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Gitzo announces Gitzo Mini Traveler tripod with patent-pending ‘Pull & Fix’ technology

29 Sep

Gitzo has released the details of its upcoming travel tripod, the Gitzo Mini Traveler.

Designed for ‘professional photographers and promising amateurs who use mirrorless cameras or DSLR cameras with small lenses,’ the Gitzo Mini Traveler is made of Gitzo’s ‘state-of-the-art’ carbon eXact tubes and an aluminum head.

The tripod weighs 265g/0.63lbs and measures 22.1cm/8.7in in length when closed with the tripod head attached. When used with the aluminum tripod head, the tripod holds 3kg/6.6lbs of gear. If you don’t mind losing the articulating head, the legs alone hold an impressive 25kg/55lbs of gear.

The legs use Gitzo’s patent-pending Pull & Fix leg angle selector system with two built-in leg angles. ‘ The ergonomic rubberized gear easily locks and controls the strong stainless steel sphere of the aluminum ball head,’ according to Gitzo.

The Gitzo Mini Traveler is available in two colors: black and Gitzo’s noir decor. Both colors are available for pre-order on B&H for $ 200. No specific release date has been given.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma confirms that its current lenses are fully operational on the Nikon Z7 with FTZ adapter

29 Sep

Sigma has issued a statement confirming that its current lenses operate without any issues when mounted on the Nikon Z7 via FTZ adapter. The company notes that interchangeable lenses lacking AF drive motor will function only in manual focus, and that some older lenses that aren’t compatible with current DSLRs will not operate on the Z7. Sigma plans to keep testing and verifying whether discontinued lenses will function on the camera.

Read the full statement below.

Operating condition of Nikon “Z7” and SIGMA’s interchangeable lenses for Nikon mount

Thank you for purchasing and using our products.

We would like to announce that we have confirmed that SIGMA’s interchangeable lenses for Nikon mount in the current lineup do not have any issues with general operation when they are used on the “Z7”, released by Nikon Corporation, via their “Mount Adapter FTZ”.

In addition, please note the information below when using the following lenses.

  • Interchangeable lenses that do not incorporate an AF drive motor will operate only in manual focus.
  • Some interchangeable lenses shipped out before November 2013 that are not compatible with the latest DSLR cameras will not operate.

We will continue verification and provide updates on the operating conditions including discontinued models.

For further information, please contact your nearest authorized SIGMA subsidiary / distributor.
https://www.sigma-global.com/en/about/world-network/

We appreciate your continued support for our company and products.

Articles: Digital Photography Review (dpreview.com)

 
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LG V40 ThinQ first smartphone to offer super-wide-angle and tele cameras

28 Sep

Multi-camera setups with a variation of focal lengths are pretty much the norm on high-end smartphones these days. However, thus far you’ve had to decide if you want a super-wide-angle module (like on most recent LG models) or a tele-camera (like on the iPhone X, Huawei P20 Pro or Galaxy Note 9) next to the camera’s “standard” wide-angle lens.

Pretty soon you’ll be able to have both. LG just “pre-announced” its new LG V40 ThinQ on its Korean website and confirmed the triple-camera setup that reportedly comes with a super-wide angle and tele next to the main camera. The latter will feature a very fast F1.5 aperture.

The official announcement of the device is scheduled for October 3rd, and unfortunately information on other specifications is rather sparse at this point. All we know is that the display will measure 6.4 inches and, looking at the teaser video, will feature some kind of soft-touch surface for increased grip.

We will let you know as soon as more information on the LG V40 ThinQ camera specs and features becomes available.

