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How to Use Pattern and Repetition in Photography Effectively

06 Mar

The post How to Use Pattern and Repetition in Photography Effectively appeared first on Digital Photography School. It was authored by Lily Sawyer.

How to use pattern and repetition in photography feature image

One of the many ways we can make images more creative is to utilize pattern and repetition in photography. To beginners in photography, this may sound a little daunting, but trust me, it’s not.

All it takes is to train your eye to look for them in everyday objects and situations. They are everywhere around us if we only take the time to slow down, stop, and look a little closer.

DPS How to use pattern and repetition in photography by Lily Sawyer – Black and white image of dew drops on string
Nikkor 105mm f/8 SS 1/250 ISO 400

But first, let’s talk about what pattern and repetition contribute to our images other than an injection of creativity. Even the slightest hint of pattern and repetition in photography adds a sense of dynamics to the image. You can see many images of detailed pattern and repetition in photography that I have written within the context of developing an eye for detail, here.

What do pattern and repetition contribute to an image?

Photo by Lily Sawyer – A picture of a field taken through a wire fence.
f/8 SS 1/250 ISO 200

1. Heightened interest

DPS photo by Lily Sawyer – Sun Rays shing through dark clouds over the water
f/8 SS 1/200 ISO 800

Pattern and repetition no doubt raise the level of interest in photographs with the space they occupy in the frame and the dynamic and rhythm they bring into that space. With pattern and repetition, what would have been a flat image with little going on, becomes a space of visual activity.

In the photo above, the cloud pattern is rather abstract, dense, and fills the frame. But pair this with the repetitive pattern of the sun’s rays, and your eye immediately stops and is invited to linger and look closely.

2. Hold attention

DPS How to use pattern and repetition in photography by Lily Sawyer – checkered pattern and staircase
Left: f/8 SS 1/200 ISO 400 Right: f/5.6 SS 1/160 ISO 200

Pattern and repetition in photography hold the viewer’s attention by using strong repetitive elements. The patterns can keep the eye anchored or move it around an image using line.

The centered composition of the image above-left anchors the eye straight away whilst also making it look further towards the horizon.

The checkered black and white pattern brings the eye back to this foreground space to explore more.

3. Direct gaze

photography by Lily Sawyer
Left: f/11 SS 1/250 ISO 100 Right: f/8 SS 1/125 ISO 100

Once the image holds that attention, you want the attention to stay, linger for a while and live the space. This is precisely what pattern and repetition do. Effective use of both, invite the eye to move around the frame and scrutinize the parts that made the image great. Or in the very least, takes the viewer on a visual journey.

In the photo above, the angle I shot this photo from provides a leading line. It makes the eye stop at the strong vertical block on the right and look towards the left.

Where to find pattern and repetition

We live in a world saturated with them! From natural objects and phenomena to man-made structures, we are surrounded by pattern and repetition.

1. Nature

Photography by Lily Sawyer – water ripples
f/4 SS 1/80 ISO 2000

Pattern and repetition are around in great abundance. Take nature, for instance, it is brimming with activity at all times. When we care to stop and look, we see innumerable patterns and countless repetitions.

This could be obvious pattern and repetition, for example, the wake patterns created by waves from a sailboat, various types of cloud formations, raindrops on a washing line, mussels on the beach, birds flying in formation, sand dunes, surfing waves, or trees in a forest. It could be symmetrical and asymmetrical designs in nature like shells and fossils, florals, veins on leaves, snowflakes… the list is endless.

DPS How to use pattern and repetition in photography by Lily Sawyer – Dewdrops on a string and seashells on a beach
Left: Nikkor 105mm f/8 SS 1/250 ISO 400 Right: f/11 SS 1/800 ISO 100

To add to that list, there are subtle forms of pattern and repetition in nature too – like grass growing in a field, the night sky, close-up corals, converging gentle ripples, the effect of the wind, smoke, and haze just to name a few.

DPS How to use pattern and repetition in photography by Lily Sawyer – grass tussels with beach in the background
f/4 SS 1/500 ISO 100

2. Human-Made

Similar to a wake of waves from a boat, you can see contrails or vapour trails from aeroplanes. They may look like clouds but they are actually condensation trails resulting from the changes in air pressure in the sky and, therefore, can be arguably nature and human-made.

More easily recognizable patterns and repetition made by people include architectural forms and structures, sculptures and installations, floors and wall tiles, mosaics, shadows, light beams and lasers, and many other objects.

