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Nikon developing D6 professional DSLR

04 Sep

Nikon has announced the D6, its forthcoming professional DSLR. Nikon and Canon tend to launch their flagship cameras around the time of the Olympic Games, which are occurring next summer in Tokyo.

Nikon has issued the photo above, and said it will be its ‘most advanced DSLR to date.’

Beyond this, it has shared no information about the camera, which it says will come at a later date. Now the countdown begins to see whether Canon will also update its top sports model with a DSLR or a mirrorless camera, or whether we’ll need to wait another four years for that.

What specs and features are you expecting on the D6? Share your thoughts in the comments below.

Press Release:

NIKON IS DEVELOPING THE D6 DIGITAL SLR CAMERA AND THE AF-S NIKKOR 120-300MM F/2.8E FL ED SR VR TELEPHOTO ZOOM LENS

MELVILLE, NY (September 4, 2019 at 12:01 A.M. EDT) – Nikon Inc. is pleased to announce the development of the Nikon D6 professional DSLR camera and the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR telephoto zoom lens.

Nikon released the D1 digital SLR camera in 1999, making 2019 the 20th anniversary of the single-digit D series. Thanks to the imaging know-how cultivated over Nikon’s long history in camera development, Nikon’s professional DSLR cameras have continued to evolve by introducing some of the industry’s most advanced technologies and responding to the strict demands of professional photographers with the ultimate in performance and reliability, even in the most severe conditions. With the D6, Nikon is currently developing its most advanced DSLR to date.

This year also marks the 60th anniversary of the Nikon F mount. The new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR F mount lens that Nikon is developing will provide professional photographers in fields such as sports photography with even greater support.

Nikon is striving to expand possibilities for imaging expression and leading the way in imaging culture with both DSLR and mirrorless camera systems, as well as a rich lineup of NIKKOR lenses.

Details including release dates, pricing and specifications for these products will be announced at a later date. For more information on the latest Nikon products, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon shares D6 development teasers on social media before taking them down

04 Sep
A screenshot from Nikon Rumors showing the Facebook post and accompanying video.

Earlier today, Nikon Europe published a number of posts to social media teasing the development of its D6 camera, the not-yet-official next generation flagship DSLR from Nikon.

The posts, which were shared on Nikon Europe’s official Twitter and a Facebook account called ‘NikonLifeEU’, all teased the arrival of the D6 in text and included an attached video as well. As seen in the screenshots, shared with permission from Nikon Rumors, the two Twitter posts read:

The newly announced #D6 development will reinforce Nikon DSLR’s advantage in #sports#photojournalism.

The Facebook post also shared a video, but read:

The newly announced #D6 development will reinforce Nikon’s DSLR’s advantage in sports photo journalism. Top Pro and #D5 user Joel Maryland talks about how Nikon’s cutting edge technology has helped him stay ahead of the game. Stay tuned for more from #Nikon!

As noted by Nikon Rumors reader br0xibear, the video posted alongside the text wasn’t new footage, but a video of Nikon Europe ambassador Joel Marklund talking about shooting with the Nikon D5 at the Olympics. So, while there was no explicit mention of the D6 in the video, the text is very clear a Nikon D6 DSLR is on the way.

We have contacted Nikon to confirm whether or not the ‘NikonLifeEU’ Facebook page is its official account, but considering it too removed the development teasers and the rest of its post history mirrors the official Nikon Europe Twitter account, it seems likely to be the case.

Articles: Digital Photography Review (dpreview.com)

 
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SanDisk Extreme Pro CFexpress Type B cards hit the market in Europe

04 Sep

Earlier this year, the CompactFlash Association unveiled the new CFexpress 2.0 specification that’ll be available in three form factors: Type A, Type B and Type C. A number of manufacturers revealed plans to offer these next-generation cards and it now appears SanDisk is one of the first off the line with its new SanDisk Extreme Pro CFexpress 2.0 Type B card, which is currently for sale in various European markets.

As we previously reported, the CFexpress 2.0 Type B card features the same dimensions as the existing XQD card, bringing with it a Gen3, 2 lane interface and a maximum theoretical speed of 2,000MB/s. According to SanDisk, its new Extreme Pro CFexpress Type B card gets close to that limit with read speeds of up to 1700MB/s and a write speed up to 1400MB/s.

