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  • DPReview TV: Deity Connect microphone review

    Jordan reviews the Deity Connect wireless microphone, a digital lavalier mic system that supports two microphones using a single receiver and provides drop-dead simple operation. Find out why this is the mic system he’s wanted for a decade, and why he thinks it’s a compelling choice for so many people who shoot video.

    Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

    • Introduction
    • Design and hard case
    • Outputs
    • Receiver size
    • Top 3 features
    • Antennas
    • 2.4GHz signal
    • Distance test
    • Standby mode
    • Included microphones
    • Firmware
    • Wrap-up

    Articles: Digital Photography Review (dpreview.com)

  • Tips for Creating Better Documentary Travel Photos

    The post Tips for Creating Better Documentary Travel Photos appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

    Good documentaries tell a story, often with the help of a narrator. To add interest to your travel photos you can employ the same techniques.

    Showing your family and friends endless pictures of your recent adventures may seem exciting to you. You were there. You had the experience. They didn’t. If you want them to sit through your latest travel slideshow, you need to make it interesting.

    Documentary Travel Photography: How to Add More Interest to Your Travel Photos Happy Market Vendor

    I had a lovely conversation with this man. He and his wife come to sell vegetables at their market stall each day. © Kevin Landwer-Johan

    Here are some tips on how to add more interest to your photos and create better documentary travel photos.

    Tell a story with your photographs

    Planning your trip took time and effort. Deciding where you wanted to go, what you wanted to see and how long you would stay. Why not include your photography in the planning stage as well?

    Think about why you’re going and what you’ll be doing. How can you turn this into a story? Think about adding a connecting thread of what interests and attracts you most to each location you’ll visit.

    Make a list of some themes you can follow. Each day you are traveling, check your list and make sure to include some of the items in your photos.

    You might want to photograph:

    • specific architectural aspects
    • local artists working
    • old people’s faces
    • coffee shops
    • street signs
    • advertising hoardings.

    Consider what’s most relevant to the places you’ll go. Which of these interest you the most and will make the best photo opportunities. Plan to spend more time at these locations.

    Bicycle Close Up Documentary Travel Photography: How to Add More Interest to Your Travel Photos

    Many tourists choose to rent bicycles for sightseeing in Chiang Mai because the city is mostly flat. © Kevin Landwer-Johan

    Get the whole picture

    One trick I learned when starting out in video production was to always capture wide, medium and close-up angles. This allows for more flexibility to build up the whole picture when editing. The same works when creating documentary travel photography.

    I often encourage our travel photography workshop participant to imagine they are working for a magazine. They need to produce a series of images for their editor to show the essence of each place they visit.

    Only capturing wide or close-up details is not going to build a complete picture.

    red chillies Documentary Travel Photography: How to Add More Interest to Your Travel Photos

    Close up of large red chilies. The larger the chilly, the milder it is. © Kevin Landwer-Johan

    You need to get in close. Show the texture and patterns.

    Muang Mai Market Documentary Travel Photography: How to Add More Interest to Your Travel Photos

    Muang Mai Market in Chiang Mai is the biggest and busiest food market in northern Thailand. © Kevin Landwer-Johan

    You need to stand back to encompass the whole scene.

    Fruit Vendor Documentary Travel Photography: How to Add More Interest to Your Travel Photos

    Owners of small shops, restaurants, and household shoppers all come to buy produce at Muang Mai market. © Kevin Landwer-Johan

    You need to come in tighter and capture what’s happening at that place.

    Include your travel companions

    Traveling with other photographers usually makes life easier. You can take your time rather than being hurried along by someone taking snapshots with their phone.

    One way to make the most of your time with non-photographer travel companions is to include them in your photos. Make them part of your story.

    I don’t mean for you to just take cheesy social-media-styled pictures of your partner. Put them in the story. Show what you’re doing and the interesting aspects of the places you visit. Having the people you’re traveling with in some of your photos makes them more personal.

    Including them in some activity helps tell the story. Photograph them ordering meals or coffee. Take pictures of them boarding the boat or rickshaw. Make photos about what you are doing together, not only of what you are looking at.

