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Archive for December, 2012

Street Photography Do’s and Don’ts

31 Dec

In this video Kai gives a few tips on some “Do’s and Don’ts” when doing Street Photography, with some illustrations…. Photos: www.digitalrev.com See also: 5 Tips for Street Photography Beginners www.digitalrev.com
Video Rating: 4 / 5

www.olaenglund.com http A video of my newly acquired custom Ola Englund Fortin Satan. I dialed in a slightly fatter guitar sound that I usually go for. Just turn on the girth knob and it fattens up a lot on this amp. I’m performing a Feared song from the upcoming Feared 2012 album. It doesn’t have a name yet so it’s called 57. Signal chain: Strictly7 Solar7 – Fortin Satan – Hesu 2×12 – SM57 – Presonus Audiobox 22VSL Pickups are Serymour Duncan Distortions. Info on the Solar guitars check out: www.s7guitars.com More info about Fortin Amplification check out: www.fortinamps.com
Video Rating: 4 / 5

 
 

In The Doghouse Again: 13 Odd Animal-Shaped Buildings

30 Dec

[ By Steve in Architecture & Cities & Urbanism. ]

Animal_House_main

If you liked Animal House the movie, you’ll love Animal House the, er, house. This unlucky group of 13 zoomorphic buildings make being sent to the doghouse (or cathouse, as the case may be) a decidedly different experience… we can only imagine what pets think about living there.

Big Chicken – Marietta, Georgia, USA

Big Chicken Marietta Georgia(images via: The Suss-Man, Steveartist and BDOnline)

Built in 1963, damaged by a storm in 1993 and subsequently rebuilt following massive public outcry, the 56-foot (17-meter) tall Big Chicken in Marietta, Georgia will be celebrating its 50th anniversary this coming year. Though it’s enhanced a KFC outlet for decades, the steel-sided structure originally promoted Johnny Reb’s Chick, Chuck and Shake until owner S.R. “Tubby” Davis sold the restaurant to his brother.

Big Chicken Marietta Georgia(image via: Encourage Faith)

Though not a livable building as such, the Big Chicken is hollow to allow access for occasional maintenance work on the motorized moving eyes and beak. Visitors looking to check out the Big Chicken up close and personal will find it at the intersection of Cobb Parkway (U.S. 41) and Roswell Road (Georgia 120), though it’s not known whether the KFC outlet still offers souvenir Big Chicken keychains.

Katzenkindergarten – Wolfartsweier, Germany

cat kindergarten Alsace(images via: HPMayer and MILK Magazine)

You’d think a zoomorphic kindergarten in Alsace would look like an Alsacian but nooo… the Katzenkindergarten is as cat-like as Hello Kitty though it’s a lot less cute – and that’s a good thing. Turkish-born architect Ayla Yöndel designed the building based on a concept by local artist Tomi Ungerer. It opened in 2002 and stands as an expression of the “Europe Without Borders” project between the German region of Baden-Württemberg and the French region of Alsace.

Cat Kindergarten Alsace(image via: MILK Magazine)

The Cat Kindergarten isn’t just a novelty though its appearance is novel indeed. Entry is through the mouth, doomed-mouse-style while the legs house game-playing areas and the belly is where you’ll find the kitchen. Children and young-minded adults can access the back yard via a slide in the shape of a cat’s tail.

Elephant Building – Bangkok, Thailand

Elephant Tower Bangkok Thailand(images via: Wikipedia, Varming.dk and Stan G)

Known locally as the Tuk Chang, the so-called “Elephant Tower” building in Bangkok, Thailand’s Chatuchak district features 32 floors and stands 335 feet (102 meters) high. Designed by Thai architects Dr. Arun Chaisaree and Ong-ard Satrabhandhu, the iconic structure was completed in 1997.

Elephant Building Bangkok Thailand(image via: -AX-)

Like it or not – and the building has its fair share of lovers and haters – the Elephant Tower has been generally well received locally and in 15 years of existence has become a must-see Bangkok landmark. Some sources report the top (horizontal) section has never been finished due to a combination of financial and logistical considerations: do the elevators run sideways?