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss announces ZX1 full-frame compact with fixed 35mm F2 lens

28 Sep

The Zeiss ZX1 is based on the Android operating system and has been designed to be able to run Adobe Photoshop Lightroom CC
Image: Zeiss

Zeiss has just announced the ZX1, the company’s first-ever digital camera. It comes with a 37.4MP full-frame image sensor, fixed 35mm Distagon F2 lens and a huge 4.3″ touchscreen with a resolution of 1280×720 pixels to augment its physical controls. Zeiss has also teamed up with Adobe to offer full Adobe Photoshop Lightroom CC capability in the camera itself. It’s designed to allow you to shoot, edit and share on the fly.

The ZX1 offers 512GB of external memory and Wi-Fi, Bluetooth and USB-C connectivity

Zeiss says both the 37.4MP sensor and 35mm F2 lens were developed in-house and were designed from the outset to be matched with one another, not unlike Leica’s Q and Sony’s RX1 series. Unlike the Leica, however, the ZX1 does not come with any form of image stabilization. The lens offers a minimum focus distance of 30cm (11.8″) and the optical formula comes in at 8 elements in 5 groups.

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While the ZX1 does not have a memory card slot, it does have 512GB of internal memory, which the company claims is enough to store approximately 6,800 Raw files in DNG format (or up to 50,000 JPEG files). Zeiss’ ZX1 website does claim that you can connect an external USB drive to the camera to offload images. The camera offers Wi-Fi, Bluetooth and USB-C connectivity. The company will also offer over-the-air software updates.

The ZX1 comes with an electronic viewfinder using an OLED panel at full HD (1920×1080) resolution and a magnification of 0.74x. There’s a flash hot-shoe, but no flash is built into the camera body. The ZX1 offers single and continuous autofocus, though we don’t yet know if continuous focus is allowed at the maximum burst speed of 3fps. Exposure is taken care of courtesy a leaf shutter in the lens.

The ZX1 is designed to allow you to shoot, edit and share on the fly.

Since we live in 2018 and 4K is everywhere, it’s no surprise that the ZX1 is capable of capturing UHD 4K at up to 30fps, and Full HD video at up to 60fps.

The ZX1 appears light on controls, but the large touchscreen – with an unusual curved design – will help users take more control over their photographs, as well as the editing process.

Image: Zeiss

There’s no word on pricing, but the ZX1 will be available in ‘early 2019.’ Stay tuned for more updates as we get them.

ZEISS ZX1: The Camera Concept for the Creative Flow in Photography

First full-frame camera from ZEISS with first-class image quality and the familiar, intuitive image editing and connectivity of a smartphone.

OBERKOCHEN/Germany, 2018-09-27.

ZEISS ZX1 – That is the name of the newly developed mirrorless full-frame camera from ZEISS that was presented today in Cologne, Germany. Thanks to the ZEISS lens and a sensor developed in-house at ZEISS, the camera delivers first-class image quality combined with an operational concept and user experience that make the photographer’s jobs-to-be-done as intuitive as on a smartphone.

The ZEISS camera concept is just the first step to opening up a new world of possibilities for ambitious photographers – from taking the shot to editing the image and sharing it on the web.

SHOOT. EDIT. SHARE. – Harmonized hardware, software and optics for a seamless creative process

SHOOT: the ZEISS ZX1 features a newly designed, integrated ZEISS Distagon 35 mm f/2 T* lens with autofocus that has been perfectly matched to the 37.4 megapixel full-frame sensor developed in-house at ZEISS. The interplay between the lens and sensor ensures first-class picture quality with that typical ZEISS look.

EDIT: The ZEISS ZX1 enables photographers to professionally process RAW images directly on the camera thanks to fully integrated Adobe Photoshop Lightroom CC. Moreover, the ZEISS ZX1’s unique user interface supports the user’s particular workflow without any interruption – providing direct access to the most frequently used functions via a 4.3″ multi-touch display.

SHARE: when the networked full-frame camera is connected, the user can upload selected images directly to the internet – without the intermediate transfer to memory cards or other external devices.