    Documentary Travel Photography: How to Add More Interest to Your Travel Photos Myanmar Village Friends

    My wife and I enjoyed meeting the locals at Pompee village when we traveled to Myanmar. © Kevin Landwer-Johan

    Take time out

    If including your travel companions is not possible, take time out for photography. Arrange time each day to spend time with your camera with no other objective.

    Rushing from place to place without taking the time to engage in your photography story is frustrating. Give yourself permission to enjoy using your camera.

    This may mean having to wake up earlier than others you’re traveling with. It might be ducking out of the restaurant while you’re waiting for your lunch or dinner to be prepared. You will find it’s worth it because you will get better photographs when you can take your time.

    Documentary Travel Photography: How to Add More Interest to Your Travel Photos Wat Pra Darapirom

    This ornate temple complex on the outskirts of Chiang Mai includes examples of Lanna and Shan temple architecture. © Kevin Landwer-Johan

    Book a photography workshop

    Many popular travel destinations offer opportunities for travel photography workshops or photo tours.

    Investing in either of these will undoubtedly mean you will come away with better photos. You’ll be experiencing the location with a photographer who knows it more intimately. They will be able to take you to the most interesting places at the best times for photos.

    Taking a photography workshop you’ll also learn some new skills. Being on vacation is a great time to learn because you can put into practice what you learn immediately.

    A good travel photography workshop will incorporate teaching camera and photography skills. You’ll also learn local cultural information which will improve your photography experience.

    Documentary Travel Photography: How to Add More Interest to Your Travel Photos Photography Workshop Teaching

    Kevin Landwer-Johan teaching a photography workshop in Chiang Mai, Thailand. © Pansa Landwer-Johan

    Take more photos and edit them

    Take more photos than you think you need to. Then choose the best.

    Don’t go crazy and make snapshots of everything you see. A good subject does not make a good photograph. You don’t want to return home with hundreds of photos you could have made with your phone.

    When you find something interesting to photograph, look at it from different angles. Consider how it will look from different points of view. Walk around and make a series of photos. Wide, medium and close up of the same subject.

    Taking time to do this will mean you have more to work with to help tell your story. If you’re not taking enough photos, you may regret it later when you see gaps in your narrative.

    Weeding out the rubbish photos and only showing the best ones is important. No one will want to look through all the photos you take. Be discerning and be selective about which ones you choose to share. This will help you in taking better photos next time you travel too.

    Documentary Travel Photography: How to Add More Interest to Your Travel Photos Tuktuks

    Tuk-tuks are an iconic part of Chiang Mai’s public transport. © Kevin Landwer-Johan

    Caption your photographs

    Captioning your photographs is like adding a narrative to your story.

    Include details of the location and maybe the time of day when it’s relevant. Think about how you can add information which will enhance your photograph. Don’t always include the obvious. You don’t need to describe what can already be seen.

    A caption may be a few words or several sentences. Your caption should be succinct and informative. Don’t waffle or include irrelevant information. Use your captions to support your photos and enhance your story.

    Documentary Travel Photography: How to Add More Interest to Your Travel Photos

    I found an alternative point of view to take this photo of a tuk-tuk. © Kevin Landwer-Johan

    Conclusion

    Vacation travel is usually exciting. You see and experience new and interesting things more frequently than when you’re at home. This trends for more interesting photographs.

    You want to put together a documentary travel photography story that will not put your family and friends to sleep. Tell your story well and you’ll inspire them to travel too.

     

    Tips for Creating Better Documentary Travel Photos

    The post Tips for Creating Better Documentary Travel Photos appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


    Digital Photography School

  • Nikon Z6 and Z7 scoring updated to reflect firmware v2.0

    The latest firmware for the Nikon Z6 and Z7 makes a significant difference to the cameras’ usability and focus performance, so we’ve revisited the scoring for both cameras to address the improvements.

    Read our analysis of the performance of Nikon’s Eye AF system

    We found the Eye AF system significantly improves the ease of shooting with the Z6 and also overcomes many of our concerns about the ability to fine-focus for portraiture. These improvements greatly change the user experience and are enough to bump the camera’s overall score up to 89%, making it the joint high-scorer in its class.

