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  • Flickr CEO sends out email asking users to help ‘keep the Flickr dream alive’

    In a very candid email sent out to users last night, Flickr (and SmugMug) CEO Dan MacAskill shared the current state of the Flickr platform, detailing the struggles the SmugMug team is facing regarding the financial situation of the photo-sharing network.

    The email opens up by saying ‘Flickr—the world’s most-beloved, money-losing business—needs your help.’ In the full email, which we’ve embedded below, MacAskill explains how the SmugMug team has done its best to optimize the platform from both a user and financial standpoint, but it hasn’t been enough. According to MacAskill, Flickr is ‘still losing money,’ despite its new owners’ best efforts to streamline overheard and bring on hundreds of thousands of new Flickr Pro subscriptions.

    Put simply, MacAskill says ‘We need more Flickr Pro members if we want to keep the Flickr dream alive.’ MacAskill doesn’t specifically state how long the ‘Flickr dream’ can stay alive in its current state, but such a letter wouldn’t be written if things weren’t heading towards dire.

    In conjunction with the letter, MacAskill also announced Flickr’s end-of-the-year promotion that will get you 25-percent off an annual Flickr Pro subscription, a push to bring even more users on board to support the platform. He wraps up the letter saying:

    If you value Flickr finally being independent, built for photographers and by photographers, we ask you to join us, and to share this offer with those who share your love of photography and community.

    After reading through the letter, we had a few questions, so we contacted MacAskill with a few questions regarding the future of Flickr. Specifically, we asked the following:

    In response, MacAskill responded with:

    After the above response from MacAskill, we inquired further about the ‘follow-up contingency plans,’ but are yet to receive a response. We will update this article accordingly if MacAskill responds.

    The email is an interesting one. MacAskill is known for his candor, so seeing this transparency is far from out of character for him. At some level, the email inspires would-be Flickr Pro members to subscribe to the premium version of Flickr. However, it also instills fear in current Flickr Pro members, who effectively see this email as the writing on the wall for their images and the network they’ve built on the platform. Proof of this dichotomy is clearly visible in the Reddit thread regarding this email, where users strike a balance of respect for MacAskill and the SmugMug-owned version of Flickr while simultaneously showing concern for the future of the platform in the comments.

    Full email:

    Dear friends,

    Flickr—the world’s most-beloved, money-losing business—needs your help.

    Two years ago, Flickr was losing tens of millions of dollars a year. Our company, SmugMug, stepped in to rescue it from being shut down and to save tens of billions of your precious photos from being erased.

    Why? We’ve spent 17 years lovingly building our company into a thriving, family-owned and -operated business that cares deeply about photographers. SmugMug has always been the place for photographers to showcase their photography, and we’ve long admired how Flickr has been the community where they connect with each other. We couldn’t stand by and watch Flickr vanish.

    So we took a big risk, stepped in, and saved Flickr. Together, we created the world’s largest photographer-focused community: a place where photographers can stand out and fit in.

    We’ve been hard at work improving Flickr. We hired an excellent, large staff of Support Heroes who now deliver support with an average customer satisfaction rating of above 90%. We got rid of Yahoo’s login. We moved the platform and every photo to Amazon Web Services (AWS), the industry leader in cloud computing, and modernized its technology along the way. As a result, pages are already 20% faster and photos load 30% more quickly. Platform outages, including Pandas, are way down. Flickr continues to get faster and more stable, and important new features are being built once again.

    Our work is never done, but we’ve made tremendous progress.

    Now Flickr needs your help. It’s still losing money. Hundreds of thousands of loyal Flickr members stepped up and joined Flickr Pro, for which we are eternally grateful. It’s losing a lot less money than it was. But it’s not yet making enough.

    We need more Flickr Pro members if we want to keep the Flickr dream alive.

    We didn’t buy Flickr because we thought it was a cash cow. Unlike platforms like Facebook, we also didn’t buy it to invade your privacy and sell your data. We bought it because we love photographers, we love photography, and we believe Flickr deserves not only to live on but thrive. We think the world agrees; and we think the Flickr community does, too. But we cannot continue to operate it at a loss as we’ve been doing.

    Flickr is the world’s largest photographer-focused community. It’s the world’s best way to find great photography and connect with amazing photographers. Flickr hosts some of the world’s most iconic, most priceless photos, freely available to the entire world. This community is home to more than 100 million accounts and tens of billions of photos. It serves billions of photos every single day. It’s huge. It’s a priceless treasure for the whole world. And it costs money to operate. Lots of money.

