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  • How to Use Natural Light in Travel Photography

    The post How to Use Natural Light in Travel Photography appeared first on Digital Photography School. It was authored by Karthika Gupta.

    We all enjoy traveling and taking countless travel photos on our trips, don’t we? Why else are you reading this article! Travel photography is one of the most popular genres of photography today – especially with the advent of social media and the ‘share everything’ culture. People want to capture and post stunning photos of their travels to influence others, motivate others and in some cases also sell travel-related things.

    Natural-Light-in-Travel-Photography

    But travel photography is so much more than that. Travel photos have the potential to connect us to our beautiful world. Images of places, cultures, art, and even food take us away from our mundane everyday existence. They can transport us to magical places we can only dream of visiting someday. Perhaps they remind us of a time when we too took that trip and had similar experiences? It can become a walk down memory lane.

    So how can we improve our travel photos?

    Many elements go into creating an amazing travel photo, but for the purposes of this article, we will focus on light – specifically natural light in travel photography. This is my preferred way of using light in photos. In fact, I very rarely travel with an external flash because of the extra weight and because I don’t like the look of flash in my photos. I know many people who use flash with amazing results – and more power to them!

    There are several reasons why I use natural light in travel photography:

    1. It is readily available and free
    2. It provides a range of light variations so I can get creative with my travel images
    3. It is a super-large light source, a.k.a the sun
    4. It constantly changes from day to day and season to season

    In order to use effectively use natural light in travel photography, you have to become an expert at reading and understanding the light that is around you as you travel. Light is affected by many things and light affects many things too.

    1. Location and light

    For the most part, travel photography involves a lot of outdoor photography in natural light and primarily in the harsh mid-day sun. Of course, there are exceptions where you are indoors in places like museums and restaurants.

    In such cases, you will likely be dealing with indoor lighting and may even use a flash. So before you take a single photo, look around and analyze your location. This will help you understand how you can harness the natural light around.

    Consider whether you are out in the elements with only the sun as your light source. Are you in a city where the light is reflecting off highrise buildings? Perhaps you are in a museum where there is a lot of tungsten lighting, and flash photography is not allowed?

    Image: Use creative framing and make the best of harsh midday sun during your travels.

    Use creative framing and make the best of harsh midday sun during your travels.

    How you handle you camera settings will depend on the location and light at that location. Harsh mid-day sun outdoors means lower ISO and high shutter speeds.

    Cityscapes may mean mixed lighting with shade and harsh shadows, so you need to adjust your ISO and shutter speed accordingly.

    Museum lighting may mean higher than normal ISOs along with really slow shutter speeds. You will have to pay attention to camera shake while hand-holding at slow shutter speeds.

    2. Time of day and light

    The fascinating thing about natural light is that it changes constantly. Depending on the time of day, season, or even the direction your window faces – light fluctuates minute to minute. Light first thing in the morning on a mountain top will be very different compared to the light mid-morning. Come sundown; the light changes again.

    Knowing what time of day you are photographing will help you plan your gear as well as the kind of shots you will take.

    Natural-Light-in-Travel-Photography

    I have seen the apostles photographed many different ways, but this lighting just takes the cake! I did nothing except show up just after sunset!

    Most travel photographers photograph at multiple times in the day and night. So take gear that is flexible and that you can use for all these different situations.

    I travel with my Canon 5D MKIII, a 24-70mm f2.8 lens, and a small travel tripod at all times. Also, I have a few standard filters like a neutral density filter and a polarizer filter that fits in my camera bag. I have to admit, I don’t use it that often, but once in a while that waterfall during a hike calls my name.

    Traveling light can help you be prepared for any situation – day or night – for amazing scenes that capture your eye.

    3. Subjects and light

    Believe it or not, light does impact the subject. Depending on where you are, placement of your subject, and where your light source is, the results can differ wildly. So, the first thing to do after working out the light is to understand it in relation to your subject.

    In travel, I find that in most cases, my subjects are not mobile. They are buildings, monuments, and people going about their day.

    So what is adjustable in these scenarios is me and my relative position to the subject and light. Don’t be afraid to move around to get the best angle and framing that will work for your situation.

    Image: This minx gave me no time to adjust myself, so I just waited for the hop and took the shot...

    This minx gave me no time to adjust myself, so I just waited for the hop and took the shot…I love the fact that I got him and the shadow in the same frame.

