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  • Canon users are reporting front-focusing issues with the RF 70-200mm F2.8

    Update: Canon has offered the following official response: “Canon has become aware of this phenomenon, which occurs when focusing on a close subject at 200mm,
    and is preparing a firmware update that will be released as quickly as possible.”

    Canon may have an issue on its hands as multiple users of its new RF 70-200mm F2.8 L IS USM lens report that it misses focus when used at the closest minimum distance. A thread on our forums as well as posts on Fred Miranda state that when used at the longer focal lengths, and with subjects at the closest focusing point, the lens focuses in front of the area under the AF point in use.

    DPReview forum member pokesfan posted some tests which he says demonstrate that the lens focuses about 3cm in front of the active AF point when uses at the closest focusing distance while at the 200mm setting.

    Tests carried out by users report the fault is most pronounced at the longer ends of the focal range and that it gradually reduces as the lens is brought back to the 70mm setting. More distant subjects also avoid any issues, as it seems to happen only close up.

    The Canon RF 70-200mm F2.8 is said by owners to be exceptional in every other situation, but this will be something that needs attention. Forum member pokesfan says that his lens was sent to Canon to be checked and the service engineers claimed there was nothing wrong with it.

    Articles: Digital Photography Review (dpreview.com)

  • News: The Nikon D6 Will Be Released in February, With a 24 MP Sensor and Much More

    The post News: The Nikon D6 Will Be Released in February, With a 24 MP Sensor and Much More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

     

    news-nikon-d6-release-date

    The Nikon D6 has officially been in the pipeline since early September, when Nikon announced the development of its flagship action snapper.

    But now we have a rumored release date:

    February 12, 2020.

    Whether the D6 will actually come out on February 12 isn’t certain (Nikon Rumors notes that this may be the date of an internal Nikon presentation), but it seems highly likely that the camera will be announced in February.

    Note that this puts the D6 announcement close to the expected Canon 1D X Mark III release date (which is sometime in the first few months of 2020), and the potential announcement of the Canon EOS Rs (which is also in February of 2020).

    While the D6 won’t be competing against any Rs-type camera, the Canon 1D X Mark III will be the D6’s direct competitor, forcing sports and action photographers across the world to make a tough choice between the Canon and Nikon flagships.

    We already know that the Canon 1D X Mark III will feature 20 fps continuous shooting in Live View and 16 fps when using the viewfinder. Canon has also promised an upgraded autofocus system that sports enhanced tracking and improved low light AF capabilities.

    As for the D6, while nothing official has been announced, we do have some updated specification rumors:

    • Upgraded IBIS from the Z-system
    • Upgraded silent shooting
    • Dual CFExpress card slots
    • 4K video at 60p
    • A 24 MP sensor
    • Enhanced dynamic range
    • Better autofocus, but with the same point count as the Nikon D5 (153 points, 99 cross-type)

    While there is no official information on the Canon 1D X Mark III megapixel count, it’s likely that it will be close to 24 MP (and some rumors suggest it could be even higher), so Nikon D6 may not surpass the 1D X series in that area.

    But I’m certainly looking forward to learning more about the new Nikon (and Canon) AF system, and equally excited about the continuous shooting speeds on the Nikon D6. Will it be able to match Canon’s 16 fps/20 fps combo? Or could it possibly surpass it?

    If you’re a sports, action, or even wildlife shooter, I recommend you keep your eyes peeled for more news.

    The Nikon D6 will almost certainly be here soon, hopefully with the features we all want to see!

    What do you think? How will the Nikon D6 compare to the Canon 1D X Mark III? Are you excited about the Nikon D6 release? Share your thoughts in the comments!

    Nikon-D6-release-date

    The post News: The Nikon D6 Will Be Released in February, With a 24 MP Sensor and Much More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Weekly Photography Challenge – Forests

    The post Weekly Photography Challenge – Forests appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    This week’s photography challenge topic is FORESTS!

    Bright-pine-plantations-victoria-by-caz-nowaczyk

    Bright pine plantations, victoria, Australia by Caz Nowaczyk ©

    Forests are a spectacular place to visit. Filled with trees, nature and wildlife, they ground us and make us feel good.

    Throughout the seasons and in different countries around the world, they can be filled with snow or fallen leaves. They can have tree-lined rows of tall trees, or ferns on the forest floors. You might find moss, mushrooms or native flowers. Or look for the birds and wildlife.

