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Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

11 May

The post Lightroom Preset Compatibility: XMP or LRTemplate Confusion? appeared first on Digital Photography School. It was authored by Adam Welch.

Lightroom preset compatibility

Over the last couple of years, Adobe has made some enormous changes to its flagship post-processing software. In short, some of these changes can be slightly…confusing. As someone who uses Adobe Lightroom a lot (and I do mean A LOT), perhaps one of the most confusing changes to Lightroom to come down the pike was Adobe’s choice to change the format of its develop presets from .lrtemplate to .xmp. This has led to quite a bit of head-scratching from hobbyists and professional photogs alike over Lightroom preset compatibility.

Today, once and for all (until Adobe changes things), we’re going to speak plainly about what you need to know when it comes to your development presets in Lightroom. You’re going to learn which presets work with which versions of Lightroom. You’ll learn which ones don’t work, and in the process, gain a better understanding of how presets function in all realms of Lightroom.

Making the jump to XMP

In April 2018, Adobe released Lightroom Classic v7.3.

With Lightroom v7.3, we discovered for the first time that the file designation for develop presets changed from ‘.lrtemplate’ to ‘.xmp’. This brought along some awesome benefits, with the most brilliant being that our Lightroom develop presets could now be used with Adobe Camera RAW (ACR).

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

Unfortunately, this switch gave birth to a whole litter of questions over how the older .lrtemplate presets would function after the switch to the .xmp format.

For people like me that engineers develop presets as part of their living, tiny beads of sweat congregated on our foreheads once the announcement dropped from Adobe.

Adding to the anguish, around the same time, Adobe experienced somewhat of an identity crisis with the naming of their Lightroom platforms. Lightroom Classic CC? Lightroom CC? Lightroom Desktop? It was difficult to keep track.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

This left many users (myself included) questioning what version of Lightroom we were running. This, in part, compounded the confusion over what develop presets would function with what versions of Lightroom.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?
By Alex Knight/Unsplash

Why XMP?

Many users wondered why Adobe would change the file format of the develop presets in Lightroom. The reason stems from another one of the big changes to come along with Lightroom v7.3, which was the introduction of Adobe’s ‘Creative Profiles’.

Lightroom preset compatibility with creative profiles

Creative Profiles are a way for Lightroom users to add base-line adjustments (think in-camera profiles) that do not interfere with their other edits in Lightroom and ACR.

Yep, you guessed it, these Creative Profiles are in .xmp format.

So really, the general reasoning behind Adobe’s switch from .lrtemplate to .xmp file format was aimed at accomplishing universal Lightroom preset compatibility, sync ability, and Creative Profile functionality across Lightroom Classic, Lightroom CC, Lightroom Mobile, and ACR.

A question of compatibility

With the Lightroom v7.3 build, all of the users presets that were in the old .lrtemplate format automatically converted to the fresh .xmp format upon updating Lightroom (Lightroom Classic that is). This meant all of the Lightroom presets in the preset library were now usable in ACR and could be synced for use with Lightroom CC and Lightroom Mobile.

Lightroom preset compatibility with Lightroom Mobile

It also meant virtually all of us were completely befuddled as to what to do next with our presets.

Would our .lrtemplate presets still work with the newest version of Lightroom? Are .xmp presets compatible with previous Lightroom builds? What if I’m still running the pre-cloud versions of Lightroom?

Yes, it can all be extremely frustrating.

To help out, I’ve broken down which versions of Lightroom and ACR are compatible with which develop preset file formats.

We’ll also have a look at how each handles your development presets.

Pre-v.7.3 Lightroom builds

After Adobe launched the inclusive Creative Cloud ecosystem for its image processing applications in 2017, all standalone versions of Lightroom ended production. This meant that after Lightroom 6, the program was re-birthed as the Cloud-centric Lightroom Classic CC, now known simply as Lightroom Classic.

In short, you can no longer buy Lightroom, only rent it for a monthly subscription fee.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

For these builds, there is no backward compatibility for .xmp format presets. This means all presets that aren’t in the new format, will not work with this version of Lightroom.

Lightroom v7.3, ACR 10.3 and later

No matter your opinion on the switch from .lrtemplate to .xmp format for Lightroom develop presets, there’s no denying that the cross-platform functionality is quite convenient. Being able to use your Lightroom presets in ACR is awesome. What’s even better is that Adobe will automatically update all of your .lrtemplate formatted presets to the new .xmp format once you have updated your build of Lightroom Classic to v7.3 or later.

This allows you to continue to enjoy your presets in all their glory after updating to the new format.

Unfortunately, once your presets are updated to .xmp format…there is no going back.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

Consider the .lrtemplate to .xmp conversion process as the “point of no return” for your presets.

In the face of this finality, it is strongly recommended that you save all of your presets that are in .lrtemplate format in a separate location (preferably an external drive) other than the native Lightroom Develop Presets folder. This will allow you to maintain the fullest Lightroom preset compatibility just in case you should ever wish to revert to a pre-v7.3 build of Lightroom.