Cat Cabin Resort – Tashirojima, Japan

Tashirojima Cat Island Japan(images via: Zooming Japan and Ehte Eve)

Tashirojima is a small island located off the northeastern coast of Japan that’s become famous for its population of semi-feral cats. Revered by local fishermen for their rumored ability to forecast storms, Tashirojima’s cats demonstrated their innate weather prognostication powers by loudly moaning in unison just after the 9-magnitude Great East Japan Earthquake struck the island on March 11, 2011. Both cats and residents quickly made for high ground and no casualties (human or otherwise) were reported after a monster 30-ft (10-meter) tsunami rolled in from the sea.

Tashirojima Cat Island Japan(images via: U.S.News and World Report and Zooming Japan)

Some years ago the cats of Tashirojima began to get publicity which resulted in a growing number of tourists visiting the island. A local entrepreneur hired manga artist Shotaro Ishinomori, famed for Kamen Rider among other titles, to design a group of cat-like cabins for a resort known as “Manga Island”. All things considered, the island and the cabins are less visited than usual of late.

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In The Doghouse Again 13 Odd Animal Shaped Buildings

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[ By Steve in Architecture & Cities & Urbanism. ]

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Posted in Creativity

 

Fstoppers Original: How Sports Illustrated Photographers Shoot Football.mp4

30 Dec

Full post at fstoppers.com Fstoppers travels to New Orleans to interview Sports Illustrated photographers Damian Strohmeyer, Al Tielemans, Simon Bruty, and John Biever as they shoot the 2012 BCS National Championship Game featuring LSU and Alabama.
Video Rating: 4 / 5

Tommy plays jazz with Frank Vignola, Vinny Raniolo, Bucky Pizzarelli 2-12-2012 at the sold out Crest Theater in Sacramento, CA. Great sound from multiple legends, including Bucky Pizzarelli, who is 86 years old and plays 200 nights per year. Recorded stealthily with a Nikon D7000 with audio from Zoom H4N recorder. Please leave comments and subscribe to my channel!

 
 

This Week in Music – Tim and Asha have a new set! Plus they talk Axl & Slash, The Gorillaz, Gucci Mane, and more.

30 Dec

This week hosts Asha K and Tim Bader have a new set with a live chat feed! They talk hot music news like Trent Reznor’s Golden Globe, Taylor Swift’s record sales, Axl and Slash’s love affair, Gucci Mane’s ice cream tattoo, and the Gorillaz new member! They bring back the website highlight with international-hiphop.com. Plus they look at videos for Rev Theory, Grouplove, and Ricky Martin. For more information, show notes, and schedules visit www.thisweekin.com.
Video Rating: 4 / 5

Listen on Spotify: open.spotify.com Download on iTunes: itunes.apple.com Follow Ane on Facebook: www.facebook.com Music video by Ane Brun performing Do You Remember. Follow Ane Brun, buy the single on Itunes, and more anebrun.com (C) 2011 Balloon Ranger Recordings AB. Though “Do You Remember” is the first chapter released from a short film based to music from Ane’s forthcoming album “It all starts with One”, it is the third chapter in the film that houses no fewer than four orchestrated songs to be premiered in autumn 2011. The Director for the whole project Magnus Renfors, says of the venture: “Ane’s music is like a great ocean housed under the roof of a great old theater, where pictures are hung from the threads of the music shooting out, so it really does the job itself. That said, the images require a certain height and a substantively dramatic level, otherwise the music, sometimes so sublime and skin tingling, can rush over the head of the visual aspects. Ane and I have done stuff together since 2003 and already on the last album we talked about doing something bigger, more coherent, and this time it was really the one. ” “ONE”, as the film is called, is a poetic tapestry incorporating various threads interwoven on several levels, integrating and complimenting Ane’s delicately composed branches between hope, rage and grief. A heavy period of post-production is now rolling with the other chapters before the film is fully released in the fall. The film is produced by
Video Rating: 4 / 5

 

orbis® ring flash episode 004 – Off Camera Cord Basics

30 Dec

The basics of using an off camera cord; why you’d want to and how simple they are to connect, with some examples of off-camera cord photos with and without the orbis™ ring flash. Be sure not to miss using the orbis(tm) as a small softbox featured at the end, for directional light that isn’t harsh. Thanks to Anita, the model, from issis.co.nz for her help. Next video, setting up Nikon’s CLS system !