    They can be light and bright, or dark and moody. Use color or black and white.

    So, check out these pics, get inspired, have fun, and I look forward to seeing what you come up with!

    The-horn-mt-buffalo-victoria-by-caz-nowaczyk

    The Horn, Mt Buffalo, Victoria, Australia by Caz Nowaczyk ©

     

    Check out some of the articles below that give you tips on this week’s challenge.

    Tips for Shooting FORESTS

    Tips for Better Forest Photography

    5 Tips for Better Forest Bird Photography

    8 Quick Tips to Produce Better Forest Photography

    4 Ideas for More Creative Shots when Photographing from One Position

    How to Create a Dream Forest in Adobe Photoshop

    5 Tips for Better Winter Landscape Photography

    8 Creative Ways to Photograph Trees

    4 Tips for Taking Better Photographs of Trees

    5 Tips for Gorgeous Nature Photography Lighting

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSforests to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    The post Weekly Photography Challenge – Forests appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Gear of the Year 2019 – Jeff’s choice: Canon PowerShot G5 X Mark II

    Photo: Dan Bracaglia

    It goes without saying that a lot of cameras come and go through the DPReview office. Over the last year, most of them have been something you either can’t carry around for hours, or don’t want to (looking at you, Panasonic Lumix DC-S1).

    One of the few actual compacts that we received (and reviewed) was the Canon PowerShot G5 X Mark II, which was announced alongside its nearly identical twin, the G7 X Mark III. The latter provides additional video features, while the former – targeted more toward enthusiasts – eschews these in exchange for an electronic viewfinder.

    ISO 125 | 1/1600 sec | F4.5 | 69mm equiv.
    Photo by Jeff Keller

    When I first laid eyes (and hands) on the PowerShot G5 X Mark II, it was very obvious what camera Canon was going after: the Sony Cyber-shot RX100 V. They both have fast lenses with a control ring around them, a centered, pop-up flash and tilting LCDs. Even the button layouts are similar. And let’s not forget the EVF that rises at the push of the button: a feature so similar that I wonder if Sony licensed the design to Canon.

    ISO 125 | 1/1000 sec | F4 | 30mm equiv.
    Photo by Jeff Keller

    Despite their similarities, I’d grab the Canon every time, mainly because I find the shooting experience much more engaging. The front grip and thumb rest are perfect, and the rubberized front plate prevents the camera from sliding out of my hands. I tend to adjust exposure compensation fairly often, and I like that I don’t have to move my thumb to reach the provided dial that adjusts that setting. While I like the clicky control ring around the lens, I’m still not a fan of the small, fiddly dial on the back.

    ISO 125 | 1/500 sec | F8 | 120mm equiv.
    Photo by Jeff Keller

    And then there’s the EVF. It’s not the cool new design found on the Sony RX100 VI and above, which extends the eyepiece automatically, but I don’t mind having to manually do so. What I don’t like is that it’s very easy to press it back in when your eye is to the finder, at least with glasses on. Speaking of glasses, the OLED EVF allows me to wear my polarized sunglasses without a problem (which can be a problem with LCD panels). The location of the EVF also keeps my nose off of the screen, which is always a plus.

    ISO 125 | 1/1600 sec | F4.5 | 24mm equiv.
    Photo by Jeff Keller

    A lot of enthusiast compacts make compromises in order to get fast maximum apertures. On the RX100 V and Panasonic LX10, the focal length tops out at around 70mm equivalent. The Sony RX100 VI and VII have very ambitious 24-200mm equiv. lenses, but they let in 1.3 stops less light than the G5 X II.

    Converted from Raw using ACR 12. Exposure and sharpness adjusted.
    ISO 125 | 1/100 sec | F2.8 | 108mm equiv.
    Photo by Jeff Keller

    For me, the G5 X II has just the right balance. The equivalent focal length of the lens is 24-120mm, which is more than enough for the kind of shooting I typically do. The max aperture range of F1.8-2.8 gives it good light low performance and nice background blur, especially on macro shots than I enjoy taking.

