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AxisGo is a ‘pro-grade’ water housing for the Apple iPhone

15 Feb

Water housing and accessory makers Aquatech has released its new AxisGo water housing for Apple’s iPhones. The company describes the new housing as ‘professional grade’ and says it can be used in ‘any water conditions, from rough surf to fishing and wakeboarding to a family swim session in the pool.’

The housing is designed for the phone to drop in and then seal tight. It’s rated for a depth of 10 meters (33 feet) and made from polycarbonate, aluminum and marine-grade stainless steel. Glass elements are optically corrected and the whole thing weighs a reassuring 510 grams (18oz).

The AxisGo is available as a basic package but more advanced users can also choose from a variety of grips and mounts, lens ports, accessories and bundle kits that support specific use cases, for example an Action Kit for surfing, wakeboarding or snowboarding,, or an Over-Under Kit, which comes with lenses that help you capture ‘split shots’ above and below the water line.

The AxisGo water housing is available now from $ 199 for a range of iPhone models including the latest iPhone 11 series. More information is available on the Aquatech website.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung details the 108MP camera sensor tech packed in the Galaxy S20 Ultra smartphone

15 Feb

Samsung has published technical details on the 108MP ISOCELL Bright HM1 ‘Nonacell’ image sensor found in its newly launched Galaxy S20 Ultra smartphone. The image sensor features 108-million 0.8?m pixels and a 1/1.33in size, as well as Smart-ISO and Nonacell technologies to produce what Samsung claims are ‘crystal-clear’ and ‘vivid’ 8K videos and high-resolution images.

Nonacell builds upon the Tetracell technology Samsung unveiled in 2017; rather than featuring a 2×2 array like the older tech, the Nonacell features a 3×3 arrays of the same color filter. This allows chunks of nine 0.8?m pixels to be merged into what is essentially a single 2.4?m pixel. This results in more than double the light absorption offered by the Tetracell tech, according to the company.

The downside is that there is a larger gap between pixels recording different colors, meaning that the ‘re-mosaic’ algorithm, that tries to reconstruct what a conventional 1×1 Bayer sensor would have captured, faces a more difficult challenge. So you won’t ever get the lever of color resolution that a conventional 108MP sensor would give.

Other ‘advanced pixel technologies’ like Smart-ISO help produce what Samsung calls ‘ultimate results under any lighting condition,’ including particularly challenging mixed-light environments. The camera’s HDR tech involves assigning exposure lengths to each and every pixel for multiple simultaneous exposures, enabling real-time HDR previews.

Rather than using a mobile processor, Samsung says its sensor directly converts pixels via ‘an embedded hardware IP.’ Other features include electronic image stabilization that uses gyroscope hardware, Super-PD phase-detection tech and up to 3x lossless 12MP zoom that doesn’t require upscaling.

The use of ISOCELL Plus tech, meanwhile, deals with the color interference that would otherwise arise from the Nonacell system, according to Samsung:

As the number of adjoined cells increase, so does color interference, making pixel-binning technologies more challenging, While such difficulties had limited Nonacell to a theory, the HM1 was able to realize the method by adopting Samsung’s ISOCELL Plus technology, which dramatically reduces crosstalk and minimizes optical loss as well as light reflection.

In addition to the 108MP sensor, the Galaxy S20 Ultra model features a 12MP wide-angle camera and a 48MP telephoto camera, 10x Hybrid Optic Zoom and ‘Super Resolution Zoom’ that uses AI for up to 100x zoom. The model’s ‘selfie’ camera, meanwhile, features a 40MP sensor with the ability to ‘shift’ to 10MP with larger pixels for higher quality images captured in low-light settings.

The S20 and S20+ models feature lesser specs with 12MP wide-angle and telephoto cameras, as well as a 64MP telephoto camera. A full breakdown of the camera hardware found in these three smartphone models is available on Samsung’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Topaz Labs will end free upgrades for several products starting in August 2020

15 Feb

Topaz Labs, the software company known for offering free software upgrades, has announced a major change to its business model: customers will have to pay to upgrade several of the company’s products starting in August 2020. The announcement was made by company CEO Eric Yang in a statement on Thursday. Gigapixel AI, DeNoise AI, Sharpen AI and Mask AI are all affected by the change.