What’s the endgame?

Even now, some long-time users of Lightroom still feel a bit frustrated when it comes to the compatibility of develop presets with older versions of Lightroom. With the enormous changes to their favorite image processing software, the confusion (and at times overt contempt) over what works and what doesn’t is completely understandable.

It’s obvious by now that the new .xmp format for presets is here to stay. It is also equally obvious that the trepidation of Lightroom preset compatibility still lingers for many users.

Looking to the bright side, with each new development feature introduced to Lightroom Classic, the processing power available in our develop presets grows exponentially. As time passes, hopefully, the long-term benefits of all these changes will far outweigh any initial challenges we may have encountered in the beginning.

I hope this has eased your Lightroom preset compatibility. If you have any other thoughts, or ideas around this, please share them with us in the comments section.

Interested in Lightroom Presets? Try some of our great sets available:

  • 101 LANDSCAPE LIGHTROOM PRESETS
  • 101 LIGHTROOM PORTRAIT PRESETS
  • 101 LIGHTROOM PRESETS PACK

The post Lightroom Preset Compatibility: XMP or LRTemplate Confusion? appeared first on Digital Photography School. It was authored by Adam Welch.


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How to Setup For Doing Live Streaming and YouTube Videos at Home

10 May

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

live streaming setup and youtube setup

Since many of us are spending most of our time at home at the moment, I thought I’d share this great video from the dPS founder, Darren Rowse, on how to do live streaming and YouTube videos from your own home as a way to reach your audience and promote your photography.

He shares his complete live streaming setup, which I have listed below so that you can see if you have some of this gear already. Of course, you can replace some of this gear with the equipment you already have too. Most DSLR and mirrorless cameras do video nowadays.

The great thing about this video is that Darren shows us how this equipment all works together too, which is perfect to see what parts may or may not suit your needs.

Want to do some photography videos for youtube, or post-processing videos? This could be an ideal setup for you too.

Livestreaming gear setup:

live streaming setup and youtube video setup
  • Sony A7 III – https://geni.us/BM6gBHA
  • Sony 28mm f/2 lens – https://geni.us/sony282
  • Sony 55mm f/1.8 Lens – https://geni.us/sony5018
  • Sony A6400 – https://geni.us/udaP
  • Sony 16mm f1.4mm – https://geni.us/qLanFq
  • Rode PodMic – https://geni.us/rodepodmic
  • Rode Podcaster (USB) – https://geni.us/rodepodcasterusb
  • RodeCaster Pro – https://geni.us/rodecasterpropb
  • Shure SM58 – https://geni.us/shuresm58mic
  • Neewer 480 LED Lights – https://geni.us/neewer480led
  • Softbox for Neewer 480 – https://geni.us/neewersoftbox
  • LEDGO LG-B150 – https://geni.us/ledgo
  • Manfrotto magic arm – https://geni.us/mfmagic
  • Manfrotto superclamp – https://geni.us/mfsc
  • Ecamm Live – https://geni.us/ecamm
  • Elgato Camlink – https://geni.us/camlinkpb

Do you have a setup that you use already and would like to share with us? Please do so in the comments section!

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Weekly Photography Challenge – Everyday Objects

09 May

The post Weekly Photography Challenge – Everyday Objects appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Since many of us are still limited to where we can go, this week’s photography challenge topic is the EVERYDAY OBJECTS!

exploring your home with close-up filters
Image © Simon Ringsmuth

Everyday objects can be anything from a cup filled with coffee, TV remote, shoes, pens, computer mouse to a guitar pick. You get the picture!

Weekly Photography Challenge – Everyday Objects
Image © Rick Ohnsman
Weekly Photography Challenge – Everyday Objects
Image © Simon Ringsmuth

Get creative with them, either with the photography style or with post-processing.

I look forward to seeing what you come up with.

Check out some of the articles below that give you tips on this week’s challenge.

Tips for photographing EVERDAY OBJECTS

Photographing a Still Life Series for Exhibition or a Portfolio

Stuck at Home? – Ways Still Life Photography Can Keep Your Skills Sharp

How to Apply Compositional Theory to Still Life Photography

Reverse Lens Macro – How to Make Macro Photos with “Backward Thinking”

Five Common Macro Photography Mistakes and How to Fix Them

Exploring Your Home with Close-Up Filters

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSeverydayObjects to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Everyday Objects appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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How (And Where) To Mount an Action Camera (On Anything!)

09 May

Pictures and video from an action camera can be awesome. But how do you get the best shots? It’s all about the mounting of the camera and we’re going to tell you how to do it. How and where do you mount an action camera? The most popular place to mount an action camera is on a helmet using a Continue Reading

The post How (And Where) To Mount an Action Camera (On Anything!) appeared first on Photodoto.


