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10 Beginner Tips for Creating Beautiful Images Without an Expensive Camera

24 Jan

The post 10 Beginner Tips for Creating Beautiful Images Without an Expensive Camera appeared first on Digital Photography School. It was authored by Shreyas Yadav.

Beautiful-Images-Without-an-Expensive-Camera

I can’t take beautiful pictures because I have a basic entry-level camera.

My pictures are not looking great, it’s time that I should upgrade to the higher version of the camera.

My images aren’t looking excellent, ummm! I think it is because my camera is not full frame, does not have a high dynamic range and high ISO capability.

I am not getting beautiful images with my DSLR, I should upgrade to Mirrorless camera.

Does this sound familiar to you? Are these types of thoughts stopping you from making great pictures?

Well, I have good news for you.

I am going to show you the exact photography techniques that I use to create beautiful images without an expensive camera.

And the best part is…

These proven techniques work great with any type of camera, such as entry-level DSLR, Mirrorless, and so on.

You can start using these techniques to create beautiful images right away.

Let’s get started.

Here are 10 tips for creating beautiful images without an expensive camera

  1. Rule of thirds
  2. Golden Spiral
  3. Color wheel – choosing opposite colors
  4. Including the foreground object
  5. Patterns
  6. Symmetry
  7. Leading lines
  8. Negative space
  9. Rule of odds
  10. Including the frame

1. Rule of thirds

Let’s start with one of the fundamental ‘rules’ in photography – the Rule of Thirds.

Refer to the image below.

Image: Rule of Thirds – Oriental Dwarf Kingfisher

Rule of Thirds – Oriental Dwarf Kingfisher

 

In this image, the Kingfisher is the main object; hence, I have placed the Kingfisher at the line of intersection.

Divide the frame into nine parts by using two horizontal and vertical lines. Horizontal and vertical lines intersect at four points.

When you are composing the picture, position the main object on a point where horizontal and vertical lines intersect.

If there is a secondary object in an image, try to compose the secondary object where the line intersects.

Note – In your camera, turn the Grid option on. This will enable the Grid display while you photograph your image.

Rule of Thirds will improve your composition significantly and will significantly impact the visual appeal of your image.

2. Golden spiral

The golden spiral (or Golden ratio, Fibonacci spiral or ratio) is a composition technique based on the Fibonacci series. It has been in use from ancient times in arts, sculptures, and architecture. The golden spiral technique is useful in creating beautiful and pleasing compositions in photography, as well.

Check out the below Spiral (Golden Spiral)

Image: Golden Spiral – Crab on the tree

Golden Spiral – Crab on the tree

The main object here is the crab. Hence, I have positioned the crab where the spiral converges.

Place the main object at the smallest rectangle/square. Place the secondary supporting object along with the other rectangles. Try to place the other objects on the spiral curve. The Golden Spiral composition technique will be useful for you to create eye-pleasing compositions.

3. Color wheel

Check out the basic color wheel.

Image: Image courtesy Wikimedia Commons

Image courtesy Wikimedia Commons

For example – red and green or violet and yellow are opposing colors.

One of the best ways to pop up the color in your image is to look for objects with opposing colors. Also, include objects with contrasting colors.

When you include the two opposing colors in an image, the image will look beautiful. This technique you can try with common objects as well. Instead of making an image of everyday objects as it is, photograph the common objects against an opposite-colored background or surroundings.

Here is an image of Red Munia.

Image: Color Wheel – Red Munia bird against green grass

Color Wheel – Red Munia bird against green grass

I had an option to photograph the Red Munia against yellowish-white flowers, blue water of the lake, and green grass. I changed my position to photograph the Red Munia against the green grass.

Here is one more example.

Beautiful-Images-Without-an-Expensive-Camera

Color Wheel – Corynandra flower with yellow and violet color.

 

This is a close-up image of a flower.

At the center of the flower, the color is yellow, whereas the surroundings (stamens) are of violet color. Yellow and violet are the opposite colors on the color wheel. Learn more about color in our Mastering Color Series.

4. Include the foreground object

Beautiful-Images-Without-an-Expensive-Camera

Foreground object – Waterfall and the rocks.

 

Apart from the main object and background, the foreground is an essential part of the image too. Adding a foreground object will give depth to your picture – especially landscape and cityscape images.

