s direct predecessor, the RX100, I remarked that Sony’s claim it was “The best pocket camera ever made” was a bit steep. Part of my scepticism was the company’s claim that its sensor was considerably larger than the rest of the crowd …. In reality, the CMOS’ diagonal figure measured only 15.8mm, packed to the brim with 20.2 million effective pixels.

But, with the RX1, we really start to talk real figures.

Sure, the asking price tops out at around $ 3000.

But, check the specs!

Sony Cyber-Shot RX1 1.jpg

Sony Cyber-Shot RX1 back.jpg

Sony Cyber-Shot RX1 top.jpg

Sony Cyber-Shot RX1 Features

The CMOS sensor is within a bat’s whisker of a 35mm full frame, so the fixed f2/35mm Carl Zeiss Sonnar T* lens delivers a full frame image.

Justifiable claim: “world’s first compact camera with 35mm full-frame 24.3 effective megapixel sensor.

In size, it is close to many other high end compacts, such as Panasonic’s LX7, Nikon 1 V2, Fujifilm X-Pro1 and others.

With the RX1 we enter Cartier-Bresson territory as he patrolled the streets of Paris with a Leica and a 50mm lens. He covered the chrome camera in black tape or even a handkerchief to conceal it. With the RX1 you don’t need to disguise it, as it’s already finished in black!
So it’s a certain type of camera for certain types of photography.

Not sports! However, fast action can be captured successfully with the 5fps continuous shooting speed. Just keep the subject close!
Fisherman's beach pano 1.JPG

Perfect for people pictures. Works exceedingly well for shooting panoramics, thanks to Sony’s excellent Sweep Panorama feature. Scenics? Yes.

Fisherman's beach winch.JPG

Macro subjects? Yes but 35mm is far from ideal as a macro focal length, especially as the camera-to-subject distance needs to be just 20cm from image plane.
Macro lens setting.jpg

However I quite liked the arrangement with the lens front ring: rollable from 0.2m to 0.35m macro to general purpose 0.3m to infinity.

The maximum image is 6000×4000 pixels which can be printed out to 51x34cm at 300 dpi resolution.

Video? Yes. Full HD 1920x1080m AVCHD can be recorded. While the AF tracks sell while on the move you cannot shoot stills mid-video recording.

The ISO range runs from 50 to 25,600 (using the expanded mode).

Handling

Straight out of the box the RX1 is a handsome beast, with external controls clearly id’d with largish white text, easy to see even in dim light.

The camera seems surprisingly heavy in the hand, but well-balanced. Pocketable, just about. But I could have wished for a larger speed grip.

After fooling around with an HTML file of the instructions, I eventually sourced a PDF file of the manual.

The tiny 74 page booklet, enclosed with the camera is intended to serve as ‘the manual’ … but with minuscule type, tiny illustrations, cramped pages … hopeless!
Custom settings.jpg

Controls

Front of camera and to the left is a three position button that takes you from auto to manual focus plus another setting that allows you to drive auto and manual focus at the same time … you use auto to begin with, then fine tune with manual. These options are selectable with a tiny knurled wheel that’s a devil to rotate!

Top deck: the eleven position mode dial has most of what’s needed to drive the camera: auto exposure; PASM; Scene Modes (portrait, sports etc … seven in all); three preset memory settings; movie shooting; sweep panorama. And a C (Custom) button: to this you assign custom functions such as ISO, white balance etc.

The power lever and shutter button is right next door. Farther right is the three f stop up/down exposure compensation dial.
Fn button.jpg

Back: menu and Fn buttons; the movie record button, which is impossibly located on the extreme right corner of the camera body; control wheel; display and trash buttons; flash button. Plus the AEL button: in aperture or manual settings you hold this button down and manually adjust the aperture on the lens itself. Neat.

Sony Cyber-Shot RX1 ISO Tests

Sony DSC-RX1 ISO 400.JPG

Sony DSC-RX1 ISO 800.JPG

Sony DSC-RX1 ISO 1600.JPG

Sony DSC-RX1 ISO 3200.JPG

Sony DSC-RX1 ISO 6400.JPG

Sony DSC-RX1 ISO 12800.JPG

Sony DSC-RX1 ISO 25600.JPG

Cameras such as this are not ideal for ISO test shooting due to their inability to stand back with a long focal length. However…

At ISO 3200 noise begins to appear. By ISO 6400 sharpness is still OK, noise not objectionable. At ISO 12800 noise is up but sharpness is still acceptable. As you would expect, ISO 25600 delivers more noise, less sharpness but still useable.

