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  • DPReview TV: Fujifilm X-A7 preview

    On paper the Fujifilm X-A7 appears to address many of its predecessor’s shortcomings, but do those improvements add up to a better real-world experience? Chris and Jordan head to Calgary’s awe-inspiring, fire-breathing Beakerhead festival to get a feel for how it handles.

    Take a look at our hands-on with the X-A7 for even more information.

    Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • Beakerhead Samples
    • Design
    • Stabilization
    • Buffer
    • Face Detection
    • Film Simulations
    • Sensor
    • Customizability
    • Low Light
    • Touch Interface
    • USB Connectivity
    • Video Capability
    • Who's it for?
    • Yeas and Nays

    Sample gallery from this episode

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    All images are straight-out-of-camera JPEGs; this X-A7 is not running final firmware and should not be used to judge final image quality.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon to Produce Mirrorless Crop-Sensor Camera and Two Z Lenses

    The post Nikon to Produce Mirrorless Crop-Sensor Camera and Two Z Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    nikon-z50

    Up until now, Nikon has stayed out of the mirrorless APS-C (crop-sensor) camera space. They’ve let Sony and Fujifilm take the lead with their respective a6000 and X-T lineups. Even Canon, which stands at the back of the mirrorless pack, has produced its ‘M’ series.

    But things are changing in the digital camera world, especially as DSLRs lose ground to mirrorless systems and DSLR lineups get shelved. Nikon, a (relatively) small company surrounded by big players, has pushed innovation, bringing out the full-frame Z6 and Z7 last fall. The Z7 immediately made waves in the mirrorless camera world with its 45.7-megapixel sensor and impressive low light performance.

    And now Nikon is trying to do it again.

    Recent rumors indicate that Nikon will soon be entering into the APS-C mirrorless world with the Nikon Z50, a mirrorless body with a 20-megapixel sensor.

    Other reported specs include a 3-inch LCD, an 11 frame-per-second continuous shooting speed, and an electronic viewfinder.

    For Nikon DSLR photographers who have been thinking about moving to mirrorless, this will come as a welcome surprise, especially if you’ve been put off by the high price of the Nikon Z6 and Z7. This new camera is aimed at the enthusiast crowd, with its electronic viewfinder and 11 fps continuous shooting speed putting it a cut above entry-level bodies.

    The 20-megapixel sensor is a step down in resolution from competing Canon, Fujifilm, and Sony models, but the camera could impress in terms of autofocus and action shooting, possibilities that are hinted at with the 11 fps continuous shooting speed.

    The Nikon Z50 should also give you access to the Nikkor Z lenses. The lineup is currently very heavy on wide and standard lenses, but that’s bound to change as Nikon dedicates more and more resources to its mirrorless engineering. And the Z50 rumors come alongside talk of two new Nikon Z lenses: the Z-Nikkor 16-55mm f/3.5-6.3 DX lens and the Z-Nikkor 50-250mm f/4.5-6.3 DX lens.

    (Note the ‘DX’ label: Neither of these lenses can be used on full-frame mirrorless bodies.)

    These are kit lenses, through and through, and it remains to be seen how they perform. But I have high hopes for Nikon’s mirrorless lineup, especially as it begins to round itself out.

    Now it’s your turn: 

    What do you think about the Nikon Z50? Is it something you’d be interested in? Or were you hoping to see a Z6/Z7 upgrade? Share your thoughts in the comments!

    The post Nikon to Produce Mirrorless Crop-Sensor Camera and Two Z Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Leaked photos of the a9 II and details about Sony’s event a mere block from PhotoPlus

    Earlier this month, we caught our first glimpse of what might be Sony’s next flagship full-frame camera, the ‘a9 II.’ Now, a new photo has been leaked showing the mystery camera out in the wild yet again.

    The leaked photo, seen below and shared by Sony Alpha Rumors, features what could be an a9 II attached to a taped-up battery grip and a Sony FE 400mm F2.8 GM OSS lens. The button placement and overall look is identical to the header image, which was leaked earlier this month.

