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Posts Tagged ‘View’

How to Find Your Best Photos Using Compare View In Lightroom Classic CC

01 Sep

To compare your images in Lightroom, you can either use Survey View or Compare View. In this article, I will focus on Compare View in Lightroom Classic CC.

Comparing images allows you to choose the very best image or images to edit in the Develop Module. Compare View is used to compare two similar images, whereas Survey View is useful for comparing a series of similar photos to narrow down your favorite choices.

I personally use Compare View often because as a still life photographer, I am often filtering through many images that are very similar to each other. Compare View allows you to do this efficiently. Grid View in the Library Module is where you can find and utilize Compare View.

Using Compare View

With the images of the Brussels sprouts below, my goal was to select the best composition. Although the pictures look really similar, some of them are better than others in terms of the placement of the knife and the Brussels sprouts, and how they lead the eye through the frame. I wanted the cut Brussels sprout to fall in one of the focal points according to the Phi Grid, and the other small pieces to look random and well balanced.

This is how some of the unedited images look in Grid View.

Grid View-Best Photos Compare View In Lightroom Classic

To compare your images, start in Grid View. The keyboard shortcut to get to Grid View is G.

Then enter  C to go to Compare View. You can also hit the X/Y icon on the left-hand side of the toolbar.Using Compare View-Lightroom-DPS

Choose the first image you would like to compare. This will appear in the left-hand window and is labeled Select in the upper right-hand corner. The next image in the Lightroom filmstrip appearing on the right is the Candidate.

Select Candidate Compare View In Lightroom Classic

Info Overlay

If you hit the letter I on the keyboard, you will be able to see the date and time you shot the image in the left-hand corner of the image, as well as the pixel size. If you hit the “I” key again, it will display your camera settings and lens information. Hit it for the third time and the info overlay will disappear.

Compare View In Lightroom Classic

File date and size.

Compare View In Lightroom Classic

Camera metadata and shooting information.

If you select only one photo and then switch to Compare View, Lightroom Classic CC uses that photo and either the last, previously selected photo, or an adjacent photo in the filmstrip.

Compare View-Lightroom-DPS

When you look at your filmstrip, the white diamond in the upper right-hand corner of the image is the Selected one, whereas the black diamond is the Candidate. The Selected image is brighter as seen here (thumbnail on the left).

The difference between the Selected image and Candidate is that the Selected image will remain where it is on the left, while you can choose different photos in the Candidate window. You do this by clicking on the right or left arrow in the toolbar, or using the arrows on your keyboard.

Compare View Icons

Here is the toolbar in Lightroom’s Compare View.

LR Toolbar - Compare View In Lightroom Classic

Zoom

The cool thing about Compare View is that you can zoom in on your image, which you cannot do in Survey View. You can access the zoom at the bottom left of the tool panel, as shown in the photo below.

You can also use Cmd/Ctrl+ to zoom in, and Cmd/Ctrl- to zoom out. While you are zoomed in you can click on the image and drag it around to inspect it closer, to see if it’s in focus, or if there was dust on your sensor, etc.

Link Focus

The link focus icon looks like a lock. When you’re scrolling through a zoomed-in image, both of the images will move. If you click on the lock icon to “unlock” it, it will allow you to scroll around only on one of the photos.

This is good if you’re comparing images with a slightly different composition. It’s a great tool when you want to check that all of the people in a group photo have their eyes open, for example.

Compare View Compare View In Lightroom Classic

Sync

If you click to unlock the Link Focus tool, once you want to go back to viewing the same parts of your image at the same time, you simply need to click on the Sync button next to the zoom. This button controls the zoom sync ratio.

sync-compare view-lightroom

Swap

Use Swap to change the image that shows up in the Select window. It swaps it out with the image that is currently in the Candidate window.

Take care that when you are choosing photos in the filmstrip that you actually click on the photo itself, and not the frame. If you click on the grey part, not only are you choosing the photo as a Select but also you are choosing the photo next to it as the Candidate photo.

You can also swap photos by clicking on the images individually in the filmstrip.

Compare View In Lightroom Classic

Make Select 

When you click on this icon, it will move to the Select Window and use the next photo in the filmstrip as the Candidate. Swap simply reverses them.

