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Posts Tagged ‘Unified’

How to Make a Unified Instagram Feed as a Photographer to Help Support Your Brand

15 Jan

The post How to Make a Unified Instagram Feed as a Photographer to Help Support Your Brand appeared first on Digital Photography School. It was authored by Anabel DFlux.

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Social media has such a strong presence in our world, both in a personal and professional sense. Gone are the days of searching for a photographer via Google. Many are turning to the social media platform, Instagram. Instagram has become a powerful tool for photographers and content creators alike. It is an engagement-oriented online portfolio so-to-speak.

But with thousands of accounts active on Instagram in any given second, how do you stand out from the rest and still attract photography clients? By having a feed that is more aesthetically pleasing than the rest!

Here is our guide on how to make a unified Instagram feed as a photographer.

What does a unified Instagram feed even mean?

Image: This feed by singer Jessica Abari, shows unification by color tonality. She uses blues and pi...

This feed by singer Jessica Abari, shows unification by color tonality. She uses blues and pinks to unify her Instagram feed.

Humans naturally gravitate to cohesiveness, especially those with a certain sensitivity to aesthetic.

A unified Instagram is one in which each image, viewed in totality with one another, look like a piece of a great puzzle. Each one appears to belong and in some way, shape, or form unites with another surrounding it.

It’s the difference between a feed that looks cluttered and disconnected and one that looks like it is a part of a strategically and effortlessly tailored brand.

Having unity in your work not only pushes your brand further, but can attract a slew of eyes on your product (the beautiful images!). Not only is it a trend to have something a bit more cohesive, it has been shown to really aid in acquiring new clients who are attracted to the style your showcasing.

Image: An example of my varied feed – when you have many areas of specialization, it can be difficul...

An example of my varied feed – when you have many areas of specialization, it can be difficult to maintain complete cohesiveness.

This isn’t a tried and true method for all photography businesses. For example, I am a multi-faceted photographer and to have an overly-cohesive feed is just not possible for me. However, my fellow industry mates have very beautifully tailored and structured feeds that work brilliantly for them! Their clients know exactly what to expect and hire them based on their look.

The real secret?

Image: This is an example of my thematic feed of female portraits with animals.

This is an example of my thematic feed of female portraits with animals.

So, what’s the real secret? For the most part, it’s utilizing the same editing mechanism over and over again. Create a preset or a general direction for your editing, and replicate this across your full board. This already creates a look of cohesiveness with minimal effort.

I suggest not using Instagram’s preset filters as these tend to lower the quality of your images. Instead, create your own Presets or Actions in Lightroom or Photoshop. You can even automate these to play on the batch of images you select for posting.

If you find that preset editing really isn’t you, unite your feed by topic or theme. This also allows you an opportunity to really solidify your niche as a photographer and attract the right demographic to your work. Figure out what kind of photographer you are and who or what your most common subjects tend to be, and post images that fit within that scope.

Image: In this feed from Goldilocks and the Wolf, there is unification by the fairytale theme and th...

In this feed from Goldilocks and the Wolf, there is unification by the fairytale theme and the winter landscapes.

Creating a unified feed based on a color palette is also an excellent idea.

Colors are a major way to keep everything looking tailored and express who you are as a creator.

Color theory is a complex topic that can be taught for hours, but the general idea is that certain hues and color combinations attract a specific reaction. Tying marketing into Instagram, find a color palette that tends to attract your customers (and potential customers).

Look at what your followers gravitate towards, and feed into that wanting. It’s okay to break up your feed with text that engages your audience base, and keep everything still looking together.

Bonus tip: create a posting calendar for the month. Preview these images in a mockup of your Instagram feed and see how it all looks together. This provides a lot of insight on the final outcome!

If you make a unified feed and then want to change the theme, what then?

Image: This feed by singer Jessica Abari, shows unification in sets of 3 (with editing style and ima...

This feed by singer Jessica Abari, shows unification in sets of 3 (with editing style and images from the same photo shoot), but also overall because Jessica herself is the theme.

I think a daunting aspect of this is all is permanence.

If you spend the time making your images cohesive with one another and then change your mind, has all of your effort been wasted?

Not at all! It’s quite simple to change your theme. You can choose to gradually shift to your new aesthetic or go bold and post three images in the new style right off the bat and go with that.

Final thoughts

Image: Rachel Lauren’s Instagram Feed. Her feed is unified in both her editing style and theme...

