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  • News: The Canon EOS Rs to Have 75 MP Sensor and Dual Card Slots

    The post News: The Canon EOS Rs to Have 75 MP Sensor and Dual Card Slots appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    gear-news-canon-eos-rs

    Over the past few months, rumors have abounded regarding a “professional” Canon EOS R. But recent news has given us the month of the release, making this new Canon camera more exciting than ever.

    As initially reported by Canon Rumors, this Canon mirrorless snapper is about to enter the market, offering a resolution far beyond anything previously offered by Canon.

    The Canon EOS Rs (as the folks at Canon Rumors are calling it) will apparently be announced in February of next year, presumably around the same time as the Canon 1D X Mark III and the Nikon D6, though it’ll be aimed at a completely different audience.

    So what should we expect from Canon’s pro-level mirrorless model?

    The EOS Rs will have plenty of the features you’d expect based on the EOS R, but better:

    • The latest and greatest Canon processor, the DIGIC 9.
    • A “similar” continuous shooting speed to the EOS R (which clocks in at 8 fps in One-Shot AF).
    • An improved EVF.
    • Weather sealing.

    But the Canon EOS Rs is also rumored to possess a few traits that should pique the interest of quite a few professional photographers:

    • Dual card slots and a 75 MP sensor.

    The dual card slots are somewhat expected, given the slew of complaints that Canon received regarding the lack of dual slots on the EOS R. But a 75 MP sensor is groundbreaking for a 35mm camera, offering a higher pixel count than either the Canon 5DS and 5DSR duo or the Sony A7R IV. It would be, in fact, the highest-resolution 35mm digital camera currently available.

    Now, a camera like the EOS Rs is designed with professional photographers in mind. The huge megapixel count is required by, for instance, commercial photographers, as well as those looking to make giant landscape prints.

    But while megapixel monsters are undoubtedly powerful, they come with some downsides.

    The first is the price; the Canon 5DS debuted at around $ 3700 USD, and I don’t expect Canon to knock many dollars off the EOS Rs MSRP.

    The second is file size. The RAW files produced by a 75 MP camera will be huge, which makes storage (both in memory cards and on computers) potentially frustrating.

    And third, higher megapixel counts result in smaller pixels. This hurts high ISO performance on even the most professional of cameras, which is one of the reasons why megapixel monsters are often outperformed by other full-frame cameras in low-light scenarios, especially when images are compared at native resolutions.

    What do you think about the Canon EOS Rs? Is it something you’d be interested in? What would you like to see in it?

    Let me know in the comments!

    The post News: The Canon EOS Rs to Have 75 MP Sensor and Dual Card Slots appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Compact and feature-packed: Our Olympus OM-D E-M5 Mark III review

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    Silver Award

    82%
    Overall score

    The Olympus OM-D E-M5 Mark III is a 20MP Micro Four Thirds camera aimed at enthusiast photographers, but could be a good option for beginners that want a system to grow into. It features the same sensor, AF system and 4K video capture as the flagship E-M1 II and E-M1 X, in a considerably smaller, lighter package.

    It’s the first in the E-M5 line to offer on-sensor phase detect autofocus, which includes both face and eye detection modes. The updated AF system is complemented by a 10 fps max burst rate in AF-C. The camera also gets a new image stabilization system, an updated EVF and some small ergonomic improvements.

    Key takeaways

    • 20MP Four Thirds sensor
    • 121-point hybrid autofocus system
    • 50MP high-res shot mode
    • 10 fps burst shooting with AF-C
    • Cinema (DCI) and UHD 4K video
    • Up 6.5EV of image stabilization (CIPA-rating) with supported lenses
    • 2.36M-dot OLED viewfinder with 60 fps refresh rate
    • Extensive direct controls and articulating touchscreen
    • Weather-sealed body
    • In-camera USB charging
    • 1/8000 sec mechanical shutter speed

    The E-M5 III will be available at the end of November for a body-only price of $ 1,199.99, CAN $ 1,499.99 in either black or silver. It will also be available kitted with the weather-sealed Olympus 14-150mm F4-5.6 II for $ 1,799.99, CAN $ 2,249.99.


