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Posts Tagged ‘Version’

Sony’s a9 gets AI-powered AF modes and a redesigned menu in firmware version 5.0

25 Mar

Sony has released a major firmware update for its a9 mirrorless camera that adds new AI-driven autofocus modes, enhances image quality and changes a number of menu settings for improved usability.

The standout feature of firmware version 5.0 is Sony’s Real-time Tracking mode, which uses an artificial intelligence-based object recognition algorithm to detect and keep track of subjects. The Real-time Tracking mode also works alongside Real-time Eye AF, an updated version of its popular eye-tracking autofocus mode that also relies on artificial intelligence to keep the subject’s eyes in focus. Real-time Eye AF also works with a half-press of the shutter now and will continue to track even if a subject’s eyes are temporarily closed or obscured while shooting.

Fast Hybrid AF for video has also been added to the a9. According to Sony, Fast Hybrid AF provides ‘smoother, more accurate focus during video shooting, even if/when objects move in front of the subject.’

On the image quality front, Sony says firmware version 5.0 ‘offers notably improved image processing, which maximizes the capabilities of the full-frame sensor.’ Specifically, Sony says the camera features a better auto white balance mode and more accurately captures subtle changes in light making better tonal gradations.

Moving onto the software side of things, Sony has rearranged the menu settings and added a number of features it says customers have been asking for in regards to workflow and usability. Specifically, Sony has added a new My Dial menu, a revised custom key menu and improved touchpad capability. Also added is a new tagging feature and improved dual-card functionality. Below are a few menu screenshots provided by Sony that highlight the changes and new features:

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Keep in mind that when updating the firmware on your a9 camera all settings are initialized returning everything to factory settings and the update cannot be reversed. Sony suggests writing down frequently-used settings for adding and altering after the update has been installed. Sony also warns for this particular update that you might want to get used to the updated menu configuration before heading out to your next shoot as much of the structure has changed.

To download firmware version 5.0 for the Sony a9, head over to Sony’s website to download the macOS and Windows versions.

Press release:

Sony a9 Gains Powerful New Autofocus Capabilities and More Through Software Version 5.0 Update

Sony’s industry-leading a9 camera has received a significant software update that brings AI-driven autofocus capabilities to its award-winning autofocus (AF) system, improves image quality, and introduces a range of customer-requested workflow improvements.

Autofocus Advances

Firmware version 5.0 for the Sony a9 adds Sony’s newly-developed, AI-driven Real-time Tracking mode for precise and robust subject tracking. Real-time Tracking uses Sony’s latest AF algorithm—which includes Artificial Intelligence-based object recognition—to detect and follow subjects with unprecedented accuracy.

Real-time Tracking AF works in conjunction with Real-time Eye AF, also added with Firmware version 5.0. The latest iteration of Sony’s best-in-class Eye AF technology, Real-time Eye AF also uses AI-based object recognition, resulting in an unprecedented level of speed and performance for locking on and holding focus on a subject’s eyes. Additionally, with Real-time Eye AF, users can now activate eye detection via a half-press of the shutter release, and can enjoy focus tracking accuracy even if a subject’s eyes are temporarily obscured during shooting.

Also added with firmware 5.0 is Fast Hybrid AF for video, which now provides smoother, more accurate focus during video shooting, even if/when objects move in front of the subject.

Image Quality

Firmware version 5.0 offers notably improved image processing, which maximizes the capabilities of the full-frame sensor. The camera now more accurately reproduces subtle changes in light for smoother, more natural tonal gradations and improved auto white balance results.

Improved Usability And Workflow

With Firmware version 5.0, the Sony a9 adds several customer-requested features:

  • New My Dial menu
  • Revised Custom Key menu
  • Improved touchpad capability,
  • Enhanced dual-card functionality
  • Enhanced tagging

Imaging Edge

Sony is also announcing the release of Imaging Edge™ mobile applications, plus updates to the ‘Remote,’ ‘Viewer’ and ‘Edit’ desktop applications that brings exciting new features to all Sony imaging customers.