To watch those video samples in 1080p visit my channel. Feel free to like my facebook page to see the photos behind the videos. www.facebook.com
Video Rating: 4 / 5

 
 

browserFruits Dezember #5

30 Dec

Wir verabschieden schon eimal die letzten browserFruits des Jahres mit einem lauten Knall im Fotospecial und freuen uns auf viele neue spannende Links im neuen Jahr. Auch in diesem Früchtekorb findet Ihr noch einmal eine besonders große Sammlung von Ausstellungen, die schon bald – im Januar – enden. Noch schnell hin!

Fotospecial: Big Bang

500px

Flickr

Deutschsprachig

• Nerdcore veröffentlicht die Briefe und Bilder vom Berliner Fotografen Just, der für einige Tage in Aleppo (Syrien) ist, um dort zu fotografieren. Sehr eindringlich. Teil 1, Teil 2, Teil 3 und Teil 4.

• Der Fotograf Alejandro Duran sammelte Abfälle, um sie arrangiert im Naturschutzgebiet zu fotografieren. Klingt verrückt, hat aber eine starke Wirkung.

• „Beruf Fotograf – Traum oder Albtraum?“ – So der Titel der lesenswerten Pressemitteilung des Fotoindustrie-Verbands.

• Steve McCurry, Reportagefotograf und bekannt für sein „Afghan Girl“, fotografierte für den Pirelli Kalender 2013 und setzt dabei auf weniger Nacktheit.

• Einsame Hundeportraits in Autos. So lässt sich die Fotoserie von Martin Usborne zusammenfassen. SpiegelOnline stellt sie und den dazugehörigen Bildband vor.

• Hochzeitsreportagen mit Polaroid? Die Bildpoeten zeigen, welche großartigen Bilder dabei entstehen können.

• Jennifer Wettig hat ihre Langeweile kreativ genutzt und ein paar richtig leckere Gemüse-Aufnahmen gemacht.

~

International

• Lustig und gleichzeitig zum Weinen: Einen sehr kritischen Blick auf die Stockfotografie zeigt diese Seite.

• Das British Journal of Photography hat die 50 besten Fotoprodukte 2012 vorgestellt. Wichtig: checkt vorher Euer Konto.

• Severin Koller ist vordergründig als Straßenfotograf bekannt. Doch dass er auch auf konzeptioneller Ebene glänzt und erstaunlich gute Firmenportraits macht, zeigen diese Fotos.

• Ein paar geniale Perspektiven aus Paris von Kah Kit Yoong.

• Wie das Kollodium-Nassplatten-Verfahren und die Holga zusammenpassen? Hier erfahrt Ihr es.

• Straßenfotografie mit Blitz muss nicht von Bruce Gilden sein. Auch Mark Cohen hat sich so einen Namen gemacht. Tipp: Die Fotos im Vollbildmodus ansehen und wirken lassen.

• Petapixel präsentiert eine feine Serie von Alltagsgegenständen, von Kim Preston so fotografiert, dass sie wie seltsame Unterwasserkreaturen aussehen. Die schöne und lustige Serie thematisiert dabei ein ernstes Problem: Die Verschmutzung unserer Weltmeere durch Plastikabfall.

• Auch The Atlantic hat eine sehenswerte Sammlung des Jahres 2012 in Bildern zusammengestellt – die es erfordern, sich ausgiebig Zeit zu nehmen. Hier die Links zu Teil 1, Teil 2 und Teil 3.

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Neuerscheinungen und Tipps vom Foto-Büchermarkt

• Wer sich weiter oben mit den Bildern von Mark Cohen anfreunden konnte, wird vielleicht auch dessen Buch „Grim Street“ haben wollen. Gebraucht ist es (noch) günstig zu ergattern.

• „Ortszeit“* von Stefan Koppelkamm. Die Fotografien in diesem Buch zeigen Bauten und Stadträume im Osten Deutschlands zu zwei verschiedenen Zeitpunkten: Kurz nach dem Fall der Mauer und mehr als ein Jahrzehnt später. In den Veränderungen spiegeln sich die dramatischen gesellschaftlichen und ökonomischen Veränderungen aus der Zwischenzeit.

• „Fine Art Photo Texture – Die fantasievolle Welt der Texturen“*: Ein umfassendes E-Book über Texturen. Die Autoren zeigen auf, wie sie in der Fotografie zum Einsatz kommen. Zudem enthält es einen Überblick über die Geschichte der Texturen in der Kunst.

