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WPO releases short listed winners for Sony World Photography Awards

28 Feb

2017 Sony World Photography Awards shortlist announced

Alex Andriesi, Romania,

Shortlist, Open, Enhanced, 2017 Sony World Photography Awards

The World Photography Organisation has announced the shortlisted photographers for what it claims is the world’s largest photography competition – the Sony World Photography Awards. The WPO says that it received 227,596 images in total across categories for amateurs, professionals and students. Photographers from 60 countries are represented among the shortlisted and commended photographs, while entries from 183 countries were submitted.

Professional photographers are competing for the top prize of $ 25,000 plus Sony digital camera equipment, while the best amateur entry will win $ 5000 plus Sony kit and the best student will collect €30,000 of Sony equipment for his or her educational establishment.
The overall and category winners will be announced at a ceremony in London in the 20th April and an exhibition of the winning images will be displayed at London’s Somerset House. Martin Parr has been announced as the winner of the Outstanding Contribution to Photography Prize and will be exhibiting alongside the winners, as well as holding a talk.
For more information, and to see a gallery of all the shortlisted and commended images, visit the World Photography Organisation website.

Press Release

Shortlist revealed for 2017 Sony World Photography Awards, the world’s largest photography competition 

  • Shortlists for Professional, Open, Youth and Student Focus competitions revealed
  • Awards’ 10th anniversary sees record number of participating photographers
  • Photographers competing for cash prizes and Sony digital imaging equipment
  • Overall winners revealed April 20, 2017
  • Winning and shortlisted images to be exhibited in London April 21 – May 7, 2017

Celebrating its 10th year anniversary, the Sony World Photography Awards is the world’s largest photography competition. The awards recognize and reward the finest contemporary photography from the last year entered into any of the awards’ four competitions.

“There was a truly global reach to the Sony World Photography Awards judging this year- the images were more diverse and broad ranging than I have ever seen before. In its tenth year, I can confidently say that the Sony World Photography Awards and the fine art of photography are doing extremely well.” Zelda Cheatle, Chair of the Professional jury / Curator (UK)

February 28, 2017: The shortlisted (top 10) and commended (top 50) photographers for all categories of the 2017 Sony World Photography Awards, the world’s largest photography competition, are announced today. Photographers entered 227,596 images across the awards’ Professional, Open and Youth competitions – shining a spotlight on the medium of photography and the beauty of its art.

Produced by the World Photography Organisation, 2017 marks the 10th anniversary of the awards and a decade-long partnership with its headline sponsor, Sony.

The Sony World Photography Awards’ shortlist represents the world’s finest contemporary photography captured over the last year, and displays a huge diversity of extraordinary images in terms of genres, styles and subject matter. Forty-nine countries are represented on the shortlist, reinforcing the awards’ international appeal and unique ability to present the greatest images taken by photographers from all corners of the world on a truly global scale. Photographers from a further 11 countries are seen within the commended list.

The shortlisted photographers across the Professional, Open, Youth and Student Focus competitions impressed the judges with solid narratives and strong visual language complementing the subject matters. Within the shortlist are stunning architectural images and subtle landscapes alongside extraordinary series depicting the dominating world events of the last year. Stand out subject matters include a touching insight into the domestic life of women in Saudi Arabia, heartfelt confessions of Chinese school children, Russian body builders preparing to flex muscle on stage and an intimate series of a private battle with a rare medical condition.

Key shortlists facts and stats

  • Strong increase in entries on 2016 from Asian and South East Asian countries including; China (90 %); Myanmar (183 %) Vietnam (108 %); The Philippines (71 %); and
  • Hong Kong (73 %).
  • Youth competition saw a 56 % increase in entries on 2016.
  • Entries to the Open competition increased 11 % on 2016.
  • Professional competition saw a 13 % increase in the number of photographers entering their work.
  • 183 countries were represented in the submissions – with the most entries coming from (in descending order): China, United Kingdom, Italy, United States, Germany, Russia, India, Spain, France and Poland.
  • 49 countries are represented on the shortlist, with the most shortlisted photographers coming from Italy (22), Germany (17), UK (15), China (14) and Russia (11)
  • Armenia, Cuba, Iceland and Saudi Arabia represented for the first time on the shortlist.

To view the commended photographers of the Open competition please go to www.worldphoto.org/winners-galleries

Commenting about this year’s shortlist, Scott Gray, CEO, World Photography Organisation, notes: “This year, more than any other, the entries to the Sony World Photography Awards have shown great integrity and are characterized by their considered approach. Beautiful works of photographic art, not snapshots, have been presented to the judges and I am delighted to see that our esteemed juries have chosen to reward the pure skill, artistic interpretation and thoughtfulness of the photographer, rather than simply the subject matter the photographer has captured.

He continues: “The Sony World Photography Awards has celebrated photographers and photography throughout its ten-year history, we now look forward to ensuring that photography has a global platform and is recognised as the dynamic, exciting and accessible medium it is.”

The Sony World Photography Awards are judged anonymously by internationally acclaimed industry professionals, carefully selected by the World Photography Organisation.

The 2017 Professional competition was judged by Zelda Cheatle (Chair of the Judges), Curator (UK); Aida Muluneh, Founder/Director, Addis Foto Fest (Ethiopia); Allegra Cordero di Montezemolo, Curator & Head of Exhibitions, Centro de la Imagen (Mexico); Denis Curti, Curator and Journalist (Italy); Russ O’Connell, Picture Editor The Sunday Times Magazine (UK) and Françoise Callier, Program Director at Angkor Photo Festival & Workshops (France). The Open and Youth competitions were chaired by Damien Demolder, Photographer and Journalist (UK), and Student Focus was judged by Andrea Kurland, Editor-in-Chief of Huck (UK); Dan Rubin, Photographer & Artistic Director (UK) and Jennifer Shaw, Founder and Creative Director, PhotoNOLA (USA).

Commenting on the Open and Youth shortlists, Damien Demolder said: “It has been a pleasure and an inspiration to be exposed to such a volume of great work, and a privilege too that I could share in the personal moments, the joys, tears, life and losses of photographers from all around the globe who recorded their experiences through their pictures. The Youth competition was a special delight to judge and I was touched on many occasions by the openness and fearless expression of the entries.”

Student Focus judge Andrea Kurland adds: “This year’s shortlist helps cement why awards like these are more important than ever. The work submitted was original, thoughtful and brave – a healthy reminder that talent will always win out and rise above the noise.”