    Flickr is not a charity, and we’re not asking you for a donation. Flickr is the best value in photo sharing anywhere in the world. Flickr Pro members get ad-free browsing for themselves and their visitors, advanced stats, unlimited full-quality storage for all their photos, plus premium features and access to the world’s largest photographer-focused community for less than $ 5 per month.

    You likely pay services such as Netflix and Spotify at least $ 9 per month. I love services like these, and I’m a happy paying customer, but they don’t keep your priceless photos safe and let you share them with the most important people in your world. Flickr does, and a Flickr Pro membership costs less than $ 1 per week.

    Please, help us make Flickr thrive. Help us ensure it has a bright future. Every Flickr Pro subscription goes directly to keeping Flickr alive and creating great new experiences for photographers like you. We are building lots of great things for the Flickr community, but we need your help. We can do this together.

    We’re launching our end-of-year Pro subscription campaign on Thursday, December 26, but I want to invite you to subscribe to Flickr Pro today for the same 25% discount.

    We’ve gone to great lengths to optimize Flickr for cost savings wherever possible, but the increasing cost of operating this enormous community and continuing to invest in its future will require a small price increase early in the new year, so this is truly the very best time to upgrade your membership to Pro.

    If you value Flickr finally being independent, built for photographers and by photographers, we ask you to join us, and to share this offer with those who share your love of photography and community.

    With gratitude,

    Don MacAskill
    Co-Founder, CEO & Chief Geek

    SmugMug + Flickr

    Use and share coupon code 25in2019 to get 25% off Flickr Pro now.

    Articles: Digital Photography Review (dpreview.com)

  • Video: The crowdsourced winner of MKBHD’s blind smartphone test might surprise you

    Popular tech personality Marques Brownlee has published his latest blind smartphone camera test, this one featuring many of the most popular flagship smartphones from 2019, including the iPhone 11 Pro, Google Pixel 4, Galaxy Note 10+, Huawei Mate 30 Pro, and OnePlus 7T Pro.

    Each smartphone camera was used to capture a basic profile shot of Brownlee in a natural lighting environment in front of a partly cloudy blue sky. Assessments of the results came from public opinion; millions of Instagram and Twitter users were asked to choose which images they thought had the best quality.

    Brownlee reveals the results from these polls in his 2019 blind smartphone camera test video above. The results from the first polling bracket are surprising: the One Plus 7T Pro smartphone, for example, beat the iPhone 11 Pro in the court of public opinion.

    Both the Samsung Note 10+ and the Galaxy S10e took the final two bracket slots, with the Note 10+ ultimately crowned the victor.

    Articles: Digital Photography Review (dpreview.com)

  • Leak claims Apple will use sensor-shift stabilization tech in some 2020 iPhone 5G models

    Taiwanese tech publication Digitimes has published a new report claiming that the 2020 iPhone model featuring 5G network support will feature ‘sensor-shift stabilization technology.’ This alleged new feature will only be available on select iPhone 5G models, according to the report, potentially offering better image quality over models that only feature optical image stabilization.

    Optical image stabilization (OIS) works by shifting the lens whereas sensor-shift stabilization works by shifting the sensor. Though OIS is now a common feature on flagship smartphones, sensor-shift stabilization technology has been largely relegated to dedicated digital cameras, something Digitimes claims Apple will change starting next year.

    Past leaks allege that Apple plans to release four new iPhones in 2020, including cheaper base tier models and more expensive higher-end models. On the high end of that scale, the 2020 iPhone is expected to feature a new 3D camera system for augmented reality applications.

    It’s unclear whether the inclusion of sensor-shift stabilization technology would be limited to these higher-end models and whether the tech will play a role in Apple’s alleged AR ambitions. Digitimes itself has a mixed track record in regards to its consumer gadget leaks, though it has accurately published unreleased iPhone details in the past.

    Articles: Digital Photography Review (dpreview.com)

  • DJI patents land-based vehicle with built-in camera and new gimbal system

    Newly discovered Chinese patents hint at the upcoming launch of two new DJI products, including a gimbal or sorts that looks like a smaller version of the Ronin 2, as well as a motorized vehicle with a built-in camera. The latter product may be a land-based alternative to the company’s expansive drone lineup, giving users a way to surveil an area from the ground and capture new types of action shots.

    The camera car, which DroneDJ says is listed with the term ‘vehicle’ in the patents, resembles a mechanical rover with a camera attached to the top. Based on the patent illustration, the vehicle appears to have large rugged wheels, hinting at a design that may accommodate off-road use, as well as a series of shocks and dampeners to reduce vibrations.