Yang explains that offering free major upgrades for its products was a way ‘of acting differently than faceless corporations,’ but that it ultimately had an unwanted effect. By hinging its revenue on new products rather than product upgrades, Yang says, ‘we found that we weren’t focusing as much as we wanted on improving existing products.’

Yang goes on to state:

We ended up with several different products that did similar things, which caused confusion about which tool to use. Although it started out with good intentions, our free upgrade policy ultimately prevented us from delivering the best possible products to you. Make no mistake about it: this situation was 100% our fault. We were not thoughtful enough about aligning our pricing structure with continuous improvement of our products.

Topaz Labs says more than $ 8 million worth of free upgrades were claimed for major new products last year. In 2020, the company will transition to paid upgrades, which will involve paying $ 49.99 for a year of upgrades following an initial first year of free major and minor upgrades. For customers who own multiple Topaz Labs products, the upgrades can be collectively purchased for $ 99.99.

The company says that Mask, Sharpen, DeNoise and Gigapixel will require upgrade licenses this year. Topaz Labs stresses that customers retain access to the products they purchased even if they choose not to purchase software upgrades. ‘Wait until [the upgrade] actually includes something you want to pay for,’ Yang says. ‘This also incentivizes us to make sure that the improvements we do implement are useful enough for you to upgrade.’

Some customers are understandably upset about Topaz’s decision to start charging for upgrades. Yang acknowledges this in his post, stating that it was a hard decision to make. ‘I’m asking you to lock arms with us and walk through this phase of our development by accepting this change,’ he states. Users will soon be able to view how much time remains on their upgrade licenses within their customer accounts.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Pink

15 Feb

The post Weekly Photography Challenge – Pink appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is the color PINK!

Image: Photo by dPS writer, Megan Kennedy © Megan Kennedy

Photo by dPS writer, Megan Kennedy © Megan Kennedy

This is a fun challenge. You can capture the color pink in so many ways. You can use minimalist photography, macro, flowers, landscapes (think pink sunsets, or wildflowers), cityscapes, abstracts or people wearing pink clothing. The pink can be a major part of the composition or be more subtle, like in the portrait below by dPS writer, Matt Murray. There are so many options!

So, check out these pics to give you some ideas, have fun, and I look forward to seeing what you come up with!

Image: Photo by dPS writer, Megan Kennedy © Megan Kennedy

Photo by dPS writer, Megan Kennedy © Megan Kennedy

perfect-macro-photo

Photo by dPS writer, Jaymes Dempsey © Jaymes Dempsey

urban-landscapes-for-portrait-shoots

Photo by dPS writer, Matt Murray © Matt Murray

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting the color PINK

Mastering Color Series – The Psychology and Evolution of the Color PINK and its use in Photography

How to Use Color in Your Photography to Give Your Photos the Wow Factor

How to Use Vibrant Colors in Photography with Great Success

How to use Monochromatic Color to Convey more Emotion in your Photography

Understanding the Basics of Color

Tips for Doing More Spectacular Sunset Photography

 

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSpink to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Pink appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canada Goose’s new Photojournalist Jacket is pricey and full of pockets

14 Feb

Clothing company Canada Goose has launched an incredibly pricey jacket designed specifically for photojournalists. Simply called ‘Photojournalist Jacket,’ this product costs $ 850 and was designed in collaboration with an unnamed photojournalist. The jacket is designed to be water-resistant, capable of withstanding ‘harsh winds’ and suitable for cold climates.

The Photojournalist Jacket is made from Tri-Durance SS three-layer fabric with double-stripe reflective elements to increase the wearer’s visibility at night. Canada Goose reinforced the jacket’s pockets and shoulders with Cordura fabric, the cuffs have hook-and-loop closures and the waist features a drawstring.

The jacket was designed with mid-thigh length for what the company says is ‘added coverage and protection.’ Wearers get a total of eight exterior pockets, including some with double entry and zippers; there are also two interior pockets. The product also features a ‘stowable’ fabric hood that can be adjusted by the wearer.

The Photojournalist Jacket has a Thermal Experience Index (TEI) rating of 1, which means that it falls in the ‘lightweight’ category. The product is intended for use in temperatures ranging from 5C to -5C (41F to 23F). Despite its water resistance and waterproof design, Canada Goose claims this product is still breathable with four-way stretch.

The Photojournalist Jacket is available from Canada Goose now in Black, Navy and Red colors in sizes ranging from small to extra-large for $ 850 regardless of size, a price tag that doesn’t quite reflect the average photojournalist’s salary.