SanDisk says this model can capture ‘raw 4K video with sustainable, low-latency performance,’ and it can be used with the data recovery software RescuePRO Deluxe. The model has appeared for sale in 64GB, 128GB, 256GB and 512GB capacities on Amazon for several European markets, including the UK, for £174.99 to £691.99. It’s unclear when the card will arrive for sale in the US.

Articles: Digital Photography Review (dpreview.com)

 
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USB4 gets official with maximum 40Gb/s bandwidth, USB Type-C connection

04 Sep

The USB Implementers Forum (USB-IF) has published the specifications for USB4, the next-generation USB architecture first teased back in March 2019.

USB4 will be a ‘major update’ that builds on the existing USB 3.2 and USB 2.0 architectures. It will be based on Intel Corperation’s Thunderbolt protocol specification and will double ’the maximum aggregate bandwidth of USB and enables multiple simultaneous data and display protocols,’ according to the announcement.

The USB-IF says USB4 is backwards compatible with USB 2.0, USB 3.2 and Thunderbolt 3, and will feature a maximum speed of up to 40Gb/s, twice the current 20Gb/s maximum. Since it will be using the same USB Type-C connection, manufacturers won’t need to alter designs to use the new ports. USB Power Delivery will also be a requirement in USB4 devices.

Despite the specification being finalized, it’ll likely take some time to market. Historically, it’s taken roughly a year from the time the specifications have been released to the time we see it in the first devices, but it’s always possible that precedent could be broken.

Articles: Digital Photography Review (dpreview.com)

 
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How to Use a Pinhole Body Cap for Awesome, Creative Photography

04 Sep

The post How to Use a Pinhole Body Cap for Awesome, Creative Photography appeared first on Digital Photography School. It was authored by Charlie Moss.

Making a pinhole body cap is a rite of passage on any digital photographer’s journey. It’s a great way to get some of the unpredictability of analog photography without spending loads money on film or having to wait for the results to come back from a lab.

pinhole body camera image

But how do you make a pinhole body cap? And what do you shoot once you’ve made your pinhole body cap?

That’s what you’ll discover in this article.

What is a pinhole body cap and how do you make one?

First things first:

Let’s talk about pinhole body caps and how you make one. For that, you need to know what a pinhole camera is.

A pinhole camera is essentially a light-proof box with a small hole in one side. Light passes through the hole and projects an image on the opposite side of the box. It’s a tiny camera obscura – an optical phenomenon that has been known and used for hundreds of years. If you put photographic film or paper inside the box, you can record the image that the camera obscura produces!

So by modifying a camera body cap, you’re essentially creating a digital version of the camera obscura.

It’s very easy to do! You just need to buy a cheap body cap for your camera (don’t worry about it being on-brand and don’t destroy the one that came with your camera) and put a hole in the middle of it.

drilling into a camera body cap

I use a tiny drill bit (and a holder meant for model-making) to put the smallest hole I can create in the center of the body cap. Then I take a small piece of black construction paper and put a hole in it with just the very tip of a skinny sewing needle.

Next, tape the construction paper into place on top of the hole you’ve just drilled, lining up the two holes as carefully as possible.

Finally, place the body cap directly onto the camera body and you should be ready to go!

(Note: On some digital cameras, you may need to use a setting that allows you to shoot without a lens attached. If you’re struggling to find this, check your camera manual.)

What’s so special about pinhole shooting?

There are a few great features of pinhole camera photography that you might want to think about as you plan what to shoot. Using a pinhole body cap is completely different than shooting with a traditional lens.

creative pinhole shot of shapes

Concentrating on shape and texture can create striking pinhole body cap images.

Almost infinite focus

The first thing to note is that pinhole cameras have an incredibly large depth of field. You can’t focus a pinhole body cap, but that’s okay. You don’t need to. You’ll get images that are sharp throughout.

(However, this means you’ll lose any shallow depth of field or bokeh effects.)

Instead of blurring out any inconvenient backgrounds, you need to work with your surroundings in mind when you compose images.