• Und wer gute und oft um mehr als die Hälfte reduzierte Photobände sucht, der ist bei The Bargain Book Shop einmal in der Friedelstrasse 26 (Neukölln) und in der Immanuelkirchstrasse 33 auf dem Prenzlauer Berg genau richtig.
~

Videos

Ben Horne nimmt uns wieder mit auf einen seiner Fototrips. Dieses Mal etwas extremer als sonst. Schaut Euch auch die vorherigen Videos in seinem Kanal an.

 

Kurz und knackig: Steve McCurry spricht über die Enstehung eines Fotos, das er 1983 in Indien machte.

~

Ausstellungen

Freelens Benefizausstellung. Gute Fotos – guter Zweck
Zeit: 8. November 2012 – 17. Januar 2013
Ort: Freelens Galerie, Steinhöft 5, Hamburg
Link

Horst P. Horst: Icons of Fashion and Beauty
Zeit: 23. November 2012 – 19. Januar 2013
Ort: Bernheimer Fine Art Photography, Brienner Straße 7, München
Link

Elliott Erwitt – Personal best for Leica
Zeit: 12. Oktober 2012 – 19. Januar 2013
Ort: Leica Galerie Frankfurt, Am Salzhaus 2, Frankfurt am Main
Link

time shift / zeitversetz – Foto- und Videoausstellung von Susanne Ludwig
Zeit: 18. November 2012 – 20. Januar 2013
Ort: Schloss Ritzebüttel, Schlossgarten 8, 27472 Cuxhaven
Link

Stadt.Strukturen – Andreas Feininger: Fotografien – Lyonel Feininger: Druckgraphik
Zeit: 27. Oktober 2012 – 20. Januar 2013
Ort: Kunstmuseum Bayreuth, Altes Rathaus, Maximilianstraße 33, 95444 Bayreuth
Link

Nairobi — A State of Mind
Zeit: 26. Oktober 2012 – 20. Januar 2013
Ort: Kunsthaus Bregenz, Karl-Tizian-Platz, Bregenz
Link

Stille und bewegte Bilder. Abbas Kiarostami
Zeit: 10. Oktober 2012 – 20. Januar 2013
Ort: Situation Kunst (für Max Imdahl), Nevelstr. 29c (im Parkgelände von Haus Weitmar), 44795 Bochum
Link

Ends of the Earth – Land Art bis 1974
Zeit: 11. Oktober 2012 – 20. Januar 2013
Ort: Haus der Kunst, Prinzregentenstraße 1, München
Link

Bretagne – Magische Steine und Kapellen. Fotografien von Thomas Esser
Zeit: 30. November 2012 – 20. Januar 2013
Ort: Fabrik Heeder, Virchowstr. 130, 47805 Krefeld
Link

Gustave Caillebotte. Ein Impressionist und die Fotografie
Zeit: 18. Oktober 2012 – 20. Januar 2013
Ort: Schirn Kunsthalle Frankfurt, Römerberg, 60311 Frankfurt
Link

15 Jahre CAMERA WORK
Zeit: 15. Dezember 2012 – 26. Januar 2013
Ort: Camera Work, Kantstraße 149, Berlin
Link

Anton Stankowski – Fotografie
Zeit: 5. Oktober 2012 – 27. Januar 2013
Ort: Zeppelin Museum, Seestraße 22, 88045 Friedrichshafen
Link

Artur Pfau – Fotograf und Zeitzeuge Mannheims
Zeit: 3. Juni 2012 – 27. Januar 2013 (verlängert)
Ort: Museum Weltkulturen, D5, Reiss-Engelhorn-Museen, Mannheim
Link

Tony Vaccaro Retrospektive – 70 Jahre Fotografie
Zeit: 22. November 2012 – 27. Januar 2013
Ort: Willy-Brandt-Haus, Wilhelmstraße 140 / Stresemannstraße 28, Berlin
Link

Christiane Feser – Latente Konstrukte
Zeit: 23. September 2012 – 27. Januar 2013
Ort: Mönchehaus Museum Goslar, Rosentorstraße 27, 38640 Goslar
Link

Helga Paris. Fotografie
Zeit: 8. Dezember 2012 – 27. Januar 2013
Ort: Galerie für zeitgenössische Kunst, Karl-Tauchnitz-Straße 9–11, 04107 Leipzig
Link

