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Top 5 Tips for Extreme Sports Photography

07 Nov

Top 5 Tips for Extreme Sports Photography 1

Extreme sports photography is a discipline all of its own.

Each sport has its intricacies, rules, and set of specialists who operate in each arena. Me, I am a long time skateboarder. I’ve been a skate rat since I was a kid. I’ve looked at thousands of images, know how a trick should look and know what the rider is looking for. Put me with a BMX rider and I may have an idea of how they want the trick to look, but I will be unsure of exactly what they’ll be doing. The key, like any genre of photography, is to know what you are shooting and work with your subject to form a bond of trust. 

To those who haven’t shot extreme sports before, it may look easy. But the truth is, unlike posing a model in a studio, sports photography is unpredictable and extreme sports, even more so. With this in mind, here are my top 5 tips to up your extreme sports photography game. 

1. Know The Sport

Ever photographed a ballerina? If you have, you know they will pick out the minute detail in a photo you take. Finger placement or how high they are on their toes will dictate whether a photograph is one they love or one they hate. Extreme sports athletes are exactly the same! The best way to know what a great shot looks like is to start by doing your research. Look on websites such as Thrasher and Ride BMX. See what their photographers are taking. Look at where the photograph is taken from, try to figure what lens they used and how it was lit. As with any photography, breaking it down and visualizing how you want things to look before you shoot is key. The only difference with extreme sports is that the person you are taking a photo of will more than likely be risking personal injury for your photo. You need to be ready, know what settings you want to use and have an angle in mind. Which brings me nicely to….

2. Camera Settings

To quote my all-time favorite movie Ferris Bueller’s Day Off:

 ‘Life moves pretty fast. If you don’t stop to look around once in a while, you could miss it.’

Extreme sports is fast. Whole tricks last barely a second. And you need to freeze an incredibly small percentage of that. There are two ways to freeze motion in extreme sports; one is to use a high shutter speed, the other is to use a flash with a small flash duration. Unless you know what you are doing with off camera flash or are shooting at night, using a high shutter speed is a much better option when you are starting out. You need to have your exposure nailed quickly and a high shutter speed will be the easiest way for you to do this. 

You should put your camera into ‘Shutter Priority’ and aim for a shutter speed of at least 1/500th of a second. This will mean your images will not suffer motion blur, which is important to capture those beautiful moves. The obvious pay off here is aperture and ISO. I would personally suggest when starting out to use a higher ISO and keep a wider aperture. This gives you a larger depth of field to work with and a higher chance of a sharp image. 

This is great when shooting outdoors, but when shooting at an indoor skatepark, you need to think about using flash. Plan your shoot accordingly.

In terms of focus mode for your camera, you should aim to use Ai servo mode. This is designed for shooting action and will give you the best chance of getting the rider in focus. An alternative to this is to pre-focus and then switch to manual focus to keep it locked. This technique involves getting your rider to position themselves where you anticipate taking the photo, focus on this point, then flick over to manual focus. As with everything, read your camera manual, experiment and see which works best for you.

3. Think Don’t Feel

As I said above, extreme sports tricks can last less than a second. By the time you see the perfect moment in your viewfinder, it is already too late. You need to trust yourself and shoot just before the peak moment. Anticipate what is about to happen and trust your instinct. Your instincts will sharpen with practice. With most extreme sports tricks you will have more than one chance to get the shot. In some cases, you may have too many tries. You can help cure your boredom by changing angles if you think of something different, or you can tough it out. However, the unwritten rule of action sports is that the trick must be landed. This argument has been going on for as long as the sports themselves. The rider must make the trick in order for you to put the photo out, otherwise, they are just posing it. Now the even bigger question is: does the photo have to be of the one they landed? This is up to you. Personally, I pick the best photo.

Top 5 Tips for Extreme Sports Photography 2

If I had waited to see this in the viewfinder it would be gone. Try to anticipate and press the shutter just before the peak moment

4. Angles

The best angle for shooting tends to be down low. This adds height to the object and power to the person in your photograph. This technique is one you will see a lot of in magazines, but there are no hard and fast rules. When you get the spot, look around, try taking photos from different angles, until you find the one that makes the trick look powerful. 

In terms of composition, to allow the photo to make sense to the viewer you need 3 key things: where they started, where they are and where they will land. I have lost count of the number of photos I have seen of riders in the air. It has no context, you may as well have just composited the rider onto a sky background. Context is key. 

The third and final tip for composition is to avoid the butt shot. The key to a good extreme sports photo is to be able to see the riders eyes. When finding the angle for your shoot, look at which way the rider approaches the trick and plan accordingly. By getting their face in their frame, you will always get a better photo. 

To answer the question that some of you might be asking, which lens is the best for extreme sports photography? It is the full frame fisheye. The lens gives that wonderful distortion that we associate with this kind of photography. However, this means you are incredibly close to the action, which brings me to my final point.

Top 5 Tips for Extreme Sports Photography 3

This was my second to last shot of this shoot. The next try I got hit with a board and cut pretty badly. Be careful!