The shortlisted photographers now compete for the latest Sony digital imaging equipment and inclusion in the 2017 awards’ book plus cash prizes of $ 25,000 (USD) for the Photographer of the Year, $ 5,000 (USD) for the overall Open winner and €30,000 (Euros) of equipment for the university of the Student Focus winner. All winners will be announced at an awards ceremony in London on April 20, 2017.

The winning, shortlisted and commended images will all be exhibited as part of the Sony World Photography Awards & Martin Parr – 2017 Exhibition at Somerset House, London. The large-scale exhibition will open April 21 and will feature rarely seen work by Martin Parr, recipient of the awards’ Outstanding Contribution to Photography prize. The exhibition will run in London until May 7 and will then go on a worldwide tour. Exhibition tickets are available via www.worldphoto.org/2017exhibition

NOTES

  • 227,596 images were submitted to the 2017 Sony World Photography Awards across all competitions
  • Professional competition: 110,270 entries
  • Open competition: 105,692 entries
  • Youth: 11,634 entries

Sony World Photography Awards forthcoming announcements
March 28, 2017 – Open and National Award winners announced
April 20, 2017 – Photographer of the Year plus Professional category winners and Open, Youth and Student Focus Photographers of the Year revealed at ceremony held in London
April 21 – May 7, 2017 – Sony World Photography Awards & Martin Parr – 2017 Exhibition at Somerset House, London

SHORTLISTED PHOTOGRAPHERS

PROFESSIONAL CATEGORIES
Rewarding the best body of work across 10 categories. Up to 10 photographers shortlisted in each category. Category winners will be announced April 20, alongside the Photographer of the Year chosen from the ten category winners.

Architecture
Adi Bulboaca, Romania
Alessandro Piredda, Italy
Alissa Everett, US
Diego Mayon, Italy
Dongni, China
Julien Chatelin, France
Marvin Systermans, Germany
Zsolt Hlinka, Hungary

Conceptual
Alexander Anufriev, Russia
Carla Sutera Sardo, Italy
Jeroen De Wandel, Belgium
Joa?o San, Brazil
Sabine Cattaneo, Switzerland
Gao Peng, China

Contemporary Issues
Amber Bracken, Canada
Andrea Foligni, Italy
Danial Khodaie, Iran
Javier Arcenillas, Spain
Li Song, China
Lorenzo Maccotta, Italy
Tasneem Alsultan, Saudi Arabia

Current Affairs & News
Alessio Romenzi, Italy
Asger Ladefoged, Denmark
Ivor Prickett, Ireland
Javier Arcenillas, Spain
Joe Raedle, US
Karl Mancini, Italy
Pas?a I?mrek, Turkey
Sebastian Castan?eda, Peru

Daily Life
Alice Cannara Malan, Italy
Asger Ladefoged, Denmark
Christina Simons, Iceland
Ioana Moldovan, Romania
Majlend Bramo, Italy
Michael Tummings, UK
Nader Saadallah, Egypt
Sandra Hoyn, Germany
Toby Binder, Argentina
Yulia Grigoryants, Armenia

Landscape
Dino Kuznik, Slovenia
Frederik Buyckx, Belgium
Jayanta Roy, India
Kurt Tong, UK
Peter Franck, Germany
Tom Jacobi, Germany

Natural World
Ami Vitale, US
Christian Vizl, Mexico
Esther Whyatt, UK
Felicity McCabe, UK
Mariusz Prusaczyk, Poland
Tommaso Rada, Italy
Will Burrard-Lucas, UK

Portraiture
Craig Easton, UK
Dario Mitidieri, Italy
George Mayer, Russia
Giulia Piermartiri & Edoardo Delille, Italy
Mahesh Shantaram, India
Romina Ressia, Argentina
Ren shi Chen, China
Snezhana Von Buedingen, Russia

Sport
Andrea Rossato, Italy
Eduard Korniyenko, Russia
Jason O’brien, Australia
Mark Gong, US
Yuan Peng, China
Luo Pin Xi, China

Still Life
Ansgar Sollmann, Germany
Julien CAÏDOS, France
Christoffer Askman, Denmark
Grant Hegedus, UK
Henry Agudelo, Colombia
Paul Sanders, UK
Shinya Masuda, Japan

OPEN CATEGORIES
Rewarding the best single images across 10 categories. Up to 10 photographers shortlisted in each category. Category winners will be announced March 28, and Open Photographer of the Year revealed April 20.

Shortlist
Architecture
Barry Tweedy-Rycroft, UK
Claudio Cantonetti, Italy
Frank Machalowski, Germany
Franklin Neto, Portugal
Lester Koh Meng Hua, Singapore
Nick Frank, Germany
Oscar Lopez, Germany
Robert Walker, UK
Tim Cornbill, UK
Ute-Christa Scherhag, Germany

Culture
Beniamino Pisati, Italy
Emrah Karakoç, Turkey
Jianguo Gong, China
Mark Languido Vicente, the Philippines (based in Kuwait)
Michal Plachta, Poland
Pawe? J?drusik, Poland
foley hits, Malaysia
Radu Dumitrescu, Romania
Salvatore Mazzeo, Italy
Vito Leone, Italy

Enhanced
Alex Andriesi, Romania
Andrea Torres Balaguer, Spain
Chun Kin Tong, China
Gil Josquin, Brazil
Harry Botley,UK
John Chen, China
Julian Schievelkamp, Germany
Lise Johansson, Denmark
Sergey Dibtsev, Russia
Yong Lin Tan, Malaysia

Motion
Jimmy Reid, Scotland
Olga Sinenko, Russia
K. W. Hon (OqWing), China
Argus Paul Estabrook, US (based in South Korea)
Gül Y?ld?z, Turkey
Stacy Anguiano Cain, Mexico (based in the US)
Mariusz Stanosz, Poland
Oktay Suba?i, Turkey
Camilo Diaz, Colombia
Luigi Panico, Italy

Nature
Francesco Russo, Italy
Miyono Okamoto, Japan
Hiroshi Tanita, Japan
Christina Roemmelt, German (based in Austria)
Ann Ric Lau, Malaysia
Sorin Rechitan, Romania
Josselin Cornou, France (based in Australia)
Sakuma Masayasu, Japan
Elzbieta Kurowska, Canada
Maximilian Conrad, Germany

Portraits
Dalibor Tomic, Serbia
Carl Jeffers, UK
Saeid Moridi, Iran
Alexey Munich, Russia
Carloman Macidiano Céspedes Riojas, Peru (based in Argentina)
Anisleidy Martínez Fonseca, Cuba (based in the Netherlands)
Alexander Vinogradov, Russia
Tim Topple, UK
Fajar Kristianto, Indonesia
Tadas Kazakevicius, Lithuania