DPS Photography by Lily Sawyer –  interior building archway
f/5.6 SS 1/60 ISO 1000

3. Create it yourself

The search for pattern and repetition in photography doesn’t have to stop there! As a matter of fact, we can create it ourselves. This shot below has been created using a very slow shutter speed while popping the flash several times as the subjects moved.

Read this article on how I achieved this double exposure in camera.

DPS How to use pattern and repetition in photography by Lily Sawyer – multi-exposure of people in black and white
Experiment between f/8 – f/16, ISO 100 – 400, Shutter 2 seconds to bulb

I created the photo below using an iPhone lit up in the dark and shot it with a very slow shutter speed. This is also called dragging the shutter but without the use of flash and is a way of painting with light too.

DPS Photography by Lily Sawyer – light painting with an iphone
Shutter set on bulb for about 10 seconds or so, f/11, ISO 400

Now that we have some ideas on where to look for pattern and repetition, let’s look at how to use them effectively to strengthen our images.

How to use pattern and repetition in photography to add strength

1. Composition

The key to any image is its composition. Perhaps it’s using the rule of thirds or a centered composition. It may be symmetrical or asymmetrical. There are many factors in composition and you can read more about mastering it here.

DPS How to use pattern and repetition in photography by Lily Sawyer – Patterned windows
Left: f/2.8 SS 1/160 ISO 400 Right: f/5.6 SS 1/200 ISO 100

2. Use color and contrast

By placing the colors in specific areas of the frame, you can strengthen your image immensely. On the image below-left, by positioning the strongest color red and it’s shadowed contrast and light contrast off-center to the left (and again off center diagonally downwards), the image takes on a dynamic look.

Compare this to the image below-right, which although has 3 strong colors of the same tonal values, lacks the light and shadow contrast. The red image has a much stronger impact.

DPS How to use pattern and repetition in photography by Lily Sawyer – Light shining through large windows creating a pattern
Left: f/5.6 SS 1/160 ISO 400 Right: f/5.6 SS 1/160 ISO 800

3. Use forms and shapes

To create pattern and repetition in photography, use dynamic forms and shapes like spirals, curves, triangles, cubes, and other angular shapes, are key to emphasizing the dynamics in a space and heightening its interest level.

In the image below-left, although there are many things going on in terms of repetitive lines, there are not as many acute angles of these lines and shapes compared to the image on the right. The image on the left is a three-dimensional space and the image on the right is a flat floor, yet it is much more dynamic.

DPS How to use pattern and repetition in photography by Lily Sawyer – patterned floor and interior
Left: f/4 SS 1/200 ISO 400 Right: f/4 SS 1/125 ISO 2000

4. Use leading lines

Concentric lines, spirals, zigzags, waves, and diagonals are easy to use lines that lead the eye to various places in the frame. In the image below, which has no other subject but the lines themselves, there is still a sense of movement and interest despite the lack of additional colors and strong contrast. You can read more on leading lines here.

DPS photography by Lily Sawyer – circles repeated in wood
f/4 SS 1/125 ISO 2000

5. Use perspective

Photographing from an angle as opposed to a straight-ahead, same-level shot also accentuates pattern and repetition. The images below are high up and full of lines. The addition of the love angle adds more depth to the image. Changing your perspective makes you see things from a new angle and in a new light.

DPS How to use pattern and repetition in photography by Lily Sawyer – patterned interior roofs
Left: f/5.6 SS 1/125 ISO 1200 Right: f/4 SS 1/100 ISO 3200

Conclusion

In this article, we have seen how using pattern and repetition in photography is an easy way to improve our images. All it takes is to look more carefully at the world around us and incorporate these elements into our images using some basic photography principles.

DPS How to use pattern and repetition in photography by Lily Sawyer – dewdrops on lines in balck and white
Nikkor 105mm f/8 SS250 ISO 400

What’s more exciting, is that you can also create your own images using pattern and repetition!

Now it’s time to get those creative juices flowing, and go and make your own!

DPS Photography by Lily Sawyer – multi exposure of people against a patterned backdrop
Experiment between f/8 – f/16, ISO 100 – 400, Shutter 2 seconds to bulb

Do you have any other tips for using pattern and repetition in photography?

Also, we’d love to see your images of pattern and repetition, so please share them with us in the comments section.

The post How to Use Pattern and Repetition in Photography Effectively appeared first on Digital Photography School. It was authored by Lily Sawyer.


