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Yuneec introduces new gimbal-stabilized 4K Mantis G drone

05 Sep

On the first day of the annual InterDrone conference in Las Vegas, Yuneec has introduced its latest quadcopter. Aimed specifically at consumers, the Mantis G was created for those wanting to enhance their social media profiles with HD (high-definition) and 4K aerial video or imagery captured from a unique perspective.

The portable and foldable Mantis G weighs one pound, making it ideal for travelers capturing imagery on the fly. It features a gimbal-stabilized camera that can record video up to 4K at 30 frames per second. Photos can be taken on the 13-megapixel camera in either JPG or DNG format.

The Mantis G measures at 10.5 inches, without the propellers, and is being marketed as ‘the perfect upgrade to your Instagram story.’

A maximum 33-minute flight time makes it the longest in its class. The drone can land automatically and be folded up within seconds so consumers can head off to their next adventure. Seamless social media integration allows users to instantly share their media on their social channels.

In the spirit of enabling consumers to capture professional-grade imagery with a creative twist, Yuneec has equipped the Mantis G with Waypoint Mode, which allows users to plot out a specific flight path for the drone, and the Visual Tracking feature that ensures the drone follows its designated target everywhere. For racing enthusiasts, the Mantis G can reach speeds up to 44 miles per hour.

The Mantis G can be controlled with a smartphone, via the controller that is included with the drone, or by voice control. Yuneec has modified its Pilot App to accept new voice commands from flyers. Modified antenna design and redundant frequencies (2.4 and 5 GHz), coupled with the new Smart Streaming feature, guarantee stable communication and signal transmission between the drone and controller.

One notable selling feature on the Mantis G from Yuneec is that any video, photo, or telemetry data will not be transferred or contained on any external servers. Recently, leading manufacturer DJI has released statements denying accusations of doing the same with their consumer data. The Mantis G was developed on open source PX4 code. No Fly Zones surrounding international airports have been integrated into the software, preventing unsafe and illegal flights. GPS and IPS sensors allow it to be flown both indoors and outdoors, making it that much for versatile for content creators.

The Mantis G retails for $ 699 and can be ordered here.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron firmware update adds support for Nikon’s FTZ adapter to three of its lenses

05 Sep

Tamron has released firmware updates for three of its F mount lenses to add support for Nikon’s FTZ adapter.

Back in November 2018, Tamron announced firmware updates (1, 2) for half a dozen lenses that added support for Nikon’s F to Z mount adapter. Now, three additional lenses gain support: the Tamron SP 85mm F/1.8 Di VC USD (Model F016), 70-210mm F/4 Di VC USD (Model A034) and 100-400mm F/4.5-6.3 Di VC USD (Model A035).

No additional changes are mentioned in the firmware update, but regardless of whether or not you have a Nikon Z6 or Z7 camera, it’s probably in your best interest to download and install the firmware updates via Tamron’s TAP-in Utility, which works with the Tamron TAP-in console to update compatible Tamron lenses.

Articles: Digital Photography Review (dpreview.com)

 
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The Shuttercase 2.0 is an iPhone camera case with battery grip, mechanical shutter button

05 Sep

Last year Shuttercase unsuccessfully attempted to collect funding for the original Shuttercase iPhone camera case. Now the company is back with a redesigned version that is called Shuttercase 2.0 and already available for purchase.

The Shuttercase 2.0 is aimed at iPhone photographers and movie makers who prefer the handling of a traditional camera over smartphone ergonomics for image and video capture. The case comes with a mechanical shutter button and a replaceable camera handle with a leatherette effect cover. The handle also contains a 3000mAh battery. In addition the case offers a mount for all current Moment smartphone lenses.

The modular design – lens mount, camera handle with battery, leatherette cover and thumb rest are all removable – allows you to use the battery pack when taking pictures with your iPhone and removing it and other components and leaving them at home for normal smartphone use. It also sets the Shuttercase apart from competitors such as the Pictar camera grip or battery packs from Mophie and others.