For professional photographers, Sony is also releasing a new mobile application ‘Transfer & Tagging add-on’ that supports instant delivery workflow by allowing users to transfer content to their mobile devices via the camera’s FTP background transfer functionality. It also enables voice input for text captioning to streamline overall workflow between photographers and other team members.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm announces firmware version 2.00 for its X-T100 and X-A5 camera systems

15 Feb

In addition to a barrage of product announcements, Fujifilm has also updated the firmware for its X-T100 and X-A5 camera systems.

Both cameras will receive firmware 2.00 sometime this month, which will include three new and improved features.

The first of the three major features in the updates is a new ‘Bright Mode,’ which Fujifilm says ‘provides a brighter and more vivid image when using the Advanced SR Auto mode.’ If the feature isn’t wanted, it can easily be turned on and off with a tap on the LCD touchscreen on either camera.

Fujifilm has also added its Portrait Enhancer Mode to the X-T100 and X-A5 in these updates, which makes it easy to select from three levels of skin tone enhancement using the touchscreen.

The last major addition is a new Night+ Setting. This new setting automatically adjusts ISO, brightness and vividness of the picture to better render the image in low or poor light situations.

Firmware version 2.00 for the X-T100 and X-A5 and instructions on how to install it can be found on Fujifilm’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography announces 120 version of its B&W Potsdam 100 Kino Film stock

31 Jan

Lomography has announced it’s bringing its recently released black and white Potsdam 100 Kino film to 120 medium format rolls.

The 120 rolls, which will be cut from the same sheets as the 35mm stock, which itself is ‘cut from old stocks of a cinematic emulsion produced by a legendary German company.’ In Lomography’s own words, the ‘B&W 100 120 Potsdam Kino Film combines gorgeous antiquated aesthetics with the quality and professional capabilities of medium format photography.’

Below is a gallery of images taken with the 35mm variant of Potsdam Kino Film. Lomography notes ‘you can expect similar results’ from the 120 variety since it’s cut from the same jumbo.

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The B&W 100 120 Potsdam Kino Film is available exclusively for pre-order on Lomography’s online shop for $ 8.90 a roll and is expected to hit Lomography Gallery Stores in May 2019.

Articles: Digital Photography Review (dpreview.com)

 
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X-Rite launches beta version of its custom ICC profiling tool with Capture One support

10 Jan

Color management and measurement technology company X-Rite has announced a new public beta release of ColorChecker Camera Calibration software version 1.2. This pre-release update includes support for Phase One’s Capture One software with TIFF file support, a first for X-Rite’s custom profiling tool.

X-Rite has been working on adding Capture One support to its custom camera profiling software for some time now and it’s finally here — at least in beta form. As is currently possible in the Adobe Lightroom and Adobe Camera Raw version of the ColorChecker Camera Calibration software, v1.2 adds the ability to create custom ICC profiles in Capture One with various camera, lens and lighting combinations.

X-Rite has created a helpful how-to video, embedded below, that runs through the process of creating a custom ICC profile using Camera Calibration software v1.2. There’s also a PDF version available.

To download the public beta release, head over to X-Rite’s download page. Keep in mind this is a pre-release program, so there will likely be a few bugs here and there. X-Rite requests users submit details when an error occurs to help further development.

X-Rite also notes a known issue with the Windows version of the ColorChecker Camera Calibration software wherein ‘the software cannot process a TIFF file larger than 150 megabytes.’ X-Rite suggests cropping or reducing the resolution if users run into this issue and notes the issue is currently being addressed.

Articles: Digital Photography Review (dpreview.com)

 
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Sony removes a7/R III firmware version 2.0 from its website, says it’s ‘working on the issue’

09 Dec

Two months after releasing firmware version 2.0 for its a7 III (Windows, MacOS) and a7R III (Windows, MacOS) mirrorless cameras, Sony has removed the firmware update from its website.