In general, most of the images in which we click have the main object and background as a part of an image. Include the object in the foreground. It will add depth to the picture.

An image is two-dimensional. Adding an interesting foreground object will make the image feel more three-dimensional because of the depth.

In the image of a waterfall, I have included rocks in the foreground. Foreground rocks add depth to the picture. Without a foreground object, the waterfall image would have been appeared flat.

5. Patterns

Beautiful-Images-Without-an-Expensive-Camera

An image showing patterns in the rice field.

Image: Patterns of the Utricularia flowers

Patterns of the Utricularia flowers

 

In the first image, I photographed the paddy field during the rainy season. Instead of taking a general view of the rice field, I focussed on the repeating pattern of the rice field.

The second image is of the Utricularia flower, whose flowers bloom during monsoon season. I have photographed the flower from the top. There colors and shape of the flower is repeating in the pattern.

Patterns are a repetition of objects, shapes, or colors. While you are photographing outdoors, you will always find patterns.

There are two effective ways to shoot patterns

1. Photograph a uniform pattern of the objects or shapes

  • Flowers of similar shape and color
  • Historical monuments
  • Farmlands
  • Raindrops
  • People with similar uniform and position
  • Festival images
  • Wildlife moving in the herd such as Zebra, Elephant, Deers and birds

2. Photograph a uniform pattern along with the object which is breaking that pattern

  • Flowers with similar shape and colors along with the flower of different color or cactus
  • Wildlife moving in a herd with one or another different animal or animal moving in the opposite direction

Photographing a similar pattern adds uniformity to the image, whereas, an object breaking a uniform pattern makes the image dynamic.

6. Symmetry

Image: Symmetry of the Hornbills.

Symmetry of the Hornbills.

 

This image is of Malabar Pied Hornbills during the bunting season. Shown here is a male and female hornbill. I was observing the hornbills for some time before taking a photo. As soon as their beaks lined up and both of them appeared in symmetry, I pressed the shutter.

Symmetrical composition is a beautiful way to photograph an object. You can photograph symmetrical objects, reflections in the water, or symmetrical position of the object.

For symmetrical composition, you can choose the main object to be at the center. Keeping the line of symmetry at the center of the frame will make the image symmetries well-balanced.

7. Leading lines

Composition with the main object and leading lines makes for a powerful image. While photographing the main object, use a line that is directing towards it. The leading lines can be streets, compound walls, floors, stairs, trees, or any objects which form a leading line towards your main object.

Image: Leading Lines – Man walking on the road.

Leading Lines – Man walking on the road.

 

In this image, the main subject is a lonely man walking. The leading lines I have used are flowers and the road. This type of composition will have your attention as these leading lines will point your eyes towards the lonely man.

8. Negative space

Beautiful-Images-Without-an-Expensive-Camera

An example of negative Space – Sunbird

Beautiful-Images-Without-an-Expensive-Camera

Negative Space – Sitana Lizard running

 

In the first image, there is empty space in which the sunbird is looking. With the second image, there is space in the direction of the movement of the lizard.

In your images, look where the main object is moving and leave some space in that area. Alternatively, leave some space in the direction they are looking toward. This space is called negative space. Composing with negative space can make for very effective compositions.

You can apply negative space to a wide variety of images too. You can use it for portraits, wildlife, birds, automobiles, cityscapes, etc.

9. Rule of odds

Image: Rule of Odds – Three Chinkaras

Rule of Odds – Three Chinkaras

 

While you compose an image, try to include an odd number of elements in the frame. An odd number of objects can be three, five or seven, etc. With an odd number of objects, the image becomes harmonized and balanced.

On the other hand, an even quantity of objects can add a sense of comparison.

It is not a rule. Still, we perceive images with an odd number of objects as balanced as compared to that of an even number of objects.

In this image of Chinkara, instead of photographing from eye level, I shot the image from a low level. This helped to get the foreground in the picture. Three Chinkaras were moving around. I waited for some time until three of them looked in the same direction. I pressed the shutter as soon as three of them appeared.

With three Chinkaras (an odd number of objects), the image looks balanced.

10. Including the frame

Beautiful-Images-Without-an-Expensive-Camera

Frame – Spotted Deer in the forest.

