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Fashion photographer Lindsay Adler named Rangefinder’s ‘Icon of the Year’

08 Mar

Fashion photographer and Canon Ambassador Lindsay Adler is the first woman to win Rangefinder‘s Icon of the Year Award. The announcement was made during the WPPI 2020 event last week, where Adler was caught off guard thanks to some careful planning by WPPI and Photo Group Content Director Arlene Evans, as well as Adler’s boyfriend and mother.

Rangefinder explains what it means to be named an ‘Icon,’ stating on its website that an Icon is someone who fills many roles; who is ‘super creative and has extraordinary talent’ in addition to serving as a role model, educator and more.

We contacted Adler to talk about her work, the new milestone award and what it means to her. In talking about winning the award, Adler said:

‘Winning Rangefinder’s Icon of the Year in an incredible honor that makes me feel that I am making an impact on my community and its continued success. This award is a beautiful way to show me that my sharing and love for photography and photographers have not gone unnoticed. I am constantly pushing myself to grow, and I hope this journey encourages others to do this same. I’ve been reading Rangefinder and attending WPPI for more than a decade, and this feels like a beautiful culmination… now I just wonder, what’s next! Can’t get much better than this!’

Adler’s photography has been featured in a number of notable publications, including Harper’s Bazaar, Marie Claire, InStyle and more, and she has worked with major brands like Microsoft, Grey and Edelman. In addition to her photography work, Adler also teaches at events and through various platforms, including everything from online tutorials to books. She explains:

‘My life is centered around creating and sharing. I create images and share the process. I create in-depth tutorials answering all the questions I once had as I grew my career. I create and I share, and I am so lucky to get endless love back from the community—whether in the form of praise, encouragement, or those simply following my journey.’

Behind-The-Scenes image of Adler (far-right) at work with a model.

Adler’s work is showcased on her website, which features collections of photos like ‘Seeing Red,’ ‘Editorial Beauty,’ ‘Skin’ and even ‘Cinemagraphs.’ Looking back over her career, Adler says:

‘I am truly the happiest I’ve ever been and am proud to [have] achieved so many of my life’s goals. I know that along the way there have been so many other gracious photographers, educators and industry leaders that have shared their knowledge, given me opportunities, encouraged me and ultimately been so important to my success. Because of this, I realize just how important it is for those with success to share with their community however they can.’

In addition to her website, Adler’s work can be found on her Instagram and her Canon Ambassador page.


Image credits: Photos used with permission from Lindsay Adler

Articles: Digital Photography Review (dpreview.com)

 
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8 Important Composition Tips for Better Photos (video)

07 Mar

The post 8 Important Composition Tips for Better Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Jamie Windsor, he explores composition tips for better photos.

As Jamie states in his video, sometimes a new photographer can be overwhelmed by all the so-called “rules” of photography. Those, such as the rule of thirds, Fibonacci spiral, and the phi grid. Jamie breaks it down for you, using some classic images by renowned photographers, such as Annie Leibovitz, Sally Mann, Steve McCurry, and Bruce Gilden as examples. While this helps to visualize the points that he is making, it is also great to see many of these fantastic images.

  1. Get your position right
  2. Use your phone to practice composition
  3. Beware the Rule of Thirds
  4. Squint or blur your eyes
  5. Think conceptually as well as aesthetically
  6. Keep it simple
  7. Keep the edges clean
  8. Work in post-processing

You may also like:

  • How to Use Radial Composition in Photography to Create Awesome Images!
  • Four Rules of Photographic Composition
  • Composition Checklist for Beginners
  • 4 of the Most Common Composition Mistakes In Photography
  • How to Make Brilliant Black and White Photos with Dramatic Composition
  • The S-Curve: A Landscape Photography Composition Technique
  • How to Break the Rules with a Central Composition

The post 8 Important Composition Tips for Better Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview TV: Battle of the entry-level APS-C mirrorless cameras

07 Mar

A lot has changed since we last compared entry-level APS-C mirrorless cameras. In this 2020 update, Chris and Jordan compare the Fujifilm X-T200, Sony a6100 and Canon EOS M50. Which one is right for you?