No distortion

If you’re using a wide-angle pinhole body cap (the focal length of your pinhole body cap is the distance from the pinhole to the sensor), then there will be no lens distortion. When you are shooting architecture, the walls of the building will appear completely straight rather than curved as they would with many wide-angle lenses.

building against sky

Using hard light to create contrast can be a way to make images appear sharper.

It is possible to increase the focal length of your pinhole body cap by using extension tubes and the like (or a cardboard toilet roll with the inside painted black).

Test out different focal lengths and see what you can achieve!

Long exposure times

The downside of all that depth of field is that you’ll generally need a pretty long exposure time for most shots. This does mean that you can work with interesting blur effects. If you’re shooting urban spaces you can also blur out most of the people in the image, too.

On the other hand, you generally need to take a tripod with you when you go out shooting with your pinhole body cap. The exposures will probably be too long to handhold your camera.

blurry portrait pinhole body cap camera

Asking your subject to move while photographing them can produce interesting effects.

It can be interesting to explore either intentional camera movement effects or long exposures on moving subjects with a pinhole body cap. I particularly enjoy using a pinhole body cap to shoot portraits of people.

Try looking at the portrait work of Victorian photographers who used wet plates, or the more modern long exposure portraits (with a large format camera) by Sally Mann. These can provide some inspiration for your pinhole photography of people.

Help! All my images are soft!

The sharpness of a pinhole image depends largely on the size and accuracy of the pinhole you create when building your pinhole body cap. Unsurprisingly, putting a hole in a piece of construction paper is a pretty inaccurate way to build photographic equipment.

The smaller the pinhole, the more accurate the image will be. And the neater the edges of the pinhole, the more perfect the circle around your image will be.

comparison of sharp portrait and pinhole portrait

These two images are a direct comparison of a 35mm lens on a Fujifilm body (about a 50mm equivalent) and a pinhole body cap on the same body. The camera wasn’t moved between shots, and both images were cropped the same.

Ultimately, you’re going to need to embrace the heavy imperfections of this style when you plan what you’re going to shoot. Images will be in focus, but they will be very soft – and that’s not something you can correct afterward! If you really enjoy digital pinhole photography then you may want to explore some of the laser cut pinholes that are available on the market. They are very tiny, accurate circles and will create a more technically perfect image.

Of course, the smaller the pinhole, the longer the exposure you’ll need. This is because less light is hitting the sensor, so everything is a trade-off. With extremely tiny pinholes you can be looking at exposures of many minutes rather than a few seconds.

Seeing the world differently

I find that using a pinhole body cap forces me to approach photography differently. Because of the soft quality of the images and the large depth of field, I tend to focus on things like color and shape rather than the subject matter itself. It’s a great way to think about different kinds of composition rules.

tree in pinhole shot

If you end up with a pinhole that isn’t quite circular (like most of mine), that can also be a good thing to experiment with. Finding objects that fit inside the pinhole shape you’ve made can create some really unusual images.

What are you waiting for?

Time to get out and shoot! One of the best ways to improve your pinhole body cap photography is simply to head out and start capturing a ton of images. You need to learn how the things around you will translate into pinhole images. It’s only then that you’ll start to see the possibilities for pinhole photography.

Don’t be discouraged at first. It takes time to hit your stride with this style of photography. You may need to let go of some ingrained inhibitions and embrace the imperfections and flaws instead of aiming for technical excellence.

But eventually, you’ll be capturing some stunning photos!

We’d love to see your pinhole images! Share with us in the comments section.

pinhole-body-cap-photography

The post How to Use a Pinhole Body Cap for Awesome, Creative Photography appeared first on Digital Photography School. It was authored by Charlie Moss.


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Emojivision uses computational photography to turn your photos into emojis

04 Sep

A free new camera app for iOS called Emojivision allows you to capture images composed entirely of emoji. The app was created by Gabriel O’Flaherty-Chan, according to TechCrunch, which reports that Emojivision uses computational photography to break an image down into its core color palette, then rebuilds it using similarly colored emoji in near-real-time.

The app can be used to take any image, as with the native camera app, and also to apply the emoji filters to existing images located in the phone’s camera roll. The app is free, but enthusiastic users can pay $ 2.79 USD to get additional emoji packs. For developers, the Emojivision project is located with technical details on GitHub.