5. Be Careful

You need to be aware of your surroundings at all times, even if you are shooting with a long lens, there will no doubt be more than one person at the skatepark or spot where you are taking photos. This means people and skateboards will be flying. It is incredibly easy to take a rogue skateboard to the ankle (and incredibly painful) but when shooting with an extremely wide angle lens, such as the fisheye, you can risk taking a rider, board or bike to the head. While it can be easy to feel secure when looking through your viewfinder, you need to remember that being a photographer can be as dangerous as being the rider if the trick goes wrong. Just keep your eyes open and remember a photo is not worth the pain of being hit in the head with a skateboard when a rider misses a trick. Trust me, I know!

Have you tried extreme sports photography? Do you have tips or photos you’d like to share in the comments below?

 

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7 Tips For Planning the Perfect Photography Trip

02 Nov

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Are you planning your next photography trip? This video from Nigel Danson outlines 7 tips for planning the perfect photography trip.

In this awesome video, Nigel covers in some detail the following points:

1. Ensure You Take the Right Gear

Use Adobe Lightroom (or other post-processing applications you may use) to check out your favorite shots so you can see what lens you used. Chances are, you will find a trend towards one or two lenses, helping you to rule out the ‘just-in-case’ lenses. Try to stick to just 2 or 3.

Tripod – something that is lightweight, yet durable is a good choice.

Lens cloth – helpful for drying and cleaning your camera.

Portable hard drive – to download your images from your camera.

USB Battery Charger – If you run out of battery power on-location you can recharge via the USB.

Handwarmers (if in cold locations) – great for warming hands (and batteries) when in cold or icy climates.

2. Be Sure To Test All New Gear.

Check all the settings on any new camera gear to both make sure they work the way you expect, and so you know how to use them!

3. Understand Your Location

Research the location beforehand. Use tools like Google Earth to allow you to visualize a place in 3D. With Google Earth, you can get an idea of the scenic points that you can see from particular positions..

Check maps for routes, trails, and locations to narrow down where you would like to visit.

Make a google map of that area and plot your locations.

4. Focus on Fewer Locations

Plan out the best locations, so you don’t end up with just lots of holiday snaps. The more time you spend in a particular location, the more you can explore the light and angles, and get much better images as a result.

5. Understand the Time of Year in Detail

Understanding the time of year in detail means you have a better understanding of when the sun rises and sets in that place and its position in the sky. Where the sun sits dictates the composition of your shot. A good app for checking these things is Photopills. Also, check the weather forecasts.

6. Research the History and Culture of the Location

You want to tell a story about the location you are visiting. You want to let people know what it was like there (to accompany your photos either via blog or in person). Having a background to your images is excellent for these reasons. It is also great to have conversations with locals about the area.

Employ a local guide while you are there to find out the best spots and to get background information.

7. Explore Social Media and the Web

Take a look at what other people are photographing in that location, and look to take photos in spots that are covered least. That way you aren’t just making the same images as everyone else!

Be sure to follow some of Nigel Danson’s tips for planning the perfect photography trip.

If you have any tips of your own that you would like to share, please let us know in the comments below.

You may also find the following articles on our site useful:

Beginner’s Guide to Natural Light in Landscape Photography

5 Landscape Photography Mistakes That Keep Your Images From Standing Out

Using Layers and Foreground Interest for Better Landscape Photography

 

 

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6 Tips For Photographing Better City Scenes

01 Nov

6 Tips For Photographing Better City Scenes 1

Towns and cities can be noisy, busy, stressful and congested but provide excellent subjects for photography. Taking great photographs of cities is not easy so here are six ideas to help you capture city scenes:

1) City Skyscrapers

Urban photography offers a great opportunity to document a cities environment.

On a sunny day, most photographers choose to head out into nature, where the coast or a rolling landscape is usually only a short drive away.

However, if you opt for urban landscapes, there are a whole manner of worthwhile subjects where you can point your lens. Skylines, architecture, famous landmarks and bridges are all beautiful examples of city elements worth capturing.

Cities dominated by skyscrapers are visually exciting and provide a wealth of interesting buildings to view and photograph. You could find strong patterns, symmetry, dramatic lighting and different textures amongst high-rise buildings.

Look for architectural or urban features that create interest and use a wide angle of view to convey a grander sense of the scene.

6 Tips For Photographing Better City Scenes 2

Shanghai, China

2) A Nocturnal Cityscape

Cities are becoming more popular as destinations for short breaks. Overnight stays in cities provide an opportunity to photograph a nocturnal cityscape.

One key advantage of shooting a city at night is you can work in all kinds of weather such as rain, snow or light fog.

It is possible to do this because you are mainly focusing on elements that are characterized by darker tones with a few spots of color and light.

When capturing cities in the dark, you don’t need to concentrate on the usual shadows and tonal gradations that are relevant in the daytime. You work purely with light.

I suggest that you set yourself up before it gets dark so you can see what you’re doing and experiment with the changing light as it shifts from light to dark.

6 Tips For Photographing Better City Scenes 3

MILLENIUM BRIDGE, London

3) Reflected City

Many buildings and city landmarks are so photogenic that they can be too familiar a subject to photograph.