The Shuttercase 2.0 with Moment lens mount is now available for several iPhone models on the Shuttercase website for $ 78.99. An additional battery pack will set you back $ 28.99.

Articles: Digital Photography Review (dpreview.com)

 
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Filmtypes website makes emulsion comparison easy for analogue shooters

05 Sep

When getting into film photography it can be very difficult to find out not only what films are available but also the differences between them and what they are designed to do. Austrian photography enthusiast Dominik Sobe has built a website that lists available emulsions, shows a collection of images shot on that particular film and links to reviews on other sites.

Almost 50 films are listed and can be filtered by brand, contrast, grain type and speed rating

Filmtypes automatically draws in images from Flickr that are tagged with the film they were shot with and displays them on the landing page for that film, while offering a short description of the film’s characteristics, its origins and the formats in which it can be bought.

The landing page for each film pulls in images from Flickr that use the tag of that film, so users can see for themselves the characteristics of that emulsion

At the moment just under 50 films are included, and users can filter the list by contrast, color/B&W, manufacturer, speed and grain type to whittle the list down to specific requirements. Of course, there is also a link to buy the resulting film.

The site is still young and Sobe says he will continue to add new films but already it is very useful. If you are into film photography go take a look and maybe suggest a favorite film that hasn’t made the list yet.

Articles: Digital Photography Review (dpreview.com)

 
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National Geographic will shutter its ‘Your Shot’ photography platform in October

05 Sep

Following a report late last month from Variety that claimed Disney layoffs would impact National Geographic, NatGeo has officially shuttered its ‘Your Shot’ platform. The announcement was made on the National Geographic website’s ‘Your Shot’ page, where a new notice advises photographers that the program will now take place through the company’s ‘Your Shot’ feed on Instagram.

The National Geographic ‘Your Shot’ platform was a photo community that offered photographers advice from experts, as well as assignments, the opportunity to get one’s work featured on digital and print platforms, and to engage with the wider community of photographers.

According to the notice on the National Geographic website (above), the ‘Your Shot’ platform will be shuttered on October 31, after which point all of the assignments, promotions, and engagement opportunities will be discontinued. Photographers will be able to find the continued version of the platform on the National Geographic Instagram Your Shot account.

Though the message suggests that the ‘Your Shot’ program will continue with assignments on Instagram, both the National Geographic website and the company’s Instagram account lack details on how the process will proceed beyond October 31. Users of the current ‘Your Photo’ platform will soon receive the ability to download their images from the community before it closes next month.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron SP 35mm F1.4 di USD sample gallery

04 Sep

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We’ve been shooting around with the new Tamron SP 35mm F1.4, a lens the brand recently referred to as its “finest ever,” and we can see why. Image quality appears to be excellent with good sharpness from corner to corner – even wide open – and well-controlled chromatic aberration and ghosting. Sunstars and bokeh are also pleasing, but we’ll leave that for you to decide.

This fast prime is also reasonably compact for a 35mm F1.4, even when coupled with the Nikon FTZ adapter and mounted on a Z7. AF speeds using said combo were also plenty fast/precise. Have a look for yourself.

See our Tamron SP 35mm F1.4 gallery

Articles: Digital Photography Review (dpreview.com)

 
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Thoughts and a Field Test: The Tamron 17-28mm f/2.8 Lens for Sony

04 Sep

The post Thoughts and a Field Test: The Tamron 17-28mm f/2.8 Lens for Sony appeared first on Digital Photography School. It was authored by Suzi Pratt.

Sony lenses are notoriously expensive, so it’s a welcome relief that third-party manufacturers have been making solid E-Mount lenses. The Tamron 17-28mm f/2.8 is one such lens. It is the highly anticipated follow-up to the Tamron 28-75mm f/2.8, which was announced in 2018 and is almost always on backorder due to its popularity. After testing the Tamron 17-28mm f/2.8, I have no doubt that this lens will be equally popular.

Read on to find out why.

Tamron 17-28mm for Sony E-Mount

The Tamron 17-28mm f/2.8 tech specs

First off, 17-28mm is indeed a niche and unique focal length. No other manufacturer makes a lens with this range. The closest comparison is the 16-35mm f/2.8, a focal length made by Sony, Canon, and Nikon.