    As noted when the first image emerged, one noticeable change is the lack of the Focus Mode dial lock release button found on the a9. Aside from that, the externals of the camera appear largely unchanged from its predecessor.

    As for internals, we don’t know much. Sony Alpha Rumors is reporting the camera will feature a 36-megapixel sensor, but that rumor has yet to be confirmed.

    PhotoPlus 2019 is being held at the Jacob K. Javits Convention Center roughly a block away from the Creative Space NYC location where Sony is hosting its event.

    If it’s indeed real, we’ll no doubt find out soon enough. Sony has shared the details for an event at ’Creative Space NYC,’ that will take place just around the corner from the convention center where PhotoPlus 2019 is going on. The ‘Creators’ Playground,’ as Sony is calling it, will be open from October 24 through the 26.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Mathieu Stern of Weird Lens Museum visits The Camera Rescue Project

    Mathieu Stern of the Weird Lens Museum recently traveled to Tampere, Finland, where he was invited to tour The Camera Rescue Project, a large collection of vintage cameras being rescued from disrepair and potential loss. Stern introduces his viewers to Juho Leppänen, the man running the project, as well as the small team’s huge collection of around 6,000 vintage camera items at the Camera Rescue Center.

    The Camera Rescue Project’s team has tasked themselves with finding, inspecting, and repairing 100,000 vintage film cameras, a process that has thus far resulted in more than 57,000 camera ‘rescues.’ Stern is introduced to the sales side of the Camera Rescue Center, as well as the processes used to inspect the cameras. Malfunctioning cameras and lenses are sorted into the ‘repair queue,’ which is currently home to more than 2,000 units in need of work.

    Stern is known for, among other things, his videos showcasing unusual lenses and projects, including a lens created from ice and, more recently, a rare projector lens given a new life. In his most recent video, Leppänen tells Stern that he will be given some unusual lenses to test around the city, something Stern plans to show to his viewers in a future video. The Camera Rescue Project was likewise detailed in a video from Cameraville earlier this year.

    Articles: Digital Photography Review (dpreview.com)

  • Weekly Photography Challenge – Squares

    The post Weekly Photography Challenge – Squares appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    This week’s photography challenge topic is SQUARES!

    Image: Benjamin Bousquet

    Benjamin Bousquet

    Squares are all around us. You can see them in windows, buildings, boxes, TVs, technology, picture frames, power boxes, children’s toys, tiles, floors, etc.

    So go out and capture anything that has squares. They can be color, black and white, moody or bright. Just so long as they have squares in them! You get the picture! Have fun, and I look forward to seeing what you come up with!

    Image: Adli Wahid

    Adli Wahid

    Image: Ilze Lucero

    Ilze Lucero

    Image: Taylor Kiser

    Taylor Kiser

    Check out some of the articles below that give you tips on this week’s challenge.

    Tips for Shooting SQUARES

    The dPS Ultimate Guide to Food Photography

    9 Creative Architecture Photography Techniques for Amazing Photos!

    How to Tell Stories with Architecture Photography

    The Ultimate Guide to Street Photography

    6 Tips for Aiming Low and Going Unnoticed in Street Photography

    6 Still Life Photography Mistakes and How to Avoid Them

    Weekly Photography Challenge – SQUARES

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSsquares to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

     

    The post Weekly Photography Challenge – Squares appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Adobe previews improved Photoshop Content-Aware Fill capabilities that are coming ‘soon’

    Adobe has offered a sneak peek look at the Content-Aware Fill update it will be bringing to Photoshop in the near future. The changes are introduced by Photoshop Product Manager Meredith Stotzner, who explains that Adobe plans to add new ‘Auto’ and ‘Custom’ sampling area options to the tool when it is opened using the application’s Edit menu, these joining the existing ‘Rectangular’ option.

    By tapping its Sensei AI technology, the Content-Aware Fill’s new Auto option will analyze the image, find the pixels immediately bordering a selection and then apply the fill using those pixels for an improved final result. The Custom option, meanwhile, gives users complete control over the sampling area selection so that users can ‘brush [their] sampling area from scratch,’ according to Stotzner.