Still Life
Nick Pershai, Belarus
Gijs van den Berg, the Netherlands
Zani Arkadina, Ukraine (based in Germany)
Sergey Dibtsev, Russia
Iwona Czubek, Poland
Maxim Korotchenko, Russia
Wilson Lee, Hong Kong
Esthaem, Austria
Andres Gallardo Albajar, Spain (based in Estonia)
Massimiliano Balo’, Italian (based in the UK)

Street Photography
Caio Vita, Brazil (based in the Netherlands)
Jelena Jankovic Serbia
Jian Seng Soh, Malaysia
Gimmi Corvaro, Italy
Konstantinos Sofikitis, Greece
Ge Wang, China
Dina Alfasi, Istrael
Hendra Permana, Indonesia
Ash, Japan
Tavepong Pratoomwong, Thailand

Travel
Jose Maria Perez Nuñez, Argentina
Stephane Couture, Canada (based in the US)
Rob Wilson, Canada
Placido Faranda, Italy (based in Switzerland)
Zhu Jianxing, China
Vladimir Zhoga, Russia
Ralph Gräf, Germany
Swapnil Deshpande, India
Achim Thomae, Germany
Fanjing Lu, Chinese

Wildlife
Andreas Hemb, Sweden
Alessandra Meniconzi, Switzerland
Jan Ryser, Switzerland
Eugene Kitsios, The Netherlands (shortlisted twice)
Fan Chen, China
Bar Kaufman, Israel
Natsumi Handa, Japan
Nigel Hodson, UK

Commended
For the full list of commended photographers in the Open competition (up to 40 per category) please go to www.worldphoto.org/winners-galleries

YOUTH COMPETITION
Photographers aged 12-19 were asked to respond to a theme of ‘beauty’ with a single image. The Youth Photographer of the Year will be announced April 20.

Helen Kiparissa, Greece
Bella Wong, China (based in the UK)
Andrej Kiripolský, Slovenia
Taciu Rares, Romania
Katelyn Wang, US
Iryna Sylinnyk, Ukraine
Yujia Dou, China
Tanya Chinareva, Russia
Frederik Marks, Germany
Johnathan Chen, US

STUDENT FOCUS
Open to all students worldwide studying photography. The Student Photographer of the Year will be announced April 20.

Shravya Kag, School of Visual Arts, US, (Indian nationality)
Tatsuki Katayama, Kyoto University of Art and Design, Japan
Stewart Main, Edinburgh Napier University, Scotland
Ruby Gaunt, Nottingham Trent University, UK
Cole Ndelu, Stellenbosch Academy of Design & Photography, South Africa
Nursyafiqah Azlan, Multimedia University, Malaysia
Nadine Hackemer, Nuremberg Institute of Technology Georg-Simon-Ohm Faculty of Design, Germany
Sarah Schrimpf, Academy of Fine Arts Munich, Germany
Michelle Daiana Gentile, Motivarte, Argentina
Tayla Martin, Charles Sturt University, Australia

FURTHER NOTES
The Professional competition of the Sony World Photography Awards is judged by an independent panel of industry experts selected by the World Photography Organisation. The headline sponsor of the awards, Sony, is not involved in the image selection of judging of this competition.

2017 Sony World Photography Awards shortlist announced

Anisleidy Martínez Fonseca, Cuba,

Shortlist, Open, Portraits, 2017 Sony World Photography Awards

2017 Sony World Photography Awards shortlist announced

Carloman Macidiano Céspedes Riojas, Peru,

Shortlist, Open, Portraits, 2017 Sony World Photography Awards

2017 Sony World Photography Awards shortlist announced

Christian Vizl, Mexico,

Shortlist, Professional, Natural World, 2017 Sony World Photography Awards

2017 Sony World Photography Awards shortlist announced

Emrah Karakoç, Turkey,

Shortlist, Open, Culture, 2017 Sony World Photography Awards

2017 Sony World Photography Awards shortlist announced

Masayasu Sakuma, Japan,

Shortlist, Open, Nature, 2017 Sony World Photography Awards

2017 Sony World Photography Awards shortlist announced

Tim Topple, United Kingdom,

Shortlist, Open, Portraits, 2017 Sony World Photography Awards

2017 Sony World Photography Awards shortlist announced

Vito Leone, Italy,

Shortlist, Open, Culture, 2017 Sony World Photography Awards

Articles: Digital Photography Review (dpreview.com)

 
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Amazing Macros from Photojojo-ers Around the World

28 Feb

For your viewing pleasure, we have gathered a ton of photos taken by YOU, our Photojojo pals, using our macro lenses and their phones.

Yup. telephones. What a talented bunch you are!

Take a look, then grab your own phone lenses in the shop.
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Picture of Russian ambassador’s assassin wins World Press Photo award

15 Feb

2017 World Press Photo Contest winners

An Assassination in Turkey. © Burhan Ozbilici, The Associated Press. World Press Photo of the Year

The 60th World Press Photo award has been won by a Turkish photographer for an image of the direct aftermath of the assassination of the country’s Russian ambassador. Burhan Ozbilici, who works for Associated Press in Istanbul, beat 5,034 other photographers from 125 countries to the top prize in one of the world’s most prestigious professional photography contests.

Ozbilici’s image was taken during the opening of a photography exhibition in Ankara at which the Russian ambassador Andrey Karlov was making a speech. Ozbilici wasn’t scheduled to cover the event but dropped in on his way home from work. During the presentation an off-duty Turkish policeman pulled out a gun and shot Karlov nine times, shouting that it was revenge for Russia’s part in the conflict in Syria. Immediately after the killing the gunman, Mevlüt Mert Alt?nta? told the gallery visitors to get out, which Ozbilici took to signify that Alt?nta? wasn’t going to harm anyone else. He is quoted as saying that he ‘remembered’ his ‘professional duty’ and decided to try to photograph the situation.

Ozbilici’s image also won the competition’s Spot News Stories category, but the chair of Judges, former Magnum President Stuart Franklin, wrote in the British newspaper The Guardian that he was ‘strongly opposed to it becoming photo of the year’. He went on to say ‘Unlike the assassination of Archduke Ferdinand in Sarajevo in 1914, the crime had limited political consequences. Placing the photograph on this high pedestal is an invitation to those contemplating such staged spectaculars: it reaffirms the compact between martyrdom and publicity…. Photography is capable of real service to humanity, promoting empathy and initiating change. This image achieves neither…’

The contest attracted 80,408 images across its eight categories, and in total there were 45 winners. Ozbilici’s winning image will net him €10,000 and a ‘selection’ of Canon camera equipment. The winning images will be displayed in a traveling exhibition that will open in Amsterdam on 14th April and which will go on to visit 99 other cities during the year. A book will also be available. For more information visit the World Press Photo website.