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5 Reasons You Should Still Use a DSLR in 2020

06 Mar

The post 5 Reasons You Should Still Use a DSLR in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

5 Reasons You Should Still Use a DSLR in 2020 Feature Graphic

In recent years, mirrorless cameras have come to dominate much of the photography market. So much so that, if you’re a DSLR shooter, you may feel like you’re lagging behind. You may feel like you’re using old, antiquated equipment. You may start saving up for that brand-new mirrorless kit. But should you still use a DSLR in 2020?

Here’s the thing:

While mirrorless cameras may be all the rage these days, there’s a lot to be said for DSLRs.

5 Reasons You Should Still Use a DSLR in 2020 – Nikon D6

And while there are a lot of benefits to going mirrorless, for some photographers, mirrorless bodies and lenses would be an unnecessary step sideways.

Or, even worse, a step backward.

That’s what this article is all about. I’m going to give you five reasons why you might want to still use a DSLR in 2020.

And you’ll come away knowing whether a DSLR still makes sense for your shooting needs, even in this increasingly mirrorless age.

1. DSLRs are much easier to work with in low light

If you’ve spent some time reading about DSLRs versus mirrorless cameras, then you’ll be familiar with the optical viewfinder and electronic viewfinder comparisons.

On the one hand, optical viewfinders are much clearer than electronic viewfinders, and they feel more real.

5 Reasons You Should Still Use a DSLR in 2020
This Nikon DSLR features an optical viewfinder, which gives you a crisp and lifelike view through the lens.

On the other hand, electronic viewfinders give you a live preview of your image before you even take it, one that allows you to assess exposure from the moment you put the camera up to your eye. You also get other cool benefits, such as focus peaking (where you can see in-focus areas through the viewfinder), as well as the ability to “see” in black and white.

But there’s another key optical viewfinder benefit:

They look way better in low light.

When you’re shooting in darker situations, looking through an optical viewfinder is very similar to looking with your naked eye.

But looking through an electronic viewfinder is like looking through an old, poor-quality display. There’s noise everywhere, and this makes it tough to tell whether you’ve nailed focus and exposure.

Of course, it’s possible to look past these flaws, and you can still shoot mirrorless in low light. But it’s frustrating to look through a viewfinder and see a poor-quality image, so if you’re a frequent low-light shooter, you might want to consider sticking with a DSLR instead.

Now, EVFs are improving all the time, and there may reach a point in the future where the quality in low light comes close to that of OVFs. But right now, OVFs are dominating EVFs in the low-light arena.

2. You can shoot all day with a DSLR on a single battery

Another reason to still use a DSLR in 2020 is that DSLRs have much longer-lasting batteries compared to mirrorless cameras.

And if you’re the type of photographer who likes to shoot all day without stopping, or someone who goes into areas without access to electricity for days on end, you’re going to struggle with a mirrorless body.

Most mirrorless bodies are rated at around 250-400 shots, though you can get a substantial amount of additional life out of them if you make an effort to conserve battery. Even so, mirrorless battery life pales in comparison to DSLRs, which frequently feature capabilities from around 800 shots to 1500 shots and beyond.

5 Reasons You Should Still Use a DSLR in 2020 – Nikon D850
This Nikon D850 has a battery life of 1840 high-resolution shots, which is much more than that of mirrorless competitors.

When I got my first mirrorless camera, I thought I was ready to handle the limited battery life. In a sense, I was: I had three original batteries, plus two chargers.

But even if you have the batteries to last a day or two, it’s frustrating to have to remember to charge them after every shoot. It’s also frustrating to change batteries during shoots, especially when working in the freezing cold or in bad weather.

So if battery life is a big deal to you, then you may want to stick with your DSLR.

3. DSLRs feel much better in your hand

I’ve used a number of mirrorless cameras, and I’ve also used a number of DSLRs.

And the DSLRs are far, far better when it comes to ergonomics.

You see, mirrorless cameras are much more compact than DSLRs on average. But in order to achieve the smaller form-factor, manufacturers have flattened body grips.

Sure, there are some mirrorless cameras that retain a DSLR-like feel, but many of the mid-level options from Sony and Fujifilm, not to mention the entry-level, no-viewfinder cameras from most manufacturers, have very limited grips.

And this makes them very tough to use for street photographers (who often shoot one-handed), as well as casual walkaround photographers. Plus, anyone who holds a camera for hours on end wants it to feel comfortable, not just usable.

In a lot of cases, mirrorless bodies just…aren’t.

Check out this DSLR, which shows the extent to which a deep body grip defines its shape:

5 Reasons You Should Still Use a DSLR in 2020 – Nikon D6
While a Nikon D6 has a more obvious battery grip than many DSLRs, it’s still a fair example of the DSLR mold.