(insert Bowling 1 ISO 800, Bowling 1 ISO 25600)
Bowling 1 ISO 800.JPG

Bowling 2 ISO 25600.JPG

Check out my bowling alley shots.

Startup Times

From startup to first shot took about two seconds; further shots came in as fast as I could hit the button.

Distortion

Very slight barrel distortion with the 35mm lens. Strange, in such a highly corrected optic.

Sony Cyber-Shot RX1 Review Verdict

Quality: excellent, sharp, accurate colour capture.

Why you’d buy the RX1: full list of features; nice lens; easy to use.

Why you wouldn’t: heavy price; could be confusing for the novice; with such a high-specced camera I did feel the LCD screen was far too small (and not a vari-angle either!); video quality not as good as I expected.

Some will find the RX1 perfect for their needs. Others will find it limiting. It’s really a case of horses for courses. Welcome to a finely engineered, specialist camera!

If the badge said ‘Leica’ there would be not a murmur at the high price ticket! But with the Sony monicker there will, I’m sure, be some buyer resistance. Top lens though!

To use a camera with a fixed 35mm lens takes some discipline. As I said, a very precise horse for a very defined course!

Sony Cyber-Shot RX1 Specifications

Image Sensor: 24.3 million effective pixels.
Metering: Multi segment, centre-weighted, spot.
Lens: Carl Zeiss Sonnar T* f2.0/35mm.
A/D processing: 14-bit.
Exposure Modes: Program AE, shutter and aperture priority, manual.
Effective Sensor Size: 35.8×23.9mm Exmoor CMOS.
Shutter Speed (stills): 30 to 1/4000 second and Bulb.
Continuous Shooting: 2.5/5 fps.
Memory: SD/SDHC/SDXC, Memory Stick Pro Duo cards.
Image Sizes (pixels): Stills: 6000×4000 to 2640×1488.
Movies: 1920×1080 (AVCHD), 1440×1080 (MPEG4), check!!!.
Viewfinder: 7.5cm LCD screen (1,229,000 pixels).
File Formats: JPEG, RAW (Sony ARW 2.3), JPEG+RAW, MPEG4, AVCHD.
Colour Space: sRGB, Adobe RGB.
ISO Sensitivity: Auto, 100 to 25600.
Interface: USB 2.0, HDMI mini, Eye-Fi.
Power: Rechargeable lithium ion battery, DC input.
Dimensions: 113x65x70 WHDmm.
Weight: 482 g (inc battery).
Price: Get a price on the Sony Cyber-Shot RX1 at Amazon.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Sony Cyber-Shot RX1 Review


Digital Photography School

 
Comments Off on Sony Cyber-Shot RX1 Review

Posted in Photography

 

Just posted: Sony Alpha NEX-6 Review

26 Mar

sony_nex6.png

We’ve just posted our review of Sony’s NEX-6 mirrorless interchangeable lens camera. The NEX-6 brings a much-requested mode dial and ISO standard hot shoe to Sony’s mirrorless lineup, and also adds a Hybrid AF system, Wi-Fi, and downloadable ‘apps’.  The NEX-6 also features a 16MP CMOS sensor, articulating LCD, XGA OLED electronic viewfinder, and fun point-and-shoot features like Sweep Panorama and various automatic modes. Click through to read our full review of what may be the most rounded NEX yet.