    The change to the Z7’s score is less pronounced. This is partly because its 45MP sensor makes the slight inaccuracy of the Eye AF system more significant but also because the update doesn’t appear to make a big improvement to the camera’s low-light AF performance, which was a major factor in the camera’s AF score.

    Read our full Nikon Z7 review

    Are you going to do this for other cameras?

    There have been significant firmware updates for a number of other cameras and we’ll be re-testing and updating those reviews wherever possible.

    Articles: Digital Photography Review (dpreview.com)

  • TikeePRO 2+ 6K time-lapse camera with GPS is made for professionals

    Enlaps, the company behind the Tikee and TikeePRO time-lapse cameras first introduced in 2015, is back with a new model: the TikeePRO 2+ professional time-lapse camera. The new model is described as entirely self-sufficient with both WiFi and 4G LTE wireless connectivity options. The camera can capture and send images in Full HD, 4K, and 6K resolutions.

    The TikeePRO 2+ time-lapse camera automatically shuttles images to the cloud and the companion MyTikee web app automatically creates time-lapses from the images. Enlaps bills the new model as a camera for professionals, emphasizing its wide 220-degree field of view for capturing ‘immersive’ panoramas.

    The device features two Sony EXMOR R 16MP sensors, each capable of capturing 4608 x 3456 images in JPEG and DNG formats. Enlaps describes the device as ‘smaller than a laptop, lighter than a DSRL,’ with the added benefit of a durable and waterproof housing for outdoor use.

    The company redesigned how users access the camera’s microSIM and microSD cards, and it has also added a ‘breathable valve’ that it says is suitable ‘for all weather.’ The device features a standard tripod mount, 4.1W solar panel, 12,800mAh battery, and a metal insert for securing the device with a padlock. With a fully charged battery, TikeePRO 2+ can run autonomously for 10 days with image uploads or for 30 days without image uploads.

    Overall, the TikeePRO 2+ is distinguished from the TikeePRO 2 model by its 6K support, built-in GPS for geotagging images, support for 512GB microSD cards, and twice the autonomy for longer time-lapses. The model is available to pre-order from Enlaps now for 1300 EUR. The company expects to start shipping the camera to buyers in August 2019.

    Articles: Digital Photography Review (dpreview.com)

  • 6 Ways to Make Your Photography Stand Out

    The post 6 Ways to Make Your Photography Stand Out appeared first on Digital Photography School. It was authored by Karthika Gupta.

    When was the last time you googled your city and your genre photographer? I tried this the other day, and I used ‘Chicago lifestyle’ and ‘travel photographer.’ The search results returned 18.5K results. Yes, that is ‘K’ as in thousands.

    Photography is an extremely competitive field and it can be difficult to make your photography stand out. Low cost of entry in terms of gear, free online tutorials and a pool of clients who want everything for ‘free’ or ‘low budget’ means there is work for anyone who wants to get into the field. Sure, some genres are harder to get into than others, perhaps. But the reality is that if you want to get paid to take photos for someone else, chances are you will be able to do that relatively easily.

    branding photoshoot of an artist Karthika Gupta

    Now, I am not against any of this. We all start somewhere, and I had also done the ‘free’ photoshoot when I was starting to get my feet wet. I understand all that is needed to become a photographer.

    But I quickly learned that the $ 50 or $ 100 photoshoots are not worth my time, effort, and talent. As a photographer, there are many expenses such as:

    • gear insurance
    • business registration
    • taxes
    • administrative overheads including website domain name and hosting
    • travel costs etc.,

    I was effectively paying people to let me take their photo.

    That math did not add up and made no sense what so ever.

    If you want to make it long term in the photography industry, there are several things you need to do to get yourself on the right track and stand out from the rest of the crowd when it comes to your skill, your business practices and your presence – on and offline!

    1. Consistency

    Don’t be a one-hit wonder. Consistently create and produce new work. Even if that work is just for you, personal projects or collaborative projects.

    If you have to do ‘free’ or ‘low budget’ shoots, have a plan on when, how, and what you are going to get and give from these shoots. Spending 6 months providing free shoots or low-cost shoots to build up your portfolio is okay, but taking 2 years to do so is a bit much.