512 GB of internal memory provide sufficient space for approximately 6,800 RAW files (DNG) or over 50,000 JPGs – more than enough to handle photos, even during a longer trip, and giving the photographer the chance to let their creativity flow. Versatile connectivity options such as Wi-Fi, Bluetooth and USB-C ensure that various peripherals can be connected. Over-the-air software updates keep the camera up to date without requiring a computer connection.

Designed with a passion for detail and a focus on the essentials

The design of the ZEISS ZX1 is characterized by its iconic shape with carefully crafted details. The overall form and reduction to just those elements that are absolutely necessary lay the foundation for an ergonomic camera and ensure easy handling. The symbiosis of hardware and software is exemplified by the newly defined user interface that utilizes the 4.3″ multi-touch display. The slightly bent screen separates the live view from the control elements, making camera operation comfortable and straightforward.

“We know that we exploring new ways and initially addressing a special target group with the ZEISS ZX1. With our concept we are focusing on ambitious, professional creatives who want to produce their photographic experiences quickly and efficiently, and inspire as many people on the Internet as possible. This requires a streamlined workflow in addition to high-end features. This is exactly what the concept of the ZEISS ZX1 offers,” explains Jörg Schmitz, Head of the Consumer Products business group at ZEISS.

ZEISS ZX1 available from early 2019

The ZEISS ZX1 will be available at selected dealers in early 2019. ZEISS will announce the recommended retail price at the start of the official market launch. Starting now, anyone interested in receiving information on exact availability can register at www.zeiss.com/zx1.

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss expands Batis lens range with 40mm F2 Close Focus

28 Sep

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Zeiss has announced the Batis 40mm F2 Close Focus, bridging a gap between their existing 25mm F2 and 85mm F1.8 offerings. This brings the total Batis lineup for full-frame Sony E-mount to five, with focal ranges from 18mm to 135mm.

As with the rest of the Batis lineup, the 40mm F2 CF is weather-sealed and comes with autofocus and an OLED display showing focus distance. Reflecting the ‘Close Focus’ in the name, the lens can focus down to a distance of 24cm (9.4in) with a maximum reproduction ratio of 1:3.3.

The Batis 40mm F2 CF, seen under glass in Cologne, Germany.

The Zeiss Batis 40mm F2 CF is priced at €1299/$ 1299.

Press release:

The Most Versatile Lens in the ZEISS Batis Family

The ZEISS Batis 2/40 CF bridges the gap in the ZEISS Batis family lineup

OBERKOCHEN/Germany, 2018-09-27

With a 40 millimeter fixed focal length, the ZEISS Batis 2/40 CF (Close Focus) is the latest addition to the product family. This standard lens in the ZEISS Batis family features a quick autofocus and an extremely short minimum focus distance. Delivery will start in November 2018. “The focal length on the ZEISS Batis 2/40 CF makes it suitable for a wide range of applications, something customers have been eagerly awaiting. The lens bridges the current gap between the ZEISS Batis 2/25 and the ZEISS Batis 1.8/85,” says Dr. Michael Pollmann, Category Manager for Imaging at ZEISS.

The ZEISS Batis family was developed specifically for mirrorless full-frame cameras from Sony (Alpha 7 and Alpha 9 series). The lenses are compatible with all E-mount cameras and cover a total of five focal lengths ranging from 18 to 135 millimeters. Together with these cameras, the ZEISS Batis 2/40 CF ensures a lightweight, easy-to-use, high-performance system that delivers outstanding image quality, a minimum shooting distance of 24 centimeters for close-up shots and a magnification ratio of 1.3.3. “With the launch of the ZEISS Batis 2/40 CF, we now offer a focal length that falls between the standard 35 and 50 millimeter lenses people love to use. We have made the entire ZEISS Batis lens family even more attractive by offering the complete range of focal lengths,” says Pollmann.