Press release

World Press Photo announces winners of 2017 contests

The 2017 World Press Photo Contest
The World Press Photo of the Year honors the photographer whose visual creativity and skills made a picture that captures or represents an event or issue of great journalistic importance in the last year.

Burhan Ozbilici’s picture–which also won first prize in the Spot News Stories category–shows how Mevlüt Mert Alt?nta?, a 22-year-old off-duty police officer, assassinated the Russian ambassador to Turkey, Andrey Karlov, at an art exhibition in Ankara, Turkey, on 19 December 2016. Alt?nta? wounded three other people before being killed by officers in a shootout. Ozbilici is a staff photographer for The Associated Press, based in Istanbul.

Mary F. Calvert, member of the jury, spoke about the winning photograph:

‘It was a very very difficult decision, but in the end we felt that the picture of the Year was an explosive image that really spoke to the hatred of our times. Every time it came on the screen you almost had to move back because it’s such an explosive image and we really felt that it epitomizes the definition of what the World Press Photo of the Year is and means.”

Jury member João Silva added:

“Right now I see the world marching towards the edge of an abyss. This is a man who has clearly reached a breaking point and his statement is to assassinate someone who he really blames, a country that he blames, for what is going on elsewhere in the region. I feel that what is happening in Europe, what is happening in America, what is happening in the Far East, Middle East, Syria, and this image to me talks of it. It is the face of hatred.”

The 2017 Photo Contest in numbers
The 2017 contest drew entries from around the world: 5,034 photographers from 125 countries submitted 80,408 images. The jury gave prizes in eight categories to 45 photographers from 25 countries: Australia, Brazil, Canada, Chile, China, Czech Republic, Finland, France, Germany, Hungary, India, Iran, Italy, Pakistan, Philippines, Romania, Russia, South Africa, Spain, Sweden, Syria, New Zealand, Turkey, UK, and USA.

Discover all of the winners and the awarded photos in an image gallery: http://www.worldpressphoto.org/collection/photo/2017

Jury member Tanya Habjouqa said about this year’s winners:

‘It was a very intense, sometimes brutal, discussion—sometimes even emotional—but I feel proud. I think we were brave in our decision. We were bold. I think the selection is definitely going to push forward a debate and I think it is a debate that is essential to have.”

You can also watch and download exclusive video interviews with the jury members here: https://vimeo.com/album/4395034

2017 Photo Contest jury and procedures
A group of internationally recognized professionals in the fields of photojournalism and documentary photography—chaired by Stuart Franklin—convened in Amsterdam to judge all entries. The jury is independent, and all entries were presented anonymously. A secretary without voting rights safeguards the fairness of the process, which is explained in full here: http://www.worldpressphoto.org/activities/photo-contest/judging

For the full list of jury members and secretaries, please see: https://www.worldpressphoto.org/activities/photo-contest/jury

The World Press Photo Foundation will release a technical report reviewing the contest, including the code of ethics, entry rules, and verification process on Monday, 27 February.

Prizes
The premier award, the World Press Photo of the Year, carries a cash prize of 10,000 euros. In addition, Canon will present the winning photographer with a selection of camera equipment. For more information about Canon, please visit: http://www.canon-europe.com/pro/

Award winners have their travel and lodging paid for by the World Press Photo Foundation to Amsterdam so they can attend the World Press Photo Festival, an event taking place 20-22 April featuring photographer presentations, screenings, and talks. For more information, see festival.worldpressphoto.org. They also receive a diploma and a Golden Eye Award at the Awards Ceremony.

2017 Exhibition
The prize-winning photographs are assembled into an exhibition that travels to 45 countries and is seen by more than 4 million people each year. The winning pictures are also published in the annual yearbook, which is available in multiple languages. The first World Press Photo exhibition opens in De Nieuwe Kerk, Amsterdam, on 14 April 2017. For more information about the exhibition in Amsterdam, please go to: http://www.worldpressphoto.org/exhibitions/2017-exhibition/amsterdam

This year’s exhibition displays will be printed on Canon large-format and Arizona flatbed printers. Please see the Canon website for further information: http://www.canon-europe.com/

The 2017 World Press Photo Digital Storytelling Contest
The Digital Storytelling Contest (previously known as the Multimedia Contest) rewards those producing the best forms of visual journalism enabled by digital technologies and the spread of the Internet. The contest is open to digital storytellers, visual journalists and producers, with submissions that include the work of a professional visual journalist.

Katerina Cizek, Chair of the Immersive Storytelling category said:

‘This year, the entries in the Immersive Digital Storytelling Category were very strong, diverse and ambitious. The projects also ranged widely in scale and scope. Because of this, the jury deliberated on how to weigh and balance the diverse qualities of the projects, and agreed on the criteria of: excellence in visual storytelling, importance and originality of reporting, innovation in immersivity and depth of social relevance. We ultimately agreed upon three winners, who each excel in their own ways, exemplifying distinct developments in our emerging field.”

DJ Clark, Chair of the Short Form category added:

‘This is a rapidly evolving media format in its early stages. We need people to push the boundaries and experiment. It won’t always work, but when it does it stands out.”

See a gallery of all the winners: http://www.worldpressphoto.org/collection/mm/2017

The 2017 Digital Storytelling Contest in numbers
This year 282 productions were submitted to the contest: 135 Short Form, 54 Long Form, 62 Immersive Storytelling and 31 Innovative Storytelling.

Prizes
Winners in each category are invited to the World Press Photo Festival in Amsterdam. A representative from each of the winning productions will have their travel and lodging paid for by the World Press Photo Foundation. The winners in each category will receive a diploma and a Golden Eye Award, presented during the annual Awards Ceremony. The prize-winning projects are assembled into an exhibition that travels to select locations. In 2016, the exhibition locations included China, Denmark, Germany, Italy, the Netherlands, Spain, and UAE.

2017 World Press Photo Contest winners

Taking A Stand In Baton Rouge. © Jonathan Bachman, Thomson Reuters. Contemporary Issues – First Prize, Singles

Lone activist Ieshia Evans stands her ground while offering her hands for arrest as she is charged by riot police during a protest against police brutality outside the Baton Rouge Police Department in Louisiana, USA, on 9 July 2016. Evans, a 28-year-old Pennsylvania nurse and mother of one, traveled to Baton Rouge to protest against the shooting of Alton Sterling. Sterling was a 37-year-old black man and father of five, who was shot at close range by two white police officers. The shooting, captured on a multitude of cell phone videos, aggravated the unrest coursing through the United States in previous years over the use of excessive force by police, particularly against black men.