If you’re disappointed about having less reach with the Tamron, consider that if you use this lens with a Sony full-frame, you can always shoot in APS-C mode, which gives you more range. This is one of the most useful features on my Sony a7R III.

Why Tamron went for this slightly more limited focal length is puzzling, but it likely explains how they kept the lens to such a small size. In the comparison photo below, you’ll see that the 17-28mm is essentially the same size as the original Canon 16-35mm f/2.8 and the Sony 24-70mm f/4. Weight-wise, the Tamron is the lightest, coming in at 420 g (0.93 lbs). That is quite a bit lighter than Sony’s own 16-35mm f/2.8, which weighs a whopping 680 g (1.5 lbs).

Since we’re on the subject of comparisons, let’s talk price. Sony charges $ 2,200 USD for their 16-35mm f/2.8 lens. While their lens offers more solid construction and a more flexible focal range, this is still a chunk of change. On the other hand, the Tamron 17-28mm is priced at $ 899 USD, which is quite reasonable for an f/2.8 lens.

Tamron 17-28mm for Sony E-Mount

Size comparison of the Canon 16-35mm f/2.8 (left), the Tamron 17-28mm f/2.8 (center), and the Sony 24-70mm f/4 (right).

Image stabilization

The Tamron 17-28mm lens does not have optical image stabilization (OIS). However, it’s so lightweight that it’s still pretty easy to shoot stable photos and videos handheld. In fact, its size goes well with the Sony a7R III and the Sony a7 III.

Autofocus

The Tamron 17-28mm f/2.8 is equipped with a smooth and quiet autofocus (AF) system. It pairs well with modern Sony mirrorless cameras, and all AF modes are available, including Eye AF. In practice, I found Eye AF to be a bit sluggish and hit or miss. But then again, I don’t consider 17-28mm to be my ideal focal range for portraits anyway, and I would rather reach for a midrange zoom or a standard 50mm lens.

Best uses for the Tamron 17-28mm f/2.8

A wide-angle lens like the 17-28mm is ideal for capturing landscapes, interiors, and real estate. Those are the types of photography I focused on while testing this lens. The portraiture I did was minimal, and it was mainly for the purpose of shooting at an aperture other than f/11 to see how the bokeh performed (it did very well).

doors off helicopter view of city

A handheld shot taken from a doors-off helicopter ride.

Image quality

For my first test shooting with the 17-28mm, I took it on a doors-off helicopter ride. If you’ve ever been on one of these, you know how incredibly windy it can be in the main cabin and how difficult it is to get any shots in focus. This is very much a “spray and pray” kind of photography scenario. To my surprise, the 17-28mm did incredibly well.

From the moment I started shooting with the Tamron 17-28mm, I almost immediately forgot it was a third-party lens. Autofocus was snappy (I wasn’t using Eye AF), there was zero lag or miscommunication between the lens and the camera, and the image quality was stunning. Photos were tack sharp, there was no distortion, and the colors even seemed to pop a little more than usual.

view of shopping people

Physical construction

Since this lens is so compact and lightweight, don’t expect all-metal or polycarbonate materials like Sony uses in their GM lenses. However, the build quality of the Tamron 17-28mm still feels very solid in the hands, and I think it would hold up well over time.

Tamron says the 17-28mm is equipped with “moisture-resistant construction” and a hydrophobic fluorine coating to repel dirt and fingerprints. Not much else is said about weather sealing, and I wouldn’t feel comfortable subjecting this lens to extreme weather conditions.

long staircase and escalator

6-year Tamron warranty

One of the biggest benefits of buying a Tamron lens is their generous 6-year warranty. Effective for six years from the date of purchase (in the USA only), Tamron lenses are “warranted against defective materials or workmanship.” Meanwhile, Sony provides 1 year of warranty on their lenses.