The most versatile lens in the ZEISS Batis family

The ZEISS Batis 2/40 CF is able to tackle various photography challenges thanks to its special 40-millimeter focal length. From portrait and street photography to landscape and architecture – anything is possible with this high-resolution fixed focal length. “The lens is excellent for applications requiring normal focal lengths as well as common photographic situations where a bit more of a wide angle is needed. Our customers will enjoy a truly versatile lens which, thanks to its proven ZEISS look, and an outstanding image quality, is also ideal for close-ups. If you’re traveling light and decide to opt for just one lens, then this would be it,” says Pollmann.

Thanks to its high micro contrast and initial aperture of f/2, the lens can perfectly capture individual objects. Features like floating lens design for consistently high image quality across the entire focus range, the ZEISS T* coating for fewer reflections and weather and dust sealed housing and splash protection ensure maximum image quality in almost any situation. For creative work, the innovative OLED display on the ZEISS Batis shows the distance and depth of field, ensuring a perfectly adjusted focus range.

The price of the new ZEISS Batis 2/40 CF is 1.299 € (incl. German VAT) or 1.299 US$ (excl. local taxes).

Articles: Digital Photography Review (dpreview.com)

 
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Capture One Fujifilm editions to support GFX and X series cameras for free

28 Sep

Phase One’s Capture One image editing and archiving software package will finally support Raw files created by Fujifilm cameras, including the GFX bodies, via a free bundled deal with the cameras. In an arrangement similar to that enjoyed by Sony users, owners of Fujifilm GFX and X cameras will be able to use a scaled-back version made especially for them to process the Raw files from the GFX 50, as well as files from cameras going back as far as the Fujifilm Finepix S2 Pro.

Fujifilm camera owners will be able to use a free version of the software, but can buy the full program but with its additional features at a discounted rate. The Full version with full camera support costs a little bit more again, for those who need support for a wider range of camera brands.

The Free version that will come with the cameras is called Capture One Express Fujifilm. If you want more advanced features such as the ability to work in layers, to tether your camera to your computer, and faster image processing, a second tier of the Fujiiflm version allows photographers the full range of controls. The full Pro edition does the same but will also work for brands other than Fujifilm as well. The Capture One Pro Fujifilm costs €159 a year on a subscription basis, while the full version costs €180 annually.

For more information, including a list of all compatible cameras, please see the Capture One website.

Articles: Digital Photography Review (dpreview.com)

 
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How to Find Your Photos in the Lightroom Catalog Using Filters

28 Sep

You’ve likely had this problem if you’ve been using Lightroom for any length of time. Can you relate? You go to your Lightroom catalog to find that amazing picture you took of the sunset in Maui last summer and scroll through thousands of previews in the filmstrip, but you can’t find your photos.

Lightroom Grid View - How to Find for Your Photos in the Lightroom Catalog Using Filters

But was it before the weekend you went camping with your family? Or was it around the time you photographed your sister’s baby shower? You have thousands of images and can’t find what you’re looking for, and everything is a mess.

Sound familiar?

Luckily, with a little bit of organization and know-how, it’s really easy to find your images in Lightroom.

One of Lightroom’s biggest strengths is the ability it gives you to organize and archive your photos.

You can find your photos by:

  • Using the Library Filter Bar
  • Using Collections
  • Using keyword tags

You can also customize the Library Filter bar and use Library Filter presets.

So without further ado, let’s look at some of the ways we can sort and find photos in Lightroom.

Grid View-Lightroom - How to Find for Your Photos in the Lightroom Catalog Using Filters

Lightroom Grid View

Sort Order

The most basic way of locating your photos is to scroll through Grid view. If you know the filename or approximate capture date, you can sort the photos into a specific order.

The Sort options are on the Toolbar in Grid view under View Menu > Sort.

Capture Time-Sort - How to Find for Your Photos in the Lightroom Catalog Using Filters

By default, I have mine set to Capture Time, which sorts my photos from the oldest to the newest.