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The Sony a7S III May Be Announced in Late June

08 May

The post The Sony a7S III May Be Announced in Late June appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps-sony-a7s-iii-news

Over the past several weeks, rumors of a new Sony full-frame camera have been on the rise.

And, taken together, it looks like we may have a Sony a7S II successor before the summer is out.

One rumor, originally reported by Sony Alpha Rumors, suggests that a Sony full-frame camera (and a full-frame lens) will debut at the end of June.

Another rumor, also revealed by Sony Alpha Rumors, tells of a Sony a7S II successor in “late June.”

Sony a7S II successor may debut soon

According to this second report, the a7S III should be launched toward the end of next month, with the camera “scheduled to be on the market by late Summer,” assuming that coronavirus doesn’t cause further, unexpected issues.

Put these two reports together, and an a7S III seems very likely, though it is possible that we’ll be surprised with an a7 IV.

An a7S II successor is long overdue; the a7S II launched way back in 2015, and since then much has changed in the camera industry. Note that the a7S III would be part of Sony’s video-centric stills lineup, which focuses on high-quality video over features such as huge megapixel counts and insanely good autofocus tracking.

So what can we expect from this new Sony snapper?

First, the a7S III should feature at least 4K/60p (the old a7S II offers 4K/30p), but there’s also a possibility for a jump in resolution to 6K or even 8K.

A June-announced 8K camera would be poised to compete with the upcoming Canon EOS R5, which will leapfrog over other mirrorless bodies to offer 8K/30p recording. Personally, I’m doubtful as to whether Sony could pull this off; it’s far more likely that we’ll get 4K/60p, or maybe 6K.

We should also see some standard Sony features: touchscreen capabilities, IBIS, faster AF, and a relatively compact body. The a7S II was (and is) a powerful low-light shooter, so the a7S III may take that even further, offering top-of-the-line high-ISO performance.

As for the price:

The Sony a7S II is currently available for around $ 2000 USD, but it debuted with an MSRP of $ 3000 USD; we can expect that the a7S III will start at this mark, though it’s possible we’ll see a higher price if the camera offers some unexpected features (such as 8K video).

So if you’re a hybrid shooter looking for your next camera, keep an eye out for updates over the next couple of months!

Now over to you:

Are you excited about the potential release of the a7S III? What do you think the camera will offer in terms of video and stills capability? Share your thoughts in the comments!

The post The Sony a7S III May Be Announced in Late June appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Color Photography Exercises to Help You Improve Your Skills

08 May

The post Color Photography Exercises to Help You Improve Your Skills appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

color photography exercises

Learning to use color in your photographs well will help you, in many ways, to take better pictures. Many photographers tend not to practice with the aim of improving their skills. We all like to take good photos. Doing some color photography exercises will help you build awareness. You can learn how to incorporate color into your photographs with more meaning.

“The ability to see the quality of color and it’s different relationships is an art, as well as a skill that must be honed through continual exercise.” ~ Nevada Wier, travel photographer and author.

In this article, I want to encourage you to practice looking a the colors in your compositions. Understanding how colors in a picture interact will help you add more feeling to your photography.

cut papaya
© Kevin Landwer-Johan. Nikon D800, 55mm f/3.5, 4 sec, f/8, ISO 1600, Manual Mode, Pattern Metering.

Mix color theory with practical photography exercises

Understanding of color and how to use it well is a good skill to acquire. Like any skill, it takes study and practice. Getting a little theory in your head is rarely enough – you need to put it into practice to begin to comprehend it in practical ways.

These color photography exercises are designed to help you be more aware and considerate of how you use color in your photographs.

color wheel

The color wheel

The color wheel has been in use by artists and scientists since Sir Isaac Newton first developed the design in 1666. There are now many variations. But the basic color wheel can provide you with enough relevant information. It will help you understand the relationships between different colors. This basic wheel is displays three types of colors:

  • Primary Colors
  • Secondary Colors
  • Tertiary Colors
Primary colors for color photography exercises
Primary Colors

Three primary colors make up the simplest color wheel. Red, yellow and blue are primary colors. These cannot be made by mixing other colors. All other colors are combinations of primary colors.

Secondary colors for color photography exercises
Secondary Colors

Secondary colors are green, orange and purple. They are created by mixing two primary colors together.

tertiary colors for color photography exercises
Tertiary Colors

Tertiary colors are created by mixing a primary and a secondary color. These are:

  • Yellow-orange
  • Red-orange
  • Red-purple
  • Blue-purple
  • Blue-green
  • Yellow-green

Complementary color photography exercises

Complementary colors are opposite each other on the color wheel. Used together they produce high contrast and high impact.

They are:

  • Red-Green
  • Yellow-Purple
  • Blue-Orange

Find or create photos using complementary colors boldly in your compositions. You might find a red flower and frame it so you can only see grass or foliage behind it. You could slice an orange or papaya and photograph it against a blue background.

You could find two objects that have complementary colors. Photograph them against a plain, non-colored background.

Have a look around your home or garden and I am sure you’ll find things of strong primary colors that you can photograph together.