    If you are indoors, try to use natural light from a window to light up the subject as far as possible. If you are outdoors, perhaps using the lens hood to block out the sun can help in reducing the harshness of light, especially if it is directly behind the subject.

    Image: This is one of my favorite photos of my son during our travels. I saw the light and him almos...

    This is one of my favorite photos of my son during our travels. I saw the light and him almost at the same time, and had a few seconds to take this shot….a perfect way to capture the majestic castles in Portugal!

    4. Weather and light

    A common misconception that photographers have, especially those starting out, is that they cannot go out and photograph in bad weather. Bad weather can include rain or overcast skies.

    But in reality, overcast skies are great for taking travel photos. The clouds act as a natural diffuser, blocking out the harshness of the sun and making the light more even without harsh shadows.

    Natural-Light-in-Travel-Photography

    Sometimes all you need to do is show up and mother nature does the rest for you – fog, rain, clouds – they all add to the effect.

    Always check the weather forecast before you go out shooting. Periods of rain, followed by clear skies, might be the best time to photograph landscapes where everything is uniformly lit.

    Conclusion

    I hope these tips help you in understanding the power of natural light in travel photography. Travel photography is often tiring because you are out and about all day; looking, feeling, and experiencing new things and trying to capture as much of it as you can.

    By understanding how to use natural light in your photos, you can focus more on the creative side of photography to create stunning drool-worthy travel photos – much to the envy of your family and friends.

    Do you have any other tips for using natural light in travel photography? Share with us in the comments below!

     

    natural-light-in-travel-photography

    The post How to Use Natural Light in Travel Photography appeared first on Digital Photography School. It was authored by Karthika Gupta.


    Digital Photography School

  • Canon EOS 90D Review

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    No Award

    85%
    Overall score

    The Canon EOS 90D is a midrange DSLR that replaces the 3.5 year-old 80D and fits between the EOS 77D and the ‘yes, it still exists’ EOS 7D Mark II. It gains a new higher-resolution sensor with excellent Raw image quality, and offers competitive live view AF (with eye detect) as well as 4K video capture, all in a familiar package.

    The 90D is essentially the DSLR version of the mirrorless EOS M6 Mark II, which was introduced alongside it. Since the specs are nearly identical, it looks like Canon is letting potential buyers choose what type of shooting experience they want: a midsize DSLR with an optical viewfinder and more physical controls, or a smaller and lighter mirrorless model with a removable electronic finder. And, of course, the difference in native lens lineups between the EF and M mounts could attract different types of users, as well.

    Key features:

    • 32.5 Megapixel APS-C CMOS sensor
    • Dual Pixel autofocus (live view/video)
    • 45-point all cross-type AF (through the viewfinder)
    • 220k-pixel metering sensor w/face detection
    • 7 fps burst shooting w/continuous AF
    • Fully articulating 3″ touchscreen display
    • Optical viewfinder w/100% coverage
    • 4K/30p video capture with no crop
    • USB 2.0 port with Micro USB connector
    • Wi-Fi + Bluetooth

    While the external design of the 90D doesn’t dramatically depart from the pattern set down by the 80D, the guts of the new camera are quite a bit different, which we’ll cover on the next page.

    The 90D is available in several kits. The body alone is priced at $ 1199. When bundled with the EF-S 18-55mm F3.5-5.6 IS STM lens the price is $ 1349, while the kit with the more versatile EF-S 18-135mm F3.5-5.6 IS USM lens is $ 1599.


    What’s new and how it compares

    Find out more about the 90D’s new sensor, updated metering system and video capabilities.

    Read more

    Body and controls

    The design of the 90D has barely changed since the 80D, with one exception.

    Read more

    Is it right for you?

    Whether you’re looking for a family camera, a portrait camera or something for fast action, we break down whether the 90D is right for you.

    Read more

    Image quality

    How does the EOS 90D stack up against other APS-C cameras? Take a look at our studio test scene.

    Read more

    Autofocus

    How does the 90D’s autofocus compare when shooting through-the-finder vs live view? Have a look.

    Read more

    Video

    The EOS 90D gains 4K video capture, but is it any good? See for yourself.

    Read more

    Conclusion

    The 90D is a compelling camera for a specific type of user. Here’s why.

    Read more

    Sample gallery

    See how the 90D’s photo quality looks in our sample gallery.