    What’s new and how it compares

    The E-M5 III is Olympus’s smallest, lightest 20MP camera. Here’s what else is new and how it stacks up against its peers.

    Read more

    Body and controls

    The rear of the E-M5 III is largely unchanged, but some significant changes have been made to both the camera’s top plate and the EVF.

    Read more

    Shooting experience

    Photo editor Dan Bracaglia spent 48 hours shooting in the deserts of Southern, Utah, E-M5 III in hand.

    Read more

    Image quality

    The E-M5 III is capable of some excellent image quality, up there with the best that Micro Four Thirds can produce today.

    Read more

    Autofocus and performance

    While the E-M5 III comes with an autofocus system that shares its spec with higher-end models, we were a bit disappointed with its performance.

    Read more

    Video

    With incredible stabilization, a mic input, an articulating touchscreen and good quality files, the E-M5 III is a good candidate for video shooting.

    Read more

    Conclusion

    We find the E-M5 III to be a fantastic companion for travel and general photography, producing excellent images under a wide range of scenarios.

    Read more

    Sample gallery

    Curious what kind of files the E-M5 III produces? Have a look at our vast sample gallery.

    Read more

    Articles: Digital Photography Review (dpreview.com)

  • Former Facebook employees claim Instagram hid ‘likes’ to increase post frequency

    A new report claims on behalf of three former Facebook employees that Instagram is hiding ‘likes’ as an experiment to determine whether doing so will get users to post more content. The theory, according to CNBC, is that users who receive few likes on their content may not post as often out of a sense of embarrassment. By hiding likes, Instagram may remove the psychological barrier preventing many users from frequently posting.

    Over the course of its test this year, Instagram repeatedly presented its decision to hide likes as an effort to ‘depressurize’ the platform, reduce cyberbullying, and help users focus on the subjects and people who interest them. By hiding likes, the company has said, Instagram will feel less like a popularity contest.

    The anonymous sources speaking to CNBC claim that it was parent company Facebook’s research that spurred the hidden likes test. The social media company allegedly found that removing public like counts resulted in Instagram users posting more often.

    One source claims that Facebook’s research showed users were deleting or hiding posts that didn’t receive many likes, among other things. Whereas the lack of publicly visible likes helps users feel less self-conscious when their content doesn’t get much attention, the delivery of like and comment notifications to these same users may provide an incentive for them to post more often.

    Instagram is allegedly aware of the fact that hidden ‘likes’ may have a negative impact on influencers by reducing the amount of engagement on their posts, but the sources claim that Facebook isn’t terribly concerned due to the lack of adequate competing services these influencers have available to them. This may not matter for the company in the long run if enough users start posting often enough to noticeably boost ad revenue, potentially making up for any negative effects on influencers.

    The question remains over whether the ‘depressurized’ nature of a publicly like-free Instagram will lead to the more habitual use of the platform among some users, potentially paving the way for an uptick in ‘Instagram addiction’ cases. If a sense of peer pressure is causing many users to inherently moderate their use of the platform, removing that psychological barrier may have some unwanted consequences.

    Articles: Digital Photography Review (dpreview.com)

  • DxO PhotoLab 3 update adds keyword management for Windows, support for new cameras lenses

    French software maker DxO has released an update to its PhotoLab 3 image editing and organization application.

    Version 3.1 brings keyword management, which already was available to Mac users, to Windows PCs. Users of the Microsoft OS can now add, delete and rename keywords that are assigned to one or a series of images simultaneously. In addition, keywords can be displayed associated with an image, including those imported from other XMP-compatible software packages. Keywords can also be added to multi-criteria searches.

    The new version also adds support for a number of new cameras from several brands. Photographers shooting with the Canon EOS 90D, Canon EOS M6 Mark II, Canon EOS M200, Fujifilm GFX 100, Nikon Z50, Olympus E-M5 Mark III, Sony A6600 and the Sony A6100 can now all process their Raw files in DXO Photo Lab 3. There’s also preliminary support for the Sony A9 II.