For more information watch our videos about the Fujifilm X-T200, Sony a6100 and Canon EOS M50.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Handling
  • Displays
  • Image quality
  • Autofocus
  • Video
  • Lens lineup
  • Sony a6100 conclusion
  • Canon M50 conclusion
  • Fujifilm X-T200 conclusion

Watch our Fujifilm X-T200 video review

Watch our Sony a6100 video review

Watch our Canon EOS M50 first look

Articles: Digital Photography Review (dpreview.com)

 
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Oppo launches Find X2 Pro with periscope tele and calibrated 120Hz display

07 Mar

The Chinese smartphone maker Oppo isn’t as well known in the western world as rivals Huawei or Xiaomi, but the brand is renowned for its camera-centric approach to smartphone design and has been responsible for quite a number of innovations in mobile imaging. For example, Oppo introduced swiveling camera modules in its N-series, the first sensor-based image stabilization system on a smartphone and the first periscope-style 5x zoom on a smartphone.

Now, the company has launched its latest flagship, the Oppo Find 2X Pro, and, at least on paper, the new model has everything it needs to take on the flagship competition from Apple, Samsung, Huawei and other more established rivals.

The below video is the entire launch presentation from Oppo:

Triple camera with ultra-wide and 5x tele

The Find X2 Pro comes with a triple camera setup, that covers focal lengths from a 16.5mm ultra-wide-angle to a 5x tele with a whopping 129mm equivalent lens, making it one of the most versatile mobile cameras in the market.

The primary camera uses a 48MP Sony IMX689 Quad-Bayer sensor that produces 12MP output files. At 1/1.4″ it’s almost as large as the main sensor in the Xiaomi Mi 10 Pro (1/1.33″) and larger than those of the Huawei Mate 30 Pro (1/1.7″) and Apple iPhone 11 Pro Max (1/2.55″). In combination with the fast F1.7 aperture and optical image stabilization this should make for very decent low light performance.

The 5x tele camera offers more reach than most rivals in the high-end bracket of the market and is only matched by the Huawei P30 Pro and Oppo’s own Reno 10x Zoom. The 1/3.4″ sensor size in this camera is in line with other high-end tele cameras. OIS is on board on this module as well but with an F3 aperture zooming in low light conditions is likely not recommended. The tele module uses image fusion and other computational methods to achieve a 10x ‘hybrid zoom’ and offers a 60x maximum zoom factor.

Like the primary module, the ultra-wide uses a 48MP Quad-Bayer sensor albeit a smaller model. Still, at 1/2″ it’s one of the currently largest sensors in an ultra-wide and only topped by the 1/1.54″ sensor in the Mate 30 Pro. The F2.2 aperture is not the fastest we have seen but in line with most rivals.

In addition, the Find X2 Pro is the first smartphone to offer a PDAF system with 100 percent focus pixels and comes with a dedicated night mode that works on all three camera modules.

4K HDR video

On the video side of things, the new Oppo comes with an upgraded image stabilization algorithm that works on both the ultra-wide and primary cameras. Unlike on some recent flagships, there’s no 8K video but the Oppo can record 4K footage at 60fps and is one of the very few devices to support HDR video.

Top-end processing power

Non-camera specifications and features are all worthy of a true flagship as well. The new device is powered by Qualcomm’s brand new top-end chipset Snapdragon 865 which supports UFS 3.0 for fast read and write speeds, as well as 5G connectivity and uses OPPO Smart 5G technology to navigate between 4G, 5G, and WiFi network environments.

The 4260mAh battery supports SuperVOOC 2.0 fast charging which, according to Oppo, can deliver a full charge in only 38 minutes.