    According to DroneDJ, the patent reveals that the DJI camera car’s wheels can rotate 360-degrees and that the camera’s height can be adjusted.

    Joining the camera car patent is another patent detailing a handheld device that looks like a gimbal similar to the company’s existing Ronin 2 product. The patent refers to this product as a ‘stabilizing device’ that includes a ‘handheld gimbal device.’ The product may feature a removable cage that makes it possible to attach the gimbal to different devices, potentially including the camera car detailed in the other DJI patent.

    Based on the patent, this stabilizer features two handles, a removable camera, as well as physical controls that include a focus wheel and buttons.

    As with any patent, it is possible that DJI will never actually bring either of these products to the market. However, the existence of both indicates the company is exploring an expansion of its product line that’ll appeal to filmmakers and that it may move beyond aerial vehicles to also offer land-based vehicles capable of transporting camera equipment.

    Articles: Digital Photography Review (dpreview.com)

  • News: The Nikon Yellow Program Lets You Try the Nikon Z 50 for 30 Days

    The post News: The Nikon Yellow Program Lets You Try the Nikon Z 50 for 30 Days appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    nikon-yellow-program-z-50-camera

    Nikon has started a program called Yellow, which allows potential customers to try the Nikon Z 50.

    You can get 30 days of use out of the Z 50. And at the end of the trial period, if you don’t like the camera, you can send it back.

    According to Nikon’s website:

    We’re so confident that you’ll fall in love with the photos and videos you’ll get with your new mirrorless Z 50 camera, especially when compared to the ones you get with your smartphone, we’ll let you try one at home for 30 days. If you don’t fall in love, send it back to us for a full refund, including shipping.

    A neat aspect of the program is that Nikon allows you to choose your kit so that you can trial the Z 50 with a 16-50mm VR lens (for $ 999.95 USD), with the 16-50mm lens and a 50-250mm VR lens (for $ 1199.95 USD), or you can just get the Z 50 (for $ 859.95).

    The camera arrives with a charger, a battery, and a memory card, so you’ll have everything you need to start taking photos.

    Now, you will have to be careful when trialing the Z 50, because you’re responsible if the camera comes back to Nikon in anything less than like-new condition. Note that Nikon makes you pay upfront, either in full or in installments through PayPal, so you’ll need to be prepared to hand over money in advance.

    Really, there’s a lot to like about this program with very little to lose; assuming you take care of your camera equipment, you should have no problem trialing the Z50 without risk.

    Of course, the Z50 isn’t a camera for everyone. But it does offer a lot of power in a little, fairly inexpensive camera body: a 20.9-megapixel APS-C sensor, 11 frames-per-second continuous shooting, 4K video, and much more. If you’re a user of full-frame cameras, you’ll probably want to go for one of Nikon’s other mirrorless options (or a Canon, or a Sony, or a Panasonic).

    But if you’re a hobbyist looking to upgrade from a smartphone, a compact camera, or a consumer DSLR, then the Z 50 is definitely worth a look!

    Will you take advantage of this and try out the Nikon Z50?

    The post News: The Nikon Yellow Program Lets You Try the Nikon Z 50 for 30 Days appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Lensrentals breaks down its most-rented photo and video gear of 2019

    As it’s done for the past few years, Lensrentals has rounded up its most-rented photo and video gear of the year, breaking down the most popular cameras, lenses and accessories in rotation.

    The data Lensrentals provides isn’t necessarily valuable for judging the photography industry as a whole, but as noted by a Lensrentals spokesperson in an email to DPReview, it is ‘the largest inventory of photography and cinematography equipment for online rental in the U.S. [and its] annual list has become somewhat of a barometer of the equipment creatives are creating or experimenting with.’

    The full collection of data is available to peruse on Lensrentals’ website, but we’ve rounded up a few key insights worth pointing out.

    First up, these are the top overall rental products for the 2019 year:

    1. Canon 24-70mm f/2.8L II
    2. Canon 5D Mark IV
    3. Canon 70-200mm f/2.8L IS II
    4. Sony Alpha a7 III
    5. Canon 70-200mm f/2.8L IS III
    6. DJI Ronin-S 3-Axis Gimbal Stabilizer
    7. Canon 35mm f/1.4L II
    8. Sony FE 70-200mm f/2.8 GM OSS
    9. Sony FE 24-70mm f/2.8 GM
    10. Canon 50mm f/1.2L

    Year over year, not much has changed. In fact, Canon’s 50mm F1.2L lens, released in 2007, is still in the top ten list more than a decade later and the top three products remain unchanged from last year (although the Canon 5D Mark IV and 70-200mm F2.8L IS II did swap spots). Additionally, the 5D Mark III still remains in the top 25 most rented products, despite being over seven years old.

