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Laowa launches new 65mm F2.8 2x Macro APO lens for Fuji X, Canon M and Sony E-mount

25 Jan

Venus Optics has unveiled its latest lens, the Laowa 65mm F2.8 2x Macro APO lens for Fuji X, Canon M and Sony E-mount camera systems. This marks the first macro lens Venus Optics has designed specifically for APS-C mirrorless cameras.

The lens offers a 2:1 magnification ratio and a 100mm full-frame equivalent focal length. It’s constructed of 14 elements in 10 groups, including three extra-low dispersion elements. Venus Optics says the lens was ‘carefully designed to remove both [lateral chromatic aberration and longitudinal chromatic aberration] to an invisible level.’

Below is a collection of sample images provided by Venus Optics:

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It has an aperture range between F2.8 and F22, and features a nine-blade aperture diaphragm. The minimum focusing distance is 17cm (6.7in) and the front filter thread is 52mm. The lens measures in at 100mm (3.94in) long, 57mm (2.24in) in diameter and weighs 335g (11.8oz).

Below is a video review of the lens from photographer Micael Widell:

The Laowa 65mm 2x APO Macro lens is available on Laowa’s website for $ 400. It’s available for Fuji X, Canon M and Sony E-mount camera systems.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Gallery: Winners of the 2019 Travel Photographer of the Year Awards

25 Jan

Winners of 2019’s Travel Photographer of the Year Awards

During an awards evening at the Fujifilm House of Photography in Covent Garden, London, the winners and runners up were announced for Travel Photography of the Year’s (TPOTY) 2019 competition. Over 20,000 images were submitted from 144 countries. Amateur photographer Katy Gomez Catalina is the first-ever Spanish overall winner and the second-ever female overall winner in the 17-year history of the awards.

TPOTY co-founder Chris Coe said: “Judging these awards, whilst arduous with so many excellent images to choose from, is always a joy and it is both exhilarating and stimulating to see the wealth of creativity evident from around the world. This year’s winning entries are outstanding in all categories, elegant and sometimes thought-provoking and gritty. The portfolio from the overall winner Katy Gomez Catalina is beautiful, sensitive and diverse. Only the second-ever female overall winner of Travel Photographer of the Year, Katy is an amateur photographer and a very, very worthy winner.”

The TPOTY awards were judged by an international panel of photography experts including Panamanian double Pulitzer Prize-winner Essdras M Suarez and Lawrence Jackson, a former official White House photographer under the Obama Administration. Winning images can be viewed at Coal Drops Yard, King’s Cross, London from April 7th to May 12th. The exhibition will also appear at the South Transept of Chester Cathedral, in June, and at the Xposure International Photography Festival in Sharjah from September 17th – 20th.

It was incredibly difficult to select 15 images to display on this slideshow. All of the portfolios and individual winning images are nothing short of breathtaking, in this author’s opinion. I highly encourage you to visit TPOTY’s Winner’s Gallery and view them all.

Overall winner, Travel Photographer of the Year 2019: Katy Gomez Catalina, Spain

Credit: Katy Gomez/www.tpoty.com

Photo location: Lake Mutanda, Uganda

Winner’s biography: Born in Ubeda, Spain Katy is an amateur photographer with a doctorate in veterinary medicine. Her job is related to official control in public health, with focus on the interaction between human and animal health. A passionate travel photographer, Katy has visited more than 60 countries, and her images have been exhibited throughout Spain and also in France, UK, Germany, India, Iran and Colombia.

“I look at the world, not only to testify what I see, but mainly, to express a personal perspective, a point of view, an interpretation and not just a representation. My subjects are very varied being travel photography a common link in all my work. The camera has become an inseparable companion, I cannot see the world if it is not through the eyes of a camera, with these images I compose my travel story as a writer with his diary. I do not take pictures for others, but for me, for the pure pleasure of photographing. But, if I can also evoke an emotion in those who view them, my satisfaction is multiplied.”

About this photo: In 1991 the Batwa pygmies were expelled from their ancestral forest territories and now live under the yoke of misery, lost in an environment they do not understand and find it difficult to adapt to.

Gear and specs: Canon EOS 5D Mark II, 24- 105mm lens, f5.6, 1/160s, ISO 200

Winner, Young Travel Photographer of the Year 2019 aged 15-18: Ankit Kumar – India, age 16

Credit: Ankit Kumar/www.tpoty.com

Photo location: Danum Valley in Borneo, Malaysia

Winner’s biography: Ankit Kumar began his journey in photography when he got his DSLR in 2015. Over the last four years, he has had the opportunity to travel to interesting locations in Africa and Europe, where he has taken wildlife and landscape pictures. Winning the Young Travel Photographer of the Year award in 2016 was a turning point in his passion for photography. It ignited in him a thirst for recording wildlife and the changing environment, with an eye towards conservation especially of hunted species and their disappearing world.