Complimentary colors example for color photography exercises
© Kevin Landwer-Johan. Nikon D800, 500mm f/11, 1/500 sec, f/11, ISO 800, Manual Mode, Pattern Metering.

Analogous color photography exercises

Analogous colors are sets of three colors that lie next to each other on the color wheel.

Using combinations of these colors creates a harmonious feeling in photographs. These colors often occur in nature and are pleasing to the eye. Choosing one color to dominate and the others to support will help you create more relaxing images.

This exercise may be a little more challenging because you need to find things with three colors that are close to each other on the color wheel. Don’t fret if you cannot find colors that match the color wheel perfectly – close enough is good.

You might find something of a primary blue and place it in a composition with a blue-green and green. This will create a photo with a cool, harmonious feeling. Choosing warmer colors, such as orange-red combinations, produce photos with a positive feeling.

Look around. You may find these combinations happening naturally in your garden, or you may have to create some still-life setups.

Analogous color example
© Kevin Landwer-Johan. Nikon D800, 105mm f/2.8, 1/320 sec, f/4.5, ISO 400, Manual Mode, Pattern Metering.

Triadic color photography exercises

A triadic color scheme is a combination of three colors that are evenly spaced around the color wheel. Red, blue, and yellow together are triadic. As are orange, green, and violet and the set of three tertiary colors.

Look to use these sets of colors with one dominant and the others to accent it. You might have a red and a blue pen on a yellow background. Or a green apple and an orange on a violet background.

Try various ways to compose your photo so that one or other of the colors is more dominant in your photos. Look for different angles or, if you can, move your subjects around and arrange them alternatively.

Triadic colors example
© Kevin Landwer-Johan. Nikon D800, 105mm f/2.8, 1/125 sec, f/7.1, ISO 400, Manual Mode, Pattern Metering.

Monochromatic color photography exercises

Shades or tints of a single color used together can produce very interesting color photographs. Shades are colors with varying degrees of black added to the color. Tints are colors where white has been added.

Find items around your home or in your garden that you can create monochromatic compositions with. The color will all be essentially the same. The interest will be determined by the degrees of shade and tint you can include.

Green against green is the most common monochrome we see in nature. Or, depending on where you live and the season, it may be brown on brown.

monocolor for color photography exercises
© Kevin Landwer-Johan. Nikon D800, 105mm f/2.8, 1/320 sec, f/4.5, ISO 400, Manual Mode, Pattern Metering.

Think creatively

Think imaginatively as you look for different things to photograph. Try and create interesting photographs with color use as the main subject. The purpose is to learn and practice how colors relate to each other in a photograph.

When you practice anything enough, it becomes second nature. Doing these exercises may seem a little odd because you may not be taking great photos. Color photography exercises like this help you develop your color awareness more. Once you are well-practiced, you will ‘see’ color and color combinations more naturally.

So, try these color photography exercises and share your results with us in the comments section.

The post Color Photography Exercises to Help You Improve Your Skills appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Four Essential Beginner Photographer Tips

07 May

The post Four Essential Beginner Photographer Tips appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

beginner photographer tips

If you are new to photography the possibilities can seem endless and the options almost overwhelming. Buttons, dials, apertures, shutters, flashes…where do you even start? Of course, it’s always good to learn basics like the exposure triangle, but there are some simple beginner photographer tips that will immediately elevate your picture-taking prowess.

A bee pollinating a pink flower
Nikon D7100, 50mm, f/5.6, 1/250 second, ISO 100, +10 close-up filter

Look for the light

The first of the beginner photographer tips is tho look for the light.

Does your camera have a flash? Great!

Does it turn on all the time? Not so great.

This is usually a sign that your camera thinks your picture is too dark, so it tries to add a bit of light to fix things. From that perspective, the flash makes a lot of sense, but often it can end up ruining what might otherwise be a perfectly good photo. Instead of a pleasing, well-lit image, you end up with red eyes, harsh shadows, and bright spots of light reflecting off windows.

An adult hand embracing a baby's hand
I shot this in a well-lit room with a lot of windows letting in the sunlight. Nikon D750, 50mm, f/5.6, 1/90 second, ISO 6400.

Instead of relying on the flash, look for the light that’s already available and reposition yourself accordingly. If you are indoors, put your subject in front of you and put your back to a window. If you are outdoors, look at where the sun is. Move yourself and your subject so that the light is behind you, not behind the person or object you are shooting. Better yet, re-compose your shot so your subject is in the shade and evenly lit.

beginner photography tips – a silhouette of two children looking out of a window
Nikon D7100, 50mm, f/2.8, 1/750 second, ISO 100.

In the picture above, the light was so bright that my kids were entirely shrouded in shadow, creating a silhouette.

The only way to save the photo was to make it black-and-white in Lightroom! I could have also waited until the light was more overcast to get a more even exposure. Or I could have intentionally used the pop-up flash as a fill flash to add a touch of light to the two shadowy subjects.

