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Photoshop Elements 2020 Smile Tool – What it is and How to Use it

16 Feb

The post Photoshop Elements 2020 Smile Tool – What it is and How to Use it appeared first on Digital Photography School. It was authored by Mat Coker.

photoshop-elements-2020-smile-tool

You’ve likely faced that frustrating moment when you can’t get kids or families to smile for a portrait. Maybe it’s even worse and you make people grumpier when you try to take their picture. If you look through your photos and wish there were more smiles, the Photoshop Elements 2020 Smile Tool can help with that.

You can retouch facial expressions and not have to be intimidated by the process anymore. Photoshop Elements 2020 (a simplified version of Photoshop) allows you to put a smile on faces using a simple slider tool.

Let’s look at how this tool works and the best situations to use it.

frown portrait

Photoshop Elements claims that the Smile Tool can turn a frown upside down. Let’s see if it really works that well.

What is the Photoshop Elements 2020 Smile Tool?

Photoshop Elements is a simplified version of Photoshop. Adobe has introduced many automations that make Photoshop’s essential tools easier to use. Photoshop Elements gives you the power of Photoshop without the overwhelming number of complicated features found in the full Photoshop program.

The Photoshop Elements 2020 Smile Tool allows you to easily put a smile on your subjects face using a slider rather than the usual complicated tools.

So, if you’ve made a mess of faces with the liquify tool, this will give you better results!

Before and after editing portrait facial features

It took less than 10 seconds to enhance his smile.

 

Who is the Photoshop Elements 2020 Smile Tool for?

The Photoshop Elements 2020 Smile Tool is for you if you want the power of Photoshop to retouch smiles without the learning curve of Photoshop’s many tools.

If you’re hoping that you won’t have to make people smile anymore because you can “just fix it in post,” this tool isn’t for you.

Think of this tool as an insurance policy. If you fail to make your subject smile for real, there is hope that this tool can help. But you should try your best to get a good smile in the first place.

How does the Photoshop Elements 2020 Smile Tool work?

This tool is very simple to use.

  1. Open your photo in Photoshop Elements 2020.
  2. Go to the Enhance dropdown menu.
  3. Then go to Adjust Facial Features.

Photoshop Elements 2020 Smile Tool

Photoshop Elements will auto-detect your subject’s face.

The Photoshop Elements 2020 Smile Tool is now available as a slider on the right-hand panel.

You’re ready to adjust the overall smile and even make fine detail improvements to the lips, eyes, nose, and face shape.

But before you get too excited, you should keep your adjustments as small and subtle as possible. You can too easily distort a face.

photoshop elements smile tool auto detect

The tool has no problem detecting a face that takes up a significant portion of the frame. But it does have trouble detecting small faces, especially in a group photo.

How well does the Photoshop Elements 2020 Smile Tool work?

Adobe claims that you can transform frowns into smiles. Will it really work that well for you?

Let me give you a spoiler. No, the Photoshop Elements 2020 Smile Tool won’t transform a frown into a smile. At least I couldn’t figure out how to do it.

Photoshop Elements 2020 Smile Tool

I brought up the corners of his lips, which produced only a hint of positivity in his mouth. His eyes have also been enlarged. But how do you remove the furrowed brow? You can’t. It’s too late to fix this smile in post-production. The right moment to fix this smile was the moment the photo was being taken.

 

Photoshop Elements 2020 Smile Tool

Again, even after extensive use of the tool, there is very little difference between these two photos. It takes more than upturning the mouth to make a frowny face look happy.

What if you start with a neutral face?

You can not fix a frown with the Photoshop Elements 2020 Smile Tool. But when you begin with neutral emotion the results are more impressive.

Photoshop Elements 2020 Smile Tool

The first photo looks more serious, while the second has a small smile. Moving the slider too far seemed to produce a very fake-looking smile.

 

Before and after editing a head and shoulders portrait

Again, the tool works well when beginning with neutral emotion and adding a subtle smile.

Sometimes it won’t detect a face

While experimenting with different photos, I discovered that Photoshop Elements will often fail to detect all the faces in group photos. But I found that when I cropped in closer and the faces became more prominent, they could then be detected.

I had to rotate a newborn photo so that Photoshop Elements would detect the face.

Error messages when editing portraits

Perhaps the program can only detect a face when a person is sitting upright.