Since then, Ankit has won the Asian Geographic Youth Photographer of the Year 2017, was twice Highly Honoured by Nature’s Best Photography Asia in 2017, and Highly Honoured by Nature’s Best Photography in 2018. He is inspired by photographers such as Paul Nicken, Brain Skerry, Beverly Joubert and Keith Ladzinski, who care about the protection of animals and habitats. He also puts his photographic skills to use by supporting charities through an initiative that he, along with his sister have founded, called www.wayto.help.

About this photo: The clouds wrap around the trees in Danum Valley, Borneo.

Gear and specs: Sony A9, 100-400mm lens, f/8, 1/640s, ISO 2000

Winner, Art of Travel portfolio: Paul Sansome, UK

Credit: Paul Sansome/www.tpoty.com

Photo location: Reykjavik, Iceland

Winner’s biography: Paul Sansome is a professional fine art and travel photographer based in the south of England and in Vietnam. His artistic photography is produced to the highest standards and his work, which is released in strictly limited editions, is intended to provide that special focal point. Paul is also an experienced photography tutor and has been leading photography holidays for over 15 years. Destinations have included Italy, Morocco, Kerala and Rajasthan in India, Iceland, Vietnam and Myanmar.

Paul started out as a landscape photographer but says “One of the compelling facets of photography is the diverse range of genres that we are able to give our attention to. I have always enjoyed the challenge of wildlife photography, particularly attempting to photograph birds in flight. More recently, much of my photography has been travel based and here the challenge is to portray the emotion of the subject or to tell a story. One common thread through these genres is that the timing of the shot is critical – a fleeting moment of light in the landscape, a moment of animal behaviour or the flash of emotion on a person’s face.”

About this photo: The mesmerizing modern architecture of the Harpa Concert Hall in Reykjavik, Iceland. This building provides endless photography opportunities both from inside and outside.

Gear and specs: Canon EOS 6D MkII, 15mm F2.8 fisheye lens, f10, 1/60s, ISO 800

Highly Commended, Art of Travel: Ted Lau, Hong Kong

Credit: Ted Lau/www.tpoty.com

Photo location: Pyongyang, North Korea

About this photo: Since the Mass Games resumed in 2018, all the school kids get involved. After months of training, most all of them are near- professional gymnasts.

Gear and specs: Nikon D850, 70-200mm lens, f8, 1/320s, ISO 2000

Special Mention, Art of Travel: Trâ?n Tuâ?n Vi??t, Vietnam

Credit: Trâ?n Tuâ?n Vi??t/www.tpoty.com

Photo location: Ung Hoa, Hanoi, Vietnam

About this photo: A female worker collects bundles of incense in Hanoi, Vietnam.

Gear and specs: Canon 1Dx, 24-70mm lens, f/2.8, 1/1250s, ISO 200

Winner, Endangered Planet portfolio: Alain Schroeder, Belgium

Credit: Alain Schroeder/www.tpoty.com

Photo location: Sibolangit, SOCP Quarantine Centre – Northern Sumatra, Indonesia

Winner’s biography: Alain Schroeder is a Belgian photojournalist. In 1989 he founded Reporters, a well-known photo agency in Belgium. He has illustrated over thirty books dedicated to China, Iran, the Renaissance, Ancient Rome, the Gardens of Europe, Thailand, Tuscany, Crete, Vietnam, Budapest, Venice, the Abbeys of Europe, Natural Sites of Europe, etc. Belgian book titles include Le Carnaval de Binche vu par 30 Photographes, and Processions de Foi, Les Marches de l’Entre-Sambre-et-Meuse.

Publications include National Geographic, Geo, and Paris Match. He has won many international awards including a Nikon Japan award for the Who Will Save the Rohingya series, Travel Photographer of the Year 2017 and a World Press Photo 1st Prize Sport Stories, and participated in numerous exhibitions worldwide.

About this photo: Fahzren the orangutan is undergoing a routine medical check. Fahzren is 30 years old and comes from a zoo in Malaysia where he has lived since he was a baby. His medical condition is fine but he does not have the skills to survive in the wild.

Gear and specs: Fujifilm X-Pro2, 14mm lens, f3.2, 1/140s, ISO 1600

Winner, People & Cultures portfolio: Trevor Cole, Ireland

Credit: Trevor Cole/www.tpoty.com

Photo location: Mundari, Terekeka county, South Sudan

Winner’s biography: Trevor Cole was born in the city of Derry, Ireland, but has lived most of his life outside the bounds of Ireland; in England, Singapore, Togo, Italy, Ethiopia, and Brazil. He returned to Ireland (Donegal) in 2012.

“My photography, together with travel, have become two of my life’s passions. My photography focuses predominantly on culture and landscapes; images which reflect a spatial and temporal journey through life and which try to convey a need to live in a more sustainable world. I seek the moment and the light in whatever context I find myself and endeavour to use my photographic acumen to turn the ordinary into the extraordinary. Capturing inimitable moments today to reflect upon tomorrow. My own ‘take’ as a geographer photographer!”

About this photo: Mundari Camaraderie. The bond between the tribesmen and their animals is reflected in the tribal bond itself. The smoke, fires and dust create a scene which is almost biblical. The symbiotic bond between man and the cattle is a scene to behold.