Compare View-Lightroom-DPS

Select Previous/Next Photo

Then you can click on the arrows to toggle through the images in the Candidate window.

Compare View-LR-DPS

Rating Images

Photographers all have their preferred way of rating their photographs, whether that be by flagging them, adding a color label, or star rating. You can do this in Compare View.

I personally find flagging is the easiest way. After I have finished going through my photos and am in the Develop Module, I will use star ratings to signify where I am in the editing process. For example, four stars need further editing, while five stars indicate that I have finished editing and exported them to the appropriate file.

I use color labels to separate my personal photos from client work and stock images. Currently, this is what is working for me. You may have a very different system.

Flag the photographs you are potentially interested in editing by hitting P, which marks it as a “pick”. To mark one as a reject (for later deletion), hit the X on your keyboard. If you keep your CAPS lock on, you can simply hit the arrow keys. You can later delete all of those rejected images in bulk.

To Sum Up

  • Go to Grid View
  • Choose your Select Image
  • Choose C for Compare View
  • Use the arrows to cycle through the images. Inspect them as necessary, using the Zoom and Link Focus tools as necessary. 
  • Pick the images you want to keep by hitting P to flag them. Hit X for any images you want to get rid of. Rate them now if desired.

Compare View is a bit more difficult to use than Survey View. However, you can also cycle through your images very quickly, once you get the hang of it.

Take advantage of Lightroom’s powerful features to quickly filter through tons of your photos. You can immediately get rid of images that don’t work and you’ll never use, or images that are very similar but miss the mark. This will free up space and make your life a lot easier when it comes to searching for photos and going through Lightroom’s filmstrip.

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Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

16 Mar

There’s no feeling quite like the dread that sets in when you are reviewing your photos from the day and you notice that some of those stellar images you snapped are soft and out of focus. For photographers who like to shoot with a wide aperture, sometimes hitting your focus is like walking on a tightrope – and missing by just a tiny little bit can seriously ruin your day.

An image showing accurate focus with a wide aperture - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

The watch is the focal point of this shot, and some careful technique helped ensure that it stayed tack sharp.

Editing can do a lot to save a picture; you can make areas of it brighter or darker, you can modify colors and add your own distinctive style – but there’s no way to completely fix a shot where the focus simply missed.

Fortunately, when shooting in controlled situations, there’s a useful trick for making sure each and every shot is in razor-sharp focus.

Why are some of my shots out of focus?

In a perfect world, cameras would adjust correctly to the lighting and dynamics of every shot and deliver focus with pinpoint precision. Unfortunately, reality gets in the way.

There are a few reasons why your shots sometimes come out a bit soft, meaning that the camera has decided to focus a bit too far in front or behind the target you were actually aiming for.

Lack of contrast

Cameras determine focus based on contrast. When you try to focus on an object that doesn’t have much contrast, say a smooth white wall, for example, there isn’t contrast for the camera to lock onto. Sometimes the camera will hunt for a focus point, shifting back and forth for a few seconds, and then give up. Sometimes the camera focus will latch onto a different part of the picture, putting your true subject out of focus.

An image of a Christmas Tree ornament where the autofocus grabbed onto the wrong spot in the image - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

This shot was supposed to be focused on the red ornament, but finer details in the background and the flicker of lights grabbed the attention of the camera’s autofocus instead.

An image of a Christmas tree ornament with accurate focus - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

After flipping over to manual focus and choosing the focus point more deliberately, the final shot looks a whole lot better!

This can also be a problem in low light conditions. Once again, the camera doesn’t have any strong contrasts to grab onto and can miss its target.

Bad focus caused by user error

As much as we hate to admit it, user error can cause some missed focus problems too. If you lock your focus on a target, then either move the camera or wait too long and allow the target to move significantly from where it once was, the resulting shot isn’t going to be razor-sharp.

Another common problem for shooters using autofocus is when the focus locks on an unintended part of the image, leaving the main subject blurry. One good way to counter this is to choose a more specific focus mode, such as single point focus.

A chess board image with accurate focus managed using Live View - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

The focus of this shot is tight on the King, emphasizing the piece’s importance in the game.