 

Photoshop Elements 2020 Smile Tool

Rotating the photo allowed the program to detect the face.

 

Photoshop Elements 2020 Smile Tool

But upturning the lips and enlarging the eyes only produced an awkward expression.

Begin with a photo that has potential

The Photoshop Elements 2020 Smile Tool will not turn a frown or awkward expression into a smile. You need to begin with a neutral expression or a small smile if you want the tool to works it’s best.

The human face is too complex and meaningful to transform a deep expression with a simple slider. When it comes to scowls and frowns, the entire face is involved.

Perhaps someday the tool will be able to detect the unique contours and subtleties of the emotions written on our face. But for now, you’ll need to use other magical powers to manipulate the human face.

Yes, you can manipulate the human face without needing Photoshop or any other post-processing software.

How to make people smile for real

Your goal is a portrait of smiling people. You need a plan in order to make that happen.

For most photographers, the plan is to just tell their subject to smile. That’s an okay place to start, but that doesn’t always work.

You may have to confront the fact that you don’t always know how to make people smile or bring out the best in them. Perhaps you even upset people when you’re trying to make them smile.

Here are three ways to help people smile for their photo without simply commanding them (or using Photoshop later on):

  • Energy
  • Comedy
  • Praise

The amount of positive energy that you bring to the session will be reflected back at you. Negative energy will always come back worse, positive energy will always come back better. Do not bring harsh tones and negative energy to your photo sessions.

Comedy makes people laugh. Notice that comedians don’t tell people to laugh, they just say funny things and (most) people laugh spontaneously. Be funny for the people you’re photographing and they will smile.

Happy portrait

People normally have a nice smile in real life but a fake smile for the camera. They need to be praised and told whenever they are showing a good natural smile. That way they know how it feels when they have a natural smile and can produce it for the camera. Also, praise will make them smile even more. Eventually, they’ll smile just because you tell them they have a nice smile.

I’ve learned all this the hard way. As a family photographer, I could make other people’s kids smile but not my own. I made my kids miserable by becoming a dictator when I wanted a photo. Very few people smile when being bossed around by a dictator.

I realized they will smile naturally if I stop barking orders and turn the photo session into a comedy routine. I got far better results as an engaging person.

Dealing with grumpy kids during photo sessions

The result of commanding them to smile.

 

Making kids come alive for portraits

The result of being a comedian.

 

Use it sparingly

The Photoshop Elements 2020 Smile Tool will help put a smile on your subject’s face, but it won’t help you to become a better photographer or the sort of person that makes others happy.

This tool is not for you if you consistently miss smiles and hope to fix them in post-production. I think the solution for all of us is to learn to engage other people and bring out the best in them.

Be thankful for the Photoshop Elements 2020 Smile Tool, but plan to use it in case of emergency. You’ll feel really good letting people know that you don’t have to “Photoshop” the smiles in your photos.

Have you used the Photoshop Elements 2020 Smile Tool? What are your thoughts? Share them with us in the comments.

The post Photoshop Elements 2020 Smile Tool – What it is and How to Use it appeared first on Digital Photography School. It was authored by Mat Coker.


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DPReview TV: Olympus 12-45mm F4 Pro review

16 Feb

The new Olympus 12-45mm F4 Pro lens promises to be a high quality, compact zoom for Micro Four Thirds cameras. Does it live up to the hype?

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  • Introduction
  • Size and weight
  • Livin' la Bokeh LoCa
  • Sunstars
  • Sharpness
  • Compared to the Panasonic GX 12-35mm F2.8 II
  • Minimum focus distance
  • Conclusion

Sample gallery from this episode

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Officials warn Yosemite’s lack of water may spoil annual ‘Firefall’ waterfall event

16 Feb

Photographers hoping to attend this year’s ‘Firefall’ waterfall event at Yosemite may be disappointed. The National Park Service has published an advisory warning that Horsetail Fall, the site of the Firefall event, has ‘little to no water.’

The Firefall event takes place in late February every year, giving photographers the opportunity to capture the Horsetail Fall illuminated with sunlight. During this time, the water turns bright orange and resembles fire or molten rock pouring over the edge of El Capitan in Yosemite Valley.

The lack of water, however, threatens to ruin this event; without water, obviously, there will not be a stream of ‘fire’ to photograph. Assuming the Firefall does happen, it will be visible from February 13 to 27 this year. In order to prevent issues from heavy traffic during this event, Horsetail Fall will have daily restrictions from noon to 7 PM during the aforementioned dates.