Articles: Digital Photography Review (dpreview.com)

 
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Shutterstock founder Jon Oringer is stepping down from his role as CEO

14 Feb

Jon Oringer, founder of stock image company Shutterstock, has announced plans to step down from his current role as CEO after 16 years. Oringer won’t be leaving the company, however; he’ll transition to a new role as Executive Chairman of the Board. Stan Pavlovsky, Shutterstock’s current President and COO, will take over the role of CEO starting on April 1.

Oringer announced the news in a Medium post on Thursday, explaining that Shutterstock has ‘reached a pivotal juncture in our growth trajectory […] our business has grown and evolved to a point where we could all benefit from a CEO that has a different set of skills than I have.’

Shutterstock was launched in 2003 out of Oringer’s small New York City apartment and the company has managed to be profitable every year since. Pavlovsky joined the company in 2019, bringing what Oringer says is ‘the ideal skill-set and mind-set to take our business to the next level and it is all of these qualities that gave us the confidence to elevate him to COO, President, and now CEO.’

The news comes alongside Shutterstock’s Q4 2019 financial results, which reveal that the company made $ 166.4 million in revenue, a 3% increase over the same quarter in 2018. However, the company’s net income dropped by 63% to $ 20.1 million in 2019. Over the last few years, Shutterstock has seen its market cap drop from a 2014 peak at around $ 3.5 billion down to less than $ 2 billion.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Cyber-Scouting Photo Locations So You Can Get the Best Shots

14 Feb

The post Tips for Cyber-Scouting Photo Locations So You Can Get the Best Shots appeared first on Digital Photography School. It was authored by Rick Ohnsman.

tips-for-cyber-scouting-photo-locations

You’ve saved money to go to that great photo spot, marked your calendar, put in for vacation time, and are already thinking about the photos you want to make. The trouble is, you’ve never been there. Your time will be limited. You want to be able to use it to make pictures, not scouting to find where to go and when to be there for best locations and light. How can you “know before you go?” Welcome to the “Twenty-Twenties,” a time when cyber-scouting photo locations can be the next best thing to being there.

GPS City of Rocks - Idaho

Where is this? You tell me. Cyber-scouting photo locations will teach you how to see before you go, log GPS coordinates, and then get to the specific spot once you’re near. 1/100 – f/11 – ISO 200. Now, plug these coordinates into your browser and tell me where this is – 42°4’55.464″N 113°43’31.974″W

Cyber-scouting?

I thought I’d coined a new term, but a quick Google search proved otherwise.

Many people who are planning trips now “cyber-scout” the internet to pre-plan their journey. Hunters, backpackers, vacation travelers – all kinds of folks have discovered the usefulness of these online tools.

It only makes sense that we, as photographers, tap into the ability to see photos and survey sites we’re planning to visit before we even get there.

My photo buddy Dan and I made a dream-trip a few years ago, photographing New England in the autumn. Living 2,600 miles away in Idaho, it wasn’t like we had much familiarity with the area. As we’d only be there less than a week, scouting once we had “boots on the ground” wasn’t going to be possible.

Wasting time getting lost wasn’t an option either.

Avalanche Falls, Flume Gorge, New Hampshire

Had I not done some cyber-scouting for photo locations before my New England Trip, I’d never have known about Avalanche Falls in the Flume Gorge of New Hampshire. Moreover, I would have never been able to make this shot. 5 seconds, f/20, ISO 200

Dan prefers not to see too many photos of a spot before he goes, concerned it will overly influence what he shoots. He’d rather see it with “new eyes” and create unique compositions.

I can appreciate that viewpoint, but I’m different.

Planning a trip, pre-visualizing the locations, seeing the spots, and anticipating being there is like getting two trips in one. It’s a virtual-reality vacation, plus a real-reality trip where, once I’m there, I already have some familiarity. Different strokes, I guess.

It worked though – I became the planner/navigator, and he just made great shots on the trip. (He’s a much better photographer than I, but that’s another story for another day.)

Pre-Planning a photo trip with Google MyMaps

Once I located locations we might want to go, I plotted everything out using my GPS coordinates and Google MyMaps.

Where to be and when to be there

When asked the secret to his great photos, a famous New York spot-news photographer is thought to have originated this photography quote –

“f/8 and be there.” – Arthur “Weegee” Fellig

The idea is that being at the right location at the right time is more important to make a great photo than all the technical equipment and technique combined. So, when you are planning to photograph somewhere you’ve never been, how do you know what are good locations, and what are good times to be there?