2017 World Press Photo Contest winners

Migrant Crossing. © Vadim Ghirda, The Associated Press. Contemporary Issues – Second Prize, Singles

A woman is supported by two men while crossing a river, as refugees attempt to reach Macedonia on a route that would bypass the border fence, on 14 March 2016. Hundreds of refugees walked out of an overcrowded camp on the Greek-Macedonian border on this day, shortly after the closure of Macedonia’s borders, determined to head north despite the dangers of the crossing.

2017 World Press Photo Contest winners

The Libyan Migrant Trap. © Daniel Etter. Contemporary Issues – Third Prize, Singles

Two Nigerian refugees cry and embrace in a detention center for refugees in Surman, Libya, on 17 August 2016. The detention center houses hundreds of women escaping precarious conditions. Many claim they are regularly beaten or sexually assaulted, and receive insufficient amounts of food and water at the center. Most of these women were attempting to reach Europe by being smuggled across the Mediterranean in boats setting sail from neighboring Sabratah.

2017 World Press Photo Contest winners

Standing Rock. © Amber Bracken. Contemporary Issues – First Prize, Stories 

Riot police clear marchers from a secondary road outside a Dakota Access Pipeline (DAPL) worker camp using rubber bullets, pepper spray, tasers and arrests. In other incidents they’ve employed militarized vehicles, water canons, tear gas and have been accused of using percussion grenades.

Story: For nearly 10 months, members of the Standing Rock Sioux tribe and their allies camped out in opposition to the Dakota Access Pipeline crossing their territory and threatening their water supply. The estimated $ 3.78 billion project, backed by Energy Transfer Partners, is nearly complete, covering almost 1,172 miles. In military vehicles and body armor, police used tear gas, pepper spray, rubber bullets, and water cannons against the protesters, and have been accused of inhumane treatment of arrestees.

2017 World Press Photo Contest winners

Standing Rock. © Amber Bracken. Contemporary Issues – First Prize, Stories

Jesse Jaso, 12, enters the Unity Teepee, at the Sacred Stone Camp. The teepee is signed by camp supporters from all over North America and around the world. Oceti Sakowin, or the Seven Council Fires, is the true name of the great Sioux nation and refers to the coming together of the different factions of the tribe. Oglala, Cheyenne, Ut, Cree, Hopi and non-indigenous all are among the 200+ tribes represented in the camps and on the front lines. The last time there was a similar gathering was before the Battle of the Little Bighorn, 1876.

2017 World Press Photo Contest winners

Victims Of The Zika Virus. © Lalo de Almeida, for Folha de São Paulo. Contemporary Issues – Second Prize, Stories

Marcela (2) observes her sisters in her mother’s lap at the family’s home in the rural area of Areia. Twin sisters Heloisa (left) and Heloá (right) were born seven months prior with microcephaly caused by the Zika virus.

Story: In September 2015, babies in Brazil began to be born with microcephaly and other malformations, and in April 2016 the link between the Zika virus and these malformations was confirmed. Northeastern Brazil, where most of the Zika cases of microcephaly were reported, is one of the poorest regions in the country, and lacks an adequate health system. Many children with microcephaly often live hundreds of kilometers away from the nearest health center and spend hours traveling in order to receive medical and physical therapy. Most come from poor households and receive little governmental support.

2017 World Press Photo Contest winners

Victims Of The Zika Virus. © Lalo de Almeida, for Folha de São Paulo. Contemporary Issues – Second Prize, Stories

Heloá, seven months old, takes a bottle of milk on her grandmother’s lap at the family’s home in Areia. She and her sister Heloísa were born with microcephaly caused by the Zika virus.

2017 World Press Photo Contest winners

Copacabana Palace. © Peter Bauza. Contemporary Issues – Third Prize, Stories

A pastor, who also lives in the occupied buildings, explains all the construction problems. A couple of weeks ago, the hall floors from a building crashed down at night. Fortunately everybody was sleeping and nothing serious happened. Most of the buildings are exposed to corrosion.

Story: “Copacabana Palace”, an ironically named series of condominiums in Brazil, houses more than 300 homeless families. Built more than 30 years ago, construction on this complex was never finished and has since become squatted. A lack of fresh water, electricity, or a working sewage system means residents here often face serious health problems. Most of the people here come from favela communities, some of whom may have been offered social housing as part of governmental rehousing schemes that they don’t feel safe enough to occupy due to the presence of drug-gang families. According to official statistics from the Brazilian Institute of Geography and Statistics, it is estimated that there are 1.8 million homeless people in Brazil.

2017 World Press Photo Contest winners

Copacabana Palace. © Peter Bauza. Contemporary Issues – Third Prize, Stories

Domingo, from Angola, came several years ago to Brazil in search for a better life.

Articles: Digital Photography Review (dpreview.com)

 
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High-Elevation Dining: 12 Sky-Scraping Restaurants Around the World

17 Jan

[ By SA Rogers in Destinations & Sights & Travel. ]

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As long as heights don’t make you queasy, you could enjoy one of the best meals of your life from as high as 1,350 feet above street level, gazing out onto bustling cities like Dubai, Tokyo, Toronto, Shanghai and Chicago. Or, take a higher altitude approach at a restaurant that’s not just tucked into a mountain range in France, but also located almost 9,000 feet above sea level. These dining establishments are the closest you’ll ever get to eating meals in the clouds, outside of an airplane (unless, of course, you’re an astronaut, in which case, congratulations.)

Catch: Guangzhou International Finance Center, China

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100 floors above ground level in the Four Seasons Hotel at Guangzhou’s International Finance Center, seafood restaurant ‘Catch’ looks down onto the city from an astonishing 1,312 feet in the sky through floor-to-ceiling glass windows. The 103-story building is the 15th tallest in the world, and opened in 2010.

At.Mosphere: Burj Khalifa, Dubai

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The highest restaurant in the world crowns the top of the tallest tower, the Burj Dubai. Located on the 122nd floor, At.Mosphere is a 200-seat French restaurant set 1,350 feet above the ground. From your dining table, you can watch the frenetic pace of Dubai life or get a bird’s eye view of various ongoing construction projects.