So before you grab a new mirrorless body, make sure to head into your local camera shop and actually try it out. Hold it in your hand.

And ask yourself:

How would I feel after hours in the field?

If the answer is something along the lines of “Not good,” then you may want to still use your DSLR in 2020.

4. DSLRs allow you to comfortably view the scene with both eyes open

I’ve already talked about the difference between electronic viewfinders and optical viewfinders.

But there’s a practical consequence that comes with using an electronic viewfinder that I haven’t mentioned:

It’s tough to shoot with both eyes open.

Now, if you’re a landscape or portrait photographer, you may think this is silly. Why would you ever need to use both eyes while shooting?

But if you’re an action photographer, someone who shoots sports or even street photos, then you may like to shoot with both eyes open. This allows you to anticipate movement. It allows you to see what’s going to move into the frame before it happens.

And it can really take your images to the next level.

Unfortunately, it’s hard to use both eyes when shooting mirrorless. This is because there’s a feeling of disconnect between the electronic viewfinder and the optical viewfinder. Plus, even the best EVFs have some kind of lag; while this may be irrelevant if using one eye to shoot, it creates a level of disjointedness when working with both eyes.

This is one of the reasons why, by the way, plenty of sports photographers are still opting for a camera like the Nikon D5/6 or the Canon 1D X Mark II/III over mirrorless options like the Sony a9 II or the Olympus OM-D E-M1X. While the latter two cameras offer incredible specs, it’s just too difficult to use them with both eyes open.

5 Reasons You Should Still Use a DSLR in 2020 - Canon EOS 1D X Mark III
The Canon 1D X Mark III is a sought-after sports camera by professionals.

5. DSLRs offer a better lens selection

Here’s your final reason to still use a DSLR in 2020 over mirrorless:

The lens selection.

5 Reasons You Should Still Use a DSLR in 2020

Now, there are plenty of great lenses for mirrorless systems. But the range just isn’t as expansive as the DSLR lens lineup that’s offered by Canon or Nikon.

Fortunately, there are adapters that allow you to use DSLR lenses on mirrorless bodies. But these can cost a substantial amount of money, and for some lineups, they’re just not ideal.

Some shooters won’t care about the limited lens offerings; if you’re a portrait photographer, for instance, you’ll probably be just fine with the lens lineup offered by any of the major mirrorless manufacturers. This is because portrait-type lenses are often developed first, as part of a “standard” prime and zoom series.

But if you photograph with more specialized equipment – a set of super-telephoto lenses, for instance, or a long macro lens – you’ll struggle to get the glass you need to really capture your images.

5 Reasons You Should Still Use a DSLR in 2020
The selection of super-telephoto lenses is limited in mirrorless lineups.

Note, also that switching from a Canon DSLR to a mirrorless system like Fujifilm, will cost a significant sum of money. You’ll need to buy a mirrorless camera, yes, but you’ll also need to replace your entire lens lineup. And while you can sell your DSLR lenses on the used market, they likely won’t get you close to the cash you need for a well-rounded Fuji system.

So make sure you keep this in mind before switching to mirrorless.

5 Reasons you should still use a DSLR in 2020: Conclusion

Now that you’ve finished this article, you know all about the five key reasons you should still use a DSLR in 2020 over a mirrorless camera.

And you should have a sense of whether a DSLR makes sense for your needs.

5 Reasons You Should Still Use a DSLR in 2020 - Canon Rebel T7i

Now I’d like to know:

Do you shoot mirrorless or with a DSLR? And why? Share your reasons in the comments below!

The post 5 Reasons You Should Still Use a DSLR in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Analysis predicts drone Remote ID will cost 9X more than expected, DJI urges FAA to reconsider ruling

06 Mar

After numerous delays, the Federal Aviation Administration (FAA) released its Notice of Proposed Rulemaking (NPRM) for the Remote Identification of Unmanned Aircraft Systems at the end of last year. The 60-day public commenting period closed this past Monday, March 2nd, with over 52,000 comments submitted during that time.

DJI, the world’s leading drone manufacturer, has supported the need for Remote ID since 2017. In the interest of moving the industry forward, a proper ruling would allow flights at night, over people and beyond visual line of sight. When the NPRM was released, however, DJI publicly chastised the FAA for not incorporating recommendations submitted by the 74 stakeholders that make up the Aviation Rulemaking Committee.