Anna Thiele: Tempelhof – Metamorphose 1
Zeit: 1. Dezember 2012 – 27. Januar 2013
Ort: Carpentier Galerie, Meinekestraße 13, Berlin
Link

Points of View. Orte der Fotografie
Zeit: 20. Oktober 2012 – 27. Januar 2013
Ort: Roemer- und Pelizaeus-Museum, Am Steine 1-2, 31134 Hildesheim
Link

1,2,3 … Billy Wilder. Fotografien
Zeit: 4. November 2012 – 27. Januar 2013
Ort: Jüdisches Museum Westfalen, Julius-Ambrunn-Straße 1, 46282 Dorsten
Link

Blumen für Anita – Anita Neugebauer und die galerie photo art basel
Zeit: 18. Oktober 2012 – 27. Januar 2013
Ort: Das verborgene Museum, Schlüterstraße 70, 10625 Berlin
Link

Vom Müll an die Wand – Fotografien von Hinrich Pundsack
Zeit: 17. Oktober 2012 – 31. Januar 2013
Ort: Zentrum für Medien, Große Weidestraße 4 – 16, 28195 Bremen
Link

kwerfeldein – Fotografie Magazin

 
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Posted in Equipment

 

Just a Day in Zurich – Panasonic GH2

30 Dec

Bought 2 months ago a GH2 and just filmed some moments in zurich. It’s my first time i filmed and cut a film so i know it’s not perfect 😉 Font is from the Movie “Drive” 😉 Would be happy if you give a thumb up 🙂 Thanks! All clips are the original file from the GH2, just the dayclips (till 1:53) are a bit colorgraded. Filmed with the Panasonic GH2 – some unhacked Clips and some at 44Mbit/s GOP3. Lenses were most the Sigma 50mm f/1.4. Some scenes with the Nikkor 18-200mm and Panasonic Pancake 20mm f/1.7. Cut in Adobe Premiere CS5. If you have Questions ask 🙂 Music: Biggi Hilmars – Ponds Copyright 2011 Biggi Music Biggi Hilmars – Future Prospect Copyright 2011 Biggi Music Arno Elias – Osmyo Copyright The Orchard Music I do not own any rights to this Music! All rights to the Label!
Video Rating: 5 / 5

 
 

The Year of Living Dangerously

30 Dec

Young Australian journalist Mel Gibson takes his first assignment in Indonesia during the 1965 coup. As the violence escalates, he has an intense affair with British journalist Sigourney Weaver. Linda Hunt (“Kindergarten Cop,” “Pocohantas”) won a well-deserved Oscar as Gibson’s male photographer friend and jealous rival. A powerfully evocative political thriller with fascinating scenes of Asian culture. Academy Award-winner Gibson (“Lethal Weapon,” “Braveheart,” “Ransom”), Oscar and Golden Globe-nominee Weaver (“Alien ,” “Ghostbusters,” “Copycat”), and Hunt are joined by Michael Murphy (“Batman Returns,” TV’s “Dead Ahead: The Exxon Valdez Disaster”). Oscar-nominee Peter Weir (“Master and Commander: The Far Side of the World,” “Dead Poets Society”) wrote and directed. MPAA Rating: PG (c) 1983 Warner Bros. Entertainment Inc. All Rights Reserved.
Video Rating: 0 / 5

 
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Posted in Photography Videos

 

How to Photograph Fireworks Displays

30 Dec
FireworksPhoto by hupaishi

Do you want to know how to photograph fireworks With New Years Eve just days away I thought I’d refresh this article in which I give 10 Fireworks Photography tips to help you get started.

Fireworks Displays are something that evoke a lot of emotion in people as they are not only beautiful and spectacular to watch but they also are often used to celebrate momentous occasions.

I’ve had many emails from readers asking how to photograph fireworks displays, quite a few of whom have expressed concern that they might just be too hard to really photograph. My response is always the same – ‘give it a go – you might be surprised at what you end up with’.

My reason for this advice is that back when I bought my first ever SLR (a film one) one of the first things I photographed was fireworks and I was amazed by how easy it was and how spectacular the results were. I think it’s even easier with a digital camera as you can get immediate feedback as to whether the shots you’ve taken are good or not and then make adjustments.