    A demonstration of both of these new capabilities have been shared by Adobe in the video above. The company says it will be introducing Auto and Custom to Content-Aware Fill soon, but it hasn’t provided a specific release date at this time. The video indicates the update will arrive before the end of the year.

    Articles: Digital Photography Review (dpreview.com)

  • Rare ‘Raising the Flag on Iwo Jima’ print with four signatures goes up for auction

    A rare signed print of photographer Joe Rosenthal’s iconic World War II photograph ‘Raising the Flag on Iwo Jima’ will be auctioned on October 4 at Heritage Auction’s Photographers Auction. The print features the signatures of three of the surviving U.S. Marines featured in the image, as well as Rosenthal’s signature.

    The photograph was captured in 1945; it depicts six U.S. Marines raising a flag on Mt. Suribachi on Iwo Jima. Three Marines — Ira Hayes, John Bradley, and Rene Gagnon — signed this 23.5 x 18.7cm (9.25 x 7.37in) print alongside Rosenthal, who passed away in 2006. It’s worth noting that despite John Bradley signing this print, it was confirmed in 2016 that Bradley was misidentified in the image and it was instead Harold Schultz in the photograph. The back of the print contains a few messages and notes.

    The print up for auction was signed by the three Marines when they posed for Felix de Weldon, the man commissioned to construct a statue of the iconic moment for the Marine Corps War Memorial. According to Heritage Auction, de Weldon later met Rosenthal in 2000, which is when he, too, signed the print.

    Though a few copies of the photograph with the Marines’ signatures have surfaced, this is potentially the only one that also contains Rosenthal’s signature, making it exceptionally rare. The print itself is described as a loose yellowing sheet with handling creases. The item is estimated to sell at auction for between $ 15,000 and $ 25,000 USD. Interested buyers are able to submit bids on the Heritage Auction website here.


    Update (September 27, 2019): Corrected information to clarify that despite John Bradley’s signature being on this particular print, it was revealed in 2016 that it was Harold Schultz in the image, not Bradley.

    Articles: Digital Photography Review (dpreview.com)

  • Compare leading 1″ sensor compacts with our studio scene comparison tool

    The current crop of 1″ sensor compacts offer varied lens ranges and a suite of attractive features fit for an unobtrusive, carry-everywhere camera. We’ve just added the Canon G7 X Mark III to our studio test scene comparison, making possible to compare the likes of Sony’s latest RX100-series cameras against Canon’s latest entries in the advanced compact market. See for yourself how they stack up against each other.

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    Note: As of September 26th 2019 the skintone targets in our test scene have been removed and replaced temporarily by fresh prints drawn from our archive. Of the four cameras in this widget, only the Canon G7 X Mark III was shot after this change. As such, these targets should provide an accurate way of assessing the G7 X III’s color response, but should not be used to compare it against previously-tested cameras. This is an interim measure, and we’re working on a permanent solution.

    Articles: Digital Photography Review (dpreview.com)

  • How to Make a Cool David Hockney-Inspired Photomontage in Photoshop

    The post How to Make a Cool David Hockney-Inspired Photomontage in Photoshop appeared first on Digital Photography School. It was authored by Megan Kennedy.

    David Hockney’s approach to art has made him one of the most influential British artists of the 20th century. Exploring the nature of photographic representation, Hockney’s distinctive method of photography is both thought provoking and physically engaging. In this tutorial, we’ll have a look at creating a simple David Hockney-inspired Photomontage in Photoshop.

    photomontage-in-photoshop

    The photography of David Hockney

    David Hockney once said, “photography is all right if you don’t mind looking at the world from the point of view of a paralyzed cyclops-for a split second.”

    However, in the 1980s, Hockney began to experiment with the photographic medium. Taking numerous Polaroid or 35mm photographs of a scene from a variety of perspectives, Hockney would then arrange the collection of images into a cohesive body, creating an almost Cubist rendering of visual reality. He called these collages and photo montages joiners.