At the top of the download pages for Sony’s a7 III and a7R III firmware, an update read:

IMPORTANT: We apologize for the inconvenience, but the release of this software update has been delayed. We are working on the issue and will release the update as soon as possible. (Added on 12-07-2018)

DPReview contacted Sony Friday, December 7th, 2018 asking for more detail on why the update was removed. As of publishing this article on Saturday, December 8th, 2018 DPReview has not received a response. This article will updated accordingly if and when DPReview gets a response from Sony.

Articles: Digital Photography Review (dpreview.com)

 
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The Leica Q-P is a stealthy, subdued version of the Leica Q that’s missing the iconic red dot

07 Nov

Leica has announced its latest camera, the Leica Q-P. Deemed “an artful statement of understatement,” the Leica Q-P is essentially the Leica Q camera wrapped inside a more discreet, subdued frame.

Much like the Leica M10-P, a higher-priced and more toned down version of the M10, the Leica Q-P drops the iconic red dot in exchange for a classic Leica script engraving on the top plate of the camera and finishes off the stealthy look with a matte-black paint finish.

The Leica Q-P has a redesigned shutter release that Leica says provides “a more positive tactile feedback” and comes with a new brown leather carrying strap and an additional spare battery.

Aside from the aforementioned changes, the Leica Q-P remains unchanged from the Leica Q camera inside and out. It has the same Summilux 28mm F1.7 ASPH lens in front of the 24.2MP full-frame CMOS sensor and a Leica Maestro II image processor to crunch all of the data.

Likewise, it keeps the same 3.68MP electronic viewfinder, 3″ 1.04 million dot touchscreen LCD display on the rear of the camera, and built-in Wi-Fi for compatibility with Leica’s FOTOS smartphone app.

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The Leica Q-P is listed on B&H as available for pre-order and is retailing for $ 4,995.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe reportedly working on full Photoshop version for iPad

13 Jul

Software maker Adobe offers several Photoshop-branded apps for Apple’s iPad, for example Photoshop Express, Photoshop Lightroom, Photoshop Mix and Photoshop Fix. However, none of the mobile apps even come close to offering a the comprehensive feature set found in the Adobe Photoshop desktop application.

According to a report by Bloomberg, this appears to be about to change, though. Sources familiar with the matter have told the publication that Adobe will announce a full-fledged Photoshop version for the iPad at its annual conference in October and make it available sometime next year. That said, given the project is still in its early stages, deadlines could be moved.

The introduction of the iPad Pro and its popularity within the creative industry have likely changed Adobe’s mind and lead to the decision to rewrite its software for Apple’s underpowered tablet – compared to desktop computers anyway. When the app is available, Creative Cloud users will be able to seamlessly switch between the iPad and other devices they are using.

Would you use Photoshop on an iPad? Let is know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Skylum’s DAM will be included with future version of Luminar, free of charge to current owners

10 Jul

Skylum has announced that Digital Asset Manager (DAM) for Luminar will be provided for free to owners of the current version of Luminar – details of which will be revealed “within a few weeks.” Coming with the next version, Skylum will increase Luminar’s retail price, promising that it will “still be very affordable.”

Skylum hasn’t yet revealed a shipping date for DAM, explaining that it is still working on development. The company anticipates its DAM taking Luminar “in a new direction,” offering faster workflows, custom workspaces, a less cluttered interface, and much more. Talking about this is Skylum president Scott Bourne, who said in the company’s recent blog post:

Skylum plans to build our DAM so that we can keep simple things simple. We’re focusing our research and engineering efforts on a few key things. We want our software to be fast. Our goal is to be the fastest. Period. We also want to make sure that with Luminar, it will be fast, fun and easy to browse, rate, edit, share, and enjoy your pictures. That’s it.