That is precisely the reason for cyber-scouting photo locations.

A GPS primer

Locations can be referred to in many ways. The simplest is the place name. Photographer friends we told about going to New England said a not-to-miss spot was Acadia National Park. Good general information, but how about specific spots?

Okay, “be sure to get to the Bass Harbor Lighthouse,” they said. Traditionally, we might have found the spot with a paper map, written directions, and perhaps some coaching from the locals.

Bass Harbor Head Lighthouse in Google Earth

A search for the Bass Harbor Lighthouse on Google Earth and there you are.

These days we have GPS (Global Positioning Satellite) navigation equipment, in our cars, on our phones, and in many other devices. Any spot on Earth with an unobstructed line-of-sight view to four or more GPS satellites can be precisely defined.

The Bass Harbor Lighthouse is at 44°13’19.27N, 68°20’14.79W.

The first set of numbers is how far north of the equator the place is, the second how far west of the Prime Meridian – unless you’re in the Southern Hemisphere.

Places south of the equator and east of the Prime Meridian have GPS coordinates like this: 33°51’23.68S, 151°12’53.49E. These are coordinates for the Sydney Opera House in Australia.

Copy and paste those coordinates into your web browser, and you’ll bring up a map of those precise spots.

Sydney Opera House GPS coordinates in Google Earth

In the southern hemisphere, the GPS coordinates are slightly different. The Sydney Opera House in Australia is “down under” with coordinates south and east of the Prime Meridian.

We’ll come back to why you want to know this in a bit. In the meantime, stick a pin in that spot while we explore other ways to develop a list of locations you want to visit on your photo trip.

Books

You remember books, right? Those paper things we read before we had computers, tablets, phones, and other devices?

If the spot for your trip is well-known, the chances are good that someone will have written a book about it. For our trip, we picked up “Photographing Acadia National Park,” by Colleen Minuk-Sperry. It turned out to be a great resource.

We later took a workshop with Dave Long of Blue Hour Photo Ventures. Dave has written numerous e-books on great New England photo locations and has included the GPS coordinates of each spot, making cyber-scouting them online and later getting there a breeze.

Find out if there are good books written about your intended photo location.

Location Websites

Do you think there’s a spot no one has written about on a website? 

Guess again. 

Say your boss decides to send you on a business trip to Ittoqqortoormiit, Greenland. (If he does, he might be telling you something). Should you take your camera? 

Where is it, and what’s there? 

Google “Top Photo Spots in Ittoqqortoormiit” and yup, you’ll find photos. You’ll find companies giving photo tours. You’ll find photos on 500px by others who have been there. 

Even though it is one of the most remote places in the world, you can still cyber-scout it and know what you’ll see before you go. (Or I can view the photos a friend of mine in our photo club took when he visited Greenland with noted landscape photographer Art Wolfe. Unbelievable!)

Ittoqqortoormiit, Greenland with Google Earth

Ittoqqortoormiit, Greenland is listed as one of the most remote populated places on earth, yet cyber-scouting photo locations with Google Earth makes it easy to take a “virtual tour.”

My point is, it’s unlikely you’ll find a place anywhere in the world not discussed and pictured on the web. Plugin the GPS coordinates (70.4849752,-21.9729592) for Ittoqqortoormiit (don’t worry if you can’t pronounce it), and off you go, no sled dogs required.

Photo websites

I couldn’t even begin to name all the online sites where photographers post their photos. Cyber-scouting photo locations on such sites can be a virtual tour of the area you plan to visit.

See a spot you like? Make a note of the place name and then search for it. 500px is a favorite place of mine. For our Acadia National Park trip, I found over 7,000 photos. Heck, even for Ittoqqortoormiit, there were 81 photos the night I checked.

Bass Harbor Lighthouse, Flickr

Flickr alone had over 6,000 posted photos of the Bass Harbor Lighthouse when I checked. I think there might have been half of those photographers there the day we visited! Iconic spots have become even more known since the internet.

Another good photo location to check is Flickr. (They had over 1,500 photos of Ittoqqortoomiit when I looked.)

Many of the photos posted there have the GPS coordinates recorded, and with a few clicks, you’re off on your virtual tour.