Instead of shooting the usual perspective of just buildings, concentrate on reflective surfaces that mirror back the surrounding architecture.

You can find reflections in a pool of water, a polished surface or shiny glass (reflecting abstract patterns) and the bonnet of a car parked on a rooftop.

6 Tips For Photographing Better City Scenes 4

Photographs of reflections are visually pleasing when executed correctly. To be most effective, select the maximum depth of field and aim to achieve an image that’s as sharp as possible.

4) City Scenes by Night

City centers become great light shows at night.

They give an array of color from buildings to lights of passing cars. One tip I recommend is you capture the energy and excitement of a nighttime scene by including a human element.

Doing so will make your images more dynamic and dramatic.

6 Tips For Photographing Better City Scenes 5

Radcliffe Camera

If you are shooting at night, you will need a slower shutter speed to capture the scene. Use this to your advantage by recording flowing traffic such as buses and taxis or colorful clouds.

These can add motion to your city scenes or a splash of color to supplement the buildings in the background.

6 Tips For Photographing Better City Scenes 6

Piran, Slovenia

5) An Urban Landscape – Day Shots of the City

Another way you can capture striking images of cities is to photograph the urban landscape.

Perspectives can be obtained from ground level or by capturing the city from above. Overlook a city from a tower or a rooftop. Find interesting patterns, contrasting buildings or views of street life to photograph.

6 Tips For Photographing Better City Scenes 7

University Church of Saint Mary the Virgin viewpoint

When shooting from high elevations, if you have to lean out for your shot, make sure it is safe to do so. Secure your camera strap around your hand or neck to keep it safe.

6) City Streets or Cityscapes From Afar

6 Tips For Photographing Better City Scenes 8

City streets provide intriguing and picturesque subjects such as human interest and variable light.

You may find yourself walking past a location every day and not realize its potential. Until striking shadows from the sun transform it into a great composition that brings it to life.

You don’t have to take pictures of city scenes only from close range. Take a step back and capture a wide shot of the urban landscape from afar. Seek out a viewpoint that allows you to obtain more context from an unusual angle.

Conclusion

Use these tips to go out and capture your best shots of city scenes and share your images in the comments below.

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5 Tips for Using Continuous Lights in Your Photography

31 Oct

Lighting is an essential building block of photography. Learning how to use light to your advantage can transform an ordinary photo into an extraordinary one. Many photographers begin their journey working with natural light and I firmly believe this is is a great place to start. But depending on the circumstance, artificial light may be needed.

When it comes to artificial light, there are many options to choose from. Speedlights, strobe lights and continuous lights are all at your disposal, not to mention the various light modifiers. But while it’s nice to have this variety, trying to work out which light source is best for your shoot can become overwhelming.

Tips for using continuous lights in your photography

The Difference Between Speedlights, Strobe Lights and Continuous Lights

Tips for using continuous lights in your photographySpeedlights are portable, battery operated lights that can attach to most cameras through the hot shoe mount. They can also be used off-camera by attaching them to a light stand and then activating them via wireless triggers.

Strobes are larger (and typically more powerful) lights that are attached to light stands and activated through wireless triggers. Both speedlights and strobe lights emit a powerful burst of light when fired.

Continuous lights emit light the entire time you have them on. Years ago these lights were commonly used in video production. After using them they’d be physically hot, and you had to wear special gloves to break them down. (I remember those days.)

Thankfully, continuous lights are now more powerful, more portable, and cool to the touch.

 

When to Use Continuous Lights

Tips for using continuous lights in your photography

Continuous lights are often overlooked in the world of photography. But sometimes they’re the best choice. If you’re an event photographer, you may find yourself shooting in a venue that doesn’t allow flash photography. In these cases, continuous lights may be permitted. Even if flash photography is allowed, you may still opt for continuous lights to avoid being a distraction. If it’s a sensitive event, setting continuous lights and leaving them on may be a better option.

Continuous lights are also a viable option for portrait photography, especially for beginners. When using strobe lights, you can’t truly evaluate your lighting situation until they’re fired. Because of this, they often take more time to set up and adjust. (You need to keep taking photos of your subject and adjusting the lights until they’re right.)

With continuous lights, you can see the lighting situation in real time, which helps you learn to see the best lighting situations and achieve your aesthetic goal. They generally emit an even stream of light onto your subject, allowing you to set them up once and then forget them.

And many strobe lights need a moment to power up between shoots. Those few seconds could bethe difference between a perfect shot and a mediocre one. If you’re taking photos of a subject that might move around a lot such as children or pets, continuous lights may be the answer.

Here are five photography tips to make using continuous lights easier and more effective.

1. Get stronger lights

Because of their design, continuous lights generally aren’t as powerful as strobe lights. To ensure you get a nice light source, opt for more powerful lights. I recommend an LED with at least 1000 bulbs. If it’s too strong, you can always dial it back. Better to have more than you need in these situations.

2. Soften the light

Tips for using continuous lights in your photography

We want a soft light on our subject to avoid unwanted harsh shadows. Continuous lighting is no different. Use light modifiers to soften your light as much as possible, especially if you’re taking portraits. Whether you use softboxes or umbrellas is up to you. (I like using softboxes or scrims.)