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Video: How much does an anti-aliasing filter affect image quality?

16 Feb

Some digital cameras currently on the market don’t have a traditional optical low pass filter (OLPF), or anti-aliasing feature, in front of the sensor. Manufacturers claim this makes images sharper though it comes with an increase in moiré patterns. Does this significantly affect image quality? New Zealand-based wedding photographer Richard Wong wanted to find out. In the video, above, he displays side-by-side comparisons of images taken with similar full-frame mirrorless cameras. One has an anti-aliasing filter while the other leaves it out.

By zooming in on images taken with a Panasonic S1, which leaves the anti-aliasing filter out, and a Panasonic S1H, which contains an OLPF, Wong illustrates some subtle differences. Both cameras boast a 24MP sensor and photos were captured with the same lens, a Lumix S 24-105mm f/4, with an aperture setting of f/8. While it might be easy enough to correct minor flaws in the post-production process for photos, it gets a bit more complicated with video.

Even when zooming in 200%, it’s difficult to tell the difference between the images taken with the two different cameras.

“If there are two cameras out there that are pretty much identical, and the only difference is that one camera doesn’t have the anti-aliasing filter and one has it, if you want to maximize the image sharpness and don’t worry too much about moiré patterns, then definitely go for the camera that doesn’t have the anti-aliasing filter because that will give you the best image sharpness,” explains Wong.

“On the other hand, as you can see from the comparison photo, even when I zoom in and look at the photo side-by-side at 100% zoom level, I can’t really tell the difference,” Wong continues. “I have to zoom in to 200% or 400% before I can actually see the difference between the two photos.”

By zooming in 400% to 800%, differences become more defined. You can see discoloration or false colors on the balcony with the S1 while the S1H is slightly more blurry in the details.

One final note: Wong recommends you watch this comparison video from a full screen instead of a smartphone to see the subtle differences. What do you think? Would it be worth upgrading to a camera like the S1H, which contains an anti-aliasing filter, if you were using it for video as well?

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PiXLIGHT portable speedlight for cameras and smartphones launches on Kickstarter

15 Feb

Photographer Arash Hamidi has launched a Kickstarter campaign seeking funds for PiXLIGHT, an off-camera speedlight with a portable, lightweight design and support for smartphones in addition to cameras. The speedlight system collapses down to a small size when not in use, enabling photographers to pack it in the average photography backpack or most bags.

PiXLIGHT weighs 1.6kg (3.5lbs) and measures 203cm (80in) long when setup with its umbrella, which will be available with six and eight ribs. The modeling LED light has a 2.5s recycle time, attaches to a flexible gooseneck with 360-degree swivel support and is capable of 400 full-power flashes per charge; the battery is user-replaceable.

Other features include support for high-speed sync, more than 15 light modifiers, an angle lock on the tripod, remote control and built-in trigger, Bluetooth for connecting to a smartphone in order to control the light’s settings, standard USB-C charging and a guide number of 58 at ISO 100.

The Kickstarter campaign, which has exceeded its funding goal, is offering the PiXLIGHT with an umbrella, remote, battery and ‘simple bag’ for pledges of $ 249. Other pledge options are also available offering a variety of modifiers without the light, two lights with umbrellas, batteries and a ‘special bag’ and more. Shipping to backers is estimated to start in July.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

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5 Tips For Mastering Contrast In Your Landscape Photos (video)

15 Feb

The post 5 Tips For Mastering Contrast In Your Landscape Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Okay. So you’ve taken your landscape photos and you are back at the computer with your RAW files, ready to start editing in Lightroom. Before you do, you may want to watch this video by Mark Denney, so you can learn 5 handy tips for mastering contrast in your landscape photos.

?

You can achieve varying levels of contrast in a number of ways. See which sliders make the most impact and how they work to boost and drop contrast levels to different degrees. In some scenarios, you may want to enhance contrast, when light is flat, for example. At other times, such as when there are already severe contrasting light levels, where you may need to pare it back.

So check out the video, see how you can use the various sliders in Lightroom and try them out on your images. Then, feel free to share your results with us in the comments section.