    A number of new lenses have been added to the database as well which now includes over 55,000 camera/lens combinations. These include the Canon RF 15-35mm F2.8L IS USM, the Canon RF 24-70mm F2.8L IS USM, the Fujinon GF 50mm F3.5 R LM WR, the Fujinon GF 110mm F2 R LM WR, the Nikkor Z 85mm F1.8 S, the Sony E 16-55mm F2.8 G, and the Tamron 17-28mm F2.8 Di III RXD for Sony FE.

    The Essential Edition, as well as the more comprehensive Elite Edition of DxO PhotoLab 3.1, can now be downloaded from the DxO website for $ 100 and $ 150, respectively. For existing PhotoLab 3 users the upgrade is free.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Watch someone play DOOM on a Kodak digital camera from 1998

    Retro tech and gaming YouTube channel LGR has published a new video showing the original DOOM video game being played on a 1998 Kodak DC260 digital camera. This model was quite expensive at the time with a price tag of $ 999.99; the cost was due, in part, to the surprisingly capable hardware packed into the camera, including a 66Mhz PowerPC CPU, 8MB of RAM and an 11khz sound chipset.

    As explained in the video, the Kodak DC260 was unusual for its time in that it features USB and support for sideloading apps. Though this sideloading functionality was intended to expand the camera’s capabilities in unique ways, it also makes it possible to install and run a special version of the original DOOM video game, which appears to play without issue on the camera.

    DOOM is one of the multiple apps demonstrated in the video, which includes instructions on downloading, sideloading and running the software.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon’s XQD memory cards can now be preordered in the US despite rise of CFexpress

    More than a year after it announced them, Nikon has officially launched its XQD memory cards in the United States. This is unfortunate timing for Nikon, which must compete with the new wave of CFexpress cards being released by a number of major competitors, including SanDisk and ProGrade.

    Nikon offers a number of camera models that support XQD cards, which are physically smaller than CF with ample storage space, rapid speeds and a high level of durability. Here to challenge them is the CFexpress successor, which has largely eclipsed XQD due to its faster speeds.

    A number of CFexpress memory cards are already available to preorder and, in the case of SanDisk, to purchase. That hasn’t stopped Nikon from bringing its branded XQD cards to the U.S. through B&H Photo, however, where they’re now available to preorder in 64GB capacity at $ 129.95 each.

    Given the availability of similarly-priced CFEXpress media, this release casts doubt on whether we’ll see a promised firmware update for CFE support to Nikon’s XQD-compatible models in the near-term future.

    CFexpress Type B cards feature the same form factor as XQD cards, meaning they physically fit in cameras made for XQD. However, in order to actually use CFE cards in these XQD cameras, manufacturers must release firmware updates that add support for the newer cards. Nikon promised that CFExpress compatibility would be added to key models in an announcement earlier this year, but the update has yet to become available.

    Articles: Digital Photography Review (dpreview.com)

  • It’s (most likely) alive! Adobe Camera Raw release includes support for Zeiss ZX1

    Rumors of the death of the Zeiss project to introduce a full-frame compact camera appear to have been exaggerated if Adobe’s latest Camera Raw update is anything to go by. Sitting at the bottom of the list of new cameras supported by version 12.1 of the application is the Zeiss ZX1 and the DNG raw file type it will use.

    The Android-based camera will offer in-camera RAW processing via an on-board version of Adobe’s Lightroom, which will allow users will be able to edit and share their images to email and social media directly from the camera. The full-frame sensor will have 37.4 million pixels and will be serviced by a 35mm F2 Distagon lens.

    The camera was announced at Photokina in September 2018, but the company has been incredibly quiet about progress since the camera was shown at CP+ in February, to the extent that some commentators have suspected the camera would never become a reality. Inclusion on Adobe’s list of newly supported cameras though suggests otherwise, and even that the ZX1 may be almost ready to ship.

    Other new models supported by Camera Raw 12.1 include Leica’s already released SL2, Canon’s EOS Ra and M200, the Google Pixel 4 and 4 XL, the Nikon Z50, Sigma fp and Sony’s a9 II. For more information see the Adobe Camera Raw web page.