3. Check the color temperature

Unlike most photography lights, some continuous lights let you change color temperature. In most cases you’ll want to make sure they’re set to daylight (around 5600k), which will give you the most natural look. Check your lights to make sure they’re set to the right color temperature.

4. Turn off all other available lighting

Because color temperature is so important, chances are the current lighting in the space will interfere and mix the color temperatures. Turn off all other light sources in the space to ensure the only light your camera is working with is the light you’ve provided.

5. Use a three-point light system

If you’re taking portrait, I suggest using a three-point light system, especially with continuous lights as they aren’t as powerful. The two front lights will be your key and fill, while the back light can serve as a hair light or be used to separate your subject from the background.

Ready to Try Continuous Lights?

I hope you consider using continuous lights next time you’re in the studio. The results may surprise you.

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5 Tips For Keeping Your Camera Safe And In Working Order

28 Oct

Besides the obvious cost of camera equipment, they are also a key part of photography. A damaged camera, especially when away in remote places, can mean no photos. Those missed photos might be something that you can’t replicate. So to keep your camera equipment safe and in working order is an essential part of photography. Here are 5 tips for keeping your camera safe and in working order.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

1. Clean, repair, service

There’s an age-old saying ‘prevention is better than the cure.’ So your first step in ensuring that your camera is in good working condition is to keep it that way. Get into the habit of regularly cleaning your camera. There are plenty of camera cleaning products out there, and it only takes a few minutes. Wipe your camera clean of dust and any other build up of dirt. Carefully clean your lenses using the relevant material. It’s best to avoid touching or cleaning your sensor unless you are confident in what you are doing.

Even if your camera is working, if there is a minor fault with it, get it fixed rather than leaving. It’s also worth getting your camera serviced professionally every now and again. Yes, it might be an annoying expense to have to pay, but it is a small price to pay to ensure that your camera is in perfect working condition.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

2. Be aware of the elements

Water and sand are two of the biggest dangers to cameras. Anyone who has a scratched lens glass or sensor due to sand knows the cost involved in fixing these things. However, there are ways to protect your camera equipment to ensure you minimize the risk. The first thing you need to know is how well sealed your camera is. For example, high-end DSLR cameras often specify that they are ‘weather sealed.’ While weather-sealing offers good protection from things getting into your camera, you should still be cautious.

  • Start by always carrying a plastic bag with you. They are great for protecting your camera from rain and water.
  • It’s also worth carrying a small towel at all times to wipe your camera clean. It is especially vital near the coast where the salt in seawater can be corrosive.
  • Avoid changing lenses, especially when windy. Dust, sand, and water can all get into your sensor. If you must change lenses, do it quickly and make sure you protect your camera from the wind.
  • Remember to wipe and clean your camera after you finish your shoot at these places as there may still be sand or water on your camera.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

3. Know your surroundings

One of the dangers to your camera equipment is theft. With a little bit of common sense and caution, you can avoid being a victim. The key is to know your surroundings and take action accordingly. For example, if you are walking on a busy sidewalk, keep away from the curb and keep your camera away from the roadside where snatch and grabs on motorbikes happen. Alternatively, if you are sitting on an outside table in a restaurant, put your camera away in your bag or have the strap around your arm.

Even in quite countryside car parks, it’s important to take precautions. Don’t leave cameras or valuables on display. Hide them away, or better still take them with you. As long as you use common sense and know what it is happening around you, you shouldn’t have any problems.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

4. Use your tripod wisely

My only ever accident with my camera was when I was using a tripod. As I rushed to put my camera on, I didn’t clip it in, and the camera fell straight into a muddy puddle. Luckily the mud stopped my camera bouncing off into the river that I was photographing, and it also avoided the rock that I was standing on. With a bit of cleaning up, I was able to use it straight away. I was fortunate on this occasion.

I am always astonished when I see people setting up tripods, and they don’t evenly distribute the weight, causing it to fall over, or people putting expensive DSLRs on cheap tripods that are not secure enough to take the weight.

Whenever you are using a tripod, the key is to take your time. Make sure your tripod is secure, and the legs are taking the weight evenly. When you put your camera on the tripod, hold on to the strap for a few seconds to ensure it’s not going to topple over. Only when confident it’s not going to fall should you let go. Be especially careful when there are high winds as a sudden gust can easily knock over your tripod and camera.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

5. Store your equipment safely

Depending on how much photography you do, there are always periods when your camera is not in use. So, where you store your camera is also essential in keeping it safe. Avoid storing your camera in places where there is high humidity like laundry rooms. You should also avoid leaving it in direct sunlight. Try to store it in a cupboard rather than just leaving it out to gather dust. A great tip is to keep your camera equipment in your camera bag and place your bag in a cupboard. Not only does it protect against dust but also ensures everything is one place and out of sight.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

Additional tip for keeping your camera safe

While you hope you never have to use it, it’s always best to ensure that you have appropriate insurance in place for your camera equipment. Make sure that it covers you for things like damage at home, in transit and even in cars. It’s also worth noting the details of their claims policy, so you are aware of things such as whether they pay for or replace damaged or stolen equipment. It is also important to know these details, in case you may have to wait six months for your equipment to get replaced. So always make sure you have insurance to cover your equipment.