A match made in photographer heaven

Based purely on specs, this lens pairs beautifully with the Tamron 28-75mm f/2.8. In fact, Tamron claims the combined weight of both of those lenses equates to less than 1 kg (2.2 lbs), which is incredibly light for two f/2.8 lenses. Both lenses also take the same filter size of 67mm, making it easy to swap polarizers and ND filters. This feature alone makes it very compelling to invest in both lenses.

photo of a barbershop

Conclusion

During the reigning days of DSLRs, many photographers scoffed at third-party lenses, saying that “you get what you pay for.” Perhaps back then they had a point.

But today, third-party lenses have really stepped up their game, and the Tamron 17-28mm f/2.8 is one of the best examples of superior third-party glass. If you’re in the market for a wide-angle lens for your Sony body, you can’t go wrong with this lens.

For more information on the Tamron 17-28mm f/2.8 lens for Sony, check out this video I filmed, along with some additional sample photos below:

?

interior shopping center

person close-up

leaf hanging down

 

Tamron 17-28mm f/2.8 Lens for Sony

The post Thoughts and a Field Test: The Tamron 17-28mm f/2.8 Lens for Sony appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Your Comprehensive Guide to Photography Post-Processing Software

04 Sep

The post Your Comprehensive Guide to Photography Post-Processing Software appeared first on Digital Photography School. It was authored by Herb Paynter.

My recent article, 3 Alternative Post-Processing Applications that Challenge the Adobe Throne, presented just three of the many post-processing software packages available (both free and paid) that provide excellent post-processing capabilities. In this article, I’ll give you a much longer list of post-processing software. To be impartial, I’ll list the titles in alphabetical order.

Your Comprehensive Guide to Photography Post-Processing Software

DXO Photolab 2

A few of the titles added by readers in the Comments section of the “3 Alternatives” article impressed me with their power and innovative design. I’ve been editing digital images with every software package available since late 1986, and I thought I’d seen most of them. However, it seems that the list of capable editing software grows weekly.

As you will notice, I do not mention ALL the software available for download or online use. Those that made the cut will be actual production titles with a minimum set of well-designed editing functions.

To be honest, I’ve looked at a significant number of offerings that are little more than public domain routines. They are not fully implemented or even adequately defined. These were considered but not listed.

Listed below is a wide variety of packages on both mobile and laptop/desktop platforms; a true variety pack that covers the field from hobbyist to professional users. No matter what your preference, you’ll find something here to tickle your fancy and meet your demands.

Your Comprehensive Guide to Photography Post-Processing Software

ACDSee Photo Studio Professional

As was welcomed in my first article, additional post-processing software titles should be added to this list by readers who have discovered (and used) them.

It is important to recognize all such products in a desire for fairness and sharing information. Because this list includes many more titles, I will not mention individual features of these titles, only a brief mention of the product’s most notable features.

This is where you can really contribute…

I’ll rely on you to describe your favorite features and benefits of your favorite titles. Let’s make this a very collaborative group effort BUT with one important request: please be brief and succinct with your comments. Limit your comments to one or two of the features that make your favorite app stand out from all others. That way, we learn from each other without monopolizing the mutual pulpit.

Image: Skylum Luminar 3

Skylum Luminar 3

List of photography post-processing software

ACDSee Photo Studio

Publisher: ACDSee Systems International

Website: https://www.acdsee.com/en/index/

Trial: Free/30 days

Price: $ 60 Mac/Win/Mobile

Afterlight 2

Publisher: Afterlight Collective

Android Website: https://play.google.com/store/apps/details?id=com.fueled.afterlight&hl=en_US

Apple Website: https://apps.apple.com/app/id1293122457 

Trial: Free/30 days

Price: $ 60 Mac/Win/Mobile

Affinity Photo

Publisher: Serif

Website: www.affinity.serif.com

Trial: Free/30 days

Price: $ 50 Mac/Win/iPad

Capture One

Publisher: Phase One

Website: https://www.phaseone.com/en/

Trial: Free/30 days

Price: $ 299 or $ 20/month Mac/Win

Darktable

Website: www.darktable.org

Price: Free

Exposure X4.5

Publisher: Alien Skin

Website: https://www.alienskin.com

Trial: Free/30 days

Price: $ 119 Mac/Win Computer

Fotor

Publisher: Fotor

Android Website: https://play.google.com/store/apps/details?id=com.everimaging.photoeffectstudio&hl=en_US