    Articles: Digital Photography Review (dpreview.com)

  • dPS 12 Days of Holiday Deals: Save up to 95% on Some Great Photography Training and Tools

    The post dPS 12 Days of Holiday Deals: Save up to 95% on Some Great Photography Training and Tools appeared first on Digital Photography School. It was authored by Darren Rowse.

    12 Days of Holiday Deals

    In 24 hours the first of our 12 Days of Holiday Deals begins!

    This is when you’ll score HUGE savings on our most popular products and MASSIVE discounts with some very special dPS partners so that you have the best resources to reach your photography goals for 2020.

    It works just as you’d expect. Over 12 days, we’ll announce a brand new deal every 24 hours.

    To get notified of each deal just add your email address below.

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    Each day you’ll receive an email from us with a special offer from us or a partner.

    Many of our deals are offering 50% to 95% off the normal price.

    We’ll also share the deals on our Facebook page, but the best way (so you don’t miss a thing), is to sign up for the emails above.

    On signing up you’ll also get a special free downloadable gift from dPS – our mini-guide and checklist for photographing the holidays.

    NewImage
    Our annual 12 day Holiday promotion is the most anticipated event on the dPS calendar. It starts in less than 24 hours and is always lots of fun. We hope you’ll join us.

    We can’t wait to unveil the first deal with you…

    Again – to get the deals via email just sign up below.

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    The post dPS 12 Days of Holiday Deals: Save up to 95% on Some Great Photography Training and Tools appeared first on Digital Photography School. It was authored by Darren Rowse.


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  • Gear of the Year 2019 – Richard’s choice: Sigma 56mm F1.4 DC DN

    Photo: Dan Bracaglia

    I originally wanted to choose The High Line in New York as my Gear of the Year, but apparently a one-and-a-half mile elevated stretch of re-purposed freight railway doesn’t count as photographic gear. It’s also somewhat exclusionary, in geographical and logistical terms.

    I’ll (grudgingly) concede those points. And anyway, it’s not the ex-railway infrastructure itself that’s so good for photography: it’s the fact that it’s full of ambling tourists and relaxing New Yorkers taking a break from the city’s hubbub, such that they’re much more amenable to being photographed by slightly nervous Brits wielding camera gear.

    The three lenses I’ve most enjoyed shooting with this year have all been portrait primes

    But thinking about photographing strangers along The High Line made me realise that the three lenses I’ve most enjoyed shooting with this year have all been portrait primes. Reviewing the GFX 50R and 100 gave me a chance to use the GF 110mm F2, which might be the best lens I’ve ever used. Covering the launch of the Sony a7R IV gave me my first exposure to Sony’s very impressive 135mm F1.8 GM. But it was a rather more modest lens that I used most often, and can most easily imagine myself buying.

    The 85mm equivalent focal length is a classic choice for head-and-shoulders portraits.
    Sigma 56mm F1.4 DC DN | ISO 1250 | 1/100 sec | F1.4
    Photo: Richard Butler

    The Sigma 56mm F1.4 DC DN is exactly the kind of lens I wanted when I first started getting into digital photography: it’s small, it’s light, it’s fast (both in F-number and autofocus) and, above all, it’s affordable.

    It’s small, it’s light, it’s fast and it’s affordable

    Most of the big camera makers have been pushing comparatively inexpensive full-frame bodies, but have saddled them with often bulky and expensive lenses. The Sigma 56mm provides a credible portrait option for owners of smaller-sensor cameras at a size and price that’s hard to match.

    It’s available for Micro Four Thirds as well as Sony E and Canon EF-M mounts, but I personally prefer it when mounted on APS-C. 112mm equiv (on Micro Four Thirds) is still a great focal length for portraits, but I find myself using it a bit more freely when it’s acting as an 85.

    But 85mm equiv is also wide enough to allow landscape portraits, as well as portrait ones.
    Sigma 56mm F1.4 DC DN | ISO 100 | 1/1600 sec | F3.5
    Photo: Richard Butler

    For me, having it as an option instantly makes the Sony and Canon APS-C mirrorless systems more interesting: it means I can think about putting together a kit with a 35mm-equiv prime, a standard zoom and a small, effective portrait lens, giving me just about everything I need.