5 Tips To Keep Your Camera Safe And In Working Order - Kav Dadfar Photography

There’s nothing more frustrating than seeing an amazing photo opportunity in front of you and having no camera. However, with a little bit of care, forward planning, and common sense, you can avoid this happening to you by keeping your camera safe and in working order.

Anything else that you can think of? Let us know below.

Want more? Check out the latest photography tips on our blog.

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Tips For Using a Grid in Off-Camera Flash Photography

15 Oct

An off-camera flash lets you create your own light, giving you new and powerful options for bringing your vision to life.

But one of the biggest challenges of striking out as an off-camera flash specialist isn’t getting the necessary equipment, or even learning how to properly expose a picture.

It’s learning how to control the light. You need to harness it, not to let it roam free.

Portrait taken using a grid

Firing a strobe into an umbrella or a softbox for the first time and instantly creating soft, even light you can use for flattering portraits is an awesome feeling. Unfortunately, the artificial light usually spills everywhere, including the places you don’t want it to go—all over your background, back into the camera to create lens flare, etc.

As we know from the inverse square law, light loses its intensity the further it travels. But if you’re lighting a portrait in a tight environment you may not have the luxury of the light falling off. Your carefully lit shot could be ruined by light bouncing here, there and everywhere.

Fortunately, a bevy of creative options are available for controlling and limiting how your flashes splash light across the image. And one of the more popular options is using a grid.

What is a grid?

A grid fits over your flash and, using a series of honeycomb tubes, restricts the direction of the light output. Grids come in a variety of sizes to give you either a narrower beam of light or a wider spread. A 10-degree grid casts a narrower beam of light, while a 40-degree grid creates a wider beam.

A grid modifier for speed light flashes

With this level of control over your light you can create the precise lighting setup for the picture in your head.

A grid modifier fitted over top of a flash unit

While other options are available for restricting light (such as snoots), a grid provides the best balance between controlling the light and providing a pleasing effect with a gradual light falloff.

When is the best time to use a grid?

As I mentioned earlier, the challenge is to stop the light where you want it to. That perfectly placed light that’s highlighting your subject might also be throwing light over other parts of your picture, ruining the delicate balance.

Where a grid really shines is in providing a precise and restricted beam of light. You can use it to highlight a detail, create intrigue, or add drama in any other way you can imagine.

An image shot with an umbrella modifier on the flash

This shot is lit using an umbrella. The light is soft and covers a wide area.

 

Image taken with a bare flash

This shot is lit with a flash but no modifiers. The light is harsh, but narrower than the umbrella.

 

Image taken using a grid

Finally, this image is taken using a grid. The light is still quite harsh, but it’s restricted to bring more focus to the subject.

Using a grid on your key light

A grid is a fun way to create drama or heighten contrast. This is typical for low key images where a grid is used to purposefully show or hide key details.

For example, you can use a grid to mimic a shadowy and dark “film noir” image. The grid restricts the light, keeping it from spilling all over the scene and helping to maintain that dark, low key effect.

A Low Key portrait taken using a grid modifier

Using a grid on a secondary light

In a multi-light setup, you may need to use a grid on your secondary lights so you don’t ruin the balance provided by your key and fill lights.

Let’s say you already have the lighting you need on your model, but you want to emphasize a background detail. A bare flash would send a lot of new light careening around the image, whereas a grid lets you achieve the look you want with the precision you need.

Lens flare from secondary light

The light from the secondary light behind and to the left of the subject is causing lens flare. Putting a grid on the light would restrict the beam and stop it from happening.

Another useful application for a grid is where your rim light is pointed back towards the camera. You may need it to separate your model from the background. But if that light spills into your lens you’ll have to deal with lens flare and lowered contrast when editing later on.

The solution? Slap a grid on your rim light. The light will be directed only where you want it to go, potentially saving you hours of post-processing work.

Give it a shot

A grid is a handy tool in any off-camera flash photographer’s bag. Their simple design makes them an affordable option and, as I said earlier, they can be used creatively on either your key or secondary lights.

Making the most of a grid is an excellent step to take towards becoming the best flash photographer you can be.

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Capture a Successful Collection of Photographs with these 3 Tips

15 Oct

In a previous article, I discussed some helpful tips for preparing for a photo shoot. It’s important to be ready, but let’s be clear – you have to be able to perform on the day. So let’s talk about some helpful tips you can use to capture a successful collection of photographs on the big day.

I shot photographs for a band. The goal of the shoot was to create a collection of images they could use on social media. This one is pretty dark but it was processed this way on purpose. The band was playing a very moody venue and they liked the idea of a darker photograph.

Regardless of whether you’re shooting professionally or taking some photos for friends, these tips can help you to ensure you get the best pics. You may be taking photos of your child’s soccer game. Whatever the occasion there are some things you can do to get great photos.