Apple Website: https://apps.apple.com/app/id440159265?referrer=click%3D8cd7ac09-77a3-42f6-9005-ed622bd3e17f

Price: Free

Gimp

Publisher: Gimp

Website: https://www.gimp.org

Price: Free Mac/Win Computers

Google Photos

Publisher: Google

Website: https://www.google.com/photos

Price: Free online

Lightroom CC and Lightroom Classic

Publisher: Adobe Systems

Website: https://www.adobe.com/creativecloud/photography.html

Trial: Free/30 days

Price: $ 10/mo Mac/Win

Your Comprehensive Guide to Photography Post-Processing Software

Adobe Lightroom Tablet/Computer/Mobile

Online Photo Editor

Publisher: PicMonkey

Website: https://www.picmonkey.com/

Trial: Free/7 days

Price: Starts at $ 7.99/month

Photo RAW

Publisher: ON1

Website: https://www.on1.com/products

Trial: Free/30 days

Price: $ 80

PhotoLab 2

Publisher: DxO

Website: https://shop.dxo.com

Trial: Free/30 days

Price: $ 129 Mac/Win Mobile/Computer

Paint Shop Pro X9

Publisher: Corel

Website: https://www.paintshoppro.com/en/

Trial: Free/30 days

Price: $ 80 Mac/Win

Anthropics Portrait Pro 2 post-processing software

Anthropics Portrait Pro 2

Photoshop/Camera RAW

Publisher: Adobe Systems

Website: https://www.adobe.com/creativecloud/photography.html

Trial: Free/30 days

Price: $ 10/mo Mac/Win

Photoshop Elements

Publisher: Adobe Systems

Website: https://www.adobe.com/creativecloud/photography.html

Trial: Free/30 days

Price: $ 59.99 Mac/Win

Photoshop Express

Publisher: Adobe Systems

Android Website: https://play.google.com/store/apps/details?id=com.adobe.psmobile&hl=en

Apple Website: https://apps.apple.com/us/app/photoshop-express-photo-editor/id331975235?mt=8&ign-mpt=uo%3D4

Price: Free

PhotoPad

Publisher: NCH Software

Website: https://www.nchsoftware.com

Trial: Free/30 days

Price: $ 40

PicsArt

Publisher: PicsArt

Android Website: https://play.google.com/store/apps/details?id=com.picsart.studio

Apple Website: https://apps.apple.com/us/app/picsart-photo-studio/id587366035

Price: Free

Pixlr Editor

Publisher: Pixlr

Android Website: https://play.google.com/store/apps/details?id=com.pixlr.express&hl=en_US

Apple Website: https://apps.apple.com/us/app/pixlr-photo-collages-effect/id526783584

Price: Free online

Pixlr Mobile Android/IOS post-processing software

Pixlr Mobile Android/IOS

PortraitPro 18

Publisher: Anthropics

Website: https://www.anthropics.com

Trial: Free/30 days

Price: $ 45 Mac/Win

RAW Therapee

Publisher: Softpedia

Website: https://www.softpedia.com

Price: Free (but only offered on Windows)

Skylum Luminar 3

Publisher: Skylum

Website: https://skylum.com/luminar

Trial: Free/30 days

Price: $ 70 Mac/Win Computer

Smart Photo Editor

Publisher: Anthropics

Website: https://www.anthropics.com/smartphotoeditor/product/

Trial: Free/30 days

Price: $ 30 Wind/Mac

Snapseed

Publisher: Google

Android Website: https://play.google.com/store/apps/details?id=com.niksoftware.snapseed&hl=en_US

Apple Website: https://apps.apple.com/us/app/snapseed/id439438619

Price: Free

Sumo Paint

Publisher: Sumo

Website: https://www.sumopaint.com

Trial: Free/30 days

Price: Free version, but Sumo Pro is $ 4/month

Topaz Studio 2

Publisher: Topaz Labs

Website: topazlabs.com

Trial: Free/30 days

Price: $ 100 Mac/Win

Your Comprehensive Guide to Photography Post-Processing Software

Anthropics Smart Photo Editor

Conclusion

Some titles didn’t make this list’s cut simply because they are only marginally useful. Needless to say, in today’s market, there is an innumerable slew of entertainment-level phone/tablet-based image “editing” apps also available. There are way too many even to mention, let alone keep current information on.