120Hz color-calibrated AMOLED display

Images can be viewed and other content consumed on a color-calibrated 120Hz QHD+ AMOLED display with a whopping 3168 x 1440 pixels. Oppo says the new screen offers, ultra-low screen reflectivity and improves smoothness as well as operation feedback, thanks to a 240Hz high touch sampling rate. To deliver adequate audio output, the Find X2 Pro comes with dual speakers and Dolby Atmos which can automatically adjust to applications, such as music playback, movie watching or gaming.

Flagship pricing

As you would expect, this innovative tech comes at a price. The Find X2 Pro with 12GB of RAM and 512GB of internal storage will set you back 1,199 EUR in Europe (approximately $ 1,355). If that sounds a little bit rich for your taste Oppo also offers the Find X2 at 999 EUR (approximately $ 1,130). It comes with the same chipset and display as the Pro version but only 256GB of internal storage and a very slightly smaller battery.

In the camera, the primary and ultra-wide are the same as for the Pro but the tele lens is a more conventional variant that offers a ‘5x hybrid’ zoom factor. Oppo has not provided much detail on this camera yet but presumably, the reach is achieved using a 2x or 3x lens in combination with super-resolution and image fusion algorithms.

Both devices will be available globally in the coming months.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina reveals updated 2020 lens roadmap with new lenses for DSLR, mirrorless cameras

07 Mar

Tokina, which is celebrating its 70th anniversary and had planned to reveal this information at CP+, has announced its latest 2020 lens development roadmap, showing a number of new lenses it plans to release in 2020 for DSLR and mirrorless cameras.

The announcement, seen above, is split into four different sections, based on the lens mounts the forthcoming lenses are destined for. First up is the atx-i lineup for Canon EF- and Nikon F-mount camera systems. In addition to the previously-announced 11–16mm F2.8 CF and 100mm F2.8 CF Macro lenses, Tokina also teases an upcoming 11–20mm F2.8 CF lens due out in Summer 2020 for Canon and Nikon APS-C DSLR camera.

Moving onto Tokina’s atx-m series, the updated roadmap shows off three new APS-C lenses for Sony E-mount and Fujifilm X-mount camera systems: a 23mm F1.4, 33mm F1.4 and 56mm F1.4. The E-mount version of these lenses (denoted by an ‘E’ after the lens name) are set for a Summer 2020 release, while the X-mount versions (denoted by an ‘X’ after the lens name) aren’t due out until Autumn 2020.

Tokina also highlights three atx-m series lenses for full-frame Sony E-mount cameras. In addition to the 85mm F1.8 FE, which is currently available for $ 499 (Adorama, B&H), Tokina also highlights a 35mm F1.8 FE and 50mm F1.8 FE lens, both of which are due out in Autumn 2020.

It’s unconfirmed at this time, but it’s worth noting these lenses do bear a striking resemblance in looks and specs to a number of Viltrox lenses that have already been announced (and delayed).

Articles: Digital Photography Review (dpreview.com)

 
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Nikon ES-2 film adapter sample gallery

07 Mar

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We used Nikon’s ES-2 film adapter to scan a variety of old films, including Kodak Tri-X and T400 CN, Fujifilm Neopan, Superia and Acros, and even Agfa Ultra. How well did it work? You can see the full resolution images in our sample gallery.

Want to see the ES-2 in action? Watch this video from DPReview TV to see how it works.

View sample gallery

Watch our video about the Nikon ES-2

Articles: Digital Photography Review (dpreview.com)

 
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Leica’s 64MP S3 medium-format camera is now available to pre-order for $18,995

07 Mar

Almost a year and a half after first teasing it, Leica has announced its S3 medium-format camera is now available to pre-order.

The Leica S3 was originally set for a Spring 2019 release when we first had a hands-on at Photokina 2018, but it was continually delayed for unspecified reasons. Now, it’s alive and well, ready to pre-order for those who have deep wallets.