    Also, realize that free/low-cost shoots tend to look very different from clients who are willing to spend $ 1000 or more on a family photo shoot. So be practical with your goals.

    Styled bridal photoshoot stand out from the crowd with your photography Karthika Gupta

    It took me years of practice to find a style that I liked and that worked with my personal asthetic – a clean, bright style of imagery.

    2. Authenticity

    A lot of photographers offer styled photo shoots and portfolio-building photoshoots. This is where a bunch of photographers walk through a styled setup and create work that they can showcase on their portfolio. There is nothing wrong with this but only if you use this as a way to build your skill.

    For example, you are editing clients of different skin tones, learning how to photograph in challenging light or how to pose and interact with clients. Don’t use these images as ‘your’ work. You are better off indicating images from a styled shoot as such than you are in showcasing work/styling that isnt your own.

    I love 1:1 styled shoot because they give me creative freedom and a chance to create unique images.

    Instead of consistently looking for styled shoots for building a portfolio, invest in one of your own. It doesn’t have to be elaborate or fancy. Loop in a few vendors and see if you can set something up that can fit your brand and theirs. This is a win-win for all involved. That way, you create unique images and also make friends in the industry.

    3. Play well with others in this space

    This relates to number 2. Make friends in the industry. I belong to many FB groups and Whatsapp groups for creatives and photographers. We meet, chat, connect over business issues as well as offer advice and help as needed. I also am a part of a group with many different kinds of entrepreneurs to build a community of like-minded people and professionals. I have gotten a lot of business from these groups but have also made some life long friends and mentors. People who are always there for me because I am always there for them.

    Triple exposure on film Karthika Gupta

    A collaborative photoshoot with a fellow photographer to create portfolio and editorial photos. The image is a triple exposure on film.

    No matter what level of business you are at or even if you are just a hobbyist, there are always people who are just like you and are looking for the same things as you – friendship, love for photography and camaraderie. Give out as much as you can, be helpful and uplift others who are on this journey with you. The more you put out there, the more you will receive from the universe.

    4. Patience is key

    Photography is a very competitive industry. At any given point in time, there are bound to be people who can do something better than you. And that is totally okay. Know where your strengths lie and use those to your advantage. Aim to be in it for the long haul and not just the short term gigs that are one and done deals. Build relationships with your clients so that they will refer you and come back time and time again for quality results.

    Success doesn’t happen overnight. Be consistent and be patient, and things will happen in their own time.

    5. Success your way

    Whether you choose to be in business or not, be true to your art. Get inspiration from other photographers and daily life. There are many amazing things around us at any given point in time. Just because no-one else photographs it, does not make it boring. Similarly, think outside the box. Just because everyone photographs something a certain way, does not mean you have to follow the pack.

    When you are starting out, don’t obsess over clients, getting work, and making money. Yes, they are absolutely important but take the time to perfect your art (to the point where you are confident charging money for your photography). Then, money and fame will follow.

    6. Have a 360 approach to your career

    When I used to work in Corporate America many many years ago, one of the companies I worked for had a 360-degree approach to annual performance evaluation. My performance was judged by how effective I was in four areas: my peers in my team and across teams, my managers, and those who worked for me. Apply this approach to your photography. No matter where you are committed to helping those just starting out, collaborate with your peers, learn from those who are where you want to be. This can be in terms of meetups, workshops, and conferences or even just meeting for a cup of coffee to connect with others.

    I started teaching technique at conferences and love meeting and connecting with other photographers who have become good friends.

    Your photography career and mindset around your work and your art will grow in leaps and bounds when you have a mindset of abundance instead of scarcity.

    Conclusion

    If you have read through this article in its entirety, you would have noticed that I talked nothing about camera brands, lens, lighting, models, posing etc.

    In my opinion, the tips for making your photography stand out from the crowd focus on things that are more important. Your attitude towards yourself and others, your mindset, your willingness to get help and help others, and your long term vision for where you want to be, are far more important than your skill with the camera. After all, almost anyone can take a picture – simply point and shoot. It takes a lot more to become a successful photographer who consistently creates art.