    As for whether DSLR or mirrorless cameras proved more popular, it turns out it was almost split down the middle. According to Lensrentals, mirrorless and DSLR cameras accounted for 49.78% and 50.22% of rented cameras, respectively. This is a dramatic increase (21%) for mirrorless cameras compared to last year, where mirrorless cameras accounted for just 29% of rentals.

    On the topic of mirrorless, Sony’s E-mount still rules the roost, with 26% of total rentals. Canon’s RF and Nikon’s Z systems remain dramatically behind at 4.91% and 2.26%, respectively, but year-over-year the RF and Z systems have increased rental volume by 600%.

    Below are a few more breakdowns, provided to us by Lensrentals:

    Top five lens rentals by system 2019

    1. Canon EF 45.5% (up 1.5%)
    2. Sony E 23.9% (up 18%)
    3. Nikon F 14% (down 1.5)
    4. Micro Four Thirds 7% (up 9.8%)
    5. Fujifilm X 3.5% (up 14%)

    Top camera rentals by system 2019

    1. Canon EF 36.3% (down 7.5%)
    2. Sony E 27.1% (up 7.4%)
    3. Nikon F 13% (down 8%)
    4. Micro Four Thirds 9.23% (down 7%)
    5. Fujifilm X 4.3% (up 16.7%)

    Top lens rentals by brand 2019

    1. Canon 35.84% (up 5.5%)
    2. Sony 15.4% (up 14%)
    3. Sigma 13.9% (up 17%)
    4. Nikon 8.8% (up 12%)
    5. Tamron 4.3% (up 21.8%)

    Top camera rentals by brand 2019

    1. Canon 36.2% (up 1%)
    2. Sony 26.2% (up 8%)
    3. Nikon 9.7% (up 6.1%)
    4. Panasonic 7.66% (up 2.8%)
    5. BlackMagic 4.8% (up 130%)

    Top five NEW products 2019

    1. GoPro HERO7 Black
    2. Blackmagic pocket cinema camera 4K (the 6K made the top 20 list)
    3. Sony FE 24mm f1.4 GM
    4. Sony Alpha 6400
    5. Nikon Z6

    Overall, things remain mostly consistent, aside from movement within the full-frame mirrorless market, which is still in its infancy for both Canon and Nikon. You can dig deeper into all the information over on Lensrentals’ blog post and check out the 2018, 2017 and 2016 posts as well.

    Articles: Digital Photography Review (dpreview.com)

  • Save up to $100 on Massive dPS Lightroom Presets Bundle

    The post Save up to $ 100 on Massive dPS Lightroom Presets Bundle appeared first on Digital Photography School. It was authored by Darren Rowse.

    dPS Holiday Deals 9

    It’s day 9 of dPS Holiday Deals and today we’re doing a mega deal on our dPS presets.

    Save up to $ 100 now

    You can now get any of our Lightroom Presets Bundles for just $ 19 each. That’s a massive 62% off the regular price, and 67% if you buy them all together.

    Each bundle contains at least 101 presets:

    • 101 Lightroom Presets
    • 101 Landscape Lightroom Presets 
    • 101 Lightroom Portrait Presets 

    There are no duplicate presets amongst these, so you can grab all three knowing that each preset is unique.

    Save 62% on each set of presets or save $ 100 (67%) by buying the mega-set of all 303 presets.

    Check it out before the next deal arrives in less than 24 hours.

     

    PS – Don’t miss out on yesterday’s deal – learn how to “Capture Your Memories with Awesome Video” for just $ 39, save 60%. Check it out here.

    The post Save up to $ 100 on Massive dPS Lightroom Presets Bundle appeared first on Digital Photography School. It was authored by Darren Rowse.


    Digital Photography School

  • Weekly Photography Challenge – Christmas

    The post Weekly Photography Challenge – Christmas appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    This week’s photography challenge topic is CHRISTMAS!

    Weekly Photography Challenge – Christmas

    Aaron Burden

    It’s almost Christmas! OMG! Where did the year go?

    Thanks to everyone who has taken part in the challenges this year – it’s been great fun, and often inspiring to see all your images. And I hope you continue to take part in this coming new year too.