At the heart of the relatively compact Leica S3 is a 64MP (45 x 30mm) Leica ProFormat CMOS medium-format sensor that features a 2:3 ratio, up to 15 stops of dynamic range and a sensitivity range of ISO 100–50,000. It can capture up to three still frames per second and records DCI 4K (4096 x 2160 pixel) 4:2:2 8-bit internal video at 24 frames per second using the full width of the sensor. All of this is powered by Leica’s Maestro II processor, which offers 2GB buffer memory.

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In addition to a Live View mode with a refresh rate up to 60 fps, the S3 also features an optical viewfinder with 0.87x magnification and approximately 98-percent coverage.

The outside of the camera remains largely unchanged from its predecessor, the Leica S (Typ 007), and looks similar to the more recent Leica SL. The back of the camera features a 3” LCD with four programmable buttons, arranged with two on each side.

Also similar to the Leica S (Typ 007) is the S3’s two shutters that can be controlled with a switch on the rear of the camera. The ‘FPS’ mode stands for focal plane shutter, while the ‘CS’ mode stands for center shutter (leaf shutter), which will work with compatible S-Lenses. In our hands-on, the leaf shutter, which has a maximum shutter speed of 1/1000s, did sound noticeably quieter than the focal plane shutter.

As was expected, the Leica S3 doesn’t come cheap. The body-only version is available to pre-order for $ 18,995 (Adorama, B&H), with the first units expected to ship at the end of March 2020.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Blue

07 Mar

The post Weekly Photography Challenge – Blue appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is the color BLUE!

Weekly Photography Challenge – Blue
Light trails at Blue Hour by Joey J

This is a fun challenge. You can capture the color blue in so many ways. You can use abstracts, blue hour, water monster photography, landscapes (so much blue there!), cityscapes, portraits and still life. The blue can be a major part of the composition or be more subtle. There are so many options!

So, check out these pics to give you some ideas, have fun, and I look forward to seeing what you come up with!

Weekly Photography Challenge – Blue
This is a photo of me, doing what I love – hiking the mountains, and photographing Mt Buffalo in Victoria. Photo by Jay T. Stone.
Great Coastal Photography
You can find plenty of blue by the seaside. Cornwall, England. Image by Jeremy Flint ©
Weekly Photography Challenge – Blue
Try using oil and water to create an image with blue, like this image by Ramakant Sharda
creative-water-photography-making-water-monsters
Try creating blue “water monsters,” like this image by Ramakant Sharda
Weekly Photography Challenge – Blue
Why not try doing some abstract smoke photography like in this image by Rick Ohnsman?

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting the color BLUE

Mastering Color Series – The Psychology and Evolution of the Color BLUE and its use in Photography

5 Tips for Shooting Waterfront Cityscapes at Blue Hour

How to Create Colorful Artistic Images Using Oil and Water

Creative Water Photography – A Step-by-Step Guide to Making Water Monsters

5 Quick Tips for Better Blue Hour Photography

How to Make Interesting Abstract Smoke Photos

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSblue to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Blue appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon Explorers of Light – Q&A with Photographer Bruce Dorn

06 Mar

The post Canon Explorers of Light – Q&A with Photographer Bruce Dorn appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Featured Image

In this Canon Explorers of Light Q&A series, we interview several professional photographers who are a part of Canon’s Explorers of Light program.

The Explorers of Light Program, running since 1995, boasts some incredibly talented photographers. These photographers have spent years honing their craft, and influence and educate other photographers of all levels – something, we at dPS, can respect and relate to.

In this piece, we interview fashion, editorial and all-round photographer, Bruce Dorn.

Photographer Bruce Dorn

Bruce Dorn has been a professional photographer/cinematographer for 45 years and a member of the Directors Guild of America for 35 years.

Bruce is a Canon Explorer Light, an ARRI Ambassador, a SanDisk Extreme Pro, Western Digital Creative Master, Westcott Top Pro, Light & Motion Ambassador, Tiffen Steadicam Pro, Corel Painter Master, and a Member of the Adobe Dream Team. Bruce seems nice but Chuck Norris trembles at the mere sound of his name.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Portrait of Bruce Dorn with an eagle sitting on his canon lenses.