This technique works for casual snapshots, formal portraits, or pretty much any style of photography.

To get this group photo of three generations of women in a park, I had to get a little creative with light and positioning. I found a spot that was in the shade of a tree, so all their faces were well lit. You can see a swath of light going across the foreground that would have wreaked havoc on the photo if everyone was two steps forward.

a family portrait
Nikon D750, 70-200mm f2.8, f/4, 1/200 second, ISO 360

Looking for the light is one of those beginner photography tips that sound constraining, but with practice, it will become second nature. You will automatically find yourself thinking about light and shadow and how to create the best composition without resorting to that pop-up flash. It’s also one of the most impactful things you can do to differentiate your photos and make people think twice when considering you as more than just an amateur.

Use Continuous Autofocus

Modern DSLRs and mirrorless cameras are outstanding when it comes to autofocus – certainly much more than their counterparts from a few years ago.

Modern focusing systems can track people, objects, and animals with ease. The latest mirrorless cameras can even lock focus on a single eye and reacquire in an instant if the person turns their head or another object momentarily blocks your view.

beginner photography tips – a child playing soccer
Nikon D750, 140mm, f/2.8, 1/3000 second, ISO 100

Action shots are almost impossible without rock-solid autofocus. Almost any camera you get is probably going to be up to the task as long as you’ve got the right lens.

There’s one mistake that a lot of beginner photographers make that can really hold back your action shots or even just everyday photos of people or pets. They use single-shot autofocus instead of continuous autofocus.

When you half-press the shutter button you probably here a sound to let you know that your shot is in focus. It might be a quick beep-beep along with a little dot or square lighting up to indicate that your picture will be tack sharp. Continue pressing your finger and you’ll get just what you expect: a crystal clear image in bright, vivid color.

beginner photography tips – a child playing sport
Nikon D7100, 50mm, f/1.8, 1/6000 second, ISO 100

This is all well and good, but what if your subject moves in that brief moment between the time you lock focus and press the shutter button fully? Worse, what if you want to take another picture?

You have to lift your finger off the shutter button, do a half-press to acquire focus, and then push the shutter down all the way to complete the shot. It might not sound like much, but a lot can happen in that short time!

The solution is to enable your camera’s continuous autofocus setting.

Instead of focusing once, continuous autofocus means your camera will keep your subject locked no matter where your subject goes. It will be in focus as long as you never fully lift your finger from the shutter button. This technique is incredibly useful for everyday shots and almost mandatory for fast action, especially when paired with back-button focus.

Four Essential Beginner Photographer Tips
This child moved around a lot! Continuous autofocus helped me make sure these images were sharp. Nikon D750, 120mm, f/4, 1/250 second, ISO 1400.

Every camera does this a little differently and you’ll find it by looking in the menus under the focus settings.

While it’s not always required, especially if you are shooting still objects or doing macro work where manual focus is preferred, I have found that I generally prefer continuous autofocus in most situations. If you are shooting with a prime lens wide open, where depth of field is razor-thin, it can really help you get better photos with minimal effort.

Use Program instead of Auto

The next of the beginner photography tips is to use Program Mode instead of Auto.

Every camera has a few different exposure modes, and if you are new to photography, you might find comfort in using the familiar green Auto setting. And there’s nothing wrong with that! Auto is great for a lot of people, and camera manufacturers have tweaked the auto setting so well that it really does produce good results.

Most of the time.

beginner photography tips – a person graduating from college
My dad shot this photo of me when I graduated with my Master’s Degree. He shoots in Program Auto all the time, and he’s able to get lots of great shots with it. Canon Rebel T4i, 270mm, f/6.3, 1/50 second, ISO 1600.

Even though there’s a lot to be said for learning Aperture or Shutter Priority, or even going all the way with Manual Mode, there’s a good middle ground that a lot of beginners don’t know about. It’s called Program Auto, and if you want a little more control than what Auto has to offer, it might very well be the solution for you.

Program Auto is kind of like regular Auto, but you get a little more control over the exposure. The camera starts by setting a value for lens aperture and shutter speed that it thinks will give you a properly-exposed image. You can see these numbers in the viewfinder or on the rear screen, but if you don’t like what the camera selects all you do is turn a dial.

beginner photography tips – a butterfly on flowers
Canon Rebel T4i, 270mm, f/7.1, 1/400 second, ISO 320. Shot in Program Auto mode.

You’ll see the aperture and shutter change but the exposure will remain constant.

Want a little more depth of field? Rotate the control dial on your camera until the aperture value is larger.

Want a faster shutter speed? Spin the dial until the shutter speed increases. Program usually lets you control the ISO as well. And if you still don’t like your picture, you can use exposure compensation to make it brighter or darker.

While the green Automatic mode on cameras is a great way to get started, Program is a good way for beginners to take a bit more control over their photography without getting too confusing.