    So, for the last weekly photography challenge of 2019, with the theme of Christmas, you can take photos of anything that has a Christmas feel – portraits by the Christmas tree, with Santa, kids opening presents, or the family enjoying a Christmas feast.

    Image: Mike Arney

    Mike Arney

    Alternatively, you might like to capture the Christmas lights on the tree, or ones around your city or town. Capture a still life of Christmas items, decorations, do some food photography or just capture the overall vibe of Christmas.

    So, check out these inspiring pics, have fun, and I look forward to seeing what you come up with!

    Weekly Photography Challenge – Christmas

    Philippe AWOUTERS

    Image: Chantal DeGaust

    Chantal DeGaust

     

    Check out some of the articles below that give you tips on this week’s challenge.

    Tips for Shooting CHRISTMAS

    5 Ways to Light Your Christmas Tree Portraits This Festive Season

    How to Take Beautiful Bokeh Christmas Images [With 39 Stunning Examples]

    How to Shoot Festive Lights from a Car

    How to Capture Candid Moments This Christmas

    16 Digital Photography Tips for Christmas

    5 Ways to Take More Meaningful Photos This Christmas

    How to Take Photos of Kids with a Christmas Tree Bokeh Background

     

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSchristmas to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    The post Weekly Photography Challenge – Christmas appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Gear of the Year 2019 – Dale’s choice: Laowa 15mm Zero-D

    Photo: Dan Bracaglia

    I feel like I’m stretching the rules a wee bit for my 2019 gear of the year by choosing a lens that was technically launched a couple years ago. However, Venus Optics released the Laowa 15mm F2 Zero-D in Nikon Z-mount and Canon RF-mount this year, and since I’ve been using the Nikon version I’m going to call it a 2019 product.

    Before you protest, let me review the rules for our gear of the year selections:

    1. The gear you enjoyed using most this year.
    2. If there’s any ambiguity, refer to rule #1.

    OK, with that out of the way let’s do this.

    If you’ve been visiting the site for a while you may have noticed that over the past few years I’ve become a keen aurora borealis photographer. No matter how many times I see the northern lights I never get tired of them. It’s addictive, and I mean that in a good way. In the process I’ve experimented with a lot of different gear in an effort to find my ideal kit, and I’m really loving this Laowa lens.

    Processed to taste in Adobe Lightroom.
    ISO 10,000 | 2 sec | F2

    I should clarify what ‘ideal’ means in this context. What it doesn’t mean is absolute technical perfection. I know there are hardcore astrophotographers who care very much about technical perfection, and for good reason, but that’s not me. My goal isn’t to create technically perfect images. It’s to create art, to tell a story, to share a unique experience with others.

    Yes, I want good technical quality, but I also care about factors like weight, cost and my enjoyment when using the equipment. Why? Because like everyone else I have a budget. Also, when I photograph aurora I often carry three cameras (‘carry’ being the operative word), but that means I have to carry three lenses, three tripods, yada yada yada… It starts to add up pretty quickly, so keeping things on the small side is really helpful. My back appreciates it more every year.

    Processed to taste in Adobe Lightroom.
    ISO 5,000 | 6 sec | F2

    One of the advantage of mirrorless cameras with short flange distances is the ability to create smaller lenses at wide focal lengths, and the Laowa leverages this fact. My other favorite lens for this type of work, the Sigma 14mm F1.8, is both larger and heavier.

    In terms of absolute image quality, I think the Sigma 14mm F1.8 – which I picked as my gear of the year a couple years ago – is a bit better. It’s also slightly brighter. The downside? It’s pretty freakin’ big. Three of them in my pack would be noticeably heavier and more crowded than three Laowas; enough so that it matters to me.

    The Laowa 15mm F2 (left) is significantly less bulky than the Sigma 14mm F1.8 (right).

    Another thing I love about this lens is its build quality. I would describe it as feeling dense; despite its all metal construction and small size it’s still a bit heavier than it looks. It reminds me a lot of my old manual focus Nikkors, including the very nicely damped focus ring.

    Speaking of which, it’s entirely manual focus, but I’m shooting the night sky and it’s not like the stars are running an AF test on a bike. (I’m not suggesting Richard Butler isn’t a star in his own right, but you know what I mean.)

    Is it perfect? No. There’s definitely vignetting wide open, and even for a couple stops beyond, but the lens profile in Lightroom does an admirable job of correcting it. If I really needed perfection corner-to-corner that would bother me, but I don’t.