Of course it’s not just a matter of going out finding a fireworks display – there are, as usual, things you can do to improve your results. With New Years Eve just around the corner I thought I’d share a few fireworks digital photography tips:

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1. Use a Tripod

Fireworks-1Photo by Piero Sierra

Perhaps the most important tip is to secure your digital camera to something that will ensure it doesn’t move during the taking of your shots. This is especially important in photographing fireworks simply because you’ll be using longer shutter speeds which will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod (read our series on tripods and how to use and buy them). Alternatively – keep in mind that there are other non Tripod options for beating camera shake.

2. Remote Release

One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device. These will vary from camera to camera but most have some sort of accessory made for them. The other way of taking shots without touching your camera is to use the self timer. This can work but you really need to be able to anticipate shots well and its very very hit and miss (read more on remote shutter releases).

3. Framing Your Shot

One of the most difficult parts of photographing fireworks is working out where to aim your camera. The challenge you’ll face in doing this is that you generally need to aim your camera before the fireworks that you’ll be photographing goes off – anticipation is key. Here are a few points on getting your framing right.

FireworksPhoto by Stuck in Customs
  • Scope out the location early – Planning is important with fireworks and getting to the location early in order to get a good, unobstructed position is important. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads bobbing up into your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into – you might also want to try to ask some of those setting up the display for a little information on what they are planning. Also consider what focal lengths you might want to use and choose appropriate lenses at this time (rather than in the middle of the show).
  • Watch your Horizons – One thing that you should always consider when lining up fireworks shots is whether your camera is even or straight in it’s framing. This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). Keeping horizons straight is something we covered previously on this site and is important in fireworks shots also. As you get your camera on your tripod make sure it’s level right from the time you set up.
  • Vertical or Horizontal? – There are two main ways of framing shots in all types of photography, vertically (portrait) or horizontally (landscape). Both can work in fireworks photography but I personally find a vertical perspective is better – particularly as there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length of if you’re wanting to capture multiple bursts of fireworks in the one shot – but I don’t tend to go there that often.
  • Remember your framing – I find that when I photograph fireworks that I spend less time looking in my viewfinder and more looking at the sky directly. As a result it’s important to remember what framing you have and to watch that segment of the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.

4. Focal Length?

How-To-Photograph-FireworksPhoto by asmundur

One of the hardest parts of photographing fireworks is having your camera trained on the right part of the sky at the right time. This is especially difficult if you’re shooting with a longer focal length and are trying to take more tightly cropped shots. I generally shoot at a wider focal length than a tight one but during a show will try a few tighter shots (I usually use a zoom lens to give me this option) to see if I can get lucky with them. Of course zoomed in shots like the one to the left can be quite effective also. They enable you to really fill the frame with great color. Keep in mind however that cropping of your wider angle fireworks shots can always be done later to get a similar impact in your photography.

5. Aperture

A common question around photographing fireworks displays is what aperture to use. Many people think you need a fast lens to get them but in reality it’s quite the opposite as the light that the fireworks emit is quite bright. I find that apertures in the mid to small range tend to work reasonably well and would usually shoot somewhere between f/8 to f/16.

6. Shutter Speed

How-To-Photograph-Fireworks-3Photo by *vlad*

Probably more important to get right than aperture is shutter speed. Fireworks move and as a result the best photographs of them capture this movement meaning you need a nice long exposure. The technique that I developed when I first photographed fireworks was to shoot in ‘bulb’ mode. This is a mode that allows you to keep the shutter open for as long as you hold down the shutter (preferably using a remote shutter release of some type). Using this technique you hit the shutter as the firework is about to explode and hold it down until it’s finished exploding (generally a few seconds).

You can also experiment with set shutter speeds to see what impact it will have but I find that unless you’re holding the shutter open for very long exposures that the bulb technique works pretty well.

Don’t keep your shutter open too long. The temptation is to think that because it’s dark that you can leave it open as long as you like. The problem with this is that fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky. By all means experiment with multiple burst shots – but most people end up finding that the simpler one burst shots can be best.

7. ISO

Fireworks-2-1Photo by Mr Magoo ICU

Shooting at a low ISO is preferable to ensure the cleanest shots possible. Stick to ISO 100 and you should be fine.