 

The frame around the main subject adds depth to the image, driving the viewer’s attention towards it. The main object, along with a frame, gives perspective to the picture.

When you photograph an object, compose a frame in the foreground. Include the frame entirely or partially. Both techniques work well. Some of the frames which you can include are tree branches, forest, windows, car windows, architectural buildings, and flowers.

This deer showed up during the beautiful misty morning in the forest. With sunlight in the background, I tried to include forests in the foreground as a partial frame.

A subtle forest frame in the foreground and partially bright sunlight in the background brings this image alive!

Now it’s your turn

I hope these photography techniques will help you to create beautiful images without an expensive camera. Of course, some of these photography “rules” can be broken.

Now I would like to hear from you.

Which of the techniques are you going to try first? Let me know by leaving a comment below.

The post 10 Beginner Tips for Creating Beautiful Images Without an Expensive Camera appeared first on Digital Photography School. It was authored by Shreyas Yadav.


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Spider Holster launches updated Hand Strap and Lens Collar Plate, as well as two new products

24 Jan

Spider Holster, the company best known for its camera-carrying accessories, has launched four new products, including updated versions of its SpiderPro Hand Strap and its Lens Collar Plate. All four products are available from the company’s website now, making it easier to carry around a camera, attach it to tripods and tote around all of your photography accessories.

Most notable among the new products is the company’s new SpiderPro Hand Strap v2, a new version of the camera-carrying strap already offered by Spider Holster. This strap can be used with mirrorless and DSLR cameras, this time featuring Nylon cores for slowly conforming to the shape of the user’s hand.

As well, the updated version can be installed more quickly using a three-snap attachment feature, plus there’s a new Graphite version of the strap made from synthetic Hypalon fiber with a carbon fiber finish. This, Spider Holster explains, is an alternative for customers who don’t want to purchase the leather version. The model is available now for $ 70.

Joining the updated Hand Strap is the new Lens Collar Plate v2, an updated model that can be used to holster a telephoto lens with a tripod collar to the company’s SpiderPro Single and Dual camera-carrying products. The updated version of this product is Arca-Swiss compatible for use with tripods, features a built-in 1/4″-20 thread, built-in hex wrench, as well as a pair of Spider pins and a Spider Tether Bail. The model is available now for $ 55.

Spider Holster has also launched the new Spider Light Z Plate specifically for the Nikon Z6 and Z7 cameras, a model that can be used or without the FTZ Mount Adapter. The Z Plate can be used with any Arca-Swiss tripod in addition to the holster, plus it allows access to the camera’s battery door. The Spider Light Z Plate is currently available to preorder for $ 32.

Finally, Spider Holster has also launched its new SpiderMonkey Ultimate Kit, a bundle that features the entire SpiderMonkey product line, including the SMv2 Tab, Studio Assistant, Rain Cover, rotating and non-rotating Action Grip, Utility Pouch, Backpack Adapter, Bag Strap Clamp and more. With these accessories, users can easily clip a variety of camera gear to belts, backpack straps and bags.

The SpiderMonkey Ultimate Kit is available now in Essentials and Ultimate bundle options for $ 55 and $ 75, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina issues compatibility notice for Nikon Z owners using its F-mount lenses via adapter

23 Jan

Tokina has published a compatibility noticed for Nikon Z-series owners, regarding a few issues the company came across while ‘thoroughly’ testing the functionality of its F-mount lenses when used on Z-series cameras with Nikon’s FTZ adapter.

The notice highlights four lenses that can’t use autofocus with Nikon’s FTZ adapter and one lens that has slightly slower autofocus when used with the adapter.

The four lenses without autofocus functionality are the Tokina AT-X 70–200mm F4 FX VCM-S, Tokina AT-X M100 AF PRO D, Tokina AT-X 107 AF DX NH Fisheye and Tokina AT-X 107 AF DX Fisheye. When put in manual focus mode, however, all of these lenses will work without issue, according to Tokina.

Tokina notes its opera 50mm F1.4 FF lens works when autofocus is on, but notes that when ‘Compared with general conditions depending on aperture value AF speed might be slower.’

Compatibility notice:

Tokina Compatibility Notice for Nikon Z-Series Mirrorless Camera Owners

Thank you for using Tokina products.