Gear and specs: Nikon D850, 70-200mm lens, f3.5, 1/125s, ISO 3200

Winner, Best Single Image in a People & Cultures portfolio: Debdatta Chakraborty, India

Credit: Debdatta Chakraborty/www.tpoty.com

Photo location: Kolkata, India

About this photo: On the day of Chhath festival in India, Hindus, mainly the women, perform Dondi, a kind of penance to appease the divinity and thereby praying for a happier future.

Gear and specs: Nikon D750, 24-120mm lens, f5.6, 1/500s, ISO 800

Winner, Thrills & Adventures portfolio: Brian Clopp, USA

Credit: Brian Clopp/www.tpoty.com

Photo location: Dugway Proving Ground – Utah, USA

Winner’s biography: Brian Clopp spent his birthday week in 2019 living amongst the Onaqui wild horses in harsh desert conditions, capturing these stunning images. On recent travels, his hard drive containing a year’s worth of photography was stolen when thieves hacked his rental car, but becoming a TPOTY finalist encouraged him to continue his art.

His portraiture photography subjects include President Jimmy Carter, Ted Turner, Jessie Jackson, James Earl Jones, and more. His work has often been featured as CNN’s Travel Photo of the Day. He is a ‘purist’ photographer who doesn’t edit his shots, striving to capture every setting perfectly.

Brian co-produced the Golden Globe nominated film ‘First They Killed My Father’ directed by Angelina Jolie. He recently completed his directorial debut on a short film about Penelope Stout, the first surviving settler of New Jersey, and the Lenape natives who save her life during a time of war. An Eagle Scout, Brian’s project instilled a collection drive in his small farm town of Cranbury NJ that continues to this day, collecting tens of thousands of winter clothes, hygiene items, and art supplies for the Trenton Area Soup Kitchen. Now, Brian is co-launching The Giving Herb, a wellness CBD company that gives half to charity.

About this photo: To get this shot, I lived amongst the wild Onaqui herd for a week, camping out in a dusty desert environment. Here wild stallions battle dramatically for hierarchy, sending young foals scattering from the melee.

Gear and specs: Nikon D850, 600mm lens, f8, 1/3200s, ISO 640

Winner, Best Single Image in a Thrills & Adventures portfolio: Quanhou Lu, China

Credit: Quanhou Lu/www.tpoty.com

Photo location: Xingjiang, China

About this photo: Transferring animals between pastures can take them on an adventurous route.

Gear and specs: Canon EOS-1DX Mk IIO, 24-70mm lens, f4, 1/320s, ISO 100

Winner, Dusk to Dawn: Sumit Dua, USA/UK

Credit: Sumit Dua/www.tpoty.com

Photo location: Havana, Cuba

Winner’s biography: Sumit Dua is an amateur photographer based in Los Angeles, CA. By profession he is a doctor, and started photography during medical school. Initially his photography was done on a primitive digital camera borrowed from his uncle. “Photography helps me observe the world and find moments that I would otherwise miss. My passion for photography started with an impromptu trip through many regions of India and it still remains my favorite destination to photograph with its vibrant colors and old textures. My other hobby includes magic.”

About this photo: Walking around the streets of Havana after sunset I came across this ordinary scene where two neighbours were chatting. The. Lighting and colours reminded me of the ‘old master’ paintings.

Gear and specs: Canon EOS 5D Mk III, 70-200mm lens, f2.8, 1/100s, ISO 3200

Commended, Dusk to Dawn: Lance McMillan, Canada

Credit: Lance McMillan/www.tpoty.com

Photo location: Blue Pond, Biei – Hokkaido, Japan

About this photo: The larch and silver birch trees within the pond were once living, but are no more – the pond itself was artificially formed years ago as a result of the creation of a dam to protect from the effects of the nearby volcano at Mt. Tokachi. The site is illuminated at night, and the quietness on this chilly evening allowed me time to take in, and photograph, the beauty of the pond.

Gear and specs: Canon EOS 5D Mark III, 35mm lens, 2.8, 2.5 sec, ISO 800

Winner, Oceans, Seas, Rivers, Lakes: Ignacio Palacios, Australia/Spain

Credit: Ignacio Palacios/www.tpoty.com

Photo location: Parque Nacional dos Lenc?o?is Maranhenses, Brazil

Winner’s biography: When it comes to photography and travel, few can rival Ignacio Palacios’ experience, skill, and passion. A third-generation photographer, Ignacio has been honoured with over 100 prestigious photography prizes and awards from around the world and has travelled to over 90 countries in his 22 years career. Born in Spain, Ignacio now calls Sydney Australia home – through his unmistakable Spanish spirit continues to influence his work and define his signature style.

Combining his love of travel and photography has proved a powerful combination, and today Ignacio leads photography tours to incredible destinations around the world. As an AIPP double Master of Photography, Ignacio shares his insight, experience, and technique with his clients to help them find their own success and joy on their photographic journey. Ignacio’s distinct, award-winning style can be defined by his mastery of composition, colour, and light. With his minimalistic style and unique ability to connect with his audience through storytelling. Through his images, Ignacio invites his audience to experience the subject not as how he captured, but how he experienced it, evoking an emotional connection between the viewer, subject and artist. Photography and travel will always be Ignacio’s passion, and he is dedicated to helping others ignite their passion too.