     

    make your photography stand out

    The post 6 Ways to Make Your Photography Stand Out appeared first on Digital Photography School. It was authored by Karthika Gupta.


    Digital Photography School

  • Voigtländer shares new information on its 75mm F1.5 Nokton for Leica M

    Optics manufacturer Cosina has released more details of its forthcoming 75mm F1.5 Nokton lens in its Voigtländer Vintage Line for rangefinder cameras using the Leica M mount. Cosina’s intension to make the lens was first announced in February, but now the company has revealed more detailed specifications.

    The Vintage Line lenses have a classic-style exterior, with an all-metal barrel and a design to suit more traditional cameras. Voigtländer says though that the optical design is thoroughly modern with the aim of excellent image quality in that matches today’s camera standards. The coupled rangefinder system will suit Leica M and Voigtländer’s own Bessa cameras, and allows focusing distances from 0.7m (2.25ft). The lens uses 7 elements in 6 groups, including aspherical correction and the iris features 12 blades.

    Measuring 63.3mm (2.5in) long and 62.8mm (2.47in) in diameter, the lens weighs 350g (12.35oz) and will use a 58mm filter. A slit-style lens hood is included, and will match the black or chrome finish of the lens itself. Below is a small sample gallery of images provided by Voigtländer:

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9531386013″,”galleryId”:”9531386013″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    The lens will be available in July and will cost 125,000 (approx. $ 1150). For more information visit Voigtländer’s website.

    Articles: Digital Photography Review (dpreview.com)

  • Leica’s latest special edition is an ‘urban camouflage’ Leica CL with a matching strap

    Leica has teamed up with French-Italian photographer and art collector, Jean Pigozzi to release a special-edition version of its Leica CL camera system.

    The camera, officially named the Leica CL ‘Urban Jungle by Jean Pigozzi,’ features the same internals as the standard Leica CL, including the 24.2-megapixel APS-C CMOS sensor and Maestro II image processor. The outside, however, features an urban camouflage print on its black leather wrap, a custom grey rope camera strap, and the words ‘URBAN JUNGLE’ etched alongside Pigozzi’s signature on the rear of the camera underneath the LCD display.

    The special edition kit also comes paired with the Leica Elmarit-TL 18mm F2.8 ASPH lens, which is neatly tucked alongside the camera body and custom strap in ‘an elegant presentation box.’ This is Leica’s second collaboration with Pigozzi, the first being the Leica Sofort ‘Limoland’ camera released in 2017.

    Only 150 Leica CL ‘Urban Jungle by Jean Pigozzi’ will be made and shipping will start June 25, 2019. You can get your hands on a kit at Leica Stores and Boutiques for $ 3,950. Alternatively, you can buy the standard black Leica CL kit, get yourself a silver Sharpie, scribble a little bit on the leather wrapping and save yourself approximately $ 750.

    Press release:

    Leica Releases Limited Edition Camera Inspired by the Aesthetic of the Concrete Jungle

    The LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” pairs unparalleled imaging quality with a unique camouflage design

    June 19, 2019 – The visually-captivating LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” is the newest special edition release of the Leica CL compact system camera presented by Leica Camera. Created in collaboration with French-Italian photographer, entrepreneur and art collector Jean Pigozzi, this eye-catching camera features a striking urban camouflage pattern on its leather covering, with an accompanying gray rope strap. Just as the Leica CL strikes a balance between traditional controls and contemporary design, Pigozzi’s thoughtful design language takes the functional pattern of camouflage and elevates it with a high-fashion and ultramodern aesthetic.

    “With this design,” Pigozzi shares, “I wanted to do something completely different and create something is unique from all the other cameras around. To bring the urban aesthetic to life, I tried to visualize the structures of a big city like New York to replicate what I define as an ‘Urban Jungle.”

    The LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” sports the same top-level performance, intuitive handling and exceptional image quality as the standard production Leica CL. A few highlights include the built-in EyeRes® electronic viewfinder that enables users to preview the final image before the picture is taken, high-resolution image quality that performs exceptionally well in low light, and a supremely fast and accurate autofocus; all of which are packaged efficiently into a compact system camera that travels effortlessly to any urban jungle the world over. The special edition set is complete with a Leica Elmarit-TL 18 mm f/2.8 ASPH. lens, lovingly packaged together with the camera in an elegant presentation box. With a focal length ideal for everyday travel and street photography, the Elmarit-TL lens helps this set bring the urban spirit to life.