You may also find the following interesting:

  • The dPS Top Landscape Photography Tips of 2019
  • 11 Surefire Landscape Photography Tips
  • How to Plan the Perfect Landscape Photo
  • How to Embrace MINIMALISM for IMPROVED Landscape Photos (video)
  • 6 Important Compositional Elements to Consider When Shooting Landscapes
  • Which Landscape Photography Camera Should You Buy?(video)
  • 6 Ways to Easily Improve Your Landscape Photography
  • Living Landscapes
  • Loving Landscapes

The post 5 Tips For Mastering Contrast In Your Landscape Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Opinion: New rules proposed by the FAA are a threat to drone pilots – including photographers

15 Feb

The FAA is proposing new rules related to flying drones in the US, and if you fly drones – including for photography – these rules WILL affect you. In this article, I’ll look at the implications of the proposed rule changes and how you can comment on them before the FAA makes them final.

The day after Christmas, the drone industry was finally gifted the long-awaited Notice of Proposed Rulemaking (NPRM) for the Remote Identification of Unmanned Aircraft Systems (drones), and what the Federal Aviation Administration (FAA) presented was a shock to many commercial and recreational remote pilots, alike. The government agency completely ignored recommendations from all 74 industry stakeholders that make up the Aviation Rulemaking Commitee (ARC), which is concerning.

The drone industry needs Remote ID, the concept that every drone should have a digital license plate, to move forward. Having a uniform system in place to identify unmanned aerial vehicles in national airspace is imperative for the safe operation of every aircraft sharing the skies. It will also enable more complex operations including flights at night, over people, and beyond visual line of sight (BVLOS). Remote ID is a step in the right direction but, unfortunately, the FAA has proposed costly, privacy-violating rules that will at first stifle, and then eventually crush, the potential of a burgeoning industry.

The FAA is proposing new rules related to flying drones in the US, and if you fly drones – including for photography – these rules WILL affect you.

I’m not going to summarize every section of the 87-page (the original was 319) document in one article as it goes far beyond the scope of what most DPReview readers want to digest. Instead, I’ll cover some of the main points of concern and, finally, offer suggestions and resources for leaving an effective comment for the FAA if you’re one of the nearly 1.2 million registered drone users in the U.S. If you’re prepared to make your voice heard, comment HERE.

What will potentially change?

The NPRM proposes that both manufacturers and UAS (unmanned aerial system) operators will be responsible for meeting Remote ID requirements. The main purpose is to connect a UAS with its owner. Capabilities are divided into two categories – “Standard Remote ID” and “Limited Remote ID.”

  • Standard Remote ID ‘would be required to broadcast identification and location information directly from the unmanned aircraft and simultaneously transmit that same information to a Remote ID USS (UAS Service Supplier) through an internet connection.’ Most flights would be conducted under these terms.
  • Limited Remote ID ‘would be required to transmit information through the internet only, with no broadcast requirements; however, the unmanned aircraft would be designed to operate no more than 400 feet from the control station.’
New rules under consideration by the FAA would have wide implications for drone operators in the US, including a requirement to broadcast personally identifying information when flying.

Let’s pause for a moment and acknowledge that a drone will need a SIM card to operate under these new guidelines. Leading carriers such as AT&T, Verizon, and T-Mobile charge between $ 10 and $ 20 per month to add a device like a tablet or smartwatch to your data plan, so we can probably expect similar costs for a drone. If you’re operating more than one UAS, like many small businesses and some hobbyists, this adds up quickly. Major carriers also have gaps in the data coverage they provide. Many rural areas don’t get any signal, which will effectively limit where drones can be operated.

Key data, including the control station’s latitude, longitude, and altitude can be accessed by anyone from takeoff to landing, not just law enforcement. This is concerning because the general public will know exactly where a remote pilot is operating. If someone gets angry or doesn’t understand the nature of drone operations, they could easily harass or even attack the pilot. What’s more, the FAA estimates the remote pilot will be paying an additional fee of $ 2.50 per month to be connected with a USS.

The general public will know exactly where a remote pilot is operating. If someone gets angry or doesn’t understand the nature of drone operations, they could easily harass or even attack the pilot.