Top of the World: Stratosphere Hotel and Tower, Las Vegas

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800 feet above the Las Vegas Strip, ‘Top of the World’ is tucked into the highest floor of the Stratosphere Casino, Hotel & Tower and revolves 360 degrees every 80 minutes.

Club Jin Mao: Grand Hyatt, Shanghai

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Gaze out at the Shanghai skyline from an unusual angle at Club Jin Mao, a showcase of classic Shanghainese cuisine on the 86th floor of the Jin Mao Tower at Grand Hyatt Shanghai. There’s seating for up to 40 guests, and six private rooms.

The Metropolitan Club: Willis Tower, Chicago

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Chicago is actually packed full of sky-high restaurants, many notable enough to make it onto lists of the world’s highest. That means there are plenty of opportunities to dine with an amazing view of the city, the Chicago River or Lake Michigan. The Metropolitan Club is a classic, located on the 66th and 67th floors of the famous Willis Tower (which has 110 stories in total.) The Club has long been open to members only, but recently invited the public to dine as well.

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High Elevation Dining 12 Sky Scraping Restaurants Around The World

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Around the world in 10 videos: 2016 Field Tests

02 Jan
DPReview’s Carey Rose, doing what he does best. Staring at women. In this case, rodeo Queens at a rodeo in Nyssa, Oregon, during a DPReview Field Test of the Canon EOS-1D X Mark II.

DPReview has been around the world in 2016, from the deserts of the Southwest to the lush jungles of Mexico’s Yucatan Peninsular. We’ve used everything from enthusiast compacts to high-end professional DSLRs, and along the way we’ve met some amazing photographers. 

Click here to See our full series of Field Test videos

You can check out the full series at the ^ link ^ right ^ there ^ but in this article, I want to take you back through the ten videos that we’ve published this year, and hopefully in the process, let you share a little in some of the sights, the sounds and the smells of DPReview’s Year in Field Tests. OK, not the smells, but definitely the other things.

Before we continue, I am legally obligated to let you know that all of the videos featured on this page are sponsored content, made possible with the support of Amazon and the manufactures featured in the videos. Click here for more information about DPReview sponsored content.

All clear? OK then – let’s watch some videos!

February: Sony Cyber-shot RX100 IV in the Yucatan

Shot at the end of last year, this Field Test, featuring Sony’s Cyber-shot RX100 IV was one of our most ambitious. Mexico’s Yucatan Peninsular is a beautiful place, full of amazing scenery, vivid history, and corner shops that sell antibiotics over the counter to weak-stomached gringos. 

We took advantage of all of these things during our trip, and as a bonus, you get to see me try to speak Spanish. Just be grateful for what you don’t get to see me doing.

March: Canon PowerShot G5 X on the Olympic Peninsula

Even on a grey weekend in early spring, the Olympic Peninsular is still a stunningly beautiful place. In this video, featuring the Canon PowerShot G5 X, DPReview writer Carey Rose spent a couple of days bro-ing down hard with local photographer and keen fisherman Kyle Johnson.

A little bit of trivia for you – this video actually breaks the world record for most amount of plaid featured in the least amount of screen-time. If you have trouble telling some of the men in this video apart from one another, don’t worry – so do I, and I know all of them.

April: Claire Bangser and the Olympus PEN-F

In April, we headed to Mississippi with the Olympus PEN-F, where Editorial Manager Wenmei Hill joined New Orleans-based photographer Claire Bangser on the Blues Trail. Claire and Wenmei spent a couple of days on the trail, photographing the local sights and people of the area. And yes – they used all the Art Filters. 

May: Shooting stars with the Nikon D810 & D810A

In May, we cast our eyes skywards. In this Field Test, DPReview’s Dale Baskin joined astrophotographer José Francisco Salgado in Death Valley, for a celestial shoot with Nikon’s D810 and D810A. One of the things I like most about this video is the way that José says ‘stars’. It’s hard to explain – you’ll just have to watch it.

May: Building a kayak with the Canon EOS 80D

While Dale was star-gazing in Death Valley, I was closer to home, learning how to make a traditional Greenland-style skin-on-frame kayak, in Seattle. I documented the entire process using the Canon EOS 80D. I’m proud to say that despite the countless mistakes, including several holes drilled in the wrong place, Aril still floats.  

July: DPReview goes to the rodeo with the Canon EOS-1D X Mark II

From slow, methodical action to fast, energetic action. In July, we drove down to Nyssa Oregon, with Canon’s professional flagship DSLR, the EOS-1D X Mark II, to cover the annual ‘Nite Rodeo’. This one is worth watching just for the sight of me and Carey wearing cowboy hats. Quote of the trip, from a rodeo spectator: ‘Y’all sure as hell don’t look like cowboys’. 

September: Shooting Action with the Nikon D5

DPReview’s Technical Editor Rishi Sanyal is a super-nerd. Given a chance, he’ll talk your ear off about everything from signal-to-noise ratio to smart lightbulbs. But what he’s probably most nerdy about is autofocus. In this video, featuring the Nikon D5, Rishi gets to indulge his AF obsession for almost 15 minutes. You’re welcome, Internet.

October: Birds in flight with the Nikon D500

In October, we traveled to Montana with the Nikon D500, to join wildlife photographer and friend to the wolves Ronan Donovan, at a nature reserve. It was a short, packed shoot, the dubious highlight of which was when I got dive-bombed by a hawk.

Fun fact: this is the only DPReview Field Test to feature a moose.

Wedding photography with the Fujifilm X-T2

Guemas Island is a tiny dot on a map of the Pacific Northwest, but it’s one of the most beautiful spots for a daytrip, weekend getaway, or a wedding. In this Field Test, Carey and Wenmei took the Fujifilm X-T2 to Guemas Island to document a very special day. Carey really covered himself in glory on this one, by forgetting to shoot Raw.

Dog Portraits with the Sony a6300

They say that dogs are man’s best friend. They also say you should never work with animals. Who are ‘they’ anyway, and where do they get their sayings? We may never know. In this video, Sam Spencer took Sony’s a6300 to a dog adoption shelter, to shoot some professional portraits of their canine residents. I’ll remember this shoot because it was the closest I’ve ever come to adopting an animal. See if you can spot which dog melted my heart.

Anyway – this video is cute. You should show it to your mum.

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This image is why the world needs professional photographers

21 Dec

A gunman assassinated Russia’s ambassador to Turkey yesterday at the opening of a photography exhibit in Ankara. Associated Press photographer, Burhan Ozbilici was covering the event and witnessed the assassination first hand, which occurred while the ambassador was addressing the room of attendees.