Adjust your eye level

This final of the beginner photography tips applies no matter whether you have a fancy expensive DSLR or a basic mobile phone. It’s about getting yourself on the same plane as your subject or shooting your subject from a more interesting angle. It’s particularly useful when taking pictures of children, but applies in almost any photographic situation.

Four Essential Beginner Photographer Tips
I had to lay on the ground to get this picture. It’s a lot more interesting than if I had stood up and shot at a downward angle. Nikon D750, 122mm, f/3.3, 1/500 second, ISO 100.

The default position for a lot of beginner photographers is to take a picture from an eye level that works for you. It’s usually standing up, sitting down, or whatever position you happen to be in when a picture opportunity presents itself.

For better photos, it’s important to move around and look for a more interesting, compelling, or exciting vantage point.

beginner photography tips – a close-up photo of a flower with backlight
A normal flower became much more interesting when I shot it crouched down and positioned with the sunlight coming from behind. Nikon D7100, 50mm, f/1.8, 1/2000 second, ISO 100.

This a simple thing to do, but it takes repeated practice until it becomes second nature. If your subject is short, crouch (or lay) down to get a more interesting shot, and if your subject is tall, find a way to elevate yourself.

It might not be easy or even comfortable, but your pictures will be much better because you took the effort to adjust your eye level.

Four Essential Beginner Photographer Tips
This young man was so tall I brought a stepladder to his photo session. I had to elevate myself about a meter off the ground to get on his eye level! He and his family were extremely pleased with the results. Nikon D750, 200mm, f/3.3, 1/250 second, ISO 110.

Conclusion

These four beginner photography tips are just the tip of the iceberg. There’s so much more to learn when you start down your exciting journey to learn more about photography.

Everyone has to begin somewhere and if you’re not sure where to start, give these a try. If you have any recommendations from what you have learned over the years, share your thoughts in the comments below!

The post Four Essential Beginner Photographer Tips appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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SLC-2L-11: The “Magic” of Medium Format

07 May

There's something about shooting medium format — especially in black and white. The look is unmistakeable: creamy highlights supported by lush, detailed shadows.

So it's perfectly understandable why many photographers shell out big bucks for pricey medium format gear. In fact, it's possible that some of you are at this very moment casually thinking about how cool it would be to shoot with a MF camera system.

And why not? I mean, don't you deserve it?

Except for, a) the photo above was shot with a small-chip Fuji, and b) those shadow gradients were made with a second, $ 69 speedlight.
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How to Create a Pep Ventosa Inspired Still Life

06 May

The post How to Create a Pep Ventosa Inspired Still Life appeared first on Digital Photography School. It was authored by Charlie Moss.

pep-ventosa-inspired-still-life

Pep Ventosa is a Catalan artist who creates incredible images that explore the boundaries of photography. Made from multiple layers of similar photographs, they create an abstract and often surreal effect with a painterly feel. Ventosa usually creates pictures outside, but you can borrow his ideas to create a Pep Ventosa inspired still life.

How to Create a Pep Ventosa Inspired Still Life

This is an ideal experiment for someone new to working with layers in Photoshop who wants to try and create a fine art inspired still life. You’ll find that even the most mundane objects can create beautiful, ghostly images.

Shoot your base images

First of all, you’ll need your base images. I started with a simple tabletop set up next to a window so that I could work with natural light. You could also use studio lights or lamps for this technique, and different lighting will produce quite different results!

How to Create a Pep Ventosa Inspired Still Life

Once you have your camera set up and an interesting object in place to photograph, take your first image. Then rotate the object a small amount and shoot another. I like to take at least ten images, which seems to always create a good effect. If you choose to start working with lots more images, you begin to run into Photoshop’s file size limitations quite quickly!

Make sure that you place your camera on a tripod the first time you try this out. This will keep your background consistent and allow you to move the object without worrying about having your camera in the same place each time. Once you’ve mastered the technique, you can experiment with moving the camera as well as the object in a different variation of the Pep Ventosa inspired still life.

Work in Lightroom Classic

You can choose to import the images straight into Photoshop and layer them into a stack manually if that’s your preferred workflow. However, I really like the Lightroom Classic functionality that can do all this for you.

How to Create a Pep Ventosa Inspired Still Life

As you can see, the images are all very similar, but each one is slightly different from the last. I’ve tried not to blow out any highlights or get too much black in the shadows. Having the images quite flat in this respect can be helpful when you start to work with the layer blending modes in Photoshop.

Take this opportunity to also clean up any blemishes or marks on the backdrop. Anything left in now will be harder to tidy up later.

How to Create a Pep Ventosa Inspired Still Life

When you’re ready to start layering your images, select them all in Lightroom Classic and then select the “Open as Layers in Photoshop” option. This will create an image file that has all of your base photographs stacked on Photoshop layers. Now you’re ready to start the fun bit of editing your Pep Ventosa inspired still life.

Work with Photoshop blend modes

Blend modes can be intimidating if you’ve never used them before, but this experimental image can be a great time to play with them. There are 27 different blending modes in total, which gives you lots of options for your Pep Ventosa inspired still life.