    ISO 200 | 1/400 sec | F3.2 | 24mm equiv.
    Photo by Jeff Keller

    I spent several weekends with the camera, taking it over the Cascade mountains and back again (among other places), and I have no complaints about the quality of the photos I captured. A lot of people like to crow about the vibrance of Canon color, and I’m one of them. I took a number of photos in low light and was able to pull up the shadows without too large of a noise increase: at least for my needs (read: social media).

    When all is said and done, I found the Canon PowerShot G5 X Mark II to be a great ‘daily driver’. It’s a camera that I can stuff into a back pocket and take for walk around town – in bright or low light – and get great results straight out of the camera.

    Articles: Digital Photography Review (dpreview.com)

  • Apple acquires Spectral Edge to boost iPhone camera performance

    It looks like Apple might have just made another move to improve image quality on its iPhone camera. Bloomberg reports that according to filings made public in the U.K. on Thursday, Apple has acquired the Cambridge, U.K.-based startup Spectral Edge Ltd..

    Spectral Edge has developed a technology that can improve detail and color on digital cameras by taking an infrared picture and merging it with a conventional color photo using machine learning. Apple is already using AI in some of its camera algorithms, for example to improve low light images, so using AI to improve other aspects of image quality would fit nicely into the concept.

    The Spectral Edge technology can be applied via software or baked into hardware which would allow Apple to integrate it into a custom image signal processor.

    No purchase price has been reported but last year Spectral Edge said it raised more than $ 5 million in funding.

    We should not expect the technology to be integrated in the next iPhone generation but in the medium and long term it will be interesting to see if Spectral Edge can help improve smartphone imaging.

    Articles: Digital Photography Review (dpreview.com)

  • What you need to know about the Mavic Mini and drone regulations

    DJI’s Mavic Mini weighs 249 grams, making it exempt for registration in the US and other countries with similar regulations.

    DJI’s new Mavic Mini recently started shipping out to customers. When it was initially announced the Internet was ablaze with excitement about a drone that weighed under 250 grams, exempting it from registration with the Federal Aviation Administration (FAA) and government agencies in other countries where similar laws apply. Comments flooded into drone forums immediately, and a few were concerning.

    Some people stated they felt there was no need to abide by airspace regulations and were free to fly anywhere, over people, and at night without a waiver amongst other violations. This, unfortunately, couldn’t be further from the truth. I called upon two of my respected friends and colleagues, one 30-year veteran, and one current employee of the FAA, and referenced a post from an industry expert, to help clear up any misconceptions.

    What does ‘no registration’ really mean?

    “Of course, sUAS under .55 lbs. (250 grams) do not require registration. However, if the sUAS is being used for commercial work in an effort to be compensated, the aircraft must be registered and FAA Part 107 regulations must be followed by the RPIC (Remote Pilot-in-Command),” said Samuel Nelson, who made it clear he wasn’t speaking on behalf of the FAA and was, instead, giving his personal opinion based on his understanding as the Boston regional FaastTeam STEAM (Science, Technology, Engineering, Applied Mathematics) Pro.

    Some people stated they felt there was no need to abide by airspace regulations and were free to fly anywhere… this couldn’t be further from the truth.

    Nelson adds “If flying as a hobbyist, you can avoid registration. However (remote pilots) still must abide to by FAA AC 91-57B AND Title 49 of the United States Code (49 U.S.C) § 44809. People must also remember DJI AeroScope systems can detect drones under .55 lbs. and the serial [number] can be identified to allow for a subpoena to identify the legal owner of the aircraft.”

    Ryan LaTourette, who runs That Drone Blog and is and admin on the UAV Legal News & Discussion Facebook group pointed out the obvious: “The lesser weight does not negate that the Mavic Mini is still in the eyes of the FAA a drone, an aircraft… Mavic Mini operators are not given a free pass to fly wherever and whenever they wish. The only change at this point is the need to pay $ 5 to the FAA for a certificate of aircraft registration.”

    Drones small enough to fit in the palm of your hand aren’t necessarily toys. They have a lot of beneficial uses.

    What does this mean? A remote pilot flying recreationally must adhere to the following guidelines, including but not limited to:

    • The aircraft is flown within the visual line of sight of the person operating the aircraft or a visual observer co-located and in direct communication with the operator.
    • The aircraft is operated in a manner that does not interfere with and gives way to any manned aircraft.
    • In Class B, Class C, or Class D airspace or within the lateral boundaries of the surface area of Class E airspace designated for an airport, the operator obtains prior authorization from the Administrator or designee before operating and complies with all airspace restrictions and prohibitions.
    • In Class G airspace, the aircraft is flown from the surface to not more than 400 feet above ground level and complies with all airspace restrictions and prohibitions.