A chess board image with missed focus - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

Here the autofocus grabbed a different part of the frame, leaving this picture without a clear subject or purpose.

Slow shutter speed

Some blur that looks like missed focus could also be the result of using a shutter speed that is too slow. The resulting movement in the camera from pressing down the shutter button can blur out the fine details in your shot.

If your shot isn’t turning out right, take time to consider whether it might be because of one of these common problems before you throw your camera at the wall in frustration.

So how can Live View help me with focus?

Live View is a mode where you can see through your lens using the LCD screen on the back of your camera. It can be used to pinpoint your focus in situations when your subject isn’t moving and your camera is on a tripod.

The advantage of using the camera’s LCD screen is that you get a 100% accurate look at how the picture is going to turn out once you press the shutter button.

Using Live View on a camera for accurate focus - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

The camera is set up in Live View mode, ready for precision focusing.

Live view set to magnify the image five times

In Live View mode, you can focus up to 5 times magnification.

Live view set to magnify the image ten times - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

Some cameras can even zoom to 10 times magnification, helping guarantee that the focus is precise, even at f/1.8.

This technique is mostly useful at wider apertures when your camera’s autofocus may miss its target, even with using single point focus. When shooting at a wide aperture of f/4 or lower, the margin for error is very slim. With an extremely narrow depth of field, missing your focus by even a couple of centimeters could make those crucial details in your shot looks soft.

If you are taking a landscape photograph and are using a narrow aperture (such as f/16) to keep as much detail in focus, there is a lot more room for error.

What about using the single point focus mode?

For precision focusing, the single point focus mode goes a long way.

This is a mode where you can choose just one point for the camera to automatically focus with, rather than allowing the camera to consider the entire scene.

A good opportunity for using single point focus - Focus Challenges and How Live View Can Help You Get Razor-Sharp Images

Single point mode was a good choice here in order to make sure the focus was accurate on the orange insect.

When you need to nail a tough shot on a moving subject, single point focus is definitely the way to go. For stationary subjects, however, shooting in manual focus mode and using Live View to ensure your focus is tack sharp removes any potential for trouble. Even single point focus can have issues with accuracy in dark or low contrast situations.

Read more here: 6 Ways to Use Live View to Get Sharper Image and here 4 Tips for Using for Live View to Get Sharper and More Creative Images.

Less misses, more keepers

Discovering what subjects you like to photograph and chasing unique moments with a camera is a thrill. And practicing your focusing technique and using tricks like Live View focusing can help you make sure you come home with more and more keepers after every shoot!

The post Focus Challenges and How Live View Can Help You Get Razor-Sharp Images by Frank Myrland appeared first on Digital Photography School.


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Google has removed the ‘View Image’ button from Image Search

17 Feb
Bye bye ‘View Image’ button…

On Monday, we told you about licensing deal between Getty Images and Google that would result in the end of the “View Image” button on Google Image Search. Today, we get to see the fruits of that deal, as Google Images officially removes View Image, forcing users to actually visit the site that hosts an image, rather than going straight to the image file on its servers.

The deal between Getty and Google served to end a legal feud that began in 2016, a lawsuit in which Getty accused Google of “promoting piracy” by linking to high-resolution copyrighted images without watermarks.

Getty claimed that Google was creating “accidental pirates” who would find legally licensed images through Google Image Search and, since they weren’t required to go to the actual website where these images were hosted (and properly credited with copyright notice), they would simply download the high-res file. Instead of settling this question in court, Getty and Google struck a multi-year licensing deal last week; a deal that should benefit all photographers.

The View Image button is gone, as is the “Search by Image” button. All that’s left is Visit, Save, View Saved, and Share.

All of the details were shared through the Google SearchLiason Twitter feed, where Google explained that yes, these changes are “in part” due to the deal with Getty. Ultimately, however, Google wants to emphasize that this is good for everyone:

For those asking, yes, these changes came about in part due to our settlement with Getty Images this week. They are designed to strike a balance between serving user needs and publisher concerns, both stakeholders we value.

Ultimately, Google Images is a way for people to discover information in cases where browsing images is a better experience than text. Having a single button that takes people to actionable information about the image is good for users, web publishers and copyright holders.