Articles: Digital Photography Review (dpreview.com)

 
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A Step-by-Step Guide to Achieving the Perfect Starburst Effect

04 Sep

The post A Step-by-Step Guide to Achieving the Perfect Starburst Effect appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

Adding a starburst effect to your images is a great way to spice things up and really grab the attention of your viewers.

Seeing rays of light slice through your photo is one of the most enjoyable tricks to pull off, especially if you haven’t really done this sort of thing before. While some software programs let you do this on your computer, the real magic comes when you do it by knowing how to use your camera.

starburst on building

Step 1: Find a light source

Creating the starburst effect isn’t difficult. But it does require a bit of training and practice to pull off. You’ll need a few basics to get started:

First, you’ll need a bright source of light, such as the sun. A street lamp or really powerful flashlight will work too, but the sun is nice because it’s always available and doesn’t cost money to use.

If you don’t mind shooting pictures at night, you can get a starburst effect quite easily with a street lamp or other source of light. However, night photos might not look as interesting or visually compelling as shots of the sun.

Ironically, you also need something to block most of the sun. This is because the sun itself is too large and bright to give you good starburst shots; just a sliver of its light is all you need. Buildings and trees work great, but whatever you use can’t be too far away. If the thing blocking the sun is separated from you by too great a distance, you won’t get the starburst effect.

starburst effect on a building roof

The effect isn’t as pronounced in this image, but it’s definitely there. Using a structure to block most of the sun is a great way to help you achieve a good starburst.

Step 2: Choose a small aperture

As far as your camera goes, the one setting that really matters is your aperture.

To get a good starburst, your aperture should be small, such as f/11 or f/16. This means you will need a camera with aperture control, such as a DSLR or mirrorless system. Nearly all mobile phones use wide apertures and very few of them allow you to have any control over the aperture at all.

So if you want to pull off a cool starburst effect in-camera, you’re going to need a dedicated camera and not just a phone.

Step 3: Set up for your starburst shot

The basic setup for a starburst effect photo is also fairly simple and works best when the sun is lower on the horizon during the morning or late afternoon. You can do it at other times of day, but it’s a little more difficult to find objects that obscure the sun when it’s directly overhead.

starburst on a clock

To achieve the starburst effect, position yourself so that the sun is off in the distance and the object obscuring it is not too close and not too far. Then set your aperture to f/11, point your camera in the direction of the light, and take a picture.

Take care to not point your camera directly at the full sun, as it could damage your sensor or your eyes. Just a sliver of the sun and a small aperture is all you need.

Step 4: Experiment with different setups

If the object you use to block most of the sun is too far away, the starburst effect will be much more difficult to achieve. In the shot below, you can just barely see the points of light emanating from where the sun is peeking over the clouds. It’s subtle and can work if it suits your compositional goals for the image, but I don’t find shots like this to be nearly as fun as other starburst images.

A Step-by-Step Guide to Achieving the Perfect Starburst Effect

There’s a lot of creative things you can do when you start experimenting with starbursts. In the picture below, the sun was obscured just a bit too much by the tree branch. The cicada exoskeleton looks fine, but the photo lacks something in the way of a visual spark.

A Step-by-Step Guide to Achieving the Perfect Starburst Effect

I adjusted the position of my camera by mere millimeters so as to get the tiniest bit of the sun poking out below the branch. The result is a much more compelling photo:

cicada with starburst

The addition of a starburst adds a whole new dimension to the photograph and elevates it to a whole new level.

Note: How aperture alters the starburst effect

To see why a small aperture is important, look at the following photos, which were taken just a few seconds apart. The first used a large f/1.8 aperture, and as a result, the sun is a large yellow blob in the sky and not all that interesting. This is similar to the type of picture you could take on a mobile phone since most of those have large apertures ranging from f/1.8 to f/2.8.

Image: I took this photo with an f/1.8 aperture at 50mm.

I took this photo with an f/1.8 aperture at 50mm.

Stopping down to f/11 changes the image dramatically. Not only is the foreground and background in focus, but the sun is now a brilliant star pattern. This is a direct result of the smaller aperture.

fountain with starburst

I took this photo with an f/11 aperture at 50mm.