Rachel Lauren’s Instagram Feed. Her feed is unified in both her editing style and theme with the portraits with animals.

Remember that while in the pursuit of unity, don’t lose yourself or who you are as a photographer.

There is a fine line to walk between solely appeasing the masses and ensuring that your individual photography voice is heard. Where that balance is, rests entirely on your own opinion.

As well as this, be wary about appearing too repetitive and monotonous – try to post images that have different compositions or express something new. Being cohesive doesn’t mean being boring.

When you make a unified Instagram feed as a photographer, put your best imaging foot forward first!

The post How to Make a Unified Instagram Feed as a Photographer to Help Support Your Brand appeared first on Digital Photography School. It was authored by Anabel DFlux.


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Report: Reuters to merge photography, video teams under unified ‘visual journalist’ team

24 Nov

A report from The Baron, an independent website dedicated to sharing news and information about Reuters, says Reuters is speeding up the process of merging its picture and video news departments into a single team of ‘visual journalists’ while at the same time making cuts to the number of jobs within the organization.

According to The Baron report, in an internal message to Reuters staff, John Pullman, global head of visuals at Reuters, said ‘In Visuals we will accelerate the moves already underway to create a single unified team of visual journalists […] Many of our photographers already shoot video – and videographers produce pictures. This mode of working is becoming normal throughout the industry as video and photo technologies grow closer. We will be taking a structured approach to merge our pictures and video teams. We will look at technology, training and workflow – and introduce single leadership where appropriate.’

The Baron reports the internal memo goes on to say ‘We aim to align our teams with the needs of our customers by extending our footprint, improving our efficiency and increasing our flexibility.’

According to the referenced memo, Pullman said the changes, which come as part of the reorganization as a separate business under the Thomson Reuters umbrella, will take place over the coming months. Unsurprisingly, the homogenization isn’t going over to well with Reuters staff.

A Reuters employee, who spoke under the condition of anonymity to The Baron, said ‘This is essentially the end of Reuters Pictures, going down the tubes in a very sad way. Pix has won a score of Pulitzers and other prestigious awards under Reuters but it seems that is not enough to save it from what appears to be the terrible end of what was a great run over more than 30 years which brought the world some of the best photojournalism it has ever seen.’

Articles: Digital Photography Review (dpreview.com)

 
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Unified Color Technologies introduces HDR Expose 3 and 32 Float v3

24 Jul

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Unified Color Technologies has announced HDR Expose 3 and 32 Float 3 – the latest versions of its HDR software. HDR Expose is the company’s stand-alone software, which works in the company’s ‘Beyond RGB’ 32-bit color space and attempts to manipulate chroma and luminance data separately, while 32 Float is a Photoshop plugin built on the same principles. The latest versions gain improved tone mapping tools that attempt to retain local contrast while increasing the overall range of tones included in the final image, along with upgraded alignement and de-ghosting.

News: Digital Photography Review (dpreview.com)

 
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EOS 60D CBR test – Magic Lantern unified

29 Dec

~30 sec 720p 50fps footages played back at 25p. ISO 160 lens: Meyer-Optik Orestor 100/2.8 at 5.6 edius 6
Video Rating: 4 / 5

 
 

Unified Color releases HDR Express 2 for Windows & Mac

06 Nov

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HDR software maker Unified Color Technologies has announced version 2 of its HDR Express high dynamic range merge and editing software for Windows and Mac. New features include Image Stacking that automatically groups bracketed exposures and a browser with thumbnail previews. Along with improved de-ghosting algorithms, the software also includes single-click presets and a new slideshow feature. Its native .BEF format can be opened in Adobe Photoshop and Apple Aperture via a plug-in for further editing. HDR Express 2 is available for an introductory price of $ 84.00 or $ 59 for current Unified Color users.

News: Digital Photography Review (dpreview.com)

 
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HDR used properly is appropriate for photojournalism, says Unified Color’s Omvik

06 Feb

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Are High Dynamic Range photos appropriate for illustrating news? That’s the debate that’s been started by the Washington Post’s use of an HDR image on its front page in January. Sean Elliot, president of the National Press Photographers Association came down firmly against it, saying, ‘HDR is not appropriate for documentary photojournalism.’ John Omvik, Marketing VP with HDR software maker Unified Color understandably disagrees. He’s written us a response arguing that what we see is closer to HDR than, say, a mono photo shot with Tri-X film.

News: Digital Photography Review (dpreview.com)

 
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