About this photo: A lonely tree survives the elements among the sand dunes. This image was shot from a light plane with the doors off.

Gear and specs: D850, Nikon 70-200mm, f8, 1/1250, 400

People’s Choice award and Winner, Street Life: Robin Young, Malaysia

Credit: Robin Young/www.tpoty.com

Photo location: Old Havana, Cuba

Winner’s biography: Robin Yong is a multi-award-winning travel and commercial photographer, trained by the famous American photographer Jim Zuckerman, the world famous Venetian Masks Florine Houee and Danielle Massart, and legendary Hollywood photographer Greg Gorman. He enjoys traveling to exotic destinations to befriend and photograph the locals. He is best known for his work on the Omo Valley tribes in Ethiopia, the Venetian Masked models in Venice, the Bokator boxers of Cambodia and the Maikos of Kyoto. He calls these works his Travel Portraits, his Art of Travel Medicine. For most of his works, he does not use flash, reflectors or artificial lighting, depending solely on natural lighting alone. The photos are often dramatic, colourful and extremely beautiful. For Robin, every photo must look like a movie poster.

Over the past few years, Robin has quickly become one of the most popular and influential photographers at the Venice Carnevale and within the past few months, Flowers of Ethiopia alone has gathered numerous awards, finalist status and honourable mentions in many International photography competitions, including Alfred Fried Awards, Antu Sente Cup, Australia’s Top Emerging Photographers, International Photography Awards, Hamdan Bin Mohammed Bin Rashid Al Maktoum International Photography Award (HIPA), Istanbul Photo Awards, Moscow International Foto Awards, One Eyeland Awards. The Prix de la Photographie Paris, Sienna International Photo Awards, Tokyo International Foto Awards, Travel Photographer of the Year (TPOTY) Awards, Xposure Awards etc. In just slightly more than two years, Robin’s travel photos have gathered more than 700 awards worldwide.

About this photo: A street scene in Old Havana, Cuba…the contrast of the young and the old, the rebellious and the wise…

Gear and specs: Canon 5DM3, 50mm lens, f/3.2, 1/80s, ISO 100

Winner, TAPSA: Kiran Ridley, UK

Credit: Kiran Ridley/www.tpoty.com

Photo location: Admiralty, Hong Kong

Winner’s biography: Kiran Ridley is an award-winning photographer based in Paris and working throughout Europe and Asia. Most of his work concentrates on news, social political topics and the human experience. Fascinated by people and naturally curious by the human condition, Kiran, is passionate in documenting ongoing situations throughout the world, capturing the human dynamic, seizing the unique moments that humans create, whether in our hopes and dreams, fears or our anger.

After picking up a camera for the first time at the age of 16, he was enthralled at the ability to capture and bear witness to history in the making and to tell the stories of the people within it. There started a journey of learning and discovery, embracing cultures and environments wherever he is, allowing him to blend in and become accepted, capturing distinct and intimate moments of those around him.

Now, his work is published throughout the world including The Sunday Times Magazine, The Times and The Financial Times, The LA Times, The Washington Post, The New York Times, Wall Street Journal, Le Figaro, Le Point, Die Welt, El Pais, Forbes, Observer and Guardian newspapers, Time, Spiegel, Economist Magazine, GQ and Conde Nast amongst many others.

About this photo: A pro-democracy protestor throws a molotov cocktail towards police, setting fire to other protestors during anti-government demonstrations.

Gear and specs: Canon EOS1DX Mark II, 24-70mm lens, f7.1, 1/640s, ISO 1600

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Music

25 Jan

The post Weekly Photography Challenge – Music appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is MUSIC!

daniel-champagne-illawarra-folk-festival-by-caz-nowaczyk

Try to capture the essence of the music. Here, Daniel Champagne performs live at the 2016 Illawarra Folk Festival. His performance is heavily based around his guitar, and I sought to capture that. © Caz Nowaczyk.

Music can cover so many things. You can go out and shoot live performances by musicians, crowds at a gig, or photograph musical instruments or sheet music as part of a still life composition.

They can be color, or black and white. They can be a small part of a wider composition or you can focus in on their fine details – the decision is yours! Try using negative space, or simply capture the action, emotion and atmosphere.

So, check out these pics to give you some ideas, have fun, and I look forward to seeing what you come up with!

2016-illawarra-folk-festival-by-caz-nowaczyk

You can take close ups of instruments and sheet music or capture the action. 2016 Illawarra Folk Festival © Caz Nowaczyk

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting MUSIC

Tips for How to Photograph a Rock Concert or Show

11 Ideas for More Unique Concert Photos

Tips for Doing Concert Photography like a Pro

10 Must-Have Camera Settings for Concert Photography

How to Photograph a Concert From the Cheap Seats [With a Point & Shoot]

Your Guide to Posing Bands in Photography

How to Photograph Bands in Bars – Equipment

 

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSmusic to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Music appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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PBS showcases MIT’s ‘The Polaroid Project’ on the history of instant photography

25 Jan

PBS affiliate WGBH recently took viewers into The Polaroid Project, a new exhibition at the MIT Museum. Described as ‘being at the intersection of art and technology,’ Polaroid revolutionized photography with the launch of its first instant camera in 1947.