  • Added Order sorts the photos according to the time of import, with the most recent imports first. The Previous/Current Import collection is set to Added Order by default.
  • Edit Time sorts your pictures according to how recently they were edited, including both Develop and metadata edits.
  • Edit Count sort photos according to how frequently you’ve edited that photo.
  • Rating groups photos by their star rating, from highest to lowest.
  • Pick sorts photos by their flags; flagged photos are first, followed by the unflagged photos, and then the rejected photos.
  • Label Text groups the photos alphabetically according to their label text.
  • Label Color sorts the photos by their label color, regardless of label text.
  • File Name sorts the photos by just that.
  • File Extension sorts the photos by their file extension, such as JPG, TIFF, PSD, etc.
  • File Type groups the photos by their file type, such as PSD, Video, or JPEG.

Scrolling through photos is impractical unless you have a small number of photos, which is usually not the case. Filtering hides the photos that don’t meet the criteria that you choose.

For example, you may only want to view the photos that you have applied 5 stars to, as I do to all of the images I have finalized editing and exported to a folder.

Searching Photos in Lightroom - How to Find for Your Photos in the Lightroom Catalog Using Filters

The Library Filter Bar

The Library Filter bar at the top of the Grid View in the Library Module offers three main ways to find your photos by using the Text filter, the Attribute Filter, or the Metadata filter.

The bar appears in the middle of the grid of your images in the Library Module (circled below). You cannot see it unless you are in Grid View.

Lightroom Library Filter Bar - How to Find for Your Photos in the Lightroom Catalog Using Filters

If you don’t see it, go up to View and choose Show Filter Bar or hit backslash ( \ ) on your keyboard.

View-Show Filter Bar - How to Find for Your Photos in the Lightroom Catalog Using Filters

Also, choose where you want to search. If you are searching all of your photographs in the Catalog, be sure to click on All Photographs under Catalog in the left-hand panel under Navigator.

Catalog-Search - How to Find for Your Photos in the Lightroom Catalog Using Filters

All Photographs

Text Filter

The Text Filter allows you to search through the catalog or a selection of photos using a certain text search field.

There are several search options, such as keywords, metadata, as well as IPTC or EXIF information. EXIF information includes the camera make, model, serial number and software.

Any searchable plug-in field includes searchable metadata fields created by third-party plug-ins.

Search Option Text - How to Find for Your Photos in the Lightroom Catalog Using Filters

For example, I can use Any Searchable Field to search for files that have a certain number in them. Or I can search for all my images that have a certain keyword.

If I search for “culinary”, it will search for all of the keywords, captions, file paths, folders, virtual copies etc., for that word. I include the word culinary in all of my food photography. So by using filters, I can find all my food images quickly in Lightroom.

Text Search cullinary - How to Find for Your Photos in the Lightroom Catalog Using Filters

Attribute

Lightroom gives you the option to filter your photos by flag status, edit staus, star rating, color label, or copy.

In the screenshot below, you can see that I searched for all of my photographs that I have rated as 5 stars. I give 5 stars to images upon export, when I have finished editing them. I assign them a color label as well. For example, red means that I have submitted the images to my stock portfolios.

attribute - How to Find for Your Photos in the Lightroom Catalog Using Filters

You can also search your virtual copies and videos using Attribute, within the icons on the far right of the panel.

The middle icon is for Virtual Copy, while the far right icon is for Video.

Click again on Attribute if you no longer want to see the Attribute Bar.

Searching Photos Lightroom strawberries - How to Find for Your Photos in the Lightroom Catalog Using Filters

Metadata

Inputting metadata after each shoot can be a lot of work, but doing so makes it easy to locate your photos at a later date.

Your camera automatically embeds some metadata or any you’ve added manually say when you’ve set up Lightroom for tethered capture.

When you’re editing in Lightroom, it’s a good idea to put some keywords in the Keyword panel in the Library Module. This is something you need to do if you’re licensing your work for stock photography, but I recommend doing it regardless so that you can more easily search your photos.