8. Switch off your Flash

Shooting with a flash will have no impact upon your shots except to trick your camera into thinking it needs a short exposure time. Keep in mind that your camera’s flash will only have a reach of a few meters and in the case of fireworks even if they were this close a flash wouldn’t really have anything to light except for some smoke which would distract from the real action (the flashing lights).Switch your flash off.

9. Shoot in Manual Mode

I find I get the best results when shooting in manual exposure and manual focus modes. Auto focusing in low light can be very difficult for many cameras and you’ll end up missing a lot of shots. Once your focusing is set you’ll find you don’t really need to change it during the fireworks display – especially if you’re using a small aperture which increases depth of field. Keep in mind that changing focal lengths will mean you need to need to adjust your focusing on most lenses.

10. Experiment and Track Results

Watching-FireworksPhoto by y entonces

Throughout the fireworks display periodically check your results. I generally will take a few shots at the start and do a quick check to see that they are OK before shooting any more. Don’t check after every shot once you’ve got things set up OK (or you’ll miss the action) but do monitor yours shots occasionally to ensure you’re not taking a completely bad batch.

Also experiment with taking shots that include a wider perspective, silhouettes and people around you watching the display. Having your camera pointed at the sky can get you some wonderful shots but sometimes if you look for different perspectives you can get a few shots that are a little less cliche and just as spectacular. Most of the best shots that I’ve seen in the researching of this article have included some other element than the fireworks themselves – whether it be people, buildings, landmarks or wider cityscape perspectives.

More Tips from DPS Readers

  • “Find Out the Direction of the Wind – You want to shoot up wind, so it goes Camera, Fireworks, Smoke. Otherwise they’ll come out REALLY hazy.”
  • “Also, I find that if you shoot from a little further back and with a little more lens, you can set the lens to manual focus, focus it at infinity and not have to worry about it after that.”
  • “Remember to take advantage of a zero processing costs and take as many pictures as possible (more than you’d normally think necessary). That way, you’ll up your chances of getting that “perfect” shot.”
  • “Make sure you are ready to take pictures of the first fireworks. If there isn’t much wind, you are going to end up with a lot of smoke in your shot. The first explosions are usually the sharpest one.”
  • “Get some black foam core and set your camera to bulb. Start the exposure when the fireworks start with the piece of foam core in front of the lens. Every time a burst happens move the foam core out of the way. You will get multiple firework bursts in one exposure”
  • “Another tip I would add to this is pre-focus if possible (need to be able to manually focus or lock down focus for good) before the show starts so other elements in the frame are sharp They did mention that you only need to focus once but its a lot easier to take a few shots before the show starts and check them carefully rather than wait until the show has begun and you are fiddling with focus instead of watching fireworks!”

Tell us your fireworks display photography tips in comments below. Don’t forget to tell us which city you’re in and what the fireworks are like there!

We post tutorials like this every day – Get more via email with our free weekly newsletter.

PS: Got some fireworks photos to share with us? Head over to our forum where there are a few fireworks photography discussions taking place.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

How to Photograph Fireworks Displays


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Nikon D90 Pictures – Photo Shoot – Digital Photography

30 Dec

Nikon D90 Digital Photography – Love, Love, love my Nikon D90! Here are some of my very first photos shot in full manual mode. Nikon D90 www.eye-on-design.com Photography, Nikon D90 Photos, Nikon D90 Portrait, nikon d90 photography, Digital Photography I’m a budding new photographer anxious to learn all i can about digital photography. We all know the best way to learn is to take out your camera and shoot. And so i do. I’d love to hear any and all comments good bad or indifferent. Hopefully i can learn a thing or two from you. Many thanks to “The Man on Street” To those who are so willing to be photographed. You make this a joy! To those of you who may not be aware you are being photographed, candid shots make some of the best shots. To my teacher, Adam, sometimes those tangents hit on something good. To my love, thank you for always enduring. for the fun and laughs we’ve had on so many shoots. For putting up with me even when for you, it wasn’t so much fun. For always carrying my gear…I LOVE YOU FOR THAT. And for most of all showing me constant encouragement and support. You’re the Best! Visit Me www.eye-on-design.com www.twitter.com www.facebook.com Subscribe to My Channel www.youtube.com If you are into Digital Scrapbooking and want to check out my Scrapbook Products check out my shop you’ll be glad you did! shop.scrapbookgraphics.com
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