    Like many people, the first prime lens I owned was an elderly but inexpensive 50mm F1.8, mounted on an APS-C DSLR. But, while I loved the shallow depth-of-field ability and the option to shoot in much lower light, I never found myself enjoying the 75mm-equiv experience. My colleague Rishi points out that the real-world difference between 75 and 85mm should be negligible, and yet I’m convinced I shoot unflatteringly close with a 50mm, but end up delighted with my 56mm results. It may well be all in my head, then, but that’s where my confidence and creativity come from, too.

    In fact the lens can be used for things other than portraits
    Sigma 56mm F1.4 DC DN | ISO 100 | 1/200 sec | F3.5
    Photo: Richard Butler

    Best of all, unlike Carey’s choice of the 45mm F2.8, I don’t feel the need to temper my enthusiasm for the lens with caveats. I’d love it just for being small, light, fast and affordable, since it’s in a focal length I like so much. But it’s also optically very good. It’s sharp where I want it, has pleasant, smooth bokeh and looks good in the transition between the two. F2.1 equivalent is more than sufficient for the shooting I do. What more could I ask for?

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    Articles: Digital Photography Review (dpreview.com)

  • 10 Great Gifts for Food Photographers Under $50

    The post 10 Great Gifts for Food Photographers Under $ 50 appeared first on Digital Photography School. It was authored by Darina Kopcok.

    gifts-for-food-photographers-under-50-dollars

    The festive season is fast upon us. Do you have a food blogger or photographer in your life but are stuck on a gift that won’t break the bank? Luckily, food photography is one genre where prop lust is never-ending. You can buy helpful and attractive gifts for food photographers that they will love – many under $ 50 bucks.

    Here are 10 ideas for gifts for food photographers that are sure to please.

    gifts for food photographers

    Linen napkins

    Every food photographer has an arsenal of napkins in their collection, so they can be ready to create any mood in their images. Napkins and other textiles go a long way in creating a visual story, and the wrong choice can make an image feel a bit off.

    This is where linen saves the day. Not only does its natural and fine texture go with virtually any setting, but it also drapes well, which can’t be said about a lot of other fabrics.

    If you’ve ever tried to make a napkin look effortlessly placed, you’ll know why propping napkins is the bane of every food photographer’s existence. Linen makes this job a lot easier.

    It also photographs well, because you don’t get the significant color shifts you can have when taking pictures with other fabrics.

    There are a lot of great sources to buy linen online, but you can also head to a popular home retailer and pick up a few for a reasonable price. Places like Crate & Barrel sell them individually, so you don’t have to buy a pack of four, which will likely be three more than are really needed. Choose neutral colors like grey, cream, or light and navy blue.

    10 Great Gifts for Food Photographers Under $  50

    French cutting boards

    Whether vintage or new, there is something about a French cutting board that adds a bit of pizzaz to an image.

    Food photography is all about using layers to create interest. Placing a dish on a cutting board is a great way to style an image or add a bit of context to a scene.

    French cutting boards make great gifts for food photographers but they can be expensive. However, many stores like Homesense carry them at very reasonable prices.

    gifts for food photographers

    French Cutting Board

    Cake stands

    Every food photographer needs a couple of cake stands. A neutral color and on the smaller side is best.

    Cake stands are useful for showing off a beautiful cake, of course, but they can also be used to prop other sweets, like stacks of cookies or even an arrangement of fruit.

    A cake stand adds height and can be a prop that improves a composition without competing with the food.

    To make the cake stand extra useful look for one with a detachable base.

    gifts for food photographers

    Glass Cake Stand

    Vinyl backdrops

    Vinyl backdrops created specifically for food and still life photographers have become more and more popular with photographers in recent years, as an alternative to heavy and expensive custom-made backdrops.

    The selection of manufacturers selling vinyl backdrops used to be fairly poor, but now there are some new companies selling high-quality backdrops in beautiful designs.