Come fly with me

What if you could send your “virtual drone” off on a mission cyber-scouting photo locations? That’s pretty much what you have with Google Earth.

“Fly” to a location, see it from different angles, zoom in, look for place names, see photos others have taken there, and get the GPS coordinates.

It’s a great way to scout a spot before going.

Bass Harbor Lighthouse Summer Sunset - Google Earth

Use the emulation mode of Google Earth to enter the date and time, turn on the sun, move the slider and see when and where the sunset will be. On 8/18/20 it will be straight up the shoreline from the lighthouse and set at 7:31 p.m. EDT.

Let’s fly over the Bass Harbor Lighthouse. Which would be the better angle – shoot toward the east or west? What if I want to get the sunset?

If I’m there on a particular date, where will the sun set, and at what time? How will it all line-up? Google Earth can emulate all of that.

Fly to the spot, activate the sunlight slider, enter the time and date you plan to be there, and move the slider to watch how the light moves across the landscape. Cool huh?

The wildcard is what the weather will be when you’re there.

You can anticipate the weather a couple of days out with weather apps. You can decide if you should go or maybe seek an alternate spot.

Another reason for cyber-scouting photo locations is to have a “Plan-B” should the weather not cooperate.

There are also a bunch of good weather apps useful for photographers. Even with all my best scouting, the evening we went to the Bass Harbor Lighthouse, the sunset was a bust with heavy cloud cover. Some things still can’t be totally planned. Still, I thought I made a decent shot, regardless.

Cyber-Scouting Photo Locations - Bass Harbor Lighthouse on a cloudy day

It’s hard to make a unique shot of this location, especially with a few dozen other photographers all standing a few feet apart hoping for a nice sunset. All my cyber-scouting still couldn’t conjure better light. You do what you can.  6 seconds – f/11 – ISO 200

Make your shot different

One problem with going to an iconic photo location is that so many other photographers have probably been there already (you’re likely to find a pack there when you go), and made thousands of shots.

Take advantage of the ability of Google Earth’s fly-over capabilities to look for different compositions. Check the landforms, angles, the way the light falls at certain times of the day, and how you can create different and interesting images.

When you find a spot, “drop a pin.” Note the GPS coordinates, and then you’ll be able to find that unique spot once you’re onsite.

Golden Gate Bridge from Vista Point

If you ride a tour bus and get off at Vista Point, you can make this shot. It’s not bad, but it’s sure not unique. Thousands of tourists get essentially the same shot every day.

Let’s use an example.

If you go to San Francisco, you’re probably going to want to photograph the Golden Gate Bridge. If you ride a tourist bus and do what a jillion other people have done, they’ll stop at Vista Point on the north side of the bridge. Line up with a thousand other photographers (and even more “happy snappers”), and take the same basic shot everyone gets.

Yawn.

Instead, use Google Earth for cyber-scouting the location.

You might learn if you went to Marshall’s Beach over the southwest side of the bridge, you could get a much less-photographed vantage point. With some creativity, good light, and a dose of photographer’s luck, your shot won’t be like the one the folks on the tourist bus will take thousands of times each day.

Cyber-scouting for photo locations - Golden Gate Bridge from Marshalls Beach - Google Earth

Send up your “virtual drone” with Google Earth, “fly” around and you might spot this much more interesting and less photographed vantage point of the Golden Gate Bridge from Marshall’s Beach.

Back on the ground with the Peg Man

Another way for cyber-scouting photo locations is to make friends with the Google Maps “Peg Man.” That’s what some call the little character you can move to a spot and get a virtual POV (Point-of-View) look at the area, much as if you were really there.

Let’s head back to Ittoqqortoormiit, Greenland.

Open Google Maps and search for the place (if you can spell it). If not, perhaps you saved the GPS coordinates – 70.4844397,-21.9701898?

Click on the map that appears in your browser to open Google Maps. Now look for the Peg Man, he’s that little guy at the bottom right of the screen.

Click on him.

If the streets on your map turn blue, you can then click, hold, drag, and drop him on a spot. You will be whisked away to a POV street view of the spot.

You can now “walk” the streets by clicking in the direction you want to go. Have a look around by clicking, holding, and dragging your mouse left and right. Roll the center mouse wheel to zoom in and out.

It’s almost like being there without having to wear a parka.

