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Sony a6100 review: Should it be your next family camera?

29 Oct

The Sony a6100 is a 24MP APS-C mirrorless camera, aimed squarely at beginners and people who want attractive photos but don’t necessarily think of themselves as photographers. A new, powerful autofocus system makes it one of the easiest cameras to use, if you just trust it to do its thing and concentrate instead on what you’re shooting.

The a6100’s specifications aren’t cutting edge, and it’s priced accordingly. But that simple, effective autofocus system means it makes it easy to get the photos you want, and hence, arguably, it’s better value than those less expensive rivals. On paper it looks a lot like the bargain-basement a6000 but in use this is a vastly better camera.

Our main doubts about the camera come if you want to get more involved in the photographic process.

Key features:

  • 24MP APS-C CMOS sensor
  • Advanced AF system with highlight dependable subject tracking
  • 1.44M dot OLED electronic viewfinder
  • 0.9M dot LCD tilting rear touchscreen
  • Wi-Fi for image transfer to smart devices (with NFC for quick connection)
  • 4K video capture
  • USB charging

The Sony a6100 has a list price of $ 750, a $ 50 premium over the launch price of the original a6000, which suggests it may take a similar low-cost position in the lineup, long term. It has a list price of $ 850 with the small but uninspiring 16-50mm F3.5-5.6 power zoom. A two-lens kit adds a 55-210mm zoom for an additional $ 250.


What’s new and how it compares

The a6100 contains many familiar components, combines them in a way that can be excellent as a family camera. After some initial setup.

Click here to find out the camera, its features and its rivals

Image quality

Improved JPEG color, a good sensor and sophisticated processing mean the a6100 delivers attractive images.

Click here to take a closer at the a6100’s images

Autofocus and Video

Autofocus is the camera’s great claim-to-fame, and its video is easy to capture.

Click here to read more

Conclusion

The a6100 has probably the most powerful, easy-to-use autofocus systems on the market. But there are a few too many inconveniences, we feel.

Click here to read what we found

Sample gallery

We think the a6100 can turn its hand to a bit of everything, see what you think of its performance.

Click here to see our sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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New Loupedeck Creative Tool: Smoother Editing for Creative Professionals

29 Oct

The post New Loupedeck Creative Tool: Smoother Editing for Creative Professionals appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Loupedeck-creative-tool-announcement

Do you ever feel like you want more control over your photo editing?

If so, you’re in luck.

Because Loupedeck has just launched one of the most innovative editing products out there: a console that’s designed to speed up your editing workflow and give you a smooth editing experience.

It’s called the Loupedeck Creative Tool, and it’s truly unique.

How exactly does it work?

The Creative Tool is a photo editing console. It hooks up to your photo editing program of choice, and allows you to use many buttons, touchscreens, and more to achieve the photo editing workflow that you desire.

Loupedeck-creative-tool-announcement

Note that the Creative Tool itself doesn’t work in place of a computer and monitor. Instead, it works alongside your computer to provide an efficient editing experience like the Loupedeck+, another Loupedeck product.

Currently, the Creative Tool is compatible with Adobe Lightroom Classic, Photoshop, Premiere Pro, Ableton Live, Adobe Illustrator, and Final Cut Pro X. The company promises to integrate Autodesk Fusion 360 before the year is out, and you can certainly expect additional compatible programs as Loupedeck update the Creative Tool.

Here’s a video explaining how the product works with Lightroom Classic:

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Who’s it for?

Now, while the Loupedeck Creative Tool seems like an intriguing option, who should actually consider the product?

First, I’d recommend beginner photographers stay away from the Loupedeck Creative Tool. It’s a lot to handle, and doesn’t offer much benefit to anyone who doesn’t have a consistent editing workflow and very specific needs.

On the other hand, for more serious photographers (including professionals), the Loupedeck is a great choice. You’ll use the Creative Tool to enhance your editing. And it’ll enable you to edit faster without compromising quality.

As explained by the Loupedeck CEO:

The rise in popularity of professional editing within the digital workspace has sparked a new generation of creative professionals who require absolute precision, versatility, portability and endless customization possibilities in the tools they use, which was considered in the design and development of the Loupedeck Creative Tool.