Many of these apps are made for the amusement of the younger social media crowd who appreciate more unicorns and stickers than serious editing power. Not to sound judgmental, there is an app for everything and everyone, but this listing is “focused” on actual photo editing capabilities more than the social media aspect.

 

photography-post-processing-software

The post Your Comprehensive Guide to Photography Post-Processing Software appeared first on Digital Photography School. It was authored by Herb Paynter.


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Nikon Z 24mm F1.8 S to ship in October for $1000

04 Sep

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Nikon has formally announced the Nikkor Z 24mm F1.8 for its full-frame mirrorless system. The wide-angle prime becomes Nikon’s seventh native Z-mount lens, and is one of three remaining lenses on the roadmap for 2019 – the others being the 70-200mm F2.8 and the much-hyped 58mm F0.95 Noct.

The 24mm F1.8 offers dust and drip resistance, and is built with one extra-low dispersion and four aspherical elements. Nikon’s Nano Crystal Coat is also present to reduce ghosting and flare. Additionally, the lens provides the ability to assign aperture and exposure compensation control to the focus ring, and Nikon claims that the lens boasts reduced focus breathing.

The Nikkor Z 24mm F1.8 S will ship in mid to late October for $ 1000.

Nikkor Z 24mm F1.8 S official sample images

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NIKON EXPANDS ITS HIGH-PERFORMANCE S-LINE WITH THE NEW NIKKOR Z 24MM F/1.8 S –
A FAST, WIDE-ANGLE PRIME LENS

The Versatile NIKKOR Z 24mm f/1.8 S Delivers Superior Optical Performance, Equipping Nikon Z Series Creators with an Incredibly Sharp, High-Resolution Lens to Explore Wide-Angle Perspectives

MELVILLE, NY (September 4, 2019 at 12:01 A.M. EDT) – Today, Nikon Inc. announced the fast, wide- angle NIKKOR Z 24mm f/1.8 S, the latest addition to the ever-expanding NIKKOR Z lineup of lenses. The 24mm f/1.8 S is optimized for capturing everything from cityscapes to environmental portraits and is built to take advantage of Nikon’s large Z-mount, delivering the ultimate combination of fast, bright and sharp performance in nearly all lighting conditions.

“The NIKKOR Z 24mm f/1.8 S continues our commitment to offering exciting prime lenses to Nikon Z 7 and Z 6 users, while also providing exceptional level of quality achieved by the S-Line of NIKKOR Z lenses,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The combination of wide-angle perspective and a fast f/1.8 aperture is optimal for all types of photography including landscapes, making the NIKKOR Z 24mm f/1.8 S a must-have lens to unleash the full potential of the Nikon Z series.”

The NIKKOR Z 24mm f/1.8 S – A Storyteller’s Dream Lens:
The NIKKOR Z 24mm f/1.8 S joins the S-Line of high-performance NIKKOR Z lenses, giving creators an essential focal length to add to their kit of fast prime Z-mount lenses. The lens takes advantage of the most advanced NIKKOR technologies to deliver optical superiority, exceptional sharpness, beautiful bokeh and high-resolution across the entire frame, even at maximum aperture.

The new NIKKOR Z 24mm f/1.8 S was designed for photographers and videographers looking to capture gorgeous wide-angle landscapes or vivid street photography, a travel adventure or a stunning starscape. For videographers and content creators, this popular focal length is a staple for production due to its natural perspective. Thanks to the advantages of the lens’ bright and fast f/1.8 maximum aperture along with the wider Z-mount, Nikon Z series users can capture exceptionally sharp images in dimly lit settings, with a lens that’s ideal for nighttime shooting and astrophotography.