A virtual walk on the streets of Ittoqqortoormiit with Google Maps

Take a virtual walk on the streets of Ittoqqortoormiit, Greenland by dropping the “Peg Man” in Google Maps. It seems kinda quiet, but then there are only about 450 people who live here in one of the most remote places on earth.

Maybe a more picturesque spot? Let’s go to the Eiffel Tower in Paris, France.

Type that into Google Maps. It’s bit more populated there, right?

Click the Peg Man over this map, and you will not only see the blue-colored streets, but you will also see blue “Photo Spheres.” Click on one of these, and you’ll have a 360-degree panorama where you can really get a look around.

Yeah, it’s a little more crowded than Ittoqqortoormiit, but as you can “tour” the entire city this way, maybe you can find a unique vantage point for a photo not currently done a million times.

Eiffel Tower in Google Maps

Paris is a bit more populated than Ittoqqortoormiit. Enter Eiffel Tower in Google Maps and get this map. From here, drop the Peg Man to roam the streets or click a “Photo Sphere” to see a 360-degree panorama from that spot.

Cyber-scouting photo locations - A Pigeon in my panorama

There’s a pigeon in my panorama! Cyber-scouting photo locations could help you discover when and where to be for this shot. With a long exposure or some skill with the cloning tool, you could also vanish the people. Just watch out for pigeons.

When to be there

I mentioned the two essentials in planning for a great photo:

  1. Knowing where to go, and
  2. Knowing when to be there. 

I’ve covered a few of the tools and techniques for cyber-scouting photo locations – the “where” part of that equation. 

There are other tools that will help you know “when.” 

Photographers know that great light and the specific spot are keys to making an image that goes above and beyond average. Some online tools and apps can help with that too. 

Rather than get into all of those here, let me direct you to another DPS article by author Pete DeMarco, “6 of the Best Smartphone Apps for Travel and Landscape Photography.” In it he discusses:

  1. PhotoPills
  2. The Photographer’s Ephemeris (TPE)
  3. Sun Surveyor
  4. Tide Charts Near Me
  5. Maps.me
  6. Wunderground

About those GPS coordinates

You remember I said to note GPS coordinates? This is a great way to keep track of, map, and use GPS devices to get you to those spots once you are on location.

GPS coordinates into Garmin Nuvi

You may be able to import a .kmz file or can at least manually input your list of location GPS data into your portable dashtop GPS device. Bring it with you on your trip, and you’ll be set to navigate to all your spots.

These articles were written a few years ago, just before my epic New England trip. What proved most useful was transferring my GPS data into my Garmin Navigator dashtop GPS device.

I used transferred the .kmz file, but also learned that it was easy enough to type the GPS coordinates into the device and save them as locations.

I took the Garmin in my suitcase, set it up in the rental car once in Boston, clicked the location we wanted to go to, and bingo…off we went.

The beauty of the Garmin is it worked completely off the satellite, no internet connection required.

I was surprised how often we didn’t have internet availability, even in what seemed only “hills” by a westerners’ perspective.

The lesson learned – don’t count on your phone, tablet, or other internet-required devices for navigation. A stand-alone GPS navigation device (Garmin, Magellan, Tom Tom, etc.), which requires only a satellite connection, is a much more reliable option.

Analog backup

Cyber-scouting photo locations before your trip is a fun way to “see” and know-before-you-go the spots you’d like to photograph.

Electronic GPS devices can be a great way to get to the spots you’ve planned on visiting. But should it all go south, the connections don’t connect, and the power fails, an old-fashioned paper map and a compass is a good “Plan B” to have in your pack.

Just sayin’.

Of course, don’t overlook talking to the locals, or even better, local photographers who know the great spots. Also, hiring a guide can be well worth it, especially if you are in a foreign place.

For now, though, do some cyber-scouting, and get excited about your upcoming photo trip.

When you get back with some awesome images, post a few in the comments section below and tell us about your adventure.

Happy trails.

The post Tips for Cyber-Scouting Photo Locations So You Can Get the Best Shots appeared first on Digital Photography School. It was authored by Rick Ohnsman.


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News: When to Expect Sigma’s Full-Frame Foveon Camera

14 Feb

The post News: When to Expect Sigma’s Full-Frame Foveon Camera appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

sigma-full-frame-fovean-camera

Back in 2018, Sigma announced it would be creating a new kind of camera: an L-mount, full-frame mirrorless body with a Foveon sensor.

In 2019, Sigma gave an update, indicating that the Foveon full-frame body would debut in 2020.