We have thoroughly tested all current Tokina interchangeable lenses (Nikon F mount) with the Nikon Z 6, Nikon Z 7 and Nikon Z 50 mirrorless camera using the Nikon mount adapter FTZ.

The results confirm that current Tokina lens models showed no issues in general operations with the following exceptions:

Tokina opera 50mm F1.4 FF Issue: Compared with general conditions depending on aperture value AF speed might be slower. Tokina AT-X 70–200mm F4 FX VCM-S Issue: AF communication error. However, the lens will operate normally in manual focus mode.

Please, note that due to mount adapter FTZ specifications, the following Tokina lenses do not AF but will operate in manual focus mode:

Tokina AT-X M100 AF PRO D Tokina AT-X 107 AF DX NH Fisheye Tokina AT-X 107 AF DX Fisheye

For any question about compatibility of Tokina interchangeable lenses with Nikon Z 6, Nikon Z 7 and Nikon Z 50 mirrorless camera contact us via contact form.

Articles: Digital Photography Review (dpreview.com)

 
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In Appreciation: The LumoPro LP180 [2013-2020]

23 Jan

The LumoPro LP180 is no more.

You could make a strong case that the LP180 was the best manual hot shoe flash ever produced — and maybe that ever will be produced. It was a beast of a flash, with a fluid user interface and features designed specifically for off-camera lighting photographers. Now, it's the last of a bygone era.

Why did it have to die? What made it so good? And what will replace it as the flash of choice for discerning-but-frugal off-camera shooters?

Read more »
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DPReview TV: Fujifilm X-T200 hands-on preview

23 Jan

Fujifilm just announced its newest camera, the X-T200. In this hands-on preview, Chris and Jordan explain how it fits into Fujifilm’s lineup and why they like it.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Sample photos
  • Compared to the X-T100
  • Design and ergonomics
  • Interface
  • Displays
  • Light trails
  • Autofocus and buffer
  • Film simulations
  • Video features
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T200 review in progress

23 Jan

The Fujifilm X-T200 is an inexpensive mirrorless camera that uses the company’s X-mount. It replaces the X-T100, a camera that seemed promising when it was announced, but whose sluggish performance was a big letdown. Thankfully, Fujifilm has put a lot of work into making the X-T200 both more responsive and full-featured.

Key specifications:

  • 24MP APS-C sensor with Bayer color filter and faster readout speeds
  • Updated hybrid autofocus system with 425 phase-detect points
  • Refined ergonomics, lighter body
  • 3.5″, 16:9 fully articulating LCD with 2.76 million dots
  • Easy-to-use touch menus
  • 2.36M-dot OLED viewfinder with 0.62x magnification
  • 8 fps burst shooting
  • New ‘Clarity’ effect
  • Oversampled 4K video with no crop
  • Audio level controls
  • Microphone and headphone inputs (latter via USB-C adapter)
  • New Digital Gimbal and HDR video options

The X-T200 will available in late February for $ 699 body-only or $ 799 with the XC 15-45 F3.5-5.6 OIS power zoom lens. This lens has received some cosmetic changes: the black finish is more matte and the zoom/focus dials have been improved, but it’s optically the same as previous models.

For those looking for an inexpensive prime lens, the new $ 199 XC 35mm F2 might be what your’e after.

The camera itself will come in what Fujifilm calls dark silver, silver and champagne gold.

What’s new and how it compares

While the X-T200’s design has updated, what’s really changed is what’s inside the camera.

Read more

Body, controls and handling

Changes to the design of the camera are both good and bad, but using the X-T200 is similar to that of other Fujifilm cameras.

Read more

First impressions

The X-T200 is what the X-T100 should’ve been, according to DPReview editor Jeff Keller.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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1 Year with the Fujifilm X-T3 – Was It Worth Buying?

23 Jan

The post 1 Year with the Fujifilm X-T3 – Was It Worth Buying? appeared first on Digital Photography School. It was authored by Suzi Pratt.

1-year-with-the-fujifil-x-t3

It’s been just over 1 year since the Fujifilm X-T3 debuted. This popular APS-C mirrorless camera replaced the beloved X-T2, but it also added lots of video features, leading many to declare the X-T3 the best hybrid mirrorless cameras of 2019. After shooting for 1 year with the Fujifilm X-T3, I’ll share my thoughts on the camera in this article.