The exhibit showcases notable Polaroid photography from past decades, as well as a number of Polaroid instant cameras and instant film packs. Curator Willian Ewing in talking about the technology told WGBH correspondent Jared Bowen:

It was a very small thing you could hold in the hand, but you had to participate in the making of the picture. The thing whirred and clicked. The picture came out and developed slowly. And that was described as magic.

The Polaroid Project Part I will be live until February 23 followed by Part II from March 9 to June 21.

Articles: Digital Photography Review (dpreview.com)

 
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GANPaint Studio uses neural network to ‘paint’ new elements into images

24 Jan

A team of researchers with IBM Research, MIT CSAIL and MIT-IBM Watson AI Lab has launched a new online tool called GANPaint Studio that utilizes a GAN neural network and semantic brushes to ‘draw’ entirely new elements into existing images. In the case of this particular tool, the elements include grass, clouds, brick, doors, trees, sky and domes.

Unedited before image.

As demonstrated in the images above and below, GANPaint Studio is more of a fun demonstration rather than a serious tool for modifying images. The input images are stripped down to a very low resolution when uploaded; the resulting images are clearly edited, though the neural network is capable of some surprisingly realistic edits.

After adding grass, trees and clouds.

In addition to drawing elements into the images, the tool also features an eraser icon that, when clicked, enables the user to erase elements from the input image. This isn’t the first time we’ve seen a demonstration of a neural network capable of producing realistic elements in an image using a basic ‘drawing’ tool.

In March 2019, for example, NVIDIA Research demonstrated a similar tool it calls GauGAN to generate a photorealistic image from a series of crudely painted marks, each mark made to represent types of elements like water, trees and sky. NVIDIA has published a sizeable body of research on AI and its potential for generating photorealistic images.

As for GANPaint Studio, anyone can access the photo editor here; it comes populated with a selection of preloaded images, but users also have the option of uploading their own image. While using the tool, we found that the images need to be at a fairly low resolution, such as 800 x 500, for the editor to successfully upload the input image.

The MIT and IBM researchers have made their research on the project publicly available [Note: This is a 48MB PDF].

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm GF 45-100mm F4 R LM OIS WR will ship in February for $2300

24 Jan

The Fujifilm GF 45-100mm F4 first appeared on the company’s medium format lens roadmap in September 2018 for release in 2020, and it’s now slated to ship in February with a $ 2300 price tag. This weather-sealed zoom covers an equivalent range of 36-79mm and includes image stabilization rated at 5 stops.

The GF 45-100mm is sealed at 11 points to promote dust- and moisture-resistance, and will continue operating in temperatures as low as -10°C (14°F). It weighs 1005g (2.2lb).

You can add it to your GF lens collection in late February for $ 2,299.95.

FUJIFILM INTRODUCES THE FUJINON GF45-100MMF4 R LM OIS WR LENS

Valhalla, New York – January 23, 2020 – FUJIFILM North America Corporation is pleased to announce the launch of the standard zoom “FUJINON Lens GF45-100F4 R LM OIS WR” (hereinafter “GF45-100mmF4 R LM OIS WR”) in late February 2020.

This new lens joins the current family of interchangeable GF Lenses, designed for the GFX large format*1 Camera System and covers some of the most frequently used focal lengths by photographers. The GF45-100mmF4 R LM OIS WR lens has an equivalent focal length range of 36mm and 79mm on a smaller 35mm format system, a maximum aperture of F4 and is a natural fit with two other GF Zoom Lenses–the GF32-64mmF4 R LM WR and the GF100-200mmF5.6 R LM OIS WR. Together, these three lenses provide photographers with a broad range of focal lengths, accommodating a wide range of shooting styles and enabling them to become incredibly versatile and creative.

Combining rugged construction with high-performance optics, GF45-100mmF4 R LM OIS WR is an incredibly versatile lens that is perfect for capturing nature, landscapes, or portraits. Featuring powerful 5-axis image stabilization, one super ED lens element, and a near-silent, high-speed autofocus motor, this is the perfect tool for creating images in challenging and unpredictable situations. Its dust- and weather-resistant construction allows the lens to operate in temperatures down to 14 degrees Fahrenheit/-10 degrees Celsius and its high-resolution performance and wonderfully smooth bokeh will capture the atmosphere of any scene or subject.

Product features:

Astonishing image-resolving power and wide tonal reproduction
The GF45-100mmF4 R LM OIS WR lens consists of 16 elements in 12 groups, including three aspherical elements, one Super ED element and one ED element to effectively control spherical aberration, field curvature and chromatic aberration. This minimizes the negative effects of various forms of aberration, such as luminance shift and color bleeding, to deliver astonishing image sharpness.