How to Create a Pep Ventosa Inspired Still Life

At the top of the layer stack is a drop-down box that is available as long as you have a layer highlighted. This is where the blend modes are hiding. Each option allows the layers underneath to show through according to different computer algorithms.

For the image above, I set each layer to “multiply” blend mode and changed the opacity to between 25% and 50%. This results in an extremely dark image at the end (because the colors multiply together mathematically), so I also added a Curves Layer to bring the exposure back up to something normal.

Spend some time experimenting with different blending modes. In my experience, Soft Light and Overlay also give interesting results. Some of the others might, too depending on your base images.

Finishing your image

Once you’ve finished adjusting your layers, you can save the image, close Photoshop, and open Lightroom Classic back up. Now you can polish the image, adjusting the colors and tone to suit your style.

Once you’ve edited an image in Photoshop and taken it back into Lightroom Classic, you can treat it as you would any other image. That means you can apply any effects, filters, or presets to the image.

How to Create a Pep Ventosa Inspired Still Life

If you’ve never worked with presets in Lightroom Classic before consider buying a large set to get you started. As you experiment with them and use them more and more, you’ll get to know how the settings work, and then you can start building your own.

Changing the colors in Lightroom Classic can change the whole mood of a photo. A dark, shadowy blue image can feel quite melancholy and introspective, while a warmer-toned image can feel more hopeful and even joyous.

When you shoot a still life image, it’s not just the subject that conveys emotion, but the colors too. So while you’re finishing off the colors in Lightroom Classic, make sure that they’re helping to communicate your message.

Consider how you’ll print your image

These kinds of images are really begging to be printed quite large on beautifully textured paper. And there are plenty of labs that will do this for you. A textured paper can really enhance the fine art feel of a Pep Ventosa inspired still life, working sympathetically with the multiple layer effect that you’ve created in Photoshop.

If you don’t intend to print your image, you could try adding textures to your work instead. Open the image (again) in Photoshop and try out different textures until you get an effect that you’re happy with. Remember, textures are always best kept subtle!

How to Create a Pep Ventosa Inspired Still Life

Conclusion

There are so many different ways you could use this technique. You could combine it with other photographic techniques, or different post-processing. And of course, there is an infinite number of different subjects that you could photograph.

Please do try your own Pep Ventosa inspired still life. And don’t forget to post your results in the comments – I’d love to see the different ways that we all interpret this idea!

The post How to Create a Pep Ventosa Inspired Still Life appeared first on Digital Photography School. It was authored by Charlie Moss.


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15 Tips for Documenting Home Life

06 May

The post 15 Tips for Documenting Home Life appeared first on Digital Photography School. It was authored by Mat Coker.

Tips for documenting home life through photography

Documenting home life and capturing family moments is what inspired many of us to pick up a camera. But upon picking up a camera, we discovered just how challenging it is to capture those moments.

These 15 tips are ones that I’ve used over the years to capture my family moments. They will help you capture your moments more creatively, overcome lighting challenges, and use simpler camera settings.

The best part is, these tips work whether you’re using a DSLR or just your phone to take pictures.

15 Tips for Documenting Home Life
Learn to spot moments before they happen, what angles make your photos look best, and how to freeze action in dim indoor light.
ISO 6400 f3.8 1/200 sec

Moments

It’s important to capture a good moment because the moment overshadows everything else in your photo. Surprisingly, people will often overlook bad lighting and sloppy composition in your photo simply because you captured a powerful moment.  

The question is, how do you capture a moment well?

Remember that these tips apply to every photo you take, even if you’re using your phone.

1. Distinguish between two major types of moments

There are two types of moments; posed and candid.

With posed moments, you are in control of the details. You decide exactly what or who is in your photo, how they’re positioned, and how everything is interacting together.

When it comes to documenting home life, most of us prefer candid moments. Candid moments are spontaneous events that just happen naturally. By definition, you can’t force these moments to happen, you just see a great moment that happens spontaneously and you want to capture it. Of course, you can easily ruin the natural moments by stepping in and interrupting them.

But candid moments have a special problem, you don’t see them coming until it’s too late!

documenting home life posed moment
A classic example of a posed moment. See the tips below for the use of window light. ISO 1000 f/3.5 1/500 sec

2. Learn to see the future

You’ll be able to capture better moments when you develop the technical skill of seeing the future. Don’t worry, it’s not as impossible as you think.

The key to seeing the future is spotting patterns. When you see a pattern repeating itself, you can reliably predict what is going to come next. Look for patterns as you document home life, and you’ll be ready to capture the moment before it happens.

Documenting home life candid moment
My son spends a few minutes every day deeply engaged in picture books. As long as I don’t let him see the camera, I can sneak a few photos. I used his feet and the book as a frame around his face. This picture was backlit using a window. ISO 1600 f/4.7 1/400 sec

3. Take your camera and go looking for moments

You know that when things go strangely quiet, something interesting is happening. So pick up your camera and go see what your kids are up to. If you don’t take your camera with you, by the time you go find it, the moment will have passed. It will be too late. When the house is quiet, pick up your camera, then go looking.