Why I Chose Fujifilm

Throughout my 10-year career as a professional photographer, I have always reached for a full-frame camera. During the DSLR days, I bounced between the Nikon D700 and Canon 5D Mark III.

When it came time to go mirrorless, I went with the Sony a7R III. As a concert and event photographer, I am often prohibited from using flash and always need the option to shoot at high ISOs. I also value quick, accurate autofocus. In both of those regards, the Sony a7 series made the most sense when I went mirrorless in 2018.

So how did Fujifilm get into the picture? My husband and I jumped into videography together at around the same time. He was attracted to Fujifilm for its film simulations and ergonomics that are similar to film cameras.

When the Fujifilm X-H1 came out, he jumped on it because of its superior video features, including IBIS (in-body stabilization).

As we started shooting videos together, we found it difficult to quickly and accurately match the colors of his Fujifilm to my Sony camera. Since he already had a large Fujifilm lens collection, it made sense for me to simply pick up a camera body so that we could share lenses. So the X-T3 ended up in my hands primarily as a video camera.

1 Year with the Fujifilm X-T3 - Was It Worth Buying?

Ergonomics

If you have never shot with a film camera or Fujifilm camera before, they can take some getting used to. Prior to the X-T3, I had never shot with a camera that wasn’t a full-frame DSLR. It took me a couple of weeks to get used to using the top dials to set my shutter speed and ISO. It took even longer to get accustomed to the aperture ring on the lens.

After a year with the X-T3, I am much more comfortable with its dials and settings, but I dislike the fact that I need two hands to shoot with this camera. On virtually any other DSLR or mirrorless camera, you can adjust all settings using just one hand, making it faster to shoot on the fly.

Fujifilm X-T3 one year later

X-T3 as a video camera

I intended to use the Fujifilm X-T3 primarily as a video camera. Fortunately, those features worked out perfectly, and one year later, the X-T3 is still my favorite for shooting videos.

This camera can shoot 4K video at up to 60 fps in 10-bit 4:2:0 color, and you can select a bitrate of up to 400Mbps for frame rates of 30p and below. That’s a lot of jargon, but it essentially means that the X-T3 is capable of outputting high-quality video footage.

In my experience, the video is razor-sharp, and thanks to Fujifilm film simulations, the colors look stunning straight out of the camera.

The X-T3 offers F-log recording to produce a flat video that can be color graded in post-production. However, film simulations are so good that you don’t need to color grade these videos. Saving time in editing was the main reason that drew me to Fujifilm, and I’m happy to say that it did not disappoint.

Previous Fujifilm cameras omitted essential videography features such as a headphone jack of monitoring audio. Not so with the X-T3. This camera has both a mic jack and headphone jack built into the camera, allowing you to capture high-quality audio. The only thing that this camera is sorely missing is IBIS or in-body image stabilization for capturing steady video. Thankfully, image stabilization is present in many Fujifilm X lenses, but you still need to pop the X-T3 on a gimbal to get ultra-smooth footage.

Image: Fujifilm X-T3 with Fujifilm XF 18-55mm F2.8-4 lens. Focal length 18mm (in 35mm: 27mm), 1/250...

Fujifilm X-T3 with Fujifilm XF 18-55mm F2.8-4 lens. Focal length 18mm (in 35mm: 27mm), 1/250 sec, f/6.4, ISO 320, Aperture Priority

X-T3 as a photo camera

Even though I intended to use the X-T3 for video, I inevitably used it for photography. Thanks to the relatively compact size of the camera, and the accompanying Fujifilm X-Series lenses, the Fuji X-T3 is a solid travel camera.

Also, similar to videos, photo colors look stunning straight-out-of-camera when using film simulations, and you arguably needn’t shoot in RAW to save room on your memory cards.

Autofocus (AF) is vastly improved on the X-T3. The camera offers phase-detect AF with 425 selectable AF points spanning over the entire frame. Continuous autofocus does a great job of locking onto and tracking subjects, and there is also face and eye autofocus that works well.

In continuous shooting mode, the X-T3 can shoot at up to 11 frames per second (fps) using the mechanical shutter, or 30 fps with the electronic shutter. This is a crazy fast speed that rivals top sports photography cameras.