Compact and lightweight large format standard zoom
Weighing 2.2lb (1,005g), measuring 5.69in (144.5mm) long, and having a diameter of 3.66in (93mm), the lens is extremely portable and compact despite being a 2.2x zoom for a large format camera system.

Fast, quiet and highly-accurate AF
The use of an Internal Focusing system has minimized the size and weight of the focusing group, which is driven by a linear motor to achieve fast, quiet and highly accurate AF.

Powerful image stabilization
The lens is equipped with five stop image stabilization (CIPA guidelines), allowing
photographers to make the most of the high-resolution sensors found in GFX System
cameras, especially when making images hand-held.

Highly robust design that withstands various shooting conditions
The lens has 11 seals for dust and weather resistance to allow for peace of mind in
tough environments, allowing for operation at temperatures down to 14°F / -10°C.

The GF45-100mmF4 R LM OIS WR lens will be available in late February 2020, at a manufacturer’s suggested retail price of $ 2,299.95 USD and $ 2,999.99 CAD. For more information, please visit https://fujifilm-x.com/en-us/products/lenses/gf45-100mmf4-r-lm- ois-wr/.

*1 An image sensor that measures 55mm diagonally (43.8mm x 32.9mm), providing approx. 1.7 times the area of a 35mm full-frame sensor

Fujifilm GF 45-10mm F4 R LM OIS WR specifications

Principal specifications
Lens type Zoom lens
Max Format size Medium Format (44x33mm)
Focal length 45–100 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Fujifilm G
Aperture
Maximum aperture F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 16
Groups 2
Special elements / coatings 1 ED, 1 super ED, 3 aspherical elements
Focus
Minimum focus 0.65 m (25.59)
Maximum magnification 0.13×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 1005 g (2.22 lb)
Diameter 93 mm (3.66)
Length 145 mm (5.71)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Filter thread 82 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Important Considerations for Great Coastal Photography

24 Jan

The post Important Considerations for Great Coastal Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.

great-coastal-photography

There are few places more exciting to take photos than at the coast. The joy of being by the sea is truly spectacular and an opportunity to capture the ever-changing conditions. Surrounded by rolling waves, soft powdered sands, rugged cliffs, and the truly hypnotic sound of the ocean, great coastal photography can be achieved in any season throughout the year.

There are several important factors you need to consider when capturing images by the coast.

Great Coastal Photography

Antigua, Caribbean. Canon 5DSr, 24-70mm f2.8L II, 24mm, 1/125 sec, f/11, ISO 100, Aperture Priority.

Potential risks: saltwater/corrosion and large, unpredictable rogue waves

The coastline can be dangerous as well as beautiful and commands an element of respect. There are inherent risks to yourself and your kit from the sea. Saltwater from sea spray can harm your lenses and filters and can cause corrosion to your camera, potentially making it irreparable. I suggest bringing a cleaning cloth to wipe away any unwanted saltwater and consider using a rain cover to protect your camera and lenses.

One of the major draws for people when photographing the sea is the waves. It can be very enticing to go and photograph the sea in stormy weather with dramatic light or when large waves occur. 

However, lives have been lost where people have come into difficulty with strong currents or large, unpredictable rogue waves and have even been swept out to sea. 

Be aware of these potential risks, and put safety first when going to photograph the coast. Moreover, never underestimate the sea.

Time of day

Great coastal photography can be achieved at any time of day that you visit the sea and in all weathers. Sunrise or sunset are the best times of day for taking photos along the coast. The light that appears at these times can be magical. You can capture the afterglow of the sun or the coastline as the rays of the setting sun light it.

If you shoot the coast during the day, look for interesting scenes and elements that can make your images more striking.

Image: Cornwall, England. Canon 5DSr, 24-70mm f2.8L II, 24mm, 1/90 sec, f/5.6, ISO 800, Aperture Pri...

Cornwall, England. Canon 5DSr, 24-70mm f2.8L II, 24mm, 1/90 sec, f/5.6, ISO 800, Aperture Priority.

What to shoot

There is always an opportunity to capture interesting coastal scenes. It offers a huge variety of subjects to shoot from views of the seashore and crashing waves to shells, different rock formations, and architecture. This includes lighthouses, piers, and beach huts.

You can use a wide-angle lens to capture a broader view and include several of these elements in your shots or zoom in for pictures of isolated details such as patterns on a rock or shell.

Other interesting subjects you can photograph at the coast include the motion of the sea as it swirls around some rocks, the tide moving in and out and dramatic weather.

Great coastal photography can even include a boat or person in the frame – for example, a person swimming in the sea or walking along the beach.

Great Coastal Photography

Antigua, Caribbean. Canon 5DSr, 16-35mm f2.8L III, 35mm, 1/125 sec, f/11, ISO 100, Aperture Priority.

Atmosphere

Don’t be put off visiting the coast if the forecast isn’t sunny. You can make great coastal photography in almost any weather.

Make the most of overcast conditions by capturing cloudy and moody skies, which can be great for adding atmosphere.