In the face of an active gunman meters away, Ozbilici kept on making pictures. And because of his bravery, the world can witness and better contextualize this horrific event. But before you go on calling Ozbilici a hero for being brave, consider for a moment that he did exactly what he is trained to do. He did what any good photojournalist should have done. 

In an interview with the Los Angeles Times today, Ozbilici had this to say about the incident:

“I was, of course, fearful and knew of the danger if the gunman turned toward me. But I advanced a little and photographed the man as he hectored his desperate, captive audience,” Ozbilici tells the LA newspaper. “I was thinking: ‘I’m here. Even if I get hit and injured, or killed, I’m a journalist. I have to do my work. I could run away without making any photos… But I wouldn’t have a proper answer if people later ask me: ‘Why didn’t you take pictures?’”

It’s a stark reminder that the world needs well-trained photojournalist now more than ever. Unfortunately the trend in the newsroom, both in the United States and World-wide has been a constant cycle of slashing staff photography positions. 

There are a lot of reasons why photojournalism jobs are disappearing, the decline of print/classified ads is surely one, but the increase in smartphone image quality is another. Smartphones have come a long way and for many media companies, a multi-talented journalist who can shoot some photos and video with their iPhone is often considered good enough.

So what if instead of a proper photojournalist, the Associated Press has sent just a reporter with a smartphone to cover the event? After all, it’s just a gallery opening right? A quick snap of the ambassador behind the podium and a few shots of the gallery walls to accompany the text should do the trick. 

The point is, there really is no substitute for a professional photojournalist with years of training and field time. In an era when news is increasingly catered toward one’s specific taste, the facts can be elusive. But a good photojournalist can get us closer to the truth. It’s their job.

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Time’s running out to enter 2017 Sony World Photography Awards

11 Dec

2017 Sony World Photography Awards Last Call for Entries

Cash prizes and Sony gear are on the line as deadlines for entry to the Sony World Photography Awards are approaching. With a little less than a month left to enter, the competition has released some early contenders. Head to the competition website to learn more, and take a look at some of the early standouts here.

Panopticon #1 The prison San Vittore Milan. © Jelena Kostich, Serbia, Entry, Open competition, Architecture, 2017 Sony World Photography Awards

The project named after social theory Panopticon, originally developed by French philosopher Michel Foucault in his book Discipline and Punish. The ìPanopticonî refers to an experimental laboratory of power in which behaviour could be modified, and Foucault viewed the Panopticon as a symbol of the repressive, disciplinary society of surveillance. I made photographs of the prison San Vittore in Milan, Italy. To show the boundary that is standing between those ones outside the prison, and those once inside the prison. That those outside the prison can’t actually see what is going on behind the walls of the prison.

2017 Sony World Photography Awards Last Call for Entries

Untitled. © Adit Merkine, Israel, Entry, Open competition, Wildlife, 2017 Sony World Photography Awards

I was laying on the bank of Kerkini Lake, Macedonia, Greece on 27 January 2016. This lake is known as the most important wintering habitat of the Dalmatian pelican in Europe. At this time of the year the Dalmatian pelicans are in their breeding plumage. It was in the mid-morning. A group of five Dalmatian pelicans came closer and closer, probably looking for some fish from the fisherman on shore. They stopped for a short time in a lined row staring at my camera, like posing for a family shot. It was very exciting and I took the shot.

2017 Sony World Photography Awards Last Call for Entries

GOTHS. © Peter Dench, UK, Entry, Open competition, Portraits, 2017 Sony World Photography Awards

Two Goths share a portion of chips on Southend promenade, UK.

2017 Sony World Photography Awards Last Call for Entries

Malaysia Independence Spirit. © Mohamed Shaiful Azre Allias, Malaysia, Entry, Open competition, Motion, 2017 Sony World Photography Awards

Hundred of student hoisted flags during 59th Malaysia Independence Day celebration at Merdeka Square on 31 August 2016 in Kuala Lumpur, Malaysia. Malaysia celebrates its 59th National Day on August 31. I took this photo using a telephoto lens and wait for the show to begin.

2017 Sony World Photography Awards Last Call for Entries

Waiting a Next Turn. © Mankichi Shinshi, Japan, Entry, Open competition, Culture, 2017 Sony World Photography Awards

After I heard that it is “one of the most crowded places in the world,” I decided to visit the beach in Qingdao, China. But Qingdao in May was chilly and foggyóit was still off-season. I could sense that this place had at one point been full of exuberant people, and in the subsequent emptiness, I felt a sense of loss.

This photo is the scene of wedding photo sessions around the sea. Although It was very bad weather, maybe they had to do that because of the full reservations of the popular spot in China.

2017 Sony World Photography Awards Last Call for Entries

Al Ain City. © Andrzej Bochenski, Poland, Entry, Open competition, Architecture, 2017 Sony World Photography Awards

2017 Sony World Photography Awards Last Call for Entries

Lava, Etna. © Placido Faranda, Italy, Entry, Open competition, Nature, 2017 Sony World Photography Awards

Solidified lava river vs Forest – Volcano Etna, Sicily. Aerial view from a drone.

2017 Sony World Photography Awards Last Call for Entries

Feeding Frenzy. © Noel Guevara, The Philippines, Entry, Open competition, Wildlife, 2017 Sony World Photography Awards

Wolf Snappers feeding on plankton. German Channel, Ngemelis Island, Republic of Palau. Taken in miso soup visibility but one of my favorite shots from the trip. I took this while the three Mantas we were shooting were making their huge U-turn for another pass at the cloud of plankton. This was at around 3 meters and the energy was electric all around.

2017 Sony World Photography Awards Last Call for Entries

X-flies. © Peter Csakvari, Hungary, Entry, Open competition, Still Life, 2017 Sony World Photography Awards

Who killed the flies?

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Panasonic Lumix FZ2500 / FZ2000 real world samples gallery

10 Dec
Straight-out-of-camera JPEG. 132mm equiv., ISO 125, 1/640 sec, F4.5. Photo by Carey Rose

The Panasonic Lumix FZ2500 / FZ2000, the company’s followup to the popular FZ1000, comes with a whole new 24-480mm F2.8-4.5 lens in front of its 20MP 1″-type CMOS sensor. It also comes with a built-in neutral density filter, 4K video and 4K photo modes and Panasonic’s Depth-from-Defocus (DFD) technology for quick and accurate autofocus.

We’ve taken advantage of some rare sunny weather in the midst of this Seattle winter to put together a samples gallery from this stills and video superzoom – take a look.