Now we just have to wait and see what kind of impact this will have on rampant online image theft. Of course, someone who wants to knowingly steal an image won’t be deterred by the lack of a direct link, but many of those “accidental pirates” that Getty claims exist should be saved from themselves by this change.

Articles: Digital Photography Review (dpreview.com)

 
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Improve Your Composition by Changing Your Point of View

03 Nov

There are many rules, guidelines, suggestions, and ideas around what makes a good photographic composition. Every person has their own particular aesthetic and way of seeing, and it can be difficult to find your way through all the information to a concept that works for you.

Improve Your Composition by Changing Your Point of View

However, there is one simple tip that may be the easiest and quickest way for you to improve your images. It’s free and doesn’t usually require you to buy anything. All you need to do is stop, think, and make a different choice. What is that choice? The choice of changing your point of view.

The vast majority of images are taken from a standing position, looking out at, or down onto the subject. So, instead of doing what everyone else does, why not try something different?

Change Your Point of View

#1 – Go Low

Get down on the ground as low as you can get (depending on your physical capabilities or what might be in the way). This can give you a much more intimate connection with any creature you might be shooting – being at eye level with the subject is always ideal.

Being on the same plane as a ground-based subject is unexpected. Too often we view the world from a standing position so this viewpoint challenges us.

Improve Your Composition by Changing Your Point of View

I crouched as low as I could get without scaring this curious bandicoot.

Improve Your Composition by Changing Your Point of View

Lying flat on the damp sand at 6 am on a tropical island isn’t a bad way to start the day.

Improve Your Composition by Changing Your Point of View

I spent a couple of hours crawling around on my hands and knees on the edge of a cemetery, capturing these Fly Agaric in full bloom.

2. Go High

Climb onto a fence, up some stairs, a tree, or a ladder and use that height to better effect. Looking straight down on your subject is a very alien view for most people. This is a big part of why drone photography is so popular, it allows us to see our world in an entirely different way.

Improve Your Composition by Changing Your Point of View

3. See from a different angle

How many times do you point the camera straight or straight down? Most people rarely look immediately up above themselves, so that is quite a different image. If you combine adding height with looking down you can be very creative as it is unexpected by viewers who normally have their feet planted firmly on the ground.

Improve Your Composition by Changing Your Point of View

Vertical flat lay overhead still life shot.

Improve Your Composition by Changing Your Point of View

Pointing the camera directly down the stairwell from the top floor provides a unique angle.

Improve Your Composition by Changing Your Point of View

Stalactites in a limestone cave right above my head.

4. Make a Different Lens Choice

Changing from your standard lens to a different one can also make a big difference.

Try using a macro lens, or an ultra wide-angle. Even better, don’t use them conservatively. Use the ultra-wide to take macro shots, and use the macro lens to take portraits.

Get a cheap vintage lens, one that has all sorts of interesting visual effects inside the glass (they usually need to be focused manually). Play with a Lensbaby or another specialty type lens. Don’t be afraid to experiment. After all, whats the worst that could happen?

Improve Your Composition by Changing Your Point of View

The only way to fit this really wide piece of farm equipment into the frame was to shoot up close with an ultra-wide-angle lens. It also allowed the creative choice of including all the wonderful clouds in the sky as well.

Improve Your Composition by Changing Your Point of View

Macro lenses offer a window into a world we cannot normally see with standard eyesight. Fascinating tiny details become visible.

Improve Your Composition by Changing Your Point of View

Shot with an antique Russian lens, it has a lot of circular distortion around the edges, which when used creatively can be effective. The bonus is that these lenses are very cheap and easy to find in antique shops. Usually manual to operate though.

5. Shoot Tight

Stick that lens right up close to your subject, get in tight. Fill the frame with the subject, as much as you can. Go completely abstract if you like, but push yourself out of your comfort zone. Get in as close as you can, and then go closer still.