How did you get into photography?

In July of 1969, just after I turned 18, my brother-in-law loaned me a 35mm Pentax Spotmatic with a 50mm Takumar lens. I had just seen “Easy Rider” and was inspired to take my own road trip through the American Southwest.

I shot a ton of Kodachrome, had a crazy good time, and returned home to pursue a Bachelor of Fine Arts degree in Visual Communications with a minor in photography.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Fashion Image

While in my last year in college, I entered and won a creativity competition staged by Conde Nast, the publishers of Vogue Magazine and several other fashion titles.

After graduation, I joined Mademoiselle Magazine as a guest editor, and I began art directing and shooting fashion spreads in NYC, Reykjavik, Paris, and Rome.

Within weeks of receiving my diploma, I signed the lease on a 4,000 sq ft penthouse loft on 5th Avenue in Manhattan and got to work. I’ve stayed busy ever since. A bit of a dream career, really.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Photographs of Woman beside an aircraft in afternoon light

What was your first camera setup?

The first camera setup I bought was an inexpensive 35mm Mamiya-Sekor DTL 500 with a 50mm lens. The second piece of kit I acquired was a 500W, 3200K incandescent floodlight. The camera is long lost in the mists of time, but I still have that light. It’s a novelty keepsake at this point, but it serves as a reminder that creative lighting has always defined my shooting style – and kept me gainfully employed.

What camera gear do you use now and why?

I’ve shot everything from 35mm to 8”x10” film cameras for stills and 16mm to 70mm VistaVision cinema cameras, but now I’m 100% digital.

Canon is my platform of choice for both stills and cine, and I always use the latest versions. Currently, I’m really high on the Canon EOS 1Dx MKIII and excited about the upcoming mirrorless EOS R5.

Canon cameras always deliver amazing color, and Canon Professional Services are unequaled. And the lenses? I have a very large collection, from extreme wide-angle to super-telephoto.

The photography gear that Bruce Dorn has in the back of his car. Who wouldn't want that?
Yes, who wouldn’t love this to be the back of their car?

People frequently ask me how much such a huge assortment of gear costs, and I always point out that it isn’t about how much gear costs me – it’s about how much it earns for me.

Just like a championship-winning race car mechanic, full-service professional photographers must eventually possess a very large toolbox. It pays for itself.

What area of photography do you specialize in, and why did you move into that field?

I get bored very easily, so over the years, I’ve worked to become a specialist in a lot of different categories.

I shoot editorial, fashion, beauty, automotive, nature, adventure, travel, extreme sports, underwater, environmental portraiture, aerial, and advertising – in both stills and cinema.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – An example of his fashion photography
Bruce Dorn's fashion shoot with models in the desert

Are you working on any exciting projects you’d like to share?

Always! Unfortunately, the bulk of my commercial work is under a non-disclosure agreement, so I can’t be specific. Follow my Instagram feed, and you’ll see lots of cool stuff posted there – once I’m out from under the NDAs and able to freely share. My Instagram handle is: @dorn.bruce

Between professional gigs, I try to do as much mentoring as I can. I’m currently working with a fourteen-year-old Hopi Indian girl who simply loves landscape photography. We get together for shooting adventures around Arizona whenever our schedules allow!

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Young woman on a motorcycle

If you could share any photography tips with our readers, what would they be?

Great photography is all about where you stand, both literally and philosophically. Work on discovering and polishing your own unique point-of-view.

With so much information instantly available online, it’s super-easy to mimic the work of others but don’t – that’s ultimately a dead-end journey. Focus, instead, on shooting a lot, and eventually, your own unique path will be revealed. Own it.

Oh, and light that faint little path…learning to illuminate your world with great lighting is the smartest thing you will ever do. Invest in quality lighting instruments and learn how to use them. I suggest looking at color-correct and dimmable LED units for the greatest versatility. Shine bright!