See our Panasonic FZ2500 / FZ2000 real world samples gallery

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How to Photograph the Magical Microscopic World – Photomicroscopy

11 Nov

What is photomicroscopy

There is a whole world right under your eyes where everyday and unique objects take on a fascinating new appearance. This world is microscopic and even though it is right in front of you, the tiny scale makes it difficult to see the incredible detail.

Photomicroscopy in its simplest form is high magnification photography, which in practice involves the use of a microscope to magnify images followed by using a camera for image capture. With the advent of eBay and other online auction style sites, photomicroscopy is becoming far more accessible to the wider population, allowing anyone to see the incredible detail.

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Monosodium Glutamate (MSG) at high magnification by polarized light microscopy.

My passion for photomicroscopy

As a scientist, I spend a significant part of my time conducting investigations which require me to use microscopes. It was this exposure (and my embedded love of science) that got me interested in microscopy. Once I caught the bug, I acquired a microscope from an online auction store and purchased the accessories needed to couple the microscope to my Nikon DSLR. It should be noted that you can easily find accessories to couple with most camera brands, so this is not limited to Nikon.

My Nikon attached to the microscope.

My Nikon attached to the microscope.

Over time my setup expanded, to try and optimize the workflow through the addition of focus stacking software and hardware to counter the very shallow depth of field microscopes have.

How to take photomicrographs

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Two-ply toilet paper by transmitted light microscopy.

Photomicrographs are high magnification images which are captured using both a microscope and a camera, in my case a Nikon D5300 DSLR. First, you need to find an object that can be imaged and prepare it.

Because the depth of field is so narrow, most item(s) need to be cut into thin slices or focus stacked to get an adequate depth of field. Once you have found the item you want to photograph, it is then a case of putting it under the microscope on a glass slide, setting the light to evenly illuminate the item and setting your camera to take the image.

One point to note is that many entry level DSLR’s (including the Nikon D5300) do not meter with microscope adapters. As such, to capture an image you will need to have the camera in Manual mode and use trial and error to adjust your shutter speed to expose the image properly.

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Dried chili flake by transmitted light microscopy.

What items look great under the microscope?

A significant number of everyday objects look incredible under the microscope, some of these can be found in the kitchen, while others are more likely to be found outside. Here are a few ideas:

  • Insect wings
  • Pine needle cross-section
  • Lake water creatures (e.g. water fleas)
  • Granules of sand
  • Onion skin
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Sand grains by transmitted light microscopy (and focus stacked).

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Onion skin by transmitted light microscopy (and focus stacked).

When you start to add polarization to the mix, a number of chemicals take on a new life, some of these are every day, while others are more unique:

  • Caffeine
  • Menthol
  • Nicotinic Acid
  • Benzoic Acid
  • Stearic Acid
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Benzoic acid by polarized light microscopy.

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Caffeine by polarized light microscopy.

Tips and tricks for photomicroscopy

As with photography, lighting is essential for photomicroscopy. Microscopes essentially have two types of lighting. One is transmitted lighting which is where the light is shone up through the item. The second type of lighting is where light is shone on the item which is known as reflected lighting. Transmitted lighting is best for transparent samples, while reflected lighting is best for opaque samples.

Using a polarizing filter retrofit will make many chemicals under the microscope come to life due to a property called birefringence. This property is where the refractive index of a material changes based on the degree of polarization and light, leading to many different colors within chemical crystals.

The depth of field in photomicroscopy is VERY shallow, as such you may need to either use thin slices of a material or do focus stacking to achieve a suitable depth of field. There is a range of software packages which can help with focus stacking, these include; Helicon Focus, Zerene Stacker and Photoshop.

photomicroscopy photomicrograph micrograph Peppercorn by reflected light microscopy.

Peppercorn by reflected light microscopy.

A few more images

Here are a couple more example images.

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Absorbent Wipe by reflected light microscopy.

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Butterfly wing by dark field microscopy.

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Glutamaic Acid

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Sponge

Have any idea(s) on what might look great under the microscope? Let us know in the comments below, please.

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Racing for Survival: 13 Extreme Vehicles for the End of the World

03 Nov

[ By SA Rogers in Technology & Vehicles & Mods. ]

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If you’ve ever watched The Walking Dead and thought to yourself, “in a zombie apocalypse, I would just find the nearest armored diesel-powered vehicle and pack it full of survival gear,” here’s an array of potential choices to stoke your fantasies. Some are available to the deep-pocketed public and some are technically for military use only, some fully-equipped RVs and others basically just for roaring through utter chaos and making it out alive.

Hudson Armored Personnel Carrier – With a Turret

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You’d be extremely lucky to come across one of these, post-apocalypse, if it happened to be abandoned or not in use. The Hudson Armored Personnel Carrier (APC) by INKAS was designed specifically for SWAT transport and it has a freaking turret. Other notable features include two escape hatches, gunports all around the perimeter and the platform of a ’79 Land Cruiser to make replacement parts and maintenance easy. It’s a lot more fun to imagine roaring around in this thing to escape zombie swarms than it is to envision the sort of real-world situations in which it’s actually used (and that goes for most of the rest of these, too.)

Applied Minds KiraVan

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A lifelong adventurer built one of the world’s most insane vehicles in honor of his four-year-old daughter, envisioning an off-road expedition truck that could take her anywhere on earth without limitation while maintaining the highest levels of luxury. The result is the ‘KiraVan,’ which can travel up to 2,000 miles without resupply, climb 45-degree slopes and push through small bodies of water, not to mention its kevlar-reinforced tires, diesel-powered motorcycle ‘dinghy’ and a massive trailer housing the kid’s own ‘penthouse’ loft.

Mercedes-Benz Zetros 2733 6×6

Mercedes-Benz Zetros

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Built as a luxury RV for rich hunters, the Mercedes-Benz Zetros 6×6 is not your grandfather’s vacation vehicle. It can go off-road, a virtual mobile fortress with ATV storage and extra-tough tires. Inside, there’s a bathroom with marble flooring and underfloor heating, a bedroom, a fully-equipped kitchen, a built-in SAT receiver powered by a diesel generator and a gun safe.

INKAS Huron APC
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An earlier, larger version of the INKAS Hudson, the Huron APC looks like a Hummer on steroids and features “revolutionary lightweight armor” that makes it faster and easier to maneuver than similarly-sized armored vehicles. It can carry up to 16 passengers, and its engine bay is protected by the same armor that’s capable of shielding its crew from AK-47 fire. With a price tag of over half a million dollars, not even the richest civilians can buy it – it’s intended for police and military missions only.

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Racing For Survival 13 Extreme Vehicles For The End Of The World

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