Fujifilm X-T3 one year later

Fujifilm X-T3 with Fujifilm XF 18-55mm F2.8-4 lens. Focal length 18mm (in 35mm: 28mm), 1/180 sec, f/3.6, ISO 800, Aperture Priority

Wish List

I base most of my wish list features on my experiences shooting with full-frame cameras, such as the Sony a7r III, which I think pulls off these features better.

First, is autofocus.

Even though the X-T3 has much-improved autofocus, it isn’t as fast and accurate as Sony’s. Eye autofocus, in particular, is much more effective on Sony.

Second is low light performance.

On my Sony, I’m comfortable shooting at ISO 6400-8000, whereas I won’t push the X-T3 past ISO 4000. To a degree, this isn’t a fair comparison. Full-frame cameras will always shoot a cleaner image at higher ISOs, but there’s always room for improvement.

Finally, the battery life on the Fujifilm X-T3 quite frankly sucks.

I generally need 3 batteries for a full day of shooting on the X-T3, whereas a single battery will get me through 1+ days of shooting with the Sony a7r III.

I understand that increased battery life often results in a larger battery and, therefore, a larger camera, but it would still be a welcome addition. In the meantime, you can increase the battery life by using the Fujifilm battery grip, or you can charge the camera via its included USB-C port.

In Conclusion

All-in-all, you can’t go wrong with the Fujifilm X-T3. It produces incredibly sharp photos and videos with incredible colors straight out of the camera.

The camera and its accompanying lenses are compact and quite durable, especially when considering their price points, which are relatively lower when compared to other camera brands.

There are cameras out there that have better features such as autofocus, but the Fujifilm X-T3 will suit the needs of most photographers out there.

Have you used the Fujifilm X-T3? Have you spent more than 1 year with the Fujifilm X-T3? What are your thoughts? Please share them with us in the comments.

Fujifilm X-T3 one year later

Fujifilm X-T3 with Fujifilm XF 18-55mm F2.8-4 lens. Focal length 18mm (in 35mm: 28mm), 1/90 sec, f/2.8, ISO 2000, Aperture Priority

Fujifilm X-T3 one year later

Fujifilm X-T3 with Fujifilm XF 18-55mm F2.8-4 lens. Focal length 32.9mm (in 35mm: 49mm), 1/60 sec, f/3.6, ISO 2000, Aperture Priority

Fujifilm X-T3 one year later

Fujifilm X-T3 with Fujifilm XF 35mm F2 lens. Focal length 35mm (in 35mm: 53mm), 1/90 sec, f/3.2, ISO 2000, Aperture Priority

Fujifilm X-T3 one year later

Sony A7R III with Sony FE 55mm F1.8 lens. Focal length 55mm (in 35mm: 55mm), 1/60 sec, f/9, ISO 1600, Aperture Priority

 

You may also like:

  • Fujifilm Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR Lens Review
  • Best Fujifilm X-Series Kit for Urban Portraits
  • The Fujifilm X-Pro 3: Marvellous or Mistake?
  • Fujifilm GFX100 Camera Review
  • The Best Fujifilm X-Series Kits for Travel Photography
  • Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You?
  • Gear Review: Fujifilm 50-140mm vs 55-200mm

 

The post 1 Year with the Fujifilm X-T3 – Was It Worth Buying? appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Ricoh unveils HD Pentax-D FA 70–210mm F4 ED SDM WR telephoto zoom lens

23 Jan

Ricoh has announced the HD Pentax-D FA 70–210mm F4 ED SDM WR, a new telephoto zoom lens for its full-frame K-mount DSLR camera systems.

The lens, which strongly resembles the Tamron 70-210mm F4 Di VC USD, is constructed of 20 elements in 14 groups, including three extra-low dispersion (ED) elements and two anomalous dispersion elements. It features a minimum focusing distance of 95cm (3.1ft), a nine-blade aperture diaphragm, uses Pentax’s high-definition (HD) multi-layer coating on its elements and features a weather-resistant design that works alongside Pentax’s weather-resistant DSLR cameras to provide a tight seal against the elements.