Drones need to be equipped with Remote ID in order to comply with the above draconian restrictions. The FAA is confident that most commercial aircraft can easily be outfitted to meet new requirements. Where things get especially cost-prohibitive involves equipping hobbyist or ‘amateur-built’ unmanned aircraft with Remote ID capabilities. The FAA doesn’t provide a solution for an affordable Remote ID kit. This means any UAS that is at least 50% constructed by a person will either need an independent solution constructed by that builder (a process that could potentially cost upwards of tens of thousands of dollars) or it will be restricted to an ‘FAA-approved identification area’ or FRIA.

Remote pilots have 12 months to suggest areas where drones can operate without Remote ID. The issue is many of these designated areas could be located tens to hundreds of miles away from your front door. There will likely be a charge similar to the Academy of Model Aeronautic’s (AMA) $ 75 current annual membership fee. Speaking of, the FAA also wants to overhaul the current registration process by requiring hobbyists individually register each drone instead of as a pilot. Some hobbyists own dozens of model aircraft. At $ 5 a piece, registration fees could potentially add up to hundreds of dollars.

What can you do?

The FAA is gathering comments from the public until March 2nd. The good news is, officials are required to read each and every one submitted by the deadline. However, if you take the AMA’s terrible advice, cut and paste one of their boilerplate comments into the form, and pass it off as your own, it will be disregarded. Unfortunately, I’ve already seen too many of the 12,000+, and counting, comments start off with ‘I am writing in response to the FAAs notice of proposed rulemaking on remote identification of unmanned aircraft systems (UAS). I am deeply concerned…’ Please, do not do this. Take the time to craft an original response.

Image shared with permission from Ryan J. Latourette

As I mentioned earlier, I am basically summarizing some of the more pertinent concerns this NPRM brings up. If you’re looking to leave an impactful comment, I highly recommend checking out this in-depth resource from Pilot Institute. Skyward, a drone operations management platform, has a group of policy experts answering common questions in a webinar scheduled for Tuesday, February 18th. Joining drone-related Facebook Groups and forums and asking for guidance is another avenue to pursue, especially if reading and interpreting a lengthy legal document feels like a cure for insomnia.

It’s important to remember that this is a proposal. Nothing has been finalized. This is why every person that flies commercially, or for fun, must comment. It will still take the FAA several years to implement any changes. The more we, the public, can convince them that drones are beneficial, and provide viable alternatives to what has been suggested for Remote ID, the better chance we have of devising solutions that will work out for everyone.

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Olympus 12-45mm F4 Pro sample gallery (DPReview TV)

15 Feb

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The DPReview TV team recently traveled to Costa Rica where they had an opportunity to shoot with the new Olympus 12-45mm F4 Pro lens. Check out their sample images in this gallery and see how it performed.

View sample gallery

Watch DPReview TV test the Olympus E-M1 Mark III in Costa Rica

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DPReview TV: Olympus 12-45mm F4 Pro review

15 Feb

The new Olympus 12-45mm F4 Pro lens promises to be a high quality, compact zoom for Micro Four Thirds cameras. Does it live up to the hype?

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Size and weight
  • Livin' la Bokeh LoCa
  • Sunstars
  • Sharpness
  • Compared to the Panasonic GX 12-35mm F2.8 II
  • Minimum focus distance
  • Conclusion

Sample gallery from this episode

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Loupedeck+ review

15 Feb

What is it?

Like its Loupedeck predecessor, the Loupedeck+ is a $ 250 editing console for various post-production programs. Originally designed with Adobe Lightroom Classic in mind, the Loupedeck+ has improved and expanded upon the original version to offer an improved tactile experience that lets you edit photos, videos and even sound using dedicated dials, knobs and wheels.

In addition to providing dedicated dials for color correcting and fine-tuning images and video, the Loupedeck+ editing console also serves as a great culling tool, with dedicated buttons for rating, flagging and sorting images before you ever start editing. In short, the Loupedeck+ tries to bring a more tactile approach to editing your content and eschews the on-screen sliders for an array of what seems like infinitely customizable controls.

What’s new

As its name suggests, the Loupedeck+ is a second-generation device, a successor to the original Loupedeck. While its external dimensions and overall shape have remained essentially unchanged, it does offer several improvements.

The first and most noticeable improvement is the build quality. The frame, as well as the various dials, knobs and keys, have been upgraded to create a more sturdy feel. The ‘clicks’ of the dials and knobs feel much less wobbly than the original Loupedeck and the overall tactile feedback is much more pleasing.