In its 89-page comment to the FAA, DJI cites independent economic analysis that was prepared by Dr. Christian Dippon, Managing Director at NERA Economic Consulting. The study concludes that the societal costs associated with the Remote ID NPRM would total $ 5.6 billion. This makes it 9 times more costly than the $ 582 million the FAA predicts for the next decade.

“I worry about an impact on innovation, with fewer people interested in using drones,” – Brendan Schulman

The long-term ramifications, should the Remote ID NPRM pass in its current form, will extend beyond financial burdens. ‘I worry about an impact on innovation, with fewer people interested in using drones. Our economist’s survey found at least a 10% drop in drone activity if the proposal were implemented, but I think it could be much higher as the full impact is felt by operators,’ Brendan Schulman, DJI’s Vice President of Policy & Legal Affairs, tells DPReview.

Remote ID, simply put, is a digital license plate for drones. It allows authorities to identify the location, serial number, and a remote pilot’s identity in near real-time. The FAA is proposing that almost all drones should transmit that information over wireless networks to a service provider’s database. NERA’s study concludes that the monthly cost of a network-based service for a remote pilot would be $ 9.83 instead of the FAA’s $ 2.50 estimate.

A few vocal critics have suggested that DJI’s involvement in drafting Remote ID rulemaking has served their own interests, and that regulations will amount to a multi-billion dollar gain for the company. ‘The critics missed the context and history. Since 2017 we knew Remote ID was inevitable as a government mandate, and have been advocating for the best possible result for all drone users: low costs and burdens. Everything we have done on this topic has been focused on those goals. Keep costs low and respect drone user privacy. For example, in March 2017 we released a whitepaper strongly advocating for pilot privacy,’ Schulman explains.

DJI has advocated for a ‘drone-to-phone’ solution that provides Remote ID information on common smartphones without burdening drone operators with any extra costs or effort. DJI says that its solution is cheaper and easier than what the FAA is proposing. Any new ruling on Remote ID will not likely take effect until 2024.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Olympus shows off incredible photos from its 150-400mm F4.5 lens, hint at further lens developments

06 Mar

CP+ might’ve been cancelled due to COVID-19 concerns, but Olympus has improvised and shared its presentation on YouTube instead. The 44-minute video covers a variety of topics, but two specific moments stand out.

The first is a demonstration Olympus shared showing just how much zoom you can get out of the Olympus 150–400mm F4.5 lens. One demonstration, seen in the above screenshot from the video, shows a photograph captured with the sun setting over Mount Fuji, captured a ridiculous 67km (42 miles) away, at Olympus’ Ishikawa facility. To capture the shot, Olympus used the 1.25x converter inside the lens as well as the MC-20 2x converter to achieve a 2000mm (35mm equivalent) focal length.

A screenshot from the presentation contextualizing just how far away the photograph and timelapse images were captured from.

The next demonstration with the lens was a hand-held shot of the moon, seen in the below screenshot from the video, captured with the exact same camera setup.

In addition to both images, Olympus also shows a short timelapse video of the sunset over Mount Fuji (the section on the 150–400mm F4.5 lens starts at roughly 36:00).

The above captions in the image are auto-translated via YouTube.

Olympus representatives also note later on in the video that more lenses are in development. However, no further information was given.

Articles: Digital Photography Review (dpreview.com)

 
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NASA is asking the public to use their smartphones to help track light pollution caused by satellites

06 Mar

A newly launched NASA project called Satellite Streak Watcher aims to assess the night sky light pollution caused by low-Earth orbit satellites using images captured by the public. On its SciStarter project page, NASA asks anyone interested in participating to ‘Photographically record satellite streaks across the night sky to monitor this form of sky pollution.’

The space agency explains its concerns related to the satellites, stating, ‘As more satellites are placed into orbit, they will become an increasing problem to astronomers on the ground.’ Participants can use the Heavens-Above website to determine when and where satellites will pass over their local sky; images are uploaded and shared on the project’s website.

The new public science project follows announcements from a number of companies that have launched — or plan to launch — large numbers of small satellites into low-Earth orbit.

The most notable example of this comes from SpaceX, which has spent the past few years working on its Starlink mission. The private space company expects to ultimately launch thousands of small satellites into very-low Earth orbit (VLEO) in order to provide Internet access around the world. As of March 1, 2020, the company has delivered 302 of these satellites into space with plans to launch more throughout the year.

Critics have expressed concerns that Starlink and other projects like it will have a negative impact on the night sky, introducing light pollution that will disrupt astronomy. These satellites also impact astrophotography by adding thin, bright streaks of light to long-exposure images, prompting complaints from photographers who increasingly struggle to deal with light pollution.