Candid moments
I discovered him asleep, and it was the perfect time to photograph his curls before his first hair cut. ISO 1600 f/2.0 1/10 sec

4. Include action and emotion

One key to capturing better moments while documenting home life is to make sure that they include action or emotion. Again, if everything else goes wrong, the action or emotional element will make your photo stronger.

capturing action
Both the kite and the girl are in action. ISO 200 f/2.8 1/500 sec

Composition

As you improve your skill of capturing moments, you can begin to compose better photos as well.

Start with angles. They are one of the best compositional tools because they completely change the way your photo looks and feels.

5. Bug’s eye view

This angle is wildly dramatic. Get really low, look straight up and see things tower above you. When you take all your pictures from the same angle, they are boring to look at. So make 1 out of 10 a bug’s eye view.

Bug's eye view photo
Taken with an old iPhone. ISO 320 f/2.8 1/20 sec

6. Low angle

Low angles take your photos to a new level by adding drama to your photo. Use it when photographing action moments like the child jumping across beds in the photo above.

low angle photo
Taken during a wind storm. ISO 2000 f/2.8 1/200 sec

7. Face-to-face

This angle puts you eye to eye with your subject and makes your photo more captivating. This angle works especially well when combined with emotional moments.  

15 Tips for Documenting Home Life

8. High angle

High angles are great for capturing the cuteness of little kids. Partly because a higher angle can make people look a little smaller. It’s a friendly angle.

high angle photo
ISO 250 f2.8 1/160 sec

9. Bird’s eye view

Our last angle is the bird’s eye view. You get right up there and look straight down. You don’t have to be high up in the air for this angle, just higher than your subject.

bird's eye view photo angle
ISO 50 f2.4 1/20 Sec

Background 

10. Avoid cluttered backgrounds

A cluttered background will weaken your photo. There are two ways to deal with a cluttered background in your photo. The first is to change your angle slightly to avoid distracting elements. The second is to actually clean up your house. Of course, maybe a messy background is part of documenting home life!

15 Tips for Documenting Home Life

Use Frames

Look for objects that will frame your subject in an interesting way. Try shooting through cracks in doorways or window frames.

documenting home life framing
This photo is symmetrical, with the door in the background framing her. The funny expression on her face breaks the order of this photo. ISO 800 f/2.8 1/250 sec

Light

12. Use natural window light

Windows are a great source of natural light. You can use them for portraits, silhouettes, and just generally good lighting. Try to capture moments close to a window.

15 Tips for Documenting Home Life
It is window light that contributes to the contrast and depth of this photo.

13. Pay attention to the direction of light

Consider what direction the light is coming from. Front and sidelight are great for portraits, backlight is great for drama.

15 Tips for Documenting Home Life
Sidelight skims across his face and brings out the texture of the couch.
15 Tips for Documenting Home Life
The backlight in this photo creates a dramatic silhouette.

Think of all these elements as a stack. A couple of these elements will improve your photos, but the more of these elements you stack together, the stronger your photo will become. You don’t have to be an expert in light, moment, and composition. You only need to take small steps in each of these elements and the power is when you combine those small steps together.

Camera settings for dim light

One of the biggest problems you’ll run into indoors is dim lighting. Dim lighting can leave your photos looking dark or blurry from motion.

14. Open curtains and blinds

If it’s daytime, make sure to open curtains and blinds.

15. Help your camera see in the dark

  • Try increasing your ISO to 1600, 3200, or 6400.
  • Open your aperture all the way (look for a smaller number like f/1.8) to let in more light.
  • Consider purchasing a 35 mm or 50 mm prime lens with an aperture of f/1.8.
  • Zoom lenses usually have smaller apertures and don’t let in his much light.

These settings will help your camera let more light in and have a quicker shutter speed so that your photos are less likely to be blurry. 

15 Tips for Documenting Home Life
You’ll need to hold very steady with such a slow shutter speed. ISO 5000 f/2.0 1/15 sec

Checklist for documenting home life

Remember, you don’t have to become an expert in every single one of these areas. As you stack these elements together, a slight bit of improvement in each of these areas will give you much better photos.  A bit of emotion, from the right angle, with some interesting light, just might produce a work of art.

Settings to help with dim light

  • ISO 1600, 3200, 6400
  • Aperture f1.8

Moments

  • See moments before they happen by spotting patterns
  • Include emotion or action

Composition

  • Angles
  • Background
  • Frames

Light

  • Use windows
  • Direction of light

Feel free to add your ideas about documenting home life, or share your images in the comments below!

15 Tips for Documenting Home Life

The post 15 Tips for Documenting Home Life appeared first on Digital Photography School. It was authored by Mat Coker.


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