    Pigozzi’s latest design is his sophomore collaboration with Leica Camera, following the Leica Sofort “Limoland” by Jean Pigozzi in 2017, which sported vibrant, colorful graphics of “Mr Limo,” the logo of Pigozzi’s LimoLand fashion label.

    The LEICA CL “URBAN JUNGLE by JEAN PIGOZZI” is limited to 150 sets worldwide and will be on sale for $ 3,950 beginning June 25, exclusively available at Leica Stores and Boutiques.

    Articles: Digital Photography Review (dpreview.com)

  • The 7 Nature Photography Mistakes You Don’t Know You’re Making

    The post The 7 Nature Photography Mistakes You Don’t Know You’re Making appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    Do you like to do nature photography?

    Then you might be making these 7 mistakes.

    And here’s the thing:

    These nature photography mistakes are the kind that you don’t even know you’re making. They’re the type of mistakes that are easy to miss, but they’re absolutely critical to your photography.

    To discover these mistakes (and to ensure you never make them again!), read on!

    1. Shooting under bad lighting

    I’m going to start with the single most critical, most common mistake I see nature photographers making:

    Shooting in poor lighting conditions.

    Because good light is absolutely essential to good nature photography.

    In fact, I’d go so far as to say that without good light, you cannot get a good photo. It’s so easy to have the perfect setup, the perfect composition, and the perfect settings…

    …only to ruin the shot with bad light.

    So what counts as bad light?

    Two main situations.

    First, shooting under the harsh, midday sun will pretty much always ruin your shots. The midday sun just isn’t good for nature photography!

    And second, shooting in low light, at any time of the day. Unless you’re shooting with a tripod, your shots will end up grainy or blurry, which you definitely don’t want.

    Which begs the question:

    What is good light?

    I recommend that you do nature photography at two main times.

    First, you can capture some great nature photography under cloudy skies. Cloudy light is especially great for photography that involves color because the clouds diffuse the light and saturate the colors.

    Second, you can always rely on the golden hours, which are the two hours after sunrise and before sunset. Golden-hour light is warm, wonderful and, well, golden. It’s perfect for capturing that stunning, once-in-a-lifetime shot.

    In fact, most of the best nature photography you’ve seen was probably taken during golden hour. It’s just that amazing!

    2. Shooting your subject from a standing height

    Here’s another common nature photography mistake:

    Not paying attention to your angle!

    (More specifically, photographing from a standing height, so that you’re shooting down toward your subject.)

    This is especially problematic in wildlife and macro photography, where shooting downward conveys a sense of dominance and separation.

    Instead of shooting downward, try to get on a level with your subject. That way, the viewer will feel much more connected, like they’re in the same world as your subject.

    And don’t just shoot from a single angle. Try to experiment with different possibilities, and take note of the way a different angle results in a different nature photo.

    This is a great way to get out of a creative rut: Force yourself to shoot a subject from an angle you’ve never used before. Get on the ground and shoot upward!

    3. Using a (slightly) messy background

    In nature photography, the background is absolutely essential.

    If you don’t include the perfect background, then your photos just won’t stun the viewer.

    And one of the easiest mistakes to make is using a messy background.

    You’ve got to do everything you can to avoid the mess. You must avoid chaos. Instead, you need to produce a background that’s as simple as possible:

    • Uniform in color
    • No additional subjects
    • No lines or shapes

    Your goal is to make your subject stand out. And to do that, you have to eliminate everything that’s unnecessary in the background. Only include the essentials.

    4. Photographing low-quality subjects

    Once you’ve found a subject…

    …do you check to make sure that it’s not damaged, dirty, or poor quality?

    It’s so easy to forget this step. And yet it’s critical to capturing a stunning nature photo.

    I recommend you always do a quick evaluation of your subject.