    Commercial use

    While others, including myself, didn’t feel the Mavic Mini was appropriate for commercial use, LaTourette pointed out that people shouldn’t be so narrow minded. He explains that drones even smaller than the Mini, such as Verity’s Lucie micro drone, have been used in professional scenarios for the past few years. Ryze’s Tello drone has been an instrumental tool in getting folks, especially children, excited about STEAM education. Intel drones, weighing in at 68 grams, are responsible for putting on the world’s most elaborate fireworks displays.

    Verity drones weigh a mere 50 grams and have completed over 150,000 autonomous flights safely over people at rock concerts and other live events.

    If you plan on using the Mavic Mini for commercial purposes in the United States, meaning you plan to receive compensation for work conducted with your drone, you will need to register the drone plus have your Part 107 certification. I personally recommend Remote Pilot 101 for straightforward, affordable training. There is, of course, a conundrum that comes with following the rules.

    Loretta Alkalay, an aviation attorney who spent 30+ years with the FAA as Regional Counsel, had the following to say: “As far as the weight issue, the FAA’s drone laws are not rationally related to the potential safety impact of very small drones. That results in people either intentionally ignoring the laws because they are overly restrictive or failing to even realize that laws apply. Coupled with the lack of FAA enforcement, the people most penalized are those who do know the regulations and choose to comply with them. Of course, those who violate the regulations and get caught could face serious consequences, depending on the violation and circumstances.”

    The people most penalized are those who do know the regulations and choose to comply with them.

    Speaking of impact, lower weight gives potential to the criteria for the FAA’s latest NPRM on easement of the §107.39 regulation for flight over people. Flying over people is currently prohibited under the §107.39 regulation. No one may operate a drone over people unless they are directly participating in the operation or are shielded under a covered structure such as a car.

    So why make a lightweight drone?

    DJI is certainly proud of themselves for fitting some of their most advanced features into a drone that weighs 249 grams upon takeoff. So why stuff all those features into a tiny package? Safety and the impending ruling for allowing flight over people are two top reasons.

    According to a DJI Hub article that was shared by the company’s Vice President of Policy & Legal Affairs, Brendan Schulman, “regulators in the United States, Canada, the United Kingdom, continental Europe, Australia, and other regions have agreed that drones weighing less than 250 grams (0.55 pounds) are virtually harmless. In a fall or a collision, a sub-250g drone is just not going to cause the same kind of damage as a heavier drone.”

    The Mavic Mini is tiny compared to other compact drones like the Mavic 2 Pro, but you still need to follow the normal rules when flying it.

    In spite of negative media coverage, drones have been proven to be safe while providing many benefits to numerous industries including healthcare, construction, mining, agriculture and more. As Samuel Nelson pointed out earlier, the Mavic Mini is also equipped with AeroScope for Remote Identification which allows safety and security officials to detect, identify, and locate the drone and its pilot during flight if necessary. Going lighter and more compact, to ensure safety when performing complex operations, is a logical trend that is taking hold of the industry.

    To find out if a Mavic Mini is an ideal purchase for you, check out our comprehensive review.

    Articles: Digital Photography Review (dpreview.com)

  • Unlock the Secrets to Composition and Light

    The post Unlock the Secrets to Composition and Light appeared first on Digital Photography School. It was authored by Darren Rowse.

    Deal 2 dPS Holiday Deals

    Day 2 of dPS Holiday Deals brings this amazing Composition and Light course combo deal from Photography Concentrate.

    Save 75% now

    Imagine having a special moment – with your loved ones, friends, or by yourself. A romantic spot, a fun trip, your kid’s first steps, or something else that made you want to pull out your camera, snap and share.  

    Unfortunately, what happens next is pretty common … the photo you took is a dull, disappointing record of a great moment or a great place. You wanted to capture that excitement, warm fuzzy feeling or impressive view. But all you got is a lifeless shot. 

    Enter composition and light!

    Composition Courselight skills course

    Understanding composition is the fastest and most lasting way to create amazing images.