DPReview reader Guido Forrier shared the below image in our Astrophotography forum, showing a series of fifteen Starlink satellites flying across the sky in one of his night sky photographs. When we asked what his thoughts on the matter, he said ‘I am surprised and incensed that apart from the already high light pollution, those satellites [have] also come to disturb. [There’s] a lot of rubbish is already flying in space and I see it regularly burning in the atmosphere.’

Photograph by Guido Forrier, shared with permission.

Until now, most efforts to combat light pollution have focused on the ground, not the sky. Light produced by street lamps, billboards, parking lot lights and more is reflected in the night sky, making it hard to see and photograph stars, particularly in regions close to big cities. The problem has spurred the creation of a number of Dark Sky Reserves throughout the world; these are regions of public and private land with ample natural darkness and starkly visible stars.

However, experts have expressed concerns over light pollution that results from satellites launched into low-Earth orbit, as well as more ridiculous future concepts like an artificial moon and space billboards. Because this type of light pollution comes from the sky rather than the planet’s surface, traveling to Dark Sky Reserves won’t help photographers avoid the issue.

According to Astronomy.com, the Starlink satellites are particularly disruptive to the night sky due to their shallow orbit, which is necessary for delivering Internet service to people on Earth. More than 40,000 of these small satellites may eventually be launched under the Starlink mission, and though SpaceX is experimenting with anti-reflective coating on the satellites, it is unclear whether that will be sufficient for reducing the disruption caused by the spacecraft.

MIT Technology Review points out that satellites depend on their reflective nature to help keep them cool; the experimental anti-reflective coating may cause thermal issues for the Starlink satellites. SpaceX applied the coating to the bottom of one of the 60 satellites it launched in December 2019 in order to test its potential impact on performance.

Harvard-Smithsonian Center for Astrophysics astronomer Jonathan McDowell had told Technology Review at the time that while the reflective coating is ‘worth a try,’ he fears it ‘will be offset by the fact that they are moving the constellation to a lower orbit.’

NASA anticipates its Satellite Streak Watcher operating as a long-term project in order to gather data on satellite light pollution over time. The project currently has 136 members and 20 images, which include shots ranging from bright dots on the night sky to several long streaks of light bunched together. Though NASA says citizen scientists can use a basic tripod and most newer smartphones to capture the images, astrophotographers who have more capable camera systems are also welcomed to share their images.

Articles: Digital Photography Review (dpreview.com)

 
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Why Your Photoshop Keeps Crashing and How to Fix it

05 Mar

Photoshop can do amazing things with images. It can also make you want to pull your hair out in frustration.  Photoshop constantly crashing while you work is one such frustrating problem. Why does it crash? What can you do to fix it? Your computer may not have enough memory, or it may not have enough space to run Photoshop, causing Continue Reading

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How to Elevate Your Photography Portfolio With Video Collage Creation in SmartSHOW 3D

05 Mar

When it comes to photography software, the most common names that come up are Adobe Lightroom, which is often used to work with RAW images, and Adobe Photoshop, which is often used to perform retouching tasks like smoothing out skin, removing blemishes, and fixing exposure. While these programs are fantastic for the editing process, photographers tend to be left to Continue Reading

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Fujifilm X100V full-production sample gallery – with Raws

05 Mar

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The Fujifilm X100V updates the X100 line with a 26MP sensor, redesigned lens and a tilting, touch-sensitive rear screen (among other things). We took delivery of a production-quality X100V recently, and we’ve spent the past few days shooting up and down the coast of the Pacific Northwest.

Our full review is on the way, but in the meantime check out our gallery of sample images, including Raw files for download.

View sample images from
the Fujifilm X100V

Articles: Digital Photography Review (dpreview.com)

 
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Storytelling Newborn Photography Shoot Tips

05 Mar

Storytelling photography for newborn babies is all about capturing the real life memories of the newborn days for families in a beautiful way, and it’s quickly becoming the most popular style of photography for capturing the newborn stage of life. Not only does it bring out the personalities of everyone and provide specific memories of what life was like during Continue Reading

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Are Professional Photographers Expensive?

05 Mar

I don’t think there is a professional photographer out there that hasn’t heard a potential client utter the words, “you charge how much?” or “what exactly do I get for that” or even “But all you do is push a button!” Yes, it’s true, any photographer worth their weight will seem expensive at first glance. Even I am guilty of Continue Reading

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