A similar effect is seen in the two photos below. Taken at different locations, they illustrate the effect quite clearly. The first shows a row of lights fading into the distance, and because I shot it at f/1.8, they appear as blurry orbs. This isn’t a bad thing, as my intent was for the viewer to focus on the light in the foreground.

row of lights without starburst

I took this photo with an f/1.8 aperture at 50mm.

The next image shows a similar row of street lights, but the small aperture I used caused every point of light in the image to appear as a starburst.

streetlights with starburst

I took this photo with an f/13 aperture at 50mm.

Even the green traffic lights far in the distance are starbursts. You can see how this dramatically alters the overall effect of the picture. If I had used a larger aperture, it would be an entirely different image.

Conclusion

My favorite part of shooting starburst photos is how easy it is once you get the hang of it. It’s also rather gratifying to know you can do it just by manipulating your camera.

starburst at night

Have you tried using the starburst effect in your images? What tips or tricks do you have for the DPS community, or for others who might not have done this type of photography before? Leave your thoughts in the comments below!

 

perfect-starburst-effect-in-photography

The post A Step-by-Step Guide to Achieving the Perfect Starburst Effect appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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Parrot announces the ANAFI FPV drone with 4K HDR video and 21MP stills

03 Sep

French manufacturer Parrot may have recently exited the toy drone market by retiring their Bebop and Mambo models, but its time in the drone market is far from over. Today, Parrot announced the Anafi FPV, a portable, foldable drone, based on its regular ANAFI model.

The ANAFI FPV features Parrot’s unique 180-degree tilting camera, 4K HDR video, a CMOS 1/2.4” 21-megapixel sensor and 3-axis stabilization with standard 3X zoom. The LD-ASPH lens boasts an F2.4 aperture and 26mm (35mm equivalent) focal length. The drone weighs 350 grams (0.77 pounds), has a maximum transmission distance of 2.5 miles, a flight time of 26 minutes, and a top speed of 34 miles per hour.

Parrot has focused its efforts on creating a fully immersive experience with its Cockpit Glasses 3 and the continual development of its FreeFlight 6 app. Pilots can easily toggle between flight modes to fine-tune their imagery. Arcade Mode allows users to capture imagery by simply pointing their camera in their direction of choice. It can be combined with the Cinematic preset to simulate a ‘bird’s eye view.’

Other built-in features include Autonomous Flight mode for cinematic selfies, Smart Return-to-Home and Geofencing for safety, Panorama modes including 360° Sphere, 180° panorama, and Little-planet, plus Slow-motion and Hyperlapse video modes. Parrot aims to make it easy for users to create unique, professional content with a portable set up that takes seconds to launch.

At the beginning of last month, the world’s leading drone manufacturer, DJI, introduced its own FPV system. One main component missing was the drone, itself. Instead of expecting consumers to solder or source their own, Parrot has included everything in its ANAFI FPV All-In-One Pack. Parrot has designed the ANAFI backpack to double as a launching pad for the drone. Included are the Cockpit Glasses 3, Skycontroller 3, a battery, USB-C cable, 16GB memory card, and an additional set of propellers.

The ANAFI FPV All-In-One Pack retails for $ 799 and is currently available to pre-order.


Update (September 3, 2019): Edited the article and headline to clarify that the Anafi FPV is not specifically a racing drone.

Articles: Digital Photography Review (dpreview.com)

 
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Gimbal Tips And Advice – Why you Need to Invest in One

03 Sep

A gimbal is a device that enables you to keep your camera stable while shooting video. It can also be useful when it comes to capturing high-quality still images. A combination of three gimbals will enable you to obtain a smooth movement of your handheld camera in three different directions, thanks to the three rotation axes. In this article I Continue Reading

The post Gimbal Tips And Advice – Why you Need to Invest in One appeared first on Photodoto.


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Why Shooting Film Will Increase Your Digital Photography Skills

03 Sep

In our current digital age the need for a quick turnaround in every discipline can be cut-throat and demanding. When it comes to the world of digital photography it’s not uncommon to sift through thousands of images after a session to narrow your edit down to a mere selection of 10-20 images. The peace of mind knowing you have an Continue Reading

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