News: Digital Photography Review (dpreview.com)

 
Comments Off on Just posted: Sony Alpha NEX-6 Review

Posted in Uncategorized

 

Google+ app update adds Snapseed editing and location sharing abilities

26 Mar

GooglePlus.png

Google has updated its Google+ social media app for both Android and iOS. The latest version of the iOS app adds some of the company’s Snapseed app features including basic editing tools and a limited selection of filters. While the Android version doesn’t offer the Snapseed features yet, like the iOS app it offers the ability to share location, and improves the way one can see images and interact through posts. Click through to read more about the updates at connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
Comments Off on Google+ app update adds Snapseed editing and location sharing abilities

Posted in Uncategorized

 

Nice Visual Art photos

26 Mar

Some cool visual art images:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
Comments Off on Nice Visual Art photos

Posted in Photographs

 

Why I Quit Getty Images and Why I’m Moving My Stock Photography Sales to Stocksy

26 Mar

Dear Getty, I Quit

Dear Getty Images: I quit.

I just sent Getty Images the email above, which, I think, is how I terminate my relationship with them. Hopefully. I’m not 100% sure, but I can’t seem to figure out any way to do it online, so I’m hoping that email works.

Why am I quitting?

Well, I’m sitting here typing this at 4:56 in the morning on my “vacation,” getting ready to get an early up to the top of a mountain in Idaho to shoot sunrise and I’m not a skier. It’s dark, it’s cold — and maybe, just maybe, with $ 10,000 worth of camera gear on my back, I’ll get something that works from this shoot. After I shoot several thousand images today I’ll go home and spend hours and hours processing them. Finally, I’ll upload them online and maybe sell some. If I do sell some though, bottom line is I feel that I’m getting ripped off with Getty’s lousy 20% payout.

I don’t care how you look at it, for me, 20% is not fair. It’s too low. I’ve been complaining about it for years, but have just grumbled along because Getty felt like the only game in town for stock photo sales. Artists and photographers *deserve* more than 20% payouts. I understand that Getty has the buyers, that Getty is the 800 pound gorilla, but still, photographers deserve a better split than 80/20 against them.

There are other reasons why I’m quitting Getty Images too though.

Since the Carlyle Group (read their wikipedia page actually, it’s fascinating) has taken over Getty Images, things seem to have changed. Maybe Getty’s parent is trying to wring as much profit as their stock business as they can, but it feels like artists are getting the short end of the stick even more these days.

In the private, closed, Getty Photographers group, managed by Getty on Flickr, there were almost 3,500 replies to a thread about Getty’s deal with Google Drive. Whatever you think about this deal, there are ALOT of photographers who are unhappy at Getty about an arrangement where they receive a pittance for their work. The 20% payout is already pretty low, but when you combine it with a $ 12 image buy, some photographers feel that was pushing things too far.

The fact that Getty made this deal doesn’t bother me as much as how they’ve handled the criticism from their members over it. The above mentioned thread is now closed and locked by Getty Images. As a result of the thread, a member was banned and removed from the group — this is the second time that a Getty photographer has been booted from this group that I know of. An earlier member Alex Hibbert was also banned for criticizing Getty.

One of the Getty admins in the group, said that the more recent member was booted not because of his criticism, but because he wasn’t respectful with his criticism. I asked the question if respectful criticism would be allowed to stand and was told yes. I’m going to post this blog post into that forum and I guess we’ll see if this is true. For me, while critical, this post is entirely respectful. I’m still not sure it will get to stay there though.

When you start to see a company fighting with it’s contributors, banning contributors, even FIRING contributors, it makes me feel like maybe it’s time to go. This doesn’t feel like a healthy “relationship” any more. Paying me 20% and keeping 80% already felt a little insulting, but I think we deserve to be treated better.

So where am I going?

This has been the hardest part of all about leaving Getty earlier, there didn’t really seem like there was any place good to go — before today.

Today I’m pleased to announce that I’m going to start selling my stock photos on Stocksy.

Stocksy is a revolutionary new photo agency started by Bruce Livingstone, the founder of iStockphoto. A lot of my friends are there selling photos now too. I’m pleased to be joining some of the most talented photographers I know in a new sort of photographer-owned coop.

While Stocksy isn’t exactly “occupy” stock photography, rather than me getting 20% and Carlyle getting 80%, I’ll be paid a much fairer 50% payout. The exciting part about Stocksy though isn’t just the higher payout, it’s that the members of Stocksy actually OWN the agency. That’s right, after paying out costs, Stocksy will distribute profits to it’s members — so members will get dividends and actually hold real equity in the business.