And then, just days ago, Sigma announced that the full-frame Foveon wasn’t even close to production-ready:

As a result of careful and rigorous testing based on the latest development information, however, it has become clear that the launch of such a camera would be infeasible within this year. Still at this point, we cannot say for certain when the full-frame Foveon X3 sensor will be put into mass production.

Unfortunately, it looks like we won’t be seeing the Foveon sensor in a full-frame camera for quite a while, though it’s encouraging that Sigma hasn’t scrapped the project entirely. Of course, only time will tell whether the company meets its end goal of a full-frame Foveon option.

Sigma has created a number of cameras with Foveon technology in the past, including two recent mirrorless bodies that separately feature APS-C and APS-H size sensors (note that APS-H sensors sit between the smaller APS-C and the larger full-frame, 35mm sensors). But Sigma’s only current full-frame digital camera, and only current Sigma full-frame camera to use an L-mount, uses a standard imagining sensor, not the Foveon tech that gets consumers excited.

What is it about the Foveon sensor that’s so special?

To understand this you should also be familiar with standard (Bayer) sensors, which dedicate a single RGB color to each pixel/photosite. Light hits the Bayer sensor, and is filtered into the corresponding photosites: red light enters into red photosites, blue light enters into blue photosites, and green light enters into green photosites.

Then, through a process called demosaicing, the full-sized color image is determined based on the already-existing color data.

Foveon sensors, on the other hand, toss this out the window. Instead of dedicating a single photosite to each color, Foveon sensors capture data for three colors per photosite, resulting in more information captured per pixel and better sharpness overall.

Note that the full-frame Foveon is planned to incorporate the L-mount, and will, therefore, handle L-mount lenses that are produced by Panasonic and Leica, in addition to Sigma’s own L-mount glass.

For now, I recommend keeping an eye out for news regarding Sigma’s new camera. And, if we’re lucky, we’ll have some information before the year is out.

Are you excited about this camera technology? Will you be buying this camera when it is finally released? Share with us in the comments section.

The post News: When to Expect Sigma’s Full-Frame Foveon Camera appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Tamron 35mm f/2.8 Lens for Sony Review

14 Feb

The post Tamron 35mm f/2.8 Lens for Sony Review appeared first on Digital Photography School. It was authored by Suzi Pratt.

 

tamron-35mm-f2-8-lens-review-sony

Hot on the heels of Tamron’s widely successful f/2.8 zoom lenses comes a trio of f/2.8 prime lenses, specifically a Tamron 20mm, 24mm, and 35mm. I recently tested the Tamron 35mm f/2.8 and found it to be a surprisingly fun little lens.

Why surprising? Well, the 35mm f/2.8 may seem like an odd lens at first glance. There are faster versions of this focal length, such as the 35mm f/1.8 and 35mm f/1.4. And for those who shoot with a 16-35mm f/2.8 or 24-70mm f/2.8, this lens might seem unnecessary. However, there are a few clever tricks that the Tamron 35mm f/2.8 lens has up its sleeve to set it apart from the competition.

Tamron 35mm f/2.8 Lens for Sony Review

Tech specs

The official name of this lens is the Tamron 35mm f/2.8 Di III OSD M 1:2 Lens. It is made for Sony E-mount mirrorless full-frame cameras. Affordably priced at $ 349 USD, this is among the cheapest 35mm FE E-mount lens options.

Only Samyang makes a cheaper version.

All other FE 35mm options are over double the price of this Tamron. However, most of them have apertures of f/1.8 or faster.

  • Maximum Aperture: f/2.8
  • Minimum Aperture: f/22
  • Lens Mount: Sony E
  • Format Compatibility: Full-Frame
  • Angle of View: 63° 26′
  • Minimum Focus Distance: 5.9″ / 14.99 cm
  • Maximum Magnification: 0.5x
  • Macro Reproduction Ratio: 1:2
  • Optical Design: 9 Elements in 8 Groups
  • Diaphragm Blades: 7, Rounded
  • Focus Type: Autofocus
  • Image Stabilization: No
  • Filter Size: 67 mm (Front)
  • Dimensions (ø x L): 2.87 x 2.5″ / 73 x 63.5 mm
  • Weight: 7.4 oz / 210 g
  • Price: $ 349 USD

Compact size

Coming in at just 3oz, the Tamron 35mm 2/.8 lens is so lightweight, it may feel as though you forgot to attach a lens to your camera. Its size makes it a great lens for travel or street photography.