    People tend to view images in predictable ways.  And once you discover these patterns, you can use them to your advantage. Hacking the way people view photos enables you to create photos that communicate your message – an idea, a memory, a feeling – and look amazing too! 

    With Photography Concentrate’s unique 8-step process you’ll be able to put everything you’ll learn about composition and light into action. You won’t be left wondering what’s next. You’ll have a simple step-by-step approach that will let you make great decisions, and create great photos.

    This bundle of two practical courses and field guides will help you achieve stunning photos by making advanced composition and light concepts accessible & easy to use. 

    Save 75% and get two course bundle now for only $ 48 (usually $ 194)

    Check it out before the next deal arrives in less than 24 hours.

    PS – You can still catch yesterday’s deal and sign up so you don’t miss a day of our 12 dPS Holiday Deals. Learn more here.

    We receive an affiliate commission if you purchase from one of our trusted partners.

    The post Unlock the Secrets to Composition and Light appeared first on Digital Photography School. It was authored by Darren Rowse.


    Digital Photography School

  • Nikon Z 24mm F1.8 S sample gallery

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    The Nikon Z 24mm F1.8 was formally announced late in the year, and as 2019 comes to a close it has made its way into our hands. We tried it out on the full-frame Z7 as well as on the DX-format Z50 where it serves as a nearly-35mm equivalent.

    See our Nikon Z 24mm F1.8 S
    sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • Hasselblad 30mm F3.5 sample gallery (DPReview TV)

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6361863532″,”galleryId”:”6361863532″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    This week DPReview TV tested the Hasselblad XCD 30mm F3.5 wide angle lens for medium format. Here’s a gallery of full resolution images from this episode, shot on the Hasselblad X1D II.

    Articles: Digital Photography Review (dpreview.com)

  • TFP Shoots – What They Are and When to Use Them

    The post TFP Shoots – What They Are and When to Use Them appeared first on Digital Photography School. It was authored by Anabel DFlux.

    tfp-shoots-in-photography

    Trade work (or TFP shoots) is probably the topmost contentious subject in the photography world, paired with the everlasting pricing debate. However, there are several big reasons to consider TFP shoots, just as there are some valid reasons to laugh at the suggestion!

    Every artistic profession requires a level of ‘paying your dues’ so to speak. As is the catch-22, “you need a job to get experience, but you need the experience to get a job.” We are a bit luckier in the artistic profession as art is a more collaborative effort that can involve the trading of services. In photography, this is known as TFP, or “trade for print.”

    Here is our guide to TFP shoots, when to use them, and when to avoid the inquiry.

    What is a TFP Shoot?

    TFP-shoots-in-photography

    Anabel DFlux on set with rock band Killin Candace

    A TFP shoot is a photo shoot that is not compensated monetarily, but instead, as a trade of services. Everyone donates their time – models, stylists, and photographers – and all parties are welcome to use the resulting images for their own purposes or self-gain.

    It’s just a fancy way of saying that the team will work for free but receive images they need for xyz reason with permission to use them.

    The key to TFP shoots is that all parties receive an equal benefit within the collaboration. Most often, that means that the photographer can use the images to advertise their photography services. Stylists can add them to their portfolio and can advertise. The model can also use the images in their pursuit of more modeling work.

    As a general statement, TFP shoots are good for portfolio-building, education, bringing a personal collaboration to fruition, and genuine exposure and resume addition and for increasing credibility.

    Pros of doing TFP shoots

    Explaining how to do TFP shoots is a bit of a delicate matter. So to begin, here are the Pros of doing TFP shoots:

    Portfolio-building

    Image: Model: Kevin Thrasher

    Model: Kevin Thrasher

    If you lack a solid portfolio, or a portfolio at all, TFP photo sessions are an excellent way to build that book very fast.

    Portfolios are of the utmost importance in this industry, and ensuring you have a solid body of work should be one of your top concerns if photography is to become your profession.

    You will likely find yourself doing several TFP shoots when starting out for this very reason.

    A learning experience

    TFP-shoots-in-photography

    Model: Alex Crescioni

    The educational aspect of TFP shoots goes hand-in-hand with portfolio-building. TFP shoots are a great way to learn, try something new, and experiment with your craft.

    You don’t want to go into a client session unprepared, nor should a paying client be your guinea pig.