1) Taking care of the people you photograph

This is the single most important thing you can do is take care of your clients. It sounds silly, but your job is to build their confidence, to direct them, to inspire and help them to pose for photos. Anyone with knowledge of camera settings and lighting can take an image that is sharp and well-lit. But to bring out the personality of those you photograph and to make meaningful images requires you to make a connection with the clients. They need to feel safe during the shoot. You’re the one who has to ensure each person involved feels secure.  It’s important to watch your models carefully. Are they comfortable? Are they fidgety?

The leader singer was a little apprehensive about me taking photographs. She told me when she sings she always looked like she was in pain. I took the time to shoot a lot of images hopefully capturing something she would like.

Consider the type of atmosphere you create during the shoot. Are you relaxed? Do you exude confidence in your abilities or are you nervous? If you’re feeling nervous, then so will the people you are photographing. It might be worth thinking of yourself as the father or mother of the folks you are photographing. Be that voice of calm amidst the chaos. Let them know you have their back.

I tried to include some shots of the action in between songs.

2) Think about the types of images you’re shooting

Depending on the event you’re shooting you need to consider several factors. The last thing you want to do is shoot a whole bunch of images that look the same. So you need to consider several things.

If you’re shooting a portrait session, then you need to think about posing and grouping individuals. How can you make the images look different? Do you change the setting or do you have people arrange themselves differently? You could have them grouped closely together or create a composition in which individuals are more spread out. Perhaps you have a mix of individuals either standing or sitting. There are lots of ways to pose people. If you’re the type of person who needs to sketch out diagrams and have a plan, then go ahead and do that, but remember variety is the key.

It was important to try and isolate two members of the band. A photograph of the married couple on stage together is an important keepsake.

If you’re shooting a child’s sporting event, you will want to mix in images that show both the whole playing surface as well as images that capture individual players. Maybe you choose to focus on facial expressions for a while. You can also capture intricate details like a pair of feet dribbling a ball, or the hands of player just before she shoots a 3 pointer. Just try to consider lots of different ways to portray the action.

3) Think about purpose

It’s so important to consider the point of taking these photographs. What do you hope to accomplish with this collection of images? Are you capturing precious family memories? Perhaps you’re documenting the growth of your son’s abilities to play soccer? Maybe the goal is to capture images of a beloved family pet that hasn’t got a whole lot of time left with the family. Whatever the reason, this purpose will guide you to create photographs.

Communicating an idea will dictate how you ask your family to pose. A photograph in which a dog is running happily after a toy or playing with small children will communicate a sense of family, but consider how a shot of an older dog sleeping next to your teenager on the couch may show a different stage of the life cycle.

A close up of the musicians and their instruments adds a nice variety.

All too often we jump in with the camera and forget that purpose can be more important than having the perfect exposure. So slow down, think purposefully as you shoot, and remember your goal is to create cohesion. You want a set of photographs that have a variety of compositions but also fit nicely together. Create interest in both the composition and the story told by your images.

Writing out your purpose might be helpful. Create a type of mission statement that you keep in the back of your mind as you shoot. Do whatever you need to do keep the purpose of your photographs front and centre. Don’t hesitate to post the purpose on a piece of paper somewhere. It might even help for the individuals involved in the shoot to see the purpose. If they are aware they can help to maintain the central idea through how they pose for photographs.

Including images of all the band members was important too. The focus on this shot is the sharpest but there’s a lot of emotion and effort in his face. That was important to capture.

So, no matter the subject matter or your photographic expertise, keep in mind how important it is to shoot photographs with a consciousness that accounts for all the factors listed above. It will be hard at first to remember all these different elements but eventually, you will become comfortable, and it will be more second nature to you.

If you’ve got some helpful tips, please share them with us. We want to hear about all the different types of steps you take when shooting a group of photographs. Let’s help each other out.

It’s also important to consider changing lenses. I used a wide angle lens for this shot.

 

 

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5 Tips for Keeping Your Horizon Line Level

13 Oct

Tips for keeping your horizon line level

The horizon line is a big deal in landscape and other outdoor photography. You can’t do this kind of photography for long without encountering the Rule of Thirds and the Golden Ratio, both of which are usually applied to the horizon line. Even if there isn’t a true horizon line in your picture, there’s often a line running through the picture that determines whether it will appear level.

Still, it’s surprising how often people end up with crooked lines. You might not notice it, but it’s often the first thing people will see when looking at your photo. Posting a good photo only for it to appear crooked can be embarrassing. Beginners are notorious for overlooking this, but it happens all the time. It even happens to me occasionally.

In this article I’ll walk you through ways to make sure that your horizon line is straight.

But before we get into that, start making sure you actually check it. After all, it’s an easy thing to forget. Do whatever works for you, whether it’s making a checklist, leaving yourself a note or whatever. And make it a part of your workflow so you do it every time.

Sometimes it can be hard to tell whether your horizon line is straight or not, even when using the level in your camera. It gets especially hard when it’s mixed up with other elements in your picture that aren’t straight either. Add in lens distortion, and you can end up with a convoluted mess.