Since it isn’t terribly heavy, the lens does have a mostly plastic feel to it. However, the lens is still weather-sealed and even comes with a gasket in the bayonet to prevent moisture and dust from building up.

Tamron also offers a 5-year warranty with all of its products, which should help put your mind that ease.

Fun macro capabilities

Despite its light weight, the Tamron 35mm f/2.8 is a bit chunky – it’s definitely not a pancake lens.

But part of the reason for the lens’ size is its macro capabilities. As noted in the tech specs above, this lens has a minimum focusing distance of 5.9 inches (15 cm) and a macro reproduction ratio of 1:2. This means that you can get really close to your photo subjects for some macro photography fun.

When focusing at a close distance, the bokeh looks amazing, making up for this lens’ f/2.8 aperture.

Tamron 35mm f/2.8 review

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/125 sec, f/5.6, ISO 400, Aperture Priority

Excellent image quality

I paired the Tamron 35mm f/2.8 lens with a Sony A7riii and found the resulting images to be pleasing. The images were sharp with excellent contrast, good bokeh, and just a small amount of vignetting.

The lens also performed well while shooting video. However, there is no image stabilization in the lens, so it is not an optimal choice for video shooters.

Laggy autofocus

After listing several high points of this lens, it’s time to talk about its downfall – autofocus.

Given Sony’s reputation for having fast and accurate autofocus in its cameras, this lens’ autofocus performance was disappointing.

When paired with my Sony A7riii, the Tamron often struggled to focus on both macro and non-macro shots. The autofocus problem worsened in low lighting. As someone with lots of experience with macro photography, I suspect that the slow autofocus is due to the lens’ macro capabilities. So in a way, it’s a trade-off – you can shoot macro with this lens but at the cost of slow autofocus.

In Conclusion

Should you get this lens?

If you are a beginner photographer looking for a compact prime lens to experiment with, the Tamron 35mm f/2.8 would be a great choice. It has a great price point and will help you develop an eye for photography, as the 35mm focal length is often recommended as the best lens for beginners.

Even experienced photographers may prefer this compact lens with macro capabilities for travel or street photography. However, if you often shoot fast-paced subjects or in low light environments, save up for the more expensive, faster versions of this lens.

Have you tried the Tamron 35mm f/2.8 lens? Share with us your thought in the comments section.

Tamron 35mm f/2.8 review

Shot with the Sony a7r iii and the Tamron 35mm f/2.8. Focal length 35mm, 1/1600 sec, f/9, ISO 500, Aperture Priority

Tamron 35mm f/2.8 review

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/500 sec, f/9, ISO 500, Aperture Priority

Tamron 35mm f/2.8

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/200 sec, f/2.8, ISO 4000, Aperture Priority

Tamron 35mm f/2.8

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 3200, Aperture Priority

Tamron 35mm f/2.8

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/50 sec, f/2.8, ISO 800, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 3200, Aperture...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 3200, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/160 sec, f/10, ISO 400, Aperture Pr...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/160 sec, f/10, ISO 400, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 400, Aperture P...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 400, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/640 sec, f/6.3, ISO 400, Aperture P...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/640 sec, f/6.3, ISO 400, Aperture Priority

The post Tamron 35mm f/2.8 Lens for Sony Review appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Canon launches its latest pocket-sized photo printer, the Selphy Square QX10

14 Feb

Although not nearly as exciting as its impending R5 mirrorless camera, the T8i or the 24–105mm F4–7.1, Canon has also announced the release of the Selphy Square QX10, its latest ultra-compact photo printer.

The Selphy Square has a built-in rechargeable battery and uses thermal transfer dye-sublimation to print images up to 68mm x 68mm (2.7in x 2.7in) with 287dpi resolution. The printer is rated for up to 20 prints on each charge, with each print taking roughly 43 seconds from start to finish.

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The printer uses a new square-format ‘sticker-type paper’ Canon is calling XS-20L that has a specialized coating that ‘protects against splashes, spills, and fading for up to 100 years when stored in an album,’ according to Canon.

The Canon Selphy Square QX10 printer is available in black, green, pink and white for $ 150, while 20-pack of paper and ink will set you back $ 15. You can find out more information about the Selphy Square on Canon’s product page.

Articles: Digital Photography Review (dpreview.com)

 
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