    Bringing an idea to life

    TFP-shoots-in-photography

    Model: Gaiapatra

    As for bringing a personal collaboration to fruition, art is for yourself as much as it is for others. If you have an idea, and that idea jives with another person, a collaboration is a great way to keep yourself creatively motivated and inspired. These tend to be TFP shoots by nature.

    Worthwhile exposure

    TFP-shoots-in-photography

    Model: Luna Marie with Maksa from the JABCECC

    Exposure has become such a deeply hated word in the artistic world. This is due entirely to abuse and misuse in the art world. I am in full agreement and stand firm with paying everyone their worth. Unfortunately, the world isn’t idealistic. There is a fine balance between encouraging the end of improper practices and looking out for yourself and your needs.

    Looking at it from the perspective of marketing, branding, and other fundamental business concepts, there are certain TFP shoots that you should do for exposure. These shoots tend to involve a certain level of prestige, in which your participation really will put your work in front of a broader audience.

    Also, partaking in higher caliber sessions will build a trustworthy reputation and your credibility in a highly competitive industry.

    Cons of doing TFP Shoots

    Now that we’ve covered the pros, here are the cons for TFP shoots:

    Devaluing your work

    Image: Model: Brin Hamblin

    Model: Brin Hamblin

    There does come a bit of an issue if you get known around town as the TFP photographer who offers some exceptional work for no pay. You’ll get offers left and right, and all will end with “collaboration,” which translates to “do this work for free because I need it and don’t want to pay for it.”

    If you give in to these pressures, you’re effectively devaluing your own work’s worth.

    There has to be a limit to when you’ve well surpassed the need for TFP shoots. I stopped doing TFP many years ago when my resume far surpassed its need and have not looked back since. That is because photography is a career for me, not a hobby.

    The public misuse of TFP shoots

    TFP Shoots – What They Are and When to Use Them

    The public has taken hold of the TFP phrase recently, and decided they are entitled to them too.

    TFP has, and should always be, a term for those within the industry looking for a mutually beneficial work opportunity.

    Your neighbor begging online for a TFP family session for their nephews is not TFP – that’s “work for free.”

    Your sister’s friend’s wedding inquiry should not be “TFP” – that is their wedding day! Not a styled shoot!

    The public should not get TFP shoots – plain and simple. This goes back to the previous point of “devaluing work.”

    What is the happy medium?

    Image: TFP can be pet shoots too!

    TFP can be pet shoots too!

    The key to keeping a happy medium for your own artistic pursuits and endeavors is to know when to say no. That’s really all there is. If you want to embark on TFP shoots for your own reasons, go ahead and organize one! However, if you aren’t looking to pursue TFP, say no.

    Understand your worth when someone approaches you, and determine what course of action is the best one to take.

    My general rules are:

    “If someone approaches me unsolicited, I will send over a rate sheet.”
    “If someone responds to a solicited TFP casting, then that’s a different story.”

    Tips for a smooth TFP shoot (if you go down this route)

    TFP-shoots-in-photography

    Models: Spencer Hayden and Bina Monique

    Despite no money exchanging hands, general business principles still apply.

    Here are some quick tips for successful TFP shoots:

    • Have open communication detailing your needs, wants, and expectations for the photo shoot.
    • Set boundaries. Clearly express what the result of the photo session will yield, and listen to the model’s limitations as well. Be respectful.
    • Have everything in writing! A TFP contract is a great idea and will protect both the model and the photographer.
    • Make sure to have model release forms, property release forms, or any other necessary paperwork on hand.
    • Have fun, be professional, and make beautiful art!

    Final thoughts

    Image: Models: Carrie Martinez with Nova the wolfdog

    Models: Carrie Martinez with Nova the wolfdog

    At the end of the day, how you run your business or your artistic craft is at your own discretion.

    With that said, I did want to mention for the aspiring photographers out there: Just because a photo session is a trade shoot, doesn’t mean that your professionalism should fly out the window. You do need to treat this session like a job, which means being punctual, being on your best behavior, and delivering upon your end of the bargain.

    Have you participated in any TFP shoots? What was your experience? Share with us in the comments.

    The post TFP Shoots – What They Are and When to Use Them appeared first on Digital Photography School. It was authored by Anabel DFlux.


    Digital Photography School