For example, if you have input the word “strawberries” in your keyword metadata, you can find all the images that contain strawberries.

When you click on Metadata in the Library Filter bar, you can search using a wide range of criteria, including file type, and camera and exposure information. You can even find images you have not assigned your copyright status.

Lightroom Metadata - Keyword Filter - How to Find for Your Photos in the Lightroom Catalog Using Filters

Metadata Search Filters - How to Find for Your Photos in the Lightroom Catalog Using Filters

Lightroom also gives you the option to add more than one type of search criteria at a time.

For example, when I searched for images of strawberries, I also searched for shots taken with my Canon 5D Mark III, using my 24-70mm lens, as well as any shot with my 100mm macro. I also searched for flagged images, as I only wanted to see my top picks, not every single image of strawberries.

multiple Metadata Criteria in Lightroom - How to Find for Your Photos in the Lightroom Catalog Using Filters

Note that if you want to search two types of photos, such as portraits and landscapes, be sure to choose them both in the first panel on the left. If you put it in the next panel, Lightroom will look for images that are both landscapes and portraits, rather than images that are landscapes or portraits.

Click on the first keyword then hold down the Ctrl (PC) or Command (Mac) key to select the second keyword. You can select multiple choices from the same column this way.

If you would like to do a different search or cancel that search, simply click on None in the Library Filter bar. When you do another search, Lightroom will remember the criteria you input for your last search.

To reset this, click on All, which is the first choice in the Filter panel.

lightroom-filters strawberry cheesecake - How to Find for Your Photos in the Lightroom Catalog Using Filters

Conclusion

As you can see, you can find your photos in Lightroom in various ways by using a plethora of criteria.

This is exciting news if you have been scrolling endlessly through your images to locate what you’re looking for, or you need a more organized approach to your workflow.

The post How to Find Your Photos in the Lightroom Catalog Using Filters appeared first on Digital Photography School.


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Kodak Ektachrome film products now shipping globally to distributors and dealers

28 Sep

Following the limited shipments it initiated in August, Kodak Alaris is now shipping its new Ektachrome film products to global stock house dealers and distributors, the company announced on Tuesday. It’s currently shipping the Ektachrome Film E100 product, which will initially be available in the 135/36x camera format.

Starting on October 1, Eastman Kodak Company will also offer the Ektachrome 7294 Color Reversal Film in Super 8 format. Additional Ektachrome film products in 16mm format will be available later this year. According to Kodak, both the Ektachrome 7294 Color Reversal Film and E100 feature “extremely fine grain,” as well as a neutral tone scale and “clean, vibrant colors.” Prices weren’t provided.

Ektachrome was officially discontinued in 2012, but a resurgence in analog photography has prompted the company to bring back some of its film products. Kodak Alaris had announced plans to resurrect Ektachrome during CES 2017. Soon after, the company also revealed plans to bring back the Kodak T-Max P3200 high-speed black and white film, that having also been discontinued in 2012.

Via: Kodak

Articles: Digital Photography Review (dpreview.com)

 
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iPhone XS Max teardown reveals new sensor with more focus pixels

28 Sep

When Apple announced the new iPhone models XS and XS Max the company told us that the camera’s wide-angle module featured a larger sensor with 1.4 µm pixels compared to 1.22 µm on last year’s iPhone X.

Now a teardown performed by TechInsights has confirmed the new sensor, but has also revealed some additional detail about the wide-angle camera. The sensor is a stacked model provided by Sony and measures 7.01 mm x 5.79 mm (40.6 mm2). This is 7.8 mm2 more than the wide-angle camera sensor on the iPhones X and 8 Plus.

TechInsights engineers noticed an increased density of Focus Pixels

In addition, the TechInsights engineers noticed an increased density of Focus Pixels. This means more regions of the sensor are available as autofocus points and should, at least in theory, improve autofocus performance in most light conditions and shooting situations. Focus Pixels is an Apple term for masked PDAF pixels which were first introduced in 2014 with the iPhone 6.