If you’re one of these serious creative professionals, then you should seriously consider the Loupedeck Creative Tool. It’s available for preorder on B&H Photo Video, and the company will begin shipping on November 11th.

New Loupedeck Creative Tool: Smoother Editing for Creative Professionals

Now I’d like to know your thoughts:

Would you be interested in a product like the Loupedeck Creative Tool? Are you looking for increased customization in your editing?

Let me know in the comments!

The post New Loupedeck Creative Tool: Smoother Editing for Creative Professionals appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Kipon releases two Mamiya 645 to Sony E mount adapters with electronic aperture control

29 Oct

Photography accessory manufacturer Kipon is now shipping two new adapters for mounting medium format lenses to Sony E mount camera systems.

The adapters come in two varieties: the M645-S/E E, which adapts Mamiya brand Mamiya 645 mount lenses to Sony E mount cameras while the M645-S/E ES adapters Phase One or Schneider brand Mamiya 645 lenses to Sony E mount cameras.

The two adapters are constructed of aluminum and brass, offer an infinity focus feature, and offer electronic aperture control through the camera. A previous Mamiya 645 to Sony E mount adapter has been available for some time, but it doesn’t offer the electronic contacts for aperture control and features a less pleasing design.

The M645-S/E E and M645-S/E ES are available to purchase for $ 289 and $ 389, respectively. Shipping dates vary depending on your geographical location.

Articles: Digital Photography Review (dpreview.com)

 
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Pixel peeping the everyday: Explore our Google Pixel 4 sample gallery

29 Oct

Google’s Pixel 4 promises many clever benefits thanks to computational photography, but what does that mean when you go out and shoot with it?

We’ve been using a Pixel 4 as our always-with-us camera for the past week, trying out many of the modes and unique features available to it, including ‘Night Sight’, ‘Dual Exposure Controls’, and multiple zoom ratios. We’ve captioned each image with the mode it was shot in. Have a look at what the results look like.

We’ve also included Raw files for download, which are the result of Google’s burst photography modes with its robust align and merge algorithms.

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Articles: Digital Photography Review (dpreview.com)

 
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Sony Japan says the RX10 IV will soon receive real-time Animal Eye-AF via firmware update

29 Oct

Sony Japan has announced its RX10 IV superzoom bridge-camera will receive the company’s Animal Eye-AF feature via an upcoming firmware update.

The impending firmware will add real-time Animal Eye-AF support for still images, improve the reliability of the real-time Eye-AF already present in the camera and overall improve general stability. No definitive date has been given for the update, but Sony says it should be out before the end of the year.

Translated press release:

RX10IV main unit software update schedule

Target product: “DSC-RX10M4”

Software update contents:

1. Real-time pupil AF support for animals (still images only)
2. Real-time pupil AF operability improvement (Support for half-pressing the shutter button)
3. Improved operational stability

Scheduled release date for software updates: Scheduled for 2019

Articles: Digital Photography Review (dpreview.com)

 
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‘Pro’ (noun.), abbreviation of ‘Professional’: born 1798, died 2019, aged 221 after a long illness

29 Oct
We cannot stress this enough: There is no such thing as a professional AirPod user.

We are sad to report that the word ‘Pro’, an abbreviation of the noun ‘Professional’, has died, aged 221.

‘Professional’, meaning “one who does it for a living,” was first defined in modern English in 1798. it rose in popularity in the early 20th Century but in recent decades has been under near-constant attack.

Along with its abbreviation ‘Pro’, the noun form of ‘Professional’ had been showing signs of ill health for some time, but its decline accelerated in the mid-2000s, after which point it was routinely and arbitrarily appended to everything from computers and software to smartphone apps and kitchen equipment. Even then, it hung on bravely for a while, still managing to retain some of its original meaning in the face of determined misapplications which would have killed a lesser word years ago.

When Apple added ‘Pro’ to the name of its latest smartphone, friends were warned to prepare for the worst.

But the writing was on the wall. As a word originally created to describe a person that gets paid for doing something, it was clear by the end of the first decade of the 21st Century that ‘Pro’ had been tortured into taking an almost opposite meaning: Something that a person has to pay for.