So let’s talk about tools and techniques for keeping your horizon line level. We’ll go from the most obvious tools that  you probably already know about (but worth a little refresher) to some less obvious tools and techniques.

1. Use the Crop Tool Effectively

The easiest way to straighten your horizon line is with the crop tool. Virtually every photo editing software package in existence has a crop tool, so it should be familiar to you.

Tips for keeping your horizon line level

Lightroom’s crop tool controls. Note that the controls also allow you to straighten your photos.

Most of the time this tool will also let you change the angle of the picture. And quite often that’s all you need to do.

In Lightroom or Adobe Camera Raw (ACR), select the Crop Tool and then move your cursor slightly off the picture. The cursor will change to a curved line with arrows at either end, which indicates that clicking and dragging will now change the angle of the picture. Click and move it around to straighten your horizon line.

Tips for keeping your horizon line level

You can also do it by filling in the angle percentage on the far right.

2. Avoid Distortion

Sometimes your picture will appear crooked even when it’s level. That’s because most lenses have at least some barrel distortion, which makes the horizon line sag toward the sides of the picture.

Tips for keeping your horizon line level

This really affects things when you crop one side of your picture. The sag will show on one side (the one you didn’t crop) but not the other, and so your picture will appear to be leaning to one side.

You can fix this with the leveling functions mentioned already. But another way to fix it is to cure the distortion, which can be done easily in Lightroom and ACR.

Find the box labeled Lens Corrections, and check the box next to Enable Profile Corrections. The software will then apply an automatic correction tailored to the lens you used. You might need to help the software find your lens by selecting the manufacturer and perhaps even the model. But usually the software will find it for you and apply an automatic correction.

Tips for keeping your horizon line level

3. Transform to Correct

Sometimes you need a little help determining what is truly level. Your eyes can play tricks on you, particularly when you have different lines running in different directions in your picture. Lightroom can provide some help in the Transform panel.

Lightroom’s Transform panel lets you cure a variety of distortions. The most common adjustment is to correct vertical distortion, which is most useful for converging buildings and trees.

The best way to get familiar with these controls is to just play with them. Go through them all and watch how they affect your photos. After that, you’ll know which controls will be the most useful.

You can have Lightroom level your photo automatically by pressing the Level button at the top left. However, this doesn’t always work, in which case you can do it manually using the Rotate slider.

This is a great set of tools to use when you have multiple distortions working at the same time. Here’s a picture that isn’t level, and also seems to be suffering from vertical distortion.

Tips for keeping your horizon line level

And here’s the same picture after pressing the Auto button in the Transform panel.

Tips for keeping your horizon line level

Pretty dramatic improvement, isn’t it? If you don’t like what you get, you can always perform manually tweaks using the sliders. It won’t always be that easy, but sometimes this control is like magic.

4. Use the Ruler to Test

Okay, so how can you tell if your horizon line is actually level? We already talked about the Level command in Lightroom’s Transform panel. But there’s perhaps an even better way – Photoshop’s Ruler tool. It isn’t intuitive, and isn’t something you’d know about until someone shows you.

Tips for keeping your horizon line level

Here’s a shot with a crooked horizon line. We’ll use Photoshop’s Ruler tool to fix it in the next two pictures.

Start by selecting the Ruler tool from the tools on the left side of your screen. Then draw a line along your horizon line. If you can’t see all of the horizon in the picture, just use the part you can see. And don’t worry – you can re-do this as many times as you want.

Once you’ve drawn your line:

  1. From the main menu choose Image > Image Rotation > Arbitrary. This will bring up a dialog box with a number in the angle box. This is the angle Photoshop has set based on the line you just drew with your Ruler. Don’t change it.
  2. Click OK.

Photoshop will now level the picture according to the line you just drew.

Tips for keeping your horizon line level

Here I’ve used the steps mentioned earlier to straighten the picture using the Ruler tool. Now I need to crop the picture to make it look straight.

If it looks right, crop away to fix the edges. If it doesn’t look right, just undo it and try again.

Tips for keeping your horizon line level

Here’s the final picture straightened and cropped.

5. Add Distortion to Correct Without Cropping

Here’s another Photoshop technique to level the horizon line doesn’t involve any cropping at all. You simply distort the image to pull up the low end of the horizon line.

Start by selecting the entire image. You can use whatever selection tool you’re most comfortable with, or just press Ctrl+A to select the entire image. Once you’ve selected it, choose Image > Transform > Distort from the main menu.

Tips for keeping your horizon line level

See how the buildings appear to tilt a little to the right? The horizon line isn’t quite level either. We’ll fix it using the Transform command in the next graphic.

Your image will now have a series of little boxes on the edges and corners. By dragging these boxes around you can distort the image. You might want to play with them a little to get comfortable with the tool, as it can be handy in a variety of contexts.

For our purposes. just pull up the corner of the image on whatever side the horizon line is low until it’s level. Your picture is now level without needing to be cropped.

I pulled out the top left corner to straighten the buildings. I also pulled down just a touch on the bottom left corner to straighten the horizon line. In this example, I could have changed the angle of the entire picture to accomplish the same thing. But the Transform tool generally gives you greater control.