Now THAT is an idea that I can get behind, and one that’s been long overdue. Fairly compensating photographers while running an agency with some of the most talented photographers in the world today? Sign me up!

Today Stocksy is launching to the rest of the world. You can read more about that here.

If you are a photographer, consider signing up. One bit of warning here though, Stocksy is being *very* selective about the photographers that they are adding. I have felt a little bad because some of my good friends and talented photographers haven’t been asked to join.

Especially early on, Stocksy is trying to build a super premium library of images and sometimes this means making hard choices about who you will launch with. They are also trying to keep Stocksy small where the editors and members can know each other on a personal level. I’ve already made lots of new friends at Stocksy and I’ve appreciated the valuable advice that the editors there share with me about why an image may or may not be right. At Stocksy editors and management do Google+ hangouts with photographers. At Getty all they seem to do is fight.

If you are an image buyer, consider looking at images on Stocksy the next time you need to buy. Not only will you find some of the best, fresh, and most authentic images in the marketplace today, you can feel good about buying them, knowing that they are treating the photographers fairly.

As fellow creative professionals, you are one of us — if given a choice, where would you rather your money go — to actual photographers who create the images, or to Carlyle? Even if you don’t care, still give Stocksy a look, because the imagery there really is miles ahead of what you see in the run of the mill stock photography library out there today.

Let Stocksy make you and your clients look the best they possibly can. You are the ones we need to embrace this idea most of all.

I’ll blog more about Stocksy as time goes on. For stock photography it will be the primary place where I market my own images (like the other photographer members my images for sale on Stocksy will be exclusively offered there) and I’m looking forward to a long and successful relationship.

Here’s Stocksy’s announcement on today’s launch.

Update: well that was fast. I’ve been banned from Getty’s Forum. I’m fine with that as I’m not a member, but I’m told that my post criticizing them has also been deleted. I hope those that are still in the forum can keep up the good fight, demanding more for photographers. I’m disappointed (although not surprised) that after being told that respectful criticism would be allowed that Getty deleted my respectful criticism there.

Update #2: More from Stephen Shankland over at CNET. PetaPixel republished my article as a guest post here. My good friend Trey Ratcliff is also joining Stocksy.

Update #3: Fast Company’s article on Stocksy here.


Thomas Hawk Digital Connection

 
Comments Off on Why I Quit Getty Images and Why I’m Moving My Stock Photography Sales to Stocksy

Posted in Photography

 

Nikon D7100 preview updated with studio scene and real world samples

26 Mar

D7100_18_105_front.png

We’ve just received a reviewable Nikon D7100, and have been lucky enough to get access to pre-release raw support from Adobe, which has allowed us to add Nikon’s newest 24MP DSLR to our studio comparison database. We’ve also taken advantage of our first opportunity to shoot ‘real world’ images with the D7100 and its 18-105 kit lens at a range of ISO sensitivities. Click through for links to both the studio comparisons and real-world samples gallery. 

News: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon D7100 preview updated with studio scene and real world samples

Posted in Uncategorized

 

5 Quick Ways to Improve your Beach Photography

26 Mar

According to NOAA, over 50% of the American population live within 50 miles of a coastline.  Which means more than half of us are only a day-trip away from the beach.  For photographers, this presents a ton of great photo ops. Living half a mile from one of the top-rated beaches in the country myself, I’ve spent plenty of time Continue Reading

The post 5 Quick Ways to Improve your Beach Photography appeared first on Photodoto.


Photodoto

 
Comments Off on 5 Quick Ways to Improve your Beach Photography

Posted in Photography

 

Canon Singapore launches a ‘Try and Buy’ service for EF and EF-S lenses

26 Mar

shared:logo_2x.png

Canon Singapore has launched a ‘Try and Buy’ lens scheme allowing customers to borrow more than seventy of the company’s EF and EF-S lenses at a fee for 48 hours. While a similar service is currently available globally to Canon Professional Services (CPS) members, Canon Singapore has opened this up for non-members as well. The service will start from March 28, 2013.

News: Digital Photography Review (dpreview.com)

 
Comments Off on Canon Singapore launches a ‘Try and Buy’ service for EF and EF-S lenses

Posted in Uncategorized