Alternatively, visit the coast in the winter and capture something different such as mist, fog, and seaspray. These conditions can create more drama in your shots and provide a unique look and feel.

Image: Wales. Canon 5DSr, 70-200mm f2.8L III, 70mm, 1/90 sec, f/8, ISO 200, Aperture Priority.

Wales. Canon 5DSr, 70-200mm f2.8L III, 70mm, 1/90 sec, f/8, ISO 200, Aperture Priority.

Mood of your image

One way to capture great coastal photography is to convey a sense of mood in your images. Think about what mood you are trying to demonstrate and how you can add more ambiance to your pictures.

You can create a mood with light or add drama by capturing fast-moving water and crashing waves using a quick shutter speed. The fast shutter will freeze the action.

You can also develop a feeling of tranquility with longer exposures. The blur of the water and subsequent movement can look great.

Great Coastal Photography

Wales. Canon 5DSr, 16-35mm f2.8L III, 26mm, 1/90 sec, f/11, ISO 200, Aperture Priority.

Tide times

Check the tide times and time your visit accordingly. Visit the coast when the tide is low if you want to photograph the sea coming in or at high tide when the sea is out and the beach is more exposed. Be sure to know the tides of the area you are visiting so that you don’t get stranded if the tide comes in.

You can use apps such as Tides Near Me, to keep up-to-date on the tides of the area you are visiting.

Leaving things as you found them

One thing worth mentioning for coastal photography is to leave things as you found them. Remember to keep beaches clean and take all rubbish with you. Also, be careful not to cause any damage to the landscape if you go venturing onto fragile rocks or cliffs so nature can be enjoyed by everyone who visits after you too.

Conclusion

In summary, many photographers are enticed by the sea and return to it time and time again.

For great coastal photography, consider the importance of its risks, the time of day, what you want to shoot, tide times and how to add atmosphere and mood. Now it’s your turn to capture some coastal scenes and share your images with us below.

 

The post Important Considerations for Great Coastal Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.


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DJI expected to release at least 3 new drones in 2020, starting February

24 Jan
The Mavic 2 is suspected to be succeeded by the next-generation Mavic drone.

Last May, DJI made an important announcement: starting January 1, 2020, every drone model weighing over 250 grams will have AirSense Automatic Dependent Surveillance-Broadcast (ADS-B) receivers installed. By identifying helicopters and airplanes nearby, drones equipped with ADS-B sensors will be able to detect obstacles and avoid collisions. It would only make sense that DJI plans on rolling out new models soon, especially after a relatively quiet 2019.

A DJI Mavic 3 was expected by the end of this month. However, according to DroneDJ, invites for an industry release party have yet to be sent out. This is certainly not a promising sign. There are two reasons for this possible delay – the Skydio 2 and Autel EVO II. The latter is the most concerning as it blows the Mavic series out of the water with superior specs including the first consumer-grade 8K camera.

A delay in the Mavic 3 may mean the DJI Mavic Air 2 will be the first consumer-grade model featuring ADS-B technology to be released in 2020. Rumored upgrades to the original Mavic Air include longer battery life, 360º obstacle avoidance, aerodynamic propellers for quieter flights, and improved 4K video with an Ambarella processor.

The Matrice 300 is expected to arrive before the end of February. The Matrice 200 and 210 models are primarily used by search and rescue teams, police forces, and firefighters. The enterprise-grade drones started malfunctioning and falling from the sky, according to a report by the UK’s Air Accidents Investigation Branch. A Matrice 600 is also a possibility toward the third or fourth quarter of this year.

Keep in mind these are only rumors. DPReview has not received any confirmation on new releases for 2020 from our contacts at DJI.

Articles: Digital Photography Review (dpreview.com)

 
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News: Inexpensive Canon RF Lenses are in the Works, Including a 50mm f/1.8

24 Jan

The post News: Inexpensive Canon RF Lenses are in the Works, Including a 50mm f/1.8 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

news-Inexpensive-Canon-RF-Lenses

Earlier this month, Canon announced its intention to produce RF lenses over EF lenses. A Canon Europe spokesperson indicated that the imaging giant would continue to support the EF mount, but that we can expect to see only new RF lenses for the foreseeable future.

For longtime Canon users who haven’t jumped on the mirrorless bandwagon, this is a blow. But for Canon’s mirrorless users, this is excellent news. One of the main reasons to switch to a company like Sony over Canon is the mirrorless lens lineup; Sony’s mirrorless lens development has had a big head start over Canon’s, and Sony now offers dozens of full-frame and APS-C mirrorless lenses.

But with Canon focusing on its RF lenses, we might get to see it close the mirrorless gap.

In fact, it looks as if Canon is already making good on its commitment to the RF mount, especially in the budget lens category. Up until now, Canon has offered very few cheap RF lens options.

Over the twelve months, we might see that change.

According to Canon Rumors, we can expect to see several new low-priced RF lenses announced in the near future, including “at least one…this year.”