TechInsight’s teardown is still in progress, so we hope the team can provide some more information and also have a closer look at the camera’s 2x tele-module, which on paper looks unchanged from last year, over the coming days.

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2018: Hands-on with Panasonic Lumix S1R

27 Sep

First look at Panasonic Lumix S1R

One of the most interesting announcements at this year’s Photokina show in Germany was the Panasonic / Leica / Sigma L-mount partnership, the first fruits of which are two upcoming professional-oriented mirrorless ILCs from Panasonic.

We’ve seen non-functional mockups of the S1R already, but earlier today we were lucky enough to get access to a working prototype camera in the VIP area at Panasonic’s booth. Click through for a closer look.

First look at Panasonic Lumix S1R

We couldn’t power the camera up, so for now our impressions are limited to general handling and ergonomics but the S1R certainly feels good in the hand. It’s a large camera, especially for a mirrorless ILC but it doesn’t feel too heavy, and the camera+24-105mm combination shown here is nicely balanced.

Panasonic tells us that every aspect of the camera was decided upon on the basis of detailed customer feedback, including the demand from professional users for large, well-placed controls and a deep grip.

First look at Panasonic Lumix S1R

These blocks of plastic show the evolution of the S1R’s grip shape, over several prototype iterations.

First look at Panasonic Lumix S1R

Apparently what you get when you ask professional photographers what they want is something that looks an awful lot like a traditional DSLR. Resembling an upsized G9, Panasonic claims that ‘no compromise’ has been made in the S1R’s performance, which is intended to satisfy the needs of the most demanding professional photographers.

First look at Panasonic Lumix S1R

While final specs are still to be confirmed, Panasonic tells us that the viewfinder in the S1R will ‘rival human vision’, i.e, a hypothetically perfect optical finder. We’re curious to see for ourselves what this means in practice but judging by the excellent finder in the G9, Panasonic has what it takes to create very high quality, immersive EVFs.

This view shows the S1R’s conventional, button-laden rear control layout which includes an AF positioning joystick and twin rear dials. The grip texture is provisional – final shipping cameras will feature a textured faux leather finish.

First look at Panasonic Lumix S1R

The touch-sensitive rear LCD (specs are again TBD) is articulated, which means you can fold it out….

First look at Panasonic Lumix S1R

…and down, allowing for waist-level shooting in both landscape and portrait orientations.

First look at Panasonic Lumix S1R

Now there’s a thing – twin card slots. The S1R is aimed squarely at professional photographers, and the option of XQD and / or SD should fulfill demands for backup, redundancy, or ‘stills to this card, video to that one’ shooting. Like every point on the S1R’s body, the card door is gasketed to protect against dirt and moisture incursion. Panasonic claims that the S1R should rival the GH5/S for durability in unusually cold, hot or wet environments.

First look at Panasonic Lumix S1R

The S1R we handled was missing a battery, but Panasonic tells us that battery life was a priority in the new models and as such, both will take a new, larger-capacity battery than those found in the company’s M43 cameras.

First look at Panasonic Lumix S1R

This image shows the S1R without a lens attached. The S1R will accept existing Leica L-mount lenses marketed alongside the SL, as well as forthcoming Panasonic-branded lenses and future Sigma alternatives. This view shows off the S1R’s two customizable front-mounted buttons, to the left (as seen from this direction) of the lens mount. In a thoughtful touch the upper button is convex, while the lower is concave for ease of identification by touch.

First look at Panasonic Lumix S1R

The S1 and S1R will be sold alongside four lenses: a 50mm F1.4, 24-105mm, 28-70mm and a 70-200mm F2.8. Final specifications are still to be confirmed, and the lenses shown here are non-functional mockups, displayed under glass.

Learn more about the Panasonic S1/R

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