Bruce Dorn photography – a shot of the studio set up for his marionette shoot.
Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Marionette shoot

Bruce Dorn Biography

Bruce Dorn has been a professional photographer/cinematographer for 45 years and a member of the Directors Guild of America for 35 years.

Bruce is a Canon Explorer Light, an ARRI Ambassador, a SanDisk Extreme Pro, Western Digital Creative Master, Westcott Top Pro, Light & Motion Ambassador, Tiffen Steadicam Pro, Corel Painter Master, and a Member of the Adobe Dream Team. Bruce seems nice but Chuck Norris trembles at the mere sound of his name.

See more of photographer, Bruce Dorn’s work here:

Instagram: @dorn.bruce
Facebook: bruce.dorn
Website: www.brucedorn.com

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Portraits
Bruce Dorn photograph of 3 Zebras in Black and White
Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Image of a woman on the edge of a red plane wing
Bruce Dorn Photography, shows a woman against a purple background with red lights
Bruce Dorn photography, shows cars driving across a sandy desert from a high perspective.

The post Canon Explorers of Light – Q&A with Photographer Bruce Dorn appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Focusing Tips for Beginners – Ways to Achieve Spot-on Focus in Photography

06 Mar

The post Focusing Tips for Beginners – Ways to Achieve Spot-on Focus in Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

focusing-tips-for-beginners

Focus is vital. Capturing your subject in crisp, sharp focus requires skill and practice. You need to understand the various auto-focus controls on your camera. Here are some focusing tips for beginners to help you get sharp photos more consistently.

Focusing Tips for Beginners, Thai models

© Kevin Landwer-Johan Nikon D800, Lens 105mm f/2.8, 1/400 sec., f/3.2, ISO 500

There’s no fixing an out-of-focus photo

Many digital photographers like to use the various sharpening options available in software. Don’t be tempted. I have never known an out-of-focus photo to be well improved with post-production manipulations.

Sharpening in post can, however, help images that are a little soft. This is often due to lens quality rather than poor focusing. Either your photos are in focus or they are not. Focusing tips for beginners are important to understand. There is no fixing an out of focus photo with your computer.

Focusing Tips for Beginners Asian Photographer

© Kevin Landwer-Johan Nikon D800, Lens 35mm f/1.4, 1/400 sec., f/2, ISO 100

Focus on your subject

Pick your point and focus on it. Having the wrong part of your composition in focus will not result in a good photograph. You must decide what’s in your frame that’s most important and focus on it.

Focusing tips for beginners often contain information about operating your camera better. I will include these tips here also. But first, it’s important to know what you want to focus on. This is something I prefer not to let my camera choose for me.

As you are composing your photo, be mindful of your main subject. Consider it’s depth. Is most of your subject the same distance from your camera? Or is some of it closer to you than other parts?

Photographing a bicycle that’s side on to you, most of it is about the same distance from your camera. Taking a photo of the bike as it faces the camera will mean you need to choose whereabouts on it to focus. If you focus on the back wheel, the front wheel may be out of focus.

One rule of thumb I use most of the time is, if your subject has eyes, focus on them. If one eye is closer to your camera than the other, focus on the closest one. Subjects with eyes that are out of focus rarely look good in photos.

Young girl looking up at the camera

© Kevin Landwer-Johan Nikon D800, Lens 35mm f1.4, 1/800 sec., f/1.4, ISO 400

Multi or single point auto-focus?

Digital cameras usually have various setting options for choosing your focus point. You can set your camera to only focus on a single point. Or you can set it to choose from multiple points. More advanced cameras allow you to set the area and number of focus points.

I prefer to have my camera set to single point auto-focus. This allows me to be precise and in control of what I focus on. Having your camera set to multi-point auto-focus means your camera chooses what part of your composition to focus on.