This should include some type of pancake lens with an f/2.8 maximum aperture, as well as the possibility of an RF 50mm f/1.8.

While it’s unlikely that Canon’s 50mm f/1.8 could rival the price of the current EF 50mm f/1.8 STM, its good to know that we might have some strong options for consumers.

Thus far, anyone looking for a 50mm lens option (which is great for shooting portraits, street images, and more) would have to settle for the Canon RF 50mm f/1.2L, which currently costs over $ 2000 USD.

But with a cheaper 50mm option, the Canon RF lens lineup should feel much more accessible, even for beginners.

And with some luck, we should see both these new RF lenses before the year is out.

The post News: Inexpensive Canon RF Lenses are in the Works, Including a 50mm f/1.8 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Hands-on with new Fujifilm X-T200

24 Jan

Hands-on with new Fujifilm X-T200

Pitched to us by Fujifilm representatives as ‘an X-A7 with an EVF’ (hey, we’ll take it), the X-T200 is arguably the company’s most compelling entry-level option yet. Offering updates across the board, the X-T200 appears to improve on an already well-featured camera – especially when it comes to autofocus and video.

Click through for a closer look at the new Fujifilm X-T200.

Body and Design

While the X-T200 looks a lot like its predecessor, it’s actually slightly lighter than the X-T100, by 80g (about three ounces). And there are some key differences, ergonomically. For starters, the X-T200 gains a front control dial (around the shutter button), and as you can see in this image, a deep, sculpted grip.

New top-plate controls

From the top, the new control layout is more obvious. The X-T200 inherits the same rather awkward ‘Fn dial’ as its predecessor on the far left (which can be customized to switch between various functions, including film simulation modes and – by default – shutter speed in movie mode), but the X-T100’s small, thin rear control dial has been deleted.

The X-T100’s ‘big top dial and skinny rear dial’ interface has been replaced by a more conventional twin top-dial arrangement in the X-T200, which on balance we prefer.

New sensor

Although it offers the same 24MP resolution as its predecessor, the X-T200 almost certainly borrows its APS-C format sensor from the X-T2, meaning that it offers a more advanced copper-wiring design, capable of up to 3.5X faster data transmission and (Fujifilm claims) greatly reduced rolling-shutter.

Bayer-pattern sensor design

Unlike the X-T2 however, the X-T200 uses a conventional Bayer-pattern design, rather than Fujifilm’s unique ‘X-Trans’ technology, which the company reserves for higher-end cameras. This may result in slightly less detailed JPEGs at standard settings, but has the benefit of making Raw files more manageable across a wide range of Raw processing software.

Continuous shooting

This extra speed pays off in faster continuous shooting. The X-T200 is capable of capturing photos at up to 8 fps with autofocus, which makes it pretty competitive in its class, and compares well even against some more expensive cameras.

This shot shows the X-T200’s fairly pared-down rear control layout, which includes a small but usable joystick for AF positioning, and a fairly substantial rear thumb rest to the upper right of the articulating LCD, where the X-T100’s rear control dial used to live. The two unlabeled buttons to the right of the EVF can be customized.

Updated autofocus

Another consequence of using a new sensor and processor is a major bump in the autofocus capabilities of the X-T200 compared to its predecessor. We weren’t particularly impressed by the performance of the X-T100’s AF system, but the X-T200 looks much more promising, with 425 on-sensor phase-detection AF points (compared to 91 in the X-T100) and updated face and eye-detection.

Viewfinder and LCD

The DSLR-style X-T200 offers a high-quality electronic viewfinder, with 2.36 million dots, and 100% frame coverage. The rear LCD is very large for a camera in this class, measuring 3.5 inches, in a 16:9 aspect ratio, and its 2.76 million-dot resolution is impressive for a camera in this class. As we’d expect, the screen is touch-sensitive, and as you can see it’s also fully articulating.

The rear panel is also brighter than most, hitting a peak of around 1000 nits, with a ‘bright’ mode for use in bright light.

Proper 4K video

A major deficiency of the X-T100 was its video mode, infamous for topping out at an (impressive) 4K resolution but at a (less impressive) frame rate of 15 fps. We’re pleased to see that this has been fixed in the X-T200, which now offers a genuinely convincing-looking video feature set, including un-cropped UHD 4K at 30p and HD capture at up to 120p.

Electronic image stabilization is included for video capture and is available in 4K mode, with just a slight crop. If you plan to move as you shoot, or you’re shooting from an unsteady position, there’s a Digital Gimbal mode in 1080, though this imposes a very heavy crop.

Battery and UHS-I SD card slot

The X-T200 has a single card slot, which supports the UHS-I standard. Under the same door in the base of the camera you’ll also find a NP-W126S battery, with a (CIPA) rated capacity of 270 frames, but up to 450 frames in ‘Economy’ mode.

We’re pleased to see a USB Type-C socket in the X-T200, which supports in-camera charging and data transfer up to USB 3.1 speeds. Videophiles will be very pleased to see that the X-T200 includes a 3.5mm headphone socket (via an included adapter) in addition to an input for an external mic.

What do you make of the new X-T200? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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