    This distinctive approach to image making was a reflection of Hockney’s dislike for photographs executed with a wide-angle lens. By creating his joiners, Hockney sought to reflect the process of seeing, creating a narrative based around visual experience.

    How to make a simple Hockney-inspired Joiner

    Step 1: Select an image

    Image: Our source image

    Our source image

    For this tutorial, I’ll be using a photo I took of clouds. The photo is made up of strong shapes, forms and tones. When converted into a joiner, these elements are pulled apart to create a mangled scene that is consolidated by the overall character of the source image.

    Step 2: Cutting

    With your chosen image open, select the Rectangular Marquee Tool from the left toolbar (or type the letter M).

    Select a small section of your image and right-click within the selected area.

    Click on Layer Via Cut. The selection will be severed from the source image to create a new layer.

    Image: Use the rectangular Marquee Tool to select and cut portions of your image

    Use the rectangular Marquee Tool to select and cut portions of your image

    Step 3 – Open a New File

    Open a new file by selecting File -> New. Name the new canvas Joiner and select an image size that mirrors the dimensions of your source photograph.

    Click OK, and a new canvas will open. This is the canvas we will create our joiner on.

    photomontage-in-photoshop

    Opening a new canvas. Set the height and width to the same dimensions of the source file.

    Step 4: Drag and drop

    Return to your source image.

    With the Move Tool (V), select the recently cut section of the source image and drag it onto the tab of Joiner. The Joiner canvas will open.

    Drag the cut selection onto the Joiner canvas. Place the selection in roughly the same location that it is on the source image. It doesn’t need to be exact.

    Image: Dropping portions of the source image onto the Joiner canvas. Feel free to overlap the differ...

    Dropping portions of the source image onto the Joiner canvas. Feel free to overlap the different layers, as this will contribute to the joiner aesthetic!

    Step 5: Creating the Joiner Effect

    Continue to cut selections from the source image, dragging and dropping them onto the Joiner canvas. You can cut similarly or randomly sized pieces – it’s up to you.

    Once you’ve cut and transferred most of your source image to the Joiner canvas, it’s time to emphasize the joiner effect.

    You want to cultivate a disjointed aesthetic, like misaligned puzzle pieces.

    You can overlap, duplicate, stretch and rotate each piece to exaggerate this disjointed effect.

    Make the edges of the joiner correspond, or allow components to poke out of the overall composition like a messy collage.

    Be expressive with your perspectives, experiment with different combinations and don’t worry too much about neatness.

    You can even place Curves adjustment layers among the image layers on Joiner to alter the exposure of individual pieces.

    And that’s it! Once you are happy with your joiner, make sure to save it as a .PSD file in case you want to alter the arrangement later.

    Image: A simple joiner effect created by overlapping the segmented portions of the source image.

    A simple joiner effect created by overlapping the segmented portions of the source image.

    When you’ve got the technique down, the sky’s the limit! In the image below, I cut my source image into much smaller pieces before placing them on the canvas. I also duplicated a lot of the layers to create repetition within the layout. The smaller the pieces, the more disjointed the image becomes, creating a greater sense of movement and altered perspective.

    photomontage-in-photoshop

    Conclusion

    David Hockney is a man of many artistic talents. As a photographer, Hockney developed a distinctive style that plays with our sense of narrative and perception.

    Experimenting with the joiner effect to create a Photomontage in Photoshop isn’t quite the same as taking a whole bunch of photos and arranging them together manually.

    However, with a basic process that involves cutting, pasting, arranging and a little experimentation, we can get close to a Hockney-inspired effect.

    Here is another of my own creations – I’d love to see yours! Post them in the comments below!photomontage-in-photoshop

    photomontage-in-photoshop

    The post How to Make a Cool David Hockney-Inspired Photomontage in Photoshop appeared first on Digital Photography School. It was authored by Megan Kennedy.


    Digital Photography School

  • Updated with new winners: Best cameras for travel buying guide

    The Sony RX100 VII takes the place of its predecessor as our top recommendation for travel, with the Canon G5 X Mark II earning an honorable mention as a solid option for low-light photography.

    Articles: Digital Photography Review (dpreview.com)