Powering the autofocus is a ring-type supersonic direct-drive motor (SDM) and a quick-shift focus system makes it easy to switch from autofocus to manual after the shutter has been half-pressed. The lens measures in at 175mm (6.9in) long, 78.5mm (3.1″) diameter and weighs 859g (1.89lbs) with the lens hood on.

The HD Pentax-D FA 70–210mm F4 ED SDM WR will be available starting February 15, 2020 for an MSRP of $ 1,100.

Ricoh announces compact, lightweight, high-performance telephoto zoom lens for use with 35mm full-frame digital SLR cameras

New HD PENTAX-D FA 70–210mm F4 ED SDM WR provides great portability in a variety of applications, from nature and scenic photography to active fieldwork

PARSIPPANY, NJ, January 22, 2020 – Ricoh Imaging Americas Corporation today announced the HD PENTAX-D FA 70–210mmF4ED SDM WR zoom lens for use with PENTAX K-mount digital SLR cameras. This high-performance telephoto zoom lens features a compact, lightweight body with weather-resistant construction for great portability in a variety of outdoor applications.

Featuring a highly portable design, this high-performance zoom lens covers the image circle of 35mm full-frame digital SLRs, and provides a focal length range of 70mm to 210mm ideal for handheld outdoor photography. A constant f/4 maximum aperture ensures consistent brightness throughout the zoom range and enables increased control over depth of field for selective focus effects. When used with an APS-C-format camera, its focal length range is extended to the equivalent of 107mm to 322mm in the 35mm format. The new lens has a minimum focusing distance of 0.95 meters and a maximum magnification of 0.32 times, providing greater macro coverage than previous models. It also features a Quick-Shift Focus System that enables an instant shift to manual-focus operation after locking a subject in focus during autofocus operation.

This lens is ideal for active field photography in a wide range of outdoor applications including scenic photography, landscape shooting with a beautiful bokeh effect in the fore- and background, close-up photography of animals and plants, and sports and wildlife photography where its outstanding portability really comes in handy.

A high-grade, multi-layer high-definition (HD) coating has been applied to the optical elements of the lens, enabling the capture of high-contrast images with edge-to-edge sharpness and minimizing flare and ghost images. A super-protective (SP) coating, highly repellent to water, grease and dirt, has also been applied to the lens’ front surface, making it easy to wipe off stains or fingerprints.

Pricing and Availability

The HD PENTAX-D FA 70–210mmF4ED SDM WR will be available for sale on February 15, 2020, at www.us.ricoh-imaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1099.95.

Articles: Digital Photography Review (dpreview.com)

 
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Flickr increases Pro subscription price after warning the company is losing money

23 Jan

Flickr has notified its Pro subscribers about a price increase that brings the current annual rate to $ 60, a ten dollar increase over the previous $ 50 annual fee. Customers are also offered other plan options, such as a monthly subscription for $ 7, a three-month subscription for $ 19 and a two-year subscription for $ 118.

The price increase is not surprising in light of CEO Don MacAskill’s impassioned plea for more Flickr Pro subscribers published in mid-December. In it, MacAskill explained that parent company SmugMug didn’t acquire Flickr because it is a wealthy company — in fact, MacAskill says, ‘Flickr was losing tens of millions of dollars a year.’

Despite the work that SmugMug put into Flickr, MacAskill had explained that the company was still losing money and that it needed more of its users to sign up for the Pro subscription. This subscription offers a number of benefits for users, including unlimited storage, ad-free browsing, discounts from partners, access to advanced account states, priority exposure in the service’s Explore section and more.

The price increase went into effect yesterday, on Tuesday, January 21. Existing Pro customers are given the option of immediately renewing their plan at the lower price using a link in the notification email sent to users. In explaining why it decided to increase the price, Flickr points toward MacAskill’s December letter and states that the company ‘cannot continue to operate at a loss.’

Articles: Digital Photography Review (dpreview.com)

 
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How Can You Get Thermal Imaging On A Cell Phone?

23 Jan

Would you like to be able to view and save thermal images using your smartphone,     whether for work or just for fun?  Thanks to technological advances, it is possible today to do this without buying a very expensive dedicated camera. Read on to learn all the options you have to get thermal imaging on your cell phone. To Continue Reading

The post How Can You Get Thermal Imaging On A Cell Phone? appeared first on Photodoto.


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