The NIKKOR Z 24mm f/1.8 S features 9 rounded aperture blades, allowing users to capture beautifully circular bokeh that adds a level of dimensionality to help capture compelling content. Users can confidently explore their creative potential in nearly any landscape thanks to the lens’ reliable dust and drip resistant design, ideal for tough weather conditions. The lens construction also consists of four Aspherical Lens Elements and one Extra-Low Dispersion (ED) glass element to combat aberration, while Nikon’s patented Nano Crystal Coat helps eliminate ghosting and flare. The 24mm f/1.8 S is further equipped with Nikon’s Multi-Focusing System, which uses two AF drives in tandem to deliver superior resolving power and achieve fast and accurate autofocus, even at minimum focus distance.

In addition to achieving the top-notch image quality that storytellers and content creators have come to expect from the S-Line of NIKKOR Z lenses, the NIKKOR Z 24mm f/1.8 S is also optimized for video capture. As a popular cinematic focal length, the 24mm f/1.8 S will be a welcome addition to Z series shooters’ arsenals, boasting near-silent stepping motors for ultra-quiet performance, reduced focus breathing, a customizable control ring for smooth control of aperture and exposure compensation and the ability to take advantage of the in-camera 5-axis VR + eVR of the Nikon Z series cameras.

Price and Availability
The NIKKOR Z 24mm f/1.8 S will be available in mid to late October 2019 at a suggested retail price (SRP) of $ 999.95. For more information on the latest Nikon products, including the new NIKKOR Z 24mm f/1.8 S and the full Nikon Z mount system, please visit www.nikonusa.com.

Nikon Nikkor Z 24mm F1.8 S specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 24 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F1.8
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 12
Groups 10
Special elements / coatings 1 ED + 4 aspherical elements, Nano Crystal and Super Integrated coatings
Focus
Minimum focus 0.25 m (9.84″)
Maximum magnification 0.15×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 450 g (0.99 lb)
Diameter 78 mm (3.07″)
Length 97 mm (3.82″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 72 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Nikon working on 120-300mm F2.8E full-frame tele-zoom lens

04 Sep

Nikon is working on a telephoto zoom lens for its full-frame F-mount DSLRs: the AF-S Nikkor 120-300mm F2.8E FL ED SR VR. From those acronyms we can safely say that it will be stabilized and have ED and fluorite elements, though ‘SR’ is a new one. We think it’s safe to say that this lens will be rugged and sealed against moisture and dust.

From the photo above you can spot the usual set of switches for a pro-level lens: AF/MF, focus distance limiter, VR mode, memory recall/AF-L/AF-On and focus beep.

Nikon promises more information and pricing on this sports-oriented lens later this year.

NIKON IS DEVELOPING THE D6 DIGITAL SLR CAMERA AND THE AF-S NIKKOR 120-300MM F/2.8E FL ED SR VR TELEPHOTO ZOOM LENS

MELVILLE, NY (September 4, 2019 at 12:01 A.M. EDT) – Nikon Inc. is pleased to announce the development of the Nikon D6 professional DSLR camera and the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR telephoto zoom lens.

Nikon released the D1 digital SLR camera in 1999, making 2019 the 20th anniversary of the single-digit D series. Thanks to the imaging know-how cultivated over Nikon’s long history in camera development, Nikon’s professional DSLR cameras have continued to evolve by introducing some of the industry’s most advanced technologies and responding to the strict demands of professional photographers with the ultimate in performance and reliability, even in the most severe conditions. With the D6, Nikon is currently developing its most advanced DSLR to date.

This year also marks the 60th anniversary of the Nikon F mount. The new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR F mount lens that Nikon is developing will provide professional photographers in fields such as sports photography with even greater support.

Nikon is striving to expand possibilities for imaging expression and leading the way in imaging culture with both DSLR and mirrorless camera systems, as well as a rich lineup of NIKKOR lenses.

Details including release dates, pricing and specifications for these products will be announced at a later date. For more information on the latest Nikon products, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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