    Read more

    Articles: Digital Photography Review (dpreview.com)

  • PhotoWorks: Photo Retouching Will Never Be Tedious Again

    Retouching photos could be a nightmare. Wrinkles, acne, oily skin – sometimes the camera is cruelly precise. It is unpleasant to say the least if those are just your own private pictures. But what if photography is your business? No client wants to see their faces imperfect, especially on pictures taken during a special event (wedding, anniversary, etc.). If you Continue Reading

    The post PhotoWorks: Photo Retouching Will Never Be Tedious Again appeared first on Photodoto.


    Photodoto

  • Halide 1.14 adds full iPhone 11 support, a ‘Tactile Lens Switcher,’ ‘Lens Guides’ and more

    The team behind iOS camera app Halide has released version 1.14, bringing with it support for Apple’s latest iPhone 11 Pro devices, a new ‘Tactile Lens Switcher’ and more.

    As explained in its announcement blog post, Halide 1.14 brings full support for the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. The day the iPhone 11 devices were released, Halide was updated with ‘basic support for the new cameras.’ Now, Halide offers full support for the new hardware within the latest iPhone devices.

    Halide has also added a ‘Tactile Lens Switcher.’ When there were only two cameras on iPhones, it was easy enough to switch between the standard lens and tele lens—with the tap of a button. But now that the iPhone 11 Pro models offer three camera modules, the Halide team had to rethink how to switch from one camera to another in the most efficient way possible.

    Now, in addition to simply tapping on the lens switching button, you can also long-press to bring up a lens switcher, which makes it easy to jump between any of the three cameras on iPhone 11 Pro and iPhone 11 Pro Max devices: .5x, 1x and 2x.

    Another new feature is a Lens Guides. Exclusive to the iPhone 11 Pro and iPhone 11 Pro Max, Lens Guide will overlay frames on the image from the .5x camera to show what the composition would look like if you were to shoot it using the 1x or 2x camera. Tapping the composition of your choice will automatically jump you into that camera mode.

    The Halide team has also noted that it’s working to further improve its ‘Smart RAW’ capabilities. Halide says it’s ‘an area of ongoing research’ and it’s ‘currently building a lot of data to research and improve our Smart RAW for iPhone 11, and we’ll have a blog post soon about how the new iPhone 11 camera processes images in software and how it compares to the RAW shot.’

    Lastly, Halide says it’s managed to make Raw renders in its photo reviewer 3x faster. Halide is available to download in the iOS App Store for $ 5.99.

    Articles: Digital Photography Review (dpreview.com)

  • The world’s largest optical lens has been delivered for a $168M, 3.2-gigapixel telescope camera

    Farrin Abbott/SLAC National Accelerator Laboratory

    The SLAC National Accelerator Laboratory in California, the lab overseeing the design and fabrication of a 3.2-gigapixel digital camera for the Large Synoptic Survey Telescope (LSST), has successfully received the shipment of what may be the world’s largest high-performance optical lens. The announcement was made earlier this month by the Lawrence Livermore National Laboratory (LLNL), where researchers designed the optical assemblies for the LSST.

    At this point in time, the 3.2-gigapixel digital camera intended for the LSST is 90% complete, according to LLNL. SLAC has been tapped to manage the subcomponent integration and final assembly of the $ 168 million camera, which is currently estimated for completion in early 2021.

    Image credit: Farrin Abbott/SLAC National Accelerator Laboratory

    Ball Aerospace in Colorado and Arizona Optical Systems built the lens assembly for the telescope, including the massive 1.57m (5.1ft) diameter L-1 optical lens and the smaller 1.2 (3.9ft) L-2 lens. According to LLNL, the L-1 is likely the largest high-performance optical lens ever created. It took around 17 hours to deliver the two lenses by truck to the SLAC in Menlo Park. Below are a few images of the delivery from the full Flickr album posted by SLAC:

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    Livermore physicist Scot Olivier largely credited LLNL optical scientists Lynn Seppala and Brian Bauman, as well as LLNL engineers Vincent Riot, Scott Winters, and Justin Wolfe, for making the massive optical lens a reality. Once fully completed, the LSST will be used to capture digital images of the entire visible portion of the southern sky, according to Livermore, offering what experts anticipate will be ‘unprecedented details of the universe.’