Improve Your Composition by Changing Your Point of View

Improve Your Composition by Changing Your Point of View

6. Take Your Time

Long exposures can be a lot of fun and give you a very different image. Soft flowing water effects are nice, but what about a really long exposure where the water looks like smoke and mist? Night shots of fire dancers making patterns in the darkness? Playing with light painting? ICM or Intentional Camera Movement? Slowing down the action and capturing it can offer a lot of creative fun.

Low light or night time photography offers lots of opportunities for using long exposures in creative ways. Astrophotography is very popular at the moment and requires you to use a tripod and take often several long exposure frames. Light trails from traffic on busy city streets or a car climbing its way up a mountain road in the distance.

These kinds of images take time to make, which requires you to think about and plan it in advance. It can be frustrating to have to wait to achieve them but the pay off for creating an image under difficult conditions is very rewarding.

Fire dancers on the beach

Fire dancer using a colored light bar and taken with a longer exposure to capture the spinning movement

A tree draped in strands of lights becomes a very different image when Intentional Camera Movement is applied. Just a slightly longer exposure time and a wiggle of the wrist and you get this.

7.  Be Abstract

Going really close to a subject or selecting just a part of it to include in the frame is a great way to bring abstract concepts into your work. You tease the viewer with just enough of the subject that they wonder what it is. This often makes them engage longer with the image as they think more about what it could be.

There is a fine line between enough and too abstract, depending on your subject. Of course, you may want to go all the way into very abstract which is perfectly valid, although might challenge your audience and lose engagement.

This is the very battered toes of a pair of ballet pointe shoes

Summary

Putting some effort and thought into the way you use your camera gear is one of the most effective ways to improve your images in my opinion. Strong and eye-catching compositions can be achieved with any kind of camera provided you put some thought and time into making it.

Yes, for some kinds of shots you might need special gear, like a macro lens for those really good close-ups. In general, though, you can still see a noticeable improvement in your images by just taking the time to stop and think BEFORE you shoot. Ask yourself the following questions before you press the button:

  • What is the obvious angle here?
  • What other options could I use instead?
  • Do I have time to experiment?
  • Is there space and opportunity for me to physically move to a different viewpoint?
  • Is it safe/legal?
  • Will I do any damage to property or environment by changing position?

Learning to see in a different way was a critical step in my photography path. By expanding my options and developing new styles, my work was noticed and commented on much more. This prompted me to experiment even more and really challenge my own preconceived boundaries.

Having the ability to shoot in many different ways adds flexibility and depth to your skillset. Cold rainy day? Break out the macro lens and raid the pantry for something different to shoot. Pick a flower from the garden and bring it inside. Wander the city streets looking for the small interesting details and focus on them. Be abstract, tell a story from your point of view. Get shots of people’s feet crossing a zebra crossing or panning shots of a cyclist dodging traffic.

Your turn

Take your time to look and see what is around you, then think about how you can frame it up. Be creative. Don’t be afraid to try something new. It might take a few goes to get the hang of it or you might fall in love with seeing the world around you in an entirely different way immediately.

Challenge yourself to grow and improve. And please share your thoughts and experiences in the comments below.

The post Improve Your Composition by Changing Your Point of View by Stacey Hill appeared first on Digital Photography School.


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Weekly Photography Challenge – Worm’s Eye View

07 Oct

Last week you had to get up high and look down. Now it’s time to get down low, right on the ground if you can – and shoot from the ant’s perspective.

Photo by Sebastian Unrau on Unsplash

Weekly Photography Challenge – Get Down!

This is sometime’s called a worm’s eye view (opposite bird’s eye view). The world looks different from down there. Check it out. Keep in mind looking straight up also works for this challenge. So don’t make it overly hard on yourself to do this.

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

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Weekly Photography Challenge – View From Above

30 Sep

If you’ve already looked at this article from earlier on tips for drone photography, you’ll already be in the mood for this challenge. But you don’t need a drone to participate – just a high vantage point, looking down. Are you “up” for it?

Photo by Jonathan Pendleton on Unsplash

Weekly Photography Challenge – View from Above

This week it’s your job to get up high and look down on the world – literally. Show us the view from above with your photos for this weekly challenge.

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – View From Above by Darlene Hildebrandt appeared first on Digital Photography School.