    The backdrops offered by Captured by Lucy are under $ 50 USD in 2×3 feet, and come in a variety of colors and designs that work great for food photography. They lie flat as soon as you unroll them.

    Vinyl backdrops are great for containing spills or working with ice and drips.

    If you want to get a bit more bang for your buck, you can try the backdrops and Ink & Elm. The quality is decent and the price more affordable, which means you can purchase a few for your budget.

    Image: Vinyl Backdrops

    Vinyl Backdrops

    Vardagen IKEA glasses

    One of the biggest challenges in propping food photography is the size of glassware these days. It’s way too big.

    Scale is a very important aspect of food photography composition. In addition, objects can appear a lot larger to the camera than they actually are. You can really notice this when you shoot a scene from overhead because it flattens the depth.

    As a food photographer, you don’t want your props dwarfing the star of the show – the food.

    Vardegen glasses from IKEA are the perfect size for food photography. The ridges make the glass less reflective, which makes them easier to photograph, but they are translucent enough to look attractive in photos.

    Image: Vinyl Backdrops

    Vinyl Backdrops

    Pallares Solsona carbon steel knife

    Look at the foodie posts on Instagram, and you will invariably come across a carbon steel knife with a rounded wooden handle. This style of knife has become ubiquitous in the food photography world. It adds such a nice touch to a food scene without distracting from the major elements. It looks great with other modern or vintage props.

    Several manufacturers make this kind of carbon steel knife. Pallares Solsona is one brand that can be bought through many sources online for a reasonable price.

    gifts for food photographers

    Tether Tools tethering cable

    A key to capturing great food photos is to work tethered in Lightroom. This is where you hook up your camera to your computer via a USB cable so you can see a larger and more accurate rendition of your photo on the screen than you can get on your camera’s LCD screen.

    This cable is called a USB 2.0 to Mini B. Tether Tools is the brand most trusted and used by pro photographers everywhere.

    When searching for this type of cable, it’s important to purchase one that has gold tips, so they don’t get corroded easily.

    Acacia Wood salad servers

    We said that scale is an important factor in food photography. Salad servers that are small enough can be difficult to find. You don’t want them hogging up your frame and detracting from your beautiful salad.

    Amazon offers some lovely acacia wood servers with your choice of gold or white handle that is small enough for food photography and looks attractive with a variety of foods and props.

    Also, the wood is not too orange, which is a color that tends not to translate very nicely in photos when it comes to props.

    gifts for food photographers

    Pinch bowls

    Can a food photographer ever have enough pinch bowls? The short answer is no. Most of us tend to have a large inventory of these in a variety of materials and colors.

    Because they’re so small and perfect for displaying ingredients and seasonings, they add context to a food story and help create balanced compositions without overpowering the main subject.

    Look for pinch bowls in ceramic, glass, wood or marble. Neutral colors work best, but sometimes patterned pinch bowls can look great if they are used with care. You can find pinch bowls everywhere, but the white rustic pinch bowls form Nom Living in the UK are crazy popular with food photographers and Instagrammers everywhere. They will make the perfect gift for a food photographer.

    10 Great Gifts for Food Photographers Under $  50

    The Food Stylist’s Handbook

    Every food photographer needs at least one resource on food styling at their fingertips. Even food photographers who work with a food stylist need to know how food behaves in front of the camera and be familiar with the tips and tricks that make food look its best.

    Photographers who take on commissioned projects often have to do their own food styling, as do those who submit to stock sites.

    The Food Stylist’s Handbook by Denise Vivaldo and Cindie Flannigan is an indispensable resource and a great gift for a food photographer. It not only shows you how to style specific food for the camera, but it also gives you the information on the tools you need and how to build a styling kit – something every food photographer or blogger needs.

    Conclusion

    Hopefully, these gifts for food photographers will solve the problem of what to buy for a special someone in your life. And, just remember, you can’t go wrong with classic props in neutral colors, and textures like linen, marble, and natural wood.

    Do you have other gift ideas for food photographers that you’d like to share? Please do so in the comments section!

     

    The post 10 Great Gifts for Food Photographers Under $ 50 appeared first on Digital Photography School. It was authored by Darina Kopcok.


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