    Image credits: Farrin Abbott/SLAC National Accelerator Laboratory, used with permission

    Articles: Digital Photography Review (dpreview.com)

  • SmallHD launches Vision Series, Cine Series 4K HDR monitors for professionals

    SmallHD has introduced new monitors in its Vision Series and Cine Series product lines, the latter of which already existed with the Cine 7 monitor. The new models come in larger 13in, 17in and 24in sizes, offering 4K HDR quality and support for SmallHD’s proprietary tools alongside a roster of features designed for professional creators.

    The expanded Cine Series brings the new Cine 13, Cine 17, and Cine 24 monitors with edge-lit LED panels, offering professionals daylight-viewable displays with 1,000 and 2,500 nits brightness options, 100% DCI P3 wide color gamut, and four independent 12G-SDI inputs. SmallHD describes its new Cine offerings as ‘ruggedly built.’

    Joining the expanded Cine Series is the new Vision Series 4K HDR monitors offered in the same size options, but with a ‘True HDR’ viewing experience made possible by 2,000+ zones in the local dimming array and a 1000000:1 contrast ratio. These monitors feature 114% DCI P3 coverage and likewise include four independent 12G-SDI inputs.

    Both models include a ‘full suite of exposure tools’ related to 4K and HDR cinematography, according to the company. Both models have been introduced on the SmallHD website under a ‘Small4K’ brand name; the company says it will release the models in the first quarter of 2020, but hasn’t provided any pricing information at this time.

    Articles: Digital Photography Review (dpreview.com)

  • Photoshop Basics: Working with Layers

    Photoshop.  For photographers, web developers and graphic designers alike, its the go-to program for creating and editing professional grade graphics.  And like every beloved piece of software, it has to have a strong foundation to build upon; a base system that supports all other operations.  For Photoshop, it’s layers. Operations we describe here are applicable to all Creative Suite versions Continue Reading

    The post Photoshop Basics: Working with Layers appeared first on Photodoto.


    Photodoto

  • DJI updates Ronin-S with ActiveTrack 3.0, Force Mobile and Auto 3D Roll 360° modes

    When DJI announced the Ronin-SC this past July, it included features not found on the original Ronin-S. The Chinese manufacturer has now added Force Mobile, ActiveTrack 3.0, and Auto 3D Roll 360 modes to its original 3-axis gimbal stabilizer for mirrorless cameras. The V2.0.0.90 firmware update allows Ronin-S users to add these features.

    DJI’s Paul Pan has created a few videos, seen above, demonstrating how Force Mobile, which controls the gimbal’s movement with a mobile device, and ActiveTrack 3.0, which tracks subjects, work.

    Here is what’s new with v1.2.4 of the firmware update for the Ronin-S:

    • Added ActiveTrack 3.0.
    • Added Force Mobile.
    • Added quick switch to 3D Roll 360 mode. Press M button three times to enter, and press three times again to exit.
    • Added Auto 3D Roll 360. When the gimbal is in 3D Roll 360 mode, push the joystick left or right twice to enable Auto 3D Roll 360. The gimbal rotates continuously without needing to hold the joystick. Press the trigger twice to stop Auto 3D Roll 360.
    • Added video recording, autofocus, and focus pull support for Sony A7R4 cameras with supported E-mount lenses using a Multi-Camera Control Cable (MCC-C). To use autofocus on the A7R4, press halfway down on the camera control button of the gimbal.
    • Added photo capture, video recording, zoom, and focus pull support for Sony A7R4 cameras using a Multi-Camera Control Cable (Multi USB). To use autofocus on the A7R4, press halfway down on the camera control button of the gimbal.
    • Optimized 3D Roll 360.
    • Added Track mode settings for Command Unit.
    • Optimized follow experience in Flashlight mode.
    • Optimized the Profile LED display by changing the pulsing frequency when gimbal in sleep mode, and the LED will become red to indicate low battery warning when battery level is less than 20%.
    • Sleep mode can be enabled by pressing once or twice of the gimbal power button.
    • Optimized zoom adjustment when using Sony cameras’ multi-port with Power Zoom lens, The zoom speed can be set from 1 to 100 (requires DJI Ronin v1.2.4 app or later).
    • Fixed other minor bugs.