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How to take out view attachment as pdf on evernote

02 Sep

But if you’re also uploading images, i’m not sure what you mean about books and movies. You can capture, there are dozens of clipper apps and windows Snipping Tool is fantastic! You can do that, I have no idea how good is Onenote for Windows and Android users. There are infinite uses for the Evernote […]
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NatGeo and Airbnb will send two people to view the eclipse from a private jet

08 Aug

Two lucky people will get to view the August 21st solar eclipse from a private jet above the clouds thanks to Airbnb and National Geographic, proceeded by a night in a geodesic dome in the Oregon wilderness. The experience is being offered by the two companies in the form of a contest, which you can enter now on Airbnb’s website. Those who go on the private flight will be among the first to see the solar eclipse.

According to Airbnb, the night before the eclipse will be spent in the geodesic dome located near hiking and rock-climbing destination Smith Rock in the Oregon wilderness. The duo will be accompanied by Yale University astrophysicist Dr. Jedidah Isler and National Geographic photographer and science journalist Babak Tafreshi.

An observation deck on the dome includes multiple telescopes, and as you gaze at the heavens Isler will answer questions related to astrophysics while Tafreshi teaches you how to photograph the night sky… not bad. But that’s not the best part.

On August 21st, the two winners, Isler, and a crew will take off from the Redmond Municipal Airport and fly two hours west, at which point the flight will turn around and head back toward land along the Path of Totality, giving everyone onboard an extended, unique view of the total solar eclipse.

Anyone 21 years old or older from the U.S. or Canada can enter the contest. Winners will need to travel to Seattle, Washington on August 20, and must have passports that are valid for at least six months following the date of the adventure. The full list of rules and conditions are listed on Airbnb’s website.

Articles: Digital Photography Review (dpreview.com)

 
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You can now explore the International Space Station in Google Street View

20 Jul
Cupola Observation Module, Image: Google

Thomas Pesquet, an astronaut with the European Space Agency (ESA) spent 6 months on board of the International Space Station (ISS). During his time in space he worked with Google capturing spheric panorama images of the space station’s interiors and unique images of the Earth seen from space.

As a result you can now explore the ISS and have a look at the blue planet from space using Google Street View.

US Laboratory Module, Image: Google

In his post on the Google Blog Thomas provides a little insight into the the picture capturing process in space: “Because of the particular constraints of living and working in space, it wasn’t possible to collect Street View using Google’s usual methods. Instead, the Street View team worked with NASA at the Johnson Space Center in Houston, Texas and Marshall Space Flight Center in Huntsville, Alabama to design a gravity-free method of collecting the imagery using DSLR cameras and equipment already on the ISS. Then I collected still photos in space, that were sent down to Earth where they were stitched together to create panoramic 360 degree imagery of the ISS.”

More information and images are available in Thomas Pesquet’s article “Welcome to Outer Space View” on the Google Blog.

Joint Airlock (Quest), Image: Google

Articles: Digital Photography Review (dpreview.com)

 
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Google taught an AI to create pro-level photos from Street View imagery

18 Jul

Google is in possession of vast amounts of Earth imagery via its Street View product, and now it is testing machine learning as a way to harvest ‘professional-level photographs’ from that imagery. As detailed in a newly-published study, Google researchers created an experimental deep-learning system that trawls Street View landscapes in search of high-quality compositions.

Machine learning, while capable at tasks that involve ‘well defined goals,’ struggles in the face of subjective concepts such as determining whether a photograph has high aesthetic value. Google developed this latest deep-learning system as a way to explore how artificial intelligence can learn subjective concepts such as photography—training the system using professional photographs taken by humans.

Compositions identified by the AI from the Street View imagery were then automatically improved using an editing tool called ‘dramatic mask’ that enhances an image’s lighting.

Here are a few examples from the Google Research Blog:

“Using our system, we mimic the workflow of a landscape photographer,” the researchers explain. “From framing for the best composition to carrying out various post-processing operations.”

To test the quality of its AI-generated photos, Google asked professional photographers to blindly rate a collection of photos from various sources, including its Street View photos. The team’s conclusion from those ratings is that, “a portion of our robot’s creation can be confused with professional work.”

Articles: Digital Photography Review (dpreview.com)

 
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