    Processed to taste in Adobe Lightroom.
    ISO 5,000 | 2 sec | F2

    Similarly, there are some minor ‘angel wings’ on stars in the corners due to coma, but all things considered it’s not bad. Fortunately, most people aren’t focused on the stars in my photos, but rather the lights.

    I’ll admit there’s one thing that drives me bat**** crazy. The metal lens hood doesn’t lock into position securely enough, and the slightest bump knocks it out of alignment, which is easy to miss in the dark. This results in some occlusion of the image in a couple corners. I did it by accident a couple times at first, but I’ve trained myself to be ever vigilant.

    Processed to taste in Adobe Lightroom.
    ISO 5,000 | 4 sec | F2

    Some will argue that the wide angle Rokinons are better and even more affordable. Maybe they are, but in my experience it depends a lot on the particular copy you get. For what it’s worth I own two of them, and neither is as good in the corners as the two Laowas I’ve used.

    Is it the best wide angle lens I’ve ever used? No. Do I love using it? Yes. It’s not the right lens for everyone, but it’s certainly a great lens for me, and that’s why it’s my gear of the year.

    Articles: Digital Photography Review (dpreview.com)

  • Win One of Two Great Lenses from Tamron!

    The post Win One of Two Great Lenses from Tamron! appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    Tamron-lens-Competition-2019

    Win a Tamron Grand Prize Tamron 100-400mm (model A035) in winner’s choice of Canon or Nikon mount, and a Tamron SP 35mm (model F012) in winner’s choice of Canon or Nikon mount.

    Over the last several years, here at dPS, we’ve run very some very popular competitions with our partners to give away to lucky dPS readers some of their great photographic products.

    We are lucky enough to be able to do it again this month. For this competition, Tamron is giving away TWO lenses.

    Win one of two Tamron lenses

    These two unique prizes are designed to help every level of photographer create BETTER pictures. Tamron is the world’s most awarded photographic lens line. Each prize will be won by a different dPS reader. Here’s what you could win:

    GRAND PRIZE

    Tamron 100-400mm Di VC USD

    Tamron-lens-Competition-2019

    Tamron 100-400mm Di VC USD

    Our Grand Prize Winner will receive a Tamron 100-400mm Di VC USD Ultra Telephoto Zoom Lens.

    100-400mm Di VC USD Ultra Telephoto Zoom – Value $ 799. Winner’s choice of Canon or Nikon Mount. No Substitutions.

    2nd Prize

    Tamron SP 35mm F/1.8 Di VC USD

    Tamron-lens-Competition-2019

    Tamron SP 35mm F/1.8 Di VC USD

    The 2nd Prize Winner will receive a Tamron SP 35mm F/1.8 Di VC USD with Hi-Resolution across a wide range of focusing distances.

    Tamron SP 35mm F/1.8 Di VC USD – Value $ 599. Winner’s choice of Canon or Nikon. No substitutions.

    Learn a little more about Tamron here: Tamron.com

    How to win:

    To win this competition, you’ll need to:

    • Visit the above lens’ information pages and learn more about the lens’ and their core use.
    • Fill out the ENTRY FORM below and tell us why you’d like to win and HOW you would you utilize your chosen lens. Please note: there is a limit of ONE entry per person.
    • The deadline to enter is January 10th, 2019 11:59 p.m. PST (UTC-8). Comments left after the deadline will not be considered. Do this in the next 21 days, and on January 17, 2020, the team will choose the best two answers, and we will announce the winners in the following days.
    • The winner is responsible for any taxes, tariffs, etc.

    By “best” – we’re looking for you to show an understanding of the lenses and how they will best suit your needs. So, you’ll need to check out the product pages to put yourself in the best position to win. There’s no need to write essay-length comments – but we’re looking to hear what you like about the lens and how it would help your development as a photographer.

    This contest is open to everyone, no matter where you live – but there is only one entry per person. To enter – simply fill out the form below.

    See the competition terms and conditions.

    Image: Focal length: 400mm Exposure: F/6.3, 1/1250sec, ISO 400Tamron Stock Photo

    Focal length: 400mm Exposure: F/6.3, 1/1250sec, ISO 400
    Tamron Stock Photo

    Image: Focal length: 35mm Exposure F/2.2 1/500secTamron Stock Photo

    Focal length: 35mm Exposure F/2.2 1/500sec
    Tamron Stock Photo

    About Tamron

    Disclaimer: Tamron is a paid partner of dPS.

    Entry Form

    Tamron Contest December 2019 Entry Form

    Enter below for your chance to win!
















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    The post Win One of Two Great Lenses from Tamron! appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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