    If it’s a flower, then you’ll want to ask yourself:

    • Are there any blemishes or holes?
    • Are there any spots of dirt or mud?
    • Are there any insects in the center of the flower?

    If it’s a landscape, then think about:

    • Whether there’s any litter or human-made items
    • Whether your foreground subject is damaged

    Your evaluation doesn’t need to be in-depth. You should just spend enough time to be certain your subject is in good shape.

    5. Not including a point of focus in your compositions

    This is another quick way to ruin a great nature photo.

    Because basically, every composition must have a point of focus.

    By this, I mean that you must include a subject. Something that viewers can latch onto. The subject can be whatever you like (as long as it’s there!).

    If you’re shooting landscapes, then try to include a subject in both the foreground and the background. Ideally, the foreground subject will lead the eye to the background.

    If you’re shooting wildlife, then your subject is pretty much guaranteed. Just make sure that you emphasize the wildlife in your photo!

    And if you’re shooting macro photos, then make sure that an aspect of your subject is tack-sharp, so that your viewer’s eyes go straight to it.

    6. Shooting low-contrast scenes

    This mistake is a bit more advanced, but still important to keep in mind.

    When you’re doing nature photography, you should strive to avoid ultra-low contrast scenes.

    By ‘low-contrast scenes,’ I’m referring to those with very little variation in tone (that is, lights and darks) and color.

    A low-contrast scene might be almost entirely white.

    Or it might be entirely red, or blue, or black.

    What’s the problem with low-contrast scenes?

    The lack of contrast makes every element blend in. So no single element stands out, and the photo becomes boring.

    Which is exactly what you want to avoid.

    Instead, look for scenes where the subject pops off the background. And look for scenes where you have some nice shadows and nice highlights.

    I should note: It is possible to use low-contrast scenes for an artistic effect. But you have to do it deliberately, and it’s extremely easy to mess it up.

    So I recommend you stick to high-contrast scenes. That’s how you’ll avoid low-contrast issues!

    7. Not post-processing your nature photos

    There are three fundamental aspects of every nature photo. They are:

    1. Light
    2. Composition
    3. Post-Processing

    If you can nail all three of these things, then you’re set. Your photos will be stunning. And we’ve already talked about light, and how you should shoot during the golden hours. We’ve already talked about composition, and how you must include a point of focus.

    But we haven’t talked about post-processing. And here’s the thing:

    Without post-processing, your nature photos just won’t stand out. Because editing is what adds that finishing touch, that last bit of shine, to your nature photography.

    Now, you don’t have to do much editing. But there are a few things I recommend you do to every photo:

    1. Check the exposure. It’s especially common to let your photos remain underexposed. So make sure that the shadows in your photo still look nice and detailed.
    2. Check the contrast. In general, I recommend boosting the contrast of your nature photos. This gives an extra bit of punch and will help your images stand out.
    3. Check the saturation. While it’s easy to overdo this step, a little bit of saturation goes a long way. You want your colors to look deep, but natural.

    If you can just follow these three steps, then your nature photography will look so much better.

    Nature photography mistakes: conclusion

    Now you should know all about these seven deadly nature photography mistakes.

    And you’re prepared to avoid them!

    The key is to just keep a lookout. Maybe even create a checklist.

    Then, when you’re shooting in the field, you’ll make sure that none of these happens, and your photography will turn out better than ever.

    Have any nature photography mistakes that I didn’t discuss? Share them in the comments!

     

    nature photography mistakes

    The post The 7 Nature Photography Mistakes You Don’t Know You’re Making appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Hasselblad launches X1D ll 50C with improved handling, faster responses and lower price

    Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D ll 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

    Using the same body and pixel-count as the original X1D 50C, the X1D ll 50C is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

    Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

    Hasselblad claims the 3.6″ rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024×768 dots-per-inch with the total number of dots standing at 2.36 million compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36 million dots to 3.69 million (1024×768 vs 1280×960), and the new 0.87x magnification gives users a bigger view.

    Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

    JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

    The camera’s 3400 mAh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $ 175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

    The Hasselblad X1D ll 50C will be available in July 2019 and will cost $ 5750/€5000/£4500. For more information see the Hasselblad website.