When Apple added ‘Pro’ to the name of its latest smartphone last month, friends of the word were warned by etymologists to prepare for the worst.

Sadly, with the launch this week of Apple’s ‘AirPods Pro’, the word has finally been rendered meaningless, and as such, dead. Killed by professional marketing executives.

==

Published from my iPhone 11 Pro

Articles: Digital Photography Review (dpreview.com)

 
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Adobe gets license from US government to continue offering Creative Cloud in Venezuela

29 Oct

Earlier this month, Adobe made the controversial announcement that its customers in Venezuela were going to lose access to Creative Cloud services as a result of an Executive Order in the United States. In an update on the matter shared on Monday, the company’s Customer Experience VP Chris Hall revealed that Adobe has been granted a license that will allow it to continue offering its services and products in Venezuela.

Customers in Venezuela who already lost access to the services they paid for will see that access restored ‘within a week,’ according to Adobe, which will do so free of charge. Adobe will give these reactivated users 90 days of access to the same products and services for which they previously received a refund.

For customers whose subscriptions are still active, Adobe says they’ll be able to continue accessing both Creative Cloud and Document Cloud like usual. ‘As always,’ Hall said in the blog post, ‘we continue to be deeply committed to powering creativity for all, and we’re delighted to have the ability to continue to do so in Venezuela.’

Articles: Digital Photography Review (dpreview.com)

 
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Funleader LensCap 18mm F8.0 is an ultra-light, ultra-wide body cap lens

29 Oct

Artboard, a photography gear company located in Hong Kong, has launched a new Kickstarter campaign for the Funleader CapLens 18mm F8.0 lens, a small, slim, and lightweight ultra-wide model with a fixed aperture. The lens can double as a camera body cap, according to Artboard, offering protection while retaining the option of quickly snapping ‘playful’ images.

The Funleader CapLens 18mm F8.0 isn’t intended to offer a high level of quality, Artboard explains; rather, the company launched this model to give photographers ‘a lens for playful usage.’ The lens offers greater color accuracy and detail when compared to a Lomo camera while retaining a similar vignetting effect.

The lens features 6 elements in 4 groups, multi-coated glass, a 0.8m minimum focusing distance, and 100-degree FOV. The model is constructed from brass with a chrome plating finish and it is ultra-light at 80g (2.8oz). Below is a gallery of a few low-resolution sample photos:

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Artboard is offering the Funleader in Sony E-mount and Leica L-mount as a reward for Kickstarter pledges starting at HK$ 833 (approx. $ 107). Assuming the campaign is successfully funded and the lens is produced as anticipated, the company expects shipping to backers will start in December 2019. You can find out more information and secure your pledge by heading to the Kickstarter campaign.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh adds new ‘Handheld HDR’ still capture mode to its Theta V, Z1 360-degree cameras

28 Oct

Ricoh has released updated versions of its Ricoh Theta app that adds new ‘Handheld HDR’ functionality for its Theta V and Theta Z1 360-degree cameras.

The Ricoh Theta app update (version 1.26.0 on Android and version 2.8.0 on iOS) adds Ricoh’s new ‘Handheld HDR’ capture setting for still images and addresses a number of unspecified bug fixes. For the new HDR setting to work, the Theta V and Theta Z1 cameras need to be updated to the latest firmware, version 3.10.1 and version 1.20.1, respectively.

App Store screenshots from the iOS version of the Ricoh Theta app.

All of the apps and firmware updates are free to download. You can find instructions on how to update the Theta V and Theta Z1 firmware on Ricoh’s support pages.

Articles: Digital Photography Review (dpreview.com)

 
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4 Ways to Use the Canon 11-24mm Lens

28 Oct

The post 4 Ways to Use the Canon 11-24mm Lens appeared first on Digital Photography School. It was authored by Nisha Ramroop.