    DJI has also provided a few tips on successfully updating the Ronin-S firmware:

    • Make sure that the DJI Ronin App is the latest version when updating the firmware.
    • Make sure Ronin-S is powered off and update the firmware through the DJI Pro Assistant for Ronin by connecting the USB-C port on Ronin-S to your computer. Do not disconnect the gimbal from the computer while updating.
    • After the update is complete, unplug the USB-C cable from Ronin-S and proceed to power on the gimbal.
    • If Ronin-S has a camera attached and is turned on while updating the firmware, make sure to protect the camera and lens as the motors will shut off during the update.
    • If the firmware update fails, restart the Ronin-S and retry.

    The Ronin-S retails for $ 749 while the essentials kit costs $ 559.

    Articles: Digital Photography Review (dpreview.com)

  • New Smartphone Includes a 108-Megapixel Camera and Wraparound Display

    The post New Smartphone Includes a 108-Megapixel Camera and Wraparound Display appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    xiaomi mi mix alpha

    These days, smartphone manufacturers seem to be in a race of their own: to include the most cameras with the most megapixels.

    Apple has just released the iPhone 11 Pro, with its 3-camera setup. The Huawei P30 Pro packs a 40-megapixel sensor.

    And now we have a new smartphone to evaluate:

    The Xiaomi Mi Mix Alpha 5G, which includes some features that can only be described as “intriguing.”

    First, the camera: The Mi Mix Alpha 5G boasts a single 108-megapixel camera.

    Yes, you read that right:

    108 megapixels, which is not only more megapixels than the leading Google, Apple, Samsung, and Huawei cameras combined, but is also more megapixels than you can find in any Canon or Nikon DSLR.

    Now, so many megapixels can cause problems:

    More megapixels in a small sensor results in lots of noise, especially when shooting at higher ISOs.

    But Xiaomi has attempted to account for this problem, including a “tetracell” design that can combine four pixels into a single pixel element, in order to produce 27-megapixel photos when shooting in low light.

    Will this truly keep noise levels down? I’ll admit that I’m skeptical. On the Mi Mix Alpha 5G’s 1/1.33 inch sensor, even 27 megapixels is a lot, and 12-megapixel smartphones (i.e., Apple’s latest iPhones) still struggle with noise.

    There’s also a question of whether a 108-megapixel camera even makes sense. Do any smartphone photographers actually need this many megapixels? Sure, more megapixels are good for printing large or doing big crops, but 108-megapixels seems like overkill for such consumer-oriented tech.

    Note that the same sensor will be included in Samsung’s upcoming Galaxy S11, though the Mi Mix Alpha 5G will be the first of the two to debut the camera.

    The Mi Mix Alpha 5G also features a wacky “surround display,” which wraps completely around the smartphone.

    While the concept is cool, it seems like the reality might be problematic. For one, a wraparound screen can’t use a case, which means the smartphone is much more likely to be broken when dropped or banged up.

    And having a display on the back of the phone seems like it could cause privacy issues; if you’re using one side of the phone, will people be able to read your messages on the other?

    That said, the Mi Mix Alpha 5G is definitely a unique smartphone with a powerful camera. So if you’re the type that likes more experimental technology, go for it! The Xiaomi Mi Mix will be available for around $ 2800 USD this December.

    Now I’d like to ask you:

    What do you think about the Xiaomi Mi Mix Alpha 5G? Would you be interested in a 108MP smartphone camera? And what do you think about the wraparound display? Would you worry about dropping it? How about privacy?

    Share your thoughts in the comments!

    The post New Smartphone Includes a 108-Megapixel Camera and Wraparound Display appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Sony has announced it’s reorganizing and renaming its image sensor business

    Sony has announced it’s reorganizing its image sensor business and giving new titles to various management positions tomorrow, October 1, 2019.

    In a press release, Sony notes its ‘Imaging & Sensing Solutions’ is being reorganized to ‘Corporate IS Department.’ Sony has also streamlined its research and development (R&D) organizations by combining the divisions within each of the three R&D organizations: Application Technology Development, System and Platform Technology Development, and Fundamental Technology Research and development.

    The section of the press release detailing the ‘Organizational Reforms’ within Sony’s image sensor business.

    With the reorganized structure comes new titles for multiple division heads and Senior Vice President Makoto Toyoda.

    The section of the press release detailing the ‘Personnel Appointments’ within Sony’s image sensor business.

    No answer is given as to why the changes are being made and what they could mean for consumers, but it’s something we’ll be keeping an eye on.

    Articles: Digital Photography Review (dpreview.com)