    Phocus Mobile 2 allows Raw download and cabled connection

    Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D ll 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
    Phocus Mobile 2 is free, and will be available on Apple’s App Store.

    Press release

    X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE

    In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

    Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 nm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees.

    Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

    Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera.

    Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

    The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive user interface of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

    Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

    PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL

    Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

    Articles: Digital Photography Review (dpreview.com)

  • Olympus announces 2X teleconverter for 40-150mm F2.8 and 300mm F4 Pro lenses

    Olympus has announced a 2X teleconverter, the MC-20, which is compatible with the company’s 40-150 F2.8 and 300mm F4 IS Pro lenses, along with the 150-400mm F4.5 TC1.25x IS Pro currently under development. On the 300mm F4 in particular, the MC-20 brings the maximum magnification up to 0.96x.

    The teleconverter is weather-sealed and has nine elements, one of which is ‘HR’ to suppress aberrations. The ‘ZERO’ coating reduces ghosting and flare. Olympus says that there’s ‘virtually no loss’ in AF performance when using the MC-20.

    The MC-20 is now available for $ 429.

    Official sample photos

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    Press Release

    OLYMPUS M.ZUIKO® DIGITAL 2x TELECONVERTER MC-20

    Expand the Field of Photography with Portability and Superb Image Quality of the Master Lens

    CENTER VALLEY, Pa., June 19, 2019 – Olympus is pleased to announce the M.Zuiko Digital 2x Teleconverter MC-20. This teleconverter doubles the focal length of the master lens, and features dustproof, splashproof and freezeproof (-10°C) professional weatherproof construction for outstanding optical performance ideal for even the most severe environmental conditions. By doubling the maximum shooting magnification of the master lens, this teleconverter further expands the field of photography in super telephoto macro shooting. This product is compatible with the M.Zuiko Digital ED 40-150mm F2.8 PRO and M.Zuiko Digital ED 300mm F4.0 IS PRO, as well as the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO, which is currently under development.

    Super Telephoto and Super Telephoto Macro Shooting

    Just like the M.Zuiko Digital 1.4x Teleconverter MC-14, the M.Zuiko Digital 2x Teleconverter MC-20 maintains the excellent imaging performance of the master lens while doubling the focal length, making it possible to capture intense shots of subjects that are usually difficult to approach, including small birds and animals. When attached to the M.Zuiko Digital ED 300mm F4.0 IS PRO, handheld super telephoto shooting at 1200mm equivalent (35mm equivalent) is possible.

    When attached to the M.Zuiko Digital ED 300mm F4.0 IS PRO, the MC-20 allows the user to shoot near actual size at 0.96x (35mm equivalent) from the maximum shooting magnification of 0.48x. With performance like this, the photographer can capture close-up photos from far away without disturbing subjects that are sensitive to people, such as insects. Utilizing Focus Stacking results in photos that are in focus across the entire image, even on super telephoto lenses, which tend to have a shallow depth of field.

    Outstanding Optical Performance

    A 9-element, 4-group lens construction with an HR lens helps suppress various types of aberrations including chromatic aberration while maintaining the excellent optical performance of the master lens to double the focal length. The design also helps prevent ghosts and flares for superb image performance, thanks to ZERO coating.

    Reliability to Capture the Moment

    The master lens is designed to deliver excellent performance and dependable reliability, even when an Olympus teleconverter is attached. Virtually no loss in autofocus speed makes it possible to capture split-second photo opportunities using FAST AF performance. The dustproof, splashproof, and freezeproof professional weatherproof construction, coupled with powerful 5-axis image stabilization and FAST AF ensures that the user captures their shot even in the most severe environments.

    Compatible Lenses

    • Zuiko Digital ED 40-150mm F2.8 PRO
    • Zuiko Digital ED 300mm F4.0 IS PRO
    • Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO (under development-planned for launch in 2020)

    Pricing and Availability

    The Olympus M.Zuiko Digital 2x Teleconverter MC-20 ships with the body cap BC-3, lens cap LR-2 and lens case LSC-0603 and is available now with suggested retail prices of $ 429.99 USD and $ 559.99 CAD.

    Articles: Digital Photography Review (dpreview.com)