The ‘clicks’ of the dials and knobs
feel much less wobbly

The buttons have also received an update, although they’re still a bit too ‘mushy’ for my liking. I would love to see a version with mechanical switches compared to the membrane switches currently used, but that would likely increase the cost and size of the device, so it’s not a dealbreaker.

Aside from physical details, Loupedeck has also updated its accompanying software for the Loupedeck+. It not only offers more customization options than before, it also supports many more programs, including Premiere Pro, Aurora HDR, Adobe Audition, and others.

Design

At first glance, the design of the Loupedeck+ is a little overwhelming. It almost feels as though you’ve been thrown into the captain’s seat of a commercial airliner with all of the buttons, dials and knobs available to you.

Thankfully, so long as you’re familiar with the program you’re using the Loupedeck+ with, it doesn’t take too long to get the hang of. For the majority of my time with the Loupedeck+, I used it alongside Lightroom. It took a few days of looking down at the editing console, then back up at my screen to ensure I was making the right adjustment, but within a week of using the console, I was able to make adjustments on the fly without looking.

In Use

Although the Loupedeck+ is compatible with several programs (listed below), I mainly tested it out with Adobe Lightroom Classic. As such, my thoughts only address the user experience with Lightroom Classic.

The Loupedeck+ proved to be an incredibly valuable tool once I managed to set up the customizable controls to my liking (a process I also divulge below). Much like the original Loupedeck, it made culling, sorting and editing photos much easier than having to go through each slider in the Develop dialog and tweak it with my mouse.

Furthermore, using the Loupedeck+ made it possible to process photos in full-screen mode, making it easier to edit photos on smaller displays more precisely. Changes are slightly delayed when using full screen mode, compared to editing directly within the Develop module, but it wasn’t delayed enough to make the process any more difficult.

One detail I would’ve liked to see added is the ability to assign specific macros to the customizable buttons. Yes, there are plenty of built-in options (almost too many), but I would love to be able to add keyword groups to images with the tap of a button or two.

Software

While the Loupedeck+ hardware is a pleasure to use, the secret sauce of the editing console lies in the software. As previously noted, Loupedeck has not only dramatically improved support for existing programs in the form of more customizability but also added support for several new programs. As of writing this review, the Loupedeck+ can be customized to work with the following programs:

  • Adobe Lightroom Classic
  • Adobe Photoshop CC with Camera Raw
  • Adobe Premiere Pro CC
  • Capture One
  • Adobe After Effects CC
  • Final Cut Pro X
  • Adobe Audition
  • Skylum: Aurora HDR

The Loupedeck plug-in itself is a bit convoluted on first glance. Between the sheer number of buttons, dials and knobs available on the board and the ability to further customize each one with the included Function (Fn) button, the options are seemingly infinite.

So infinite, it seems, that there’s a good chance any amount of time the Loupedeck+ might save me in editing down the road was very likely taken up during my customization setup. From dedicated crop ratios and user presets to fine-tuning the integrated HSL sliders, there’s hardly anything you won’t be able to tweak and customize within the Loupedeck plug-in with Lightroom. Other programs are more limited, as integration isn’t nearly as tightly-knit, but even outside of Lightroom, the Loupedeck+ console goes much further than your average macro combo.

I think the initial onboarding process could be a little easier for the plug-in, but this tool is meant for the power-user, and anyone familiar with more advanced features shouldn’t have too much trouble getting up to speed.

Bottom Line

The Loupedeck+ editing console is a substantial update over its predecessor. The build quality is better (particularly in regards to the dials/knobs/keys), it’s a bit more compact, and the additional buttons provide even more functionality than before.

It’s not necessarily cheap at $ 250, but considering how much time it saved me in just a few months of using it, it’s clear it will more than pay for itself in the long run, based on time alone (not to mention frustration).

I would’ve liked to see, at the very least, a detachable USB-C cable or, better yet, a completely wireless version with Bluetooth and a built-in battery. But aside from that, I don’t have many complaints. It gets consistent updates, has a solid partnering app and brings a fantastic tactile editing experience to the digital creative workflow.

What I like:

  • Great array of buttons, dials and knobs
  • Dedicated HSL scroll wheels
  • Looks fantastic on the desk
  • Great software that makes the hardware shine
  • Consistent software updates

What I don’t like:

  • No USB-C
  • Cable isn’t detachable (or wireless if I’m allowed an additional complaint)
  • Matte finish shows wear and scratches easily

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