Some camera models allow you to move the single focus point to position it where you want in the frame. In other cameras, the single point for auto-focusing is central in the frame and you cannot move it. To use the single point on these cameras, you must shift your camera to focus where you want and then re-compose. I would find this frustrating. It will not always provide correct focus when you are using a very wide aperture setting.

Iron Bridge at night in Chiang Mai, Thailand

© Kevin Landwer-Johan

Using a camera where you can precisely control the single point the camera will auto-focus on, gives you control. You can move the point to the portion of the frame where you want to focus easily. This may take some practice to become quick at it, but it’s worthwhile when you want to be in control.

About the only time I use multi-point auto-focusing, is when I am tracking a moving subject that is constant. The camera will often be able to lock on and keep with a subject unless the subject is moving erratically. Accuracy when using this mode can also depend on how fast your subject is moving. Your subject will be easier to track when it’s slow-moving.

Focusing Tips for Beginners Asian photogrpaher and her camera

© Kevin Landwer-Johan Nikon D700, Lens 105mm f/2.8, 1/640, f/3. ISO 400

Continuous or single-servo auto-focus?

Choosing continuous or single-servo auto-focus is another important decision. When you choose continuous focus, your camera will always be refocusing while you have the focus button activated. With single-servo auto-focus, pressing the focus control, it will focus once and remain set on that point – even when your subject or camera moves.

Continuous-servo focusing is most useful when you have a moving subject, or you are moving with your camera. If I am using continuous-servo focus, I am often also using a multi-point setting. However, most of the time, I use single-servo focusing.

Focusing Tips for Beginners Tricycle taxis in Chiang Mai

© Kevin Landwer-Johan

Back button focus

By default, cameras are configured to use the shutter release button to focus. You will half depress the shutter button to focus. Some cameras allow you to turn off focusing on the shutter button and assign the focus function to another button.

Many photographers like to change the focus function to be controlled by one of the buttons on the back of the camera. Hence the name, back button focus.

Doing this allows you to focus independently from taking a photo. Assigning a button other than the shutter release to control focus, gives you more flexibility. You can focus and take photos independently when different buttons control these functions.

Back button focus can take a little getting used to, but I have found it well worthwhile because it gives me more control of my focus.

There are many situations where you might want to take a photo without refocusing, and back-button focusing allows you to do this.

rice fields and blue sky

© Kevin Landwer-Johan Nikon D800, Lens 55mm, 1/500, f/11, ISO 400

Using manual focus

Another of the focusing tips for beginners is manual focusing. Some may think that manual focusing is too slow or difficult, but it’s not if you practice it.

You can become proficient in a short space of time if you commit to learning. Once you know how you will be surprised at how often manual focus skills come in handy.

Auto-focus is a wonderful technology, but it’s not always perfect. When you find your lens searching for a focus point and struggling to find one, it pays to switch over to manual if you know what you are doing.

Manually controlling your focus in low light can often be faster and more precise than your camera’s auto-focus. Learning to focus manually is also a lot cheaper than upgrading to a higher quality camera that has better auto-focus.

Portrait of a Karen man in northern Thailand

© Kevin Landwer-Johan Nikon D800, Lens 105mm f/2.8, 1/200 sec., f/6.3, ISO 400

Focus technique

I hope you have found these focusing tips for beginners useful. Remember, don’t leave it all to your camera. Getting well-focused images is not all about managing your camera’s auto-focus system. You need to work on your focus techniques and know what to do when you are photographing different subjects. This is particularly important when your subject is moving.

Sometimes you’ll want to track focus. At other times you’ll want to pre-focus and wait for your subject to enter your frame. When doing macro photography, it can be useful to set your focus and then move your camera or subject forwards or back a little to fine-tune.

Practice, as always, will make you sharper, and your images too.

Do you have any other focusing tips for beginners that you’d like to share? If so, please do so in the comments.

The post Focusing Tips for Beginners – Ways to Achieve Spot-on Focus in Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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