Future versions of Luminar will be created with the company’s design goals in mind. Skylum is encouraging its customers to make sure they’re using the latest Luminar version to be put in the queue for the eventual free beta DAM.

Via: 43Rumors

Articles: Digital Photography Review (dpreview.com)

 
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Why I’m Downsizing from a Nikon 70-200mm f/2.8 Lens to the f/4 Version

13 Jun

The Nikon 70-200mm f/2.8 lens has been one of my most used since purchasing it several years ago. It’s a perfect lens for photographing either abstract, intimate or obviously, zoomed in landscapes. However, after borrowing the f/4 version from a local camera store during a trip to the Faroe Islands, I’ve decided to sell my current lens and replace it with the smaller and less expensive (almost $ 1000 less) f/4 version.

Before we get into why I’m replacing it, let’s look at why I went for the f/2.8 lens, to begin with:

Why I Purchased the Nikon 70-200mm f/2.8

When I purchased my first full-frame camera several years ago (the Nikon D800), I started out with only one lens: the 16-35mm f/4. At the time, that was all I could afford and it was my main setup for close to a year.

By that time I had saved enough money to add another lens to my backpack (only having the 16-35mm was quite limiting so I wanted to add more range before heading out on a two-week journey to the US).

Why I'm Replacing my Nikon 70-200mm f/2.8 Lens with the f/4 Version

Though there are several other brands to choose between, I had already made up my mind that I’d go for Nikon’s 70-200mm. The harder choice, however, was whether I should go for the f/2.8 or f/4.

After much back and forth, and long discussions with other photographers, I ended up with the f/2.8. Despite it being heavier and more expensive, it seemed like the right choice as it has a wider maximum aperture. Even though I’m a landscape photographer (I don’t do much wildlife or portraits, etc), I figured the wider aperture might come in handy and be more important than the weight.

I’d say this is the perfect lens if you’re photographing:

  • Wildlife
  • Portraits
  • Macro
  • Concerts/events
  • Under low light
Why I'm Replacing my Nikon 70-200mm f/2.8 Lens with the f/4 Version

Captured with my 70-200mm f/2.8 lens.

Why I’m Changing to the f/4

When looking through the images I’ve shot with my 70-200mm, only a fraction of them were captured at f/2.8. In fact, the majority of those are images I captured at concerts or other events for a local magazine, which I very rarely do anymore.

The fact that I rarely use an aperture of f/2.8 on this lens, combined with the fact that I’m spending more time hiking and need a lighter backpack, made it an easy decision to replace my current lens with the lighter 70-200mm f/4 lens.

Why I'm Replacing my Nikon 70-200mm f/2.8 Lens with the f/4 Version

Captured with the 70-200mm f/4 lens.

As a landscape photographer, it’s rare that you need f/2.8, especially for the type of images I tend to capture.  It’s more important for me to save weight (1540 gm/3.2 lbs versus 850 gm/1.9 lbs) since my backpack gets quite heavy when carrying all my lenses and cameras, a tripod, and other accessories.

Though I only tested the lens for 10 days, I found it’s not a sacrifice of much image quality by choosing the f/4 over the f/2.8. Both the sharpness and autofocus are just as good in the former.

These are the main benefits I’ve found with the 70-200mm f/4 lens:

  • It’s almost half the weight of the f/2.8.
  • It’s smaller in size and takes less space in the camera bag.
  • Autofocus is just as good (in fact it’s better than on my old f/2.8).
  • Sharpness is just as good.
  • It’s nearly half the price of the f/2.8 ($ 2800 versus $ 1400 roughly).

The Consequences of Changing

Of course, sacrificing one stop of light is something worth mentioning, as this does come with a few consequences. While it might not be a big difference between f/4 and f/5.6, there is a significant difference between f/2.8 and f/4, especially in low light situations.