4-ways-to-use-the-canon-11-24mm-lens

You finally got your hands on the esteemed Canon EF 11-24mm F/4L USM lens. It’s a heavy, sharp, ultra-wide thing of beauty with an awesome perspective. Now you’re wondering, other than capturing the entire scene in front of you, how does one maximize this lens? Here are a few ways to you can use the Canon 11-24MM lens:

4-ways-to-use-the-canon-11-24mm-lens

1. Compositional Impact

When you first look through the Canon 11-24mm lens, everything looks high impact and with a “wow” factor, as the view is quite unique. However, shooting at an ultra-wide focal length does not automatically translate to better pictures. No matter what lens you use, all the elements that make a great picture still apply.

4 Ways to Use the Canon 11-24mm Lens

Wide-angle lenses are used extensively in landscape photography for the “near-far” style of composition. This translates to the ability to include generous foreground elements, as well as a middle and background (e.g skies). Keep in mind that an ultra-wide amplifies your distances further. This all amounts to creating an image with great depth and compositional impact.

4 Ways to Use the Canon 11-24mm Lens

One of the reasons that an 11-24mm lens needs time to master is because, by default, ultra-wide lenses include everything in a scene. When you are creating a photograph, though, it’s still about composing to include (and exclude) all the elements you want.

2. Lines and space

The minimal distortion on the Canon 11-24mm lens allows you to keep your straight lines straight. When you need a large angle of view in your architectural photography, this feature is quite useful. This is also great if you are inside a space with a lot of detail to capture. Conversely, of course, it works against you when want to exclude the details.

4-ways-to-use-the-canon-11-24mm-lens

In enclosed spaces, it is often hard to capture an entire room unless you use an ultra-wide lens. The angle of view on the Canon 11-24mm lens (mounted on a full-frame) does the job sharp and with minimal distortion. It is not limited to building interiors though, think about that cave or canyon you want to capture.

Using an ultrawide (that is not a fisheye) will go a long way towards capturing such spaces.

4-ways-to-use-the-canon-11-24mm-lens

Image 1: Horizon Centered Image 2: Lens tilted up slightly Image 3: Lens tilted down slightly

All lenses give the effect of converging lines when pointed above or below the horizon. However, it is more noticeable when you use a wide-angle lens, though, as you capture a greater expanse. Furthermore, with wides and ultra-wide lenses, you change the location of your “vanishing point” even with small variations in your composition. So, be mindful of your verticals.

Note: The vanishing point is that point where lines converge or meet and appear to vanish.

3. Perspective exaggeration

As mentioned previously, an ultra-wide lens exaggerates distances. This perspective exaggeration makes nearby objects look even bigger (nearer) and those further away look even smaller (farther). Great high-impact images occur when you master the art of perspective.

4-ways-to-use-the-canon-11-24mm-lens

Head-on Shot

It helps to remember that shorter focal lengths, as well as having the camera nearer to the subject, both lend themselves to a stronger perspective/bigger perspective exaggeration effect. Also of note, angles play a huge role when you are showing perspectives. When you shoot at a 45-degree angle, for example, the image will have more depth than if you shoot at a more head-on (flat/plane aligned) angle.

Image: The same Image as above, shot at an angle

The same Image as above, shot at an angle

So practically speaking, when using a wide-angle lens, there is often an innate need to move closer to the subject, which is what affects the perspective. While perspective exaggeration works well with landscapes, it does not work well for portraiture (no one wants their nose to look bigger, right?)

4. Artistic

Perspective exaggeration (above) is one of the ways you can get creative with your Canon 11-24mm lens. You can use it to emphasize detail in your foreground, while still capturing the background scene. If you shoot flowers, for example, getting closer will make them appear bigger than they really are.

If you want to prevent perspective exaggeration, place your subject in the center of the frame. For a more artistic approach though, you can emphasize the perspective exaggeration by placing your subject closer to the edges.

4-ways-to-use-the-canon-11-24mm-lens

Shooting from lower positions is another great way to get creative with this lens.

Conclusion

The Canon EF 11-24mm F/4L USM lens is a great lens to have in your arsenal.

After investing in such an amazing lens, though, you should maximize it. Experiment with architecture and interiors, getting closer to your subject and let your creative side out to play.

Remember, wider does not automatically mean better, and the rules of composition still apply (and can even be more challenging).

Share your perspectives with us below!

The post 4 Ways to Use the Canon 11-24mm Lens appeared first on Digital Photography School. It was authored by Nisha Ramroop.


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