Why I'm Replacing my Nikon 70-200mm f/2.8 Lens with the f/4 Version

If you use a tripod for all of your photography and you avoid photographing wildlife and other scenarios with a shallow depth of field, the sacrifice is minimal and most likely not even notable. However, if you tend to photograph handheld in low light situations and enjoy photographing with a shallow DoF, you might want to reconsider replacing the f/2.8.

Here are some of the sacrifices you’ll make when changing from f/2.8 to f/4:

  • You won’t get as good of a “bokeh” effect nor achieve as much of a shallow depth of field.
  • You’ll need to increase the ISO instead of opening the aperture in low light situations.
  • You will be more dependant on a tripod in low light situations.

That being said,  this was an easy decision and one that I wish I’d made many years ago. Do you have a 70-200mm lens? Which version do you have and why?

The post Why I’m Downsizing from a Nikon 70-200mm f/2.8 Lens to the f/4 Version appeared first on Digital Photography School.


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Yongnuo unveils YN50mm F1.8 II: Version 2 of its ‘Nifty Fifty’ clone

15 May

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Hong Kong camera gear maker Yongnuo has released version II of its ‘nifty fifty’ Canon clone: the YN 50mm F1.8 II. The original YN 50mm F1.8 was one of the first lenses the budget brand ever released, undercutting Canon’s already ultra-affordable EF 50mm F1.8 II. Version II continues this trend, with a price tag of just $ 75, while the original will cost you just $ 51.

Optically, the lens seems to be unchanged—you still get 6 lens elements in 5 groups which produce a 46° angle of view, and a 7-blade aperture that runs from F1.8 to F22. The updated lens does drop the minimum focusing distance from 45cm to 35cm (to match Canon’s 50mm F1.8 STM), and adds support for USB-free firmware updates that are delivered directly through the camera.

Other notable improvements, according to Yongnuo, come in the form of improved “mechanical structure and coating technology,” which apparently translate into improved “focus accuracy, auto-focus speed and light transmittance.” You’re also getting a metal mount, and focus distance markings have been added to the lens build.

Here’s the full spec sheet, in case you’re curious:

The lens is already live on eBay, where it’s going for $ 75 (compared to Canon’s 50mm F1.8 STM, which will run you $ 125). Expect the Yongnuo lens to join the rest of the YN lineup on Amazon shortly.

To learn more about this lens, head over to the Yongnuo website.

Press Release

Small Lens with Super Bokeh Effect – YONGNUO YN50mm F1.8 II

Supports USB-free Firmware Upgrade

Firmware of the lens can be upgraded through camera instead of using USB port, which not only meets the requirements of firmware upgrade and appearance design, but also avoids the incompatibility problems caused by different computer operating systems.?Note: this function needs to be supported by camera?

F1.8 Bright Aperture

Maximum aperture F1.8,bokeh effect is easily achieved ,which brings you more fun during photographing.

New Mechanical Structure, New Coating Technology

YN50mm F1.8 II has all the product advantages of the last generation. By improving the mechanical structure and coating technology, its focus accuracy, auto-focus speed and light transmittance are increased. Furthermore, it can control backlight ghost and glare.

Durable Metal Mount

YN50mm F1.8 II adopts chrome-plated and high-accuracy metal mount. It’s wearable, corrosion-resistant, and highly consistent with the body of the camera.

0.35m Closest Focusing Distance

Compared with the first generation, the closet focusing distance of YN50mm F1.8 II is shortened to 0.35m.You can get closer to the object for photography and enlarge the object.

Focus Modes: Auto Focus (AF) and Manual Focus (MF)

YN50mm F1.8 II supports auto focus and manual focus. The focus mode can be selected according to practical requirement.

Focus Distance Indicator is convenient for you to estimate the distance and the depth of field.

YN50mm F1.8 II has 7pcs of aperture blades, which helps to take picture of circular defocused spots or helps to stop down and take picture of 14-star effect.

Articles: Digital Photography Review (dpreview.com)

 
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