You can combine this technique with any other distortions you might want to fix, such as correcting converging buildings.

Putting it in Practice

Just thinking about having a straight horizon line goes a long way. Correct any other distortions first to get a sense of how the picture will ultimately look.

If you’re having trouble determining whether your horizon line is level, you can check with either the Level command (Lightroom and ACR) or the Ruler combined with the Image Rotation command (Photoshop). Use both to get a sense of what feels right.

But ultimately there’s no mathematical way to do this. It’s what you see with your own eye that’s most important.

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5 Tips for Taking Beautiful Photos of Nature

11 Oct

An example of taking beautiful photos of nature

Nature photography encompasses a wide range of photos taken outdoors, and conveys natural elements such as landscapes, wildlife, plants, trees and flowers.

Whether you’re photographing sweeping natural scenes or close-ups of flowers, nature photography can be incredibly rewarding. Here are five tips for taking beautiful photographs of nature.

Focus on the foreground

Being out in nature can be incredibly rewarding. And not just for photography. The fresh air, the scenery, and the experience itself are all great incentives to head outdoors with your camera.

An example of taking beautiful photos of nature

When capturing beautiful scenes in nature, your picture can benefit from a bit of foreground interest. When you find a magical landscape to photograph, do it some justice by including something interesting in the foreground. I see many nature photos showing empty landscapes and skies without any consideration for the foreground.

Don’t get me wrong. Nature images can look great with an atmospheric sky and inviting view. But adding a foreground will help make your image stand out. Throw in a rock or some flowers to your image, and the photo becomes much more striking. In this nature photo I included some dandelions in the foreground to accentuate the scene.

 

Balance the photo

An example of taking beautiful photos of nature

Have you ever taken photos in nature and been disappointed with the images you produced? Returning from a photography outing with images that please you can be a challenge. So my next tip is to make your photos more balanced. Capture images of nature with careful consideration of what you include in the frame, and balance all of those elements.

For example, you maybe able to bring certain parts of the landscape together to improve your image, such as trees and mist. When you’re shooting outdoors, what things can you identify that would make a visually pleasing image?

An example of taking beautiful photos of nature

 

Use the right gear

Depending on the subject you’re photographing, it’s important to choose the right gear to get the best out of your images. Close-ups of insects or flowers would be best suited to a macro lens, which lets you get nearer to your subject. When faced with a wide vista, use a wide-angle lens to record a greater field of view.

On the other hand, if you’re shooting wildlife, telephoto and zoom lenses are usually the best option as they can help you zoom in closer to your subject. These aren’t hard and fast rules, but rather suggestions on what generally works regarding lens choice.

For example, if you’re photographing animals in a zoo, a wide-angle lens may be better than a telephoto lens if you want to capture more of the scene than just the animal, or if you’re positioned close to them.

An example of taking beautiful photos of nature

Capture different seasons

The advantage of nature photography is it can be done at any time during the year and in different seasons. Summer is a great time to document lush landscapes and green foliage when everything is in full bloom, whereas spring and autumn can provide blooming flowers, cooler climates, atmospheric weather and the occasional mist. The added benefit of autumn is the change in colours of autumn foliage, giving you opportunities for vibrant photos.

An example of taking beautiful photos of nature

Winter is another wonderful time to capture the brilliance of nature. While it can be harsh and cold, it can also be strikingly beautiful. A sprinkling of snow can look good in any nature photo.

An example of taking beautiful photos of nature

Snow can add contrast in landscape vistas. For example, the snow in this scene helps the dark silhouetted tree stand out. I also find that snow-capped mountains are wonderful subjects to photograph during the winter season.

 

Make the most of your natural surroundings

You don’t have to live in a beautiful and remote location to find amazing subjects of nature. You’ll find an abundance of things waiting to be photographed in your local area. I took this photograph five minutes from my home. Go outside and explore your own surroundings, and take photos in the best natural places close to home.

An example of taking beautiful photos of nature

 

Conclusion

Capturing photos of nature can be truly rewarding, and a great opportunity to be photographing outdoors.

Whether you’re a landscape photographer or prefer to shoot plants or wildlife, try putting these tips into practice. And feel free share your images and any other comments or tips below.

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5 Tips for Underwater Photography with a GoPro

07 Oct

Jumping from a cliff. Diving with whale sharks. Documenting a road trip. The compact, rugged technology of the GoPro has created incredible opportunities for capturing the action of events like these. And while the GoPro is known mostly for its video capabilities, improved senor technology means it’s also a camera capable of high-quality imagery that can withstand harsh conditions such as water and dust.

And being able to shoot in adverse conditions opens new opportunities for creative photography.

In the past few months I’ve been experimenting with a GoPro Hero5 to shoot underwater photography. Although shooting underwater is a new realm for me, I’ve found that by applying generic photography knowledge I’ve grown quickly and made the GoPro work for me.

I hope you can learn and adapt what I’ve learned for your own purposes with these five tips for underwater photography with a GoPro.

GoPro, Hero5, Underwater, Photography,Salmon, Alaska

I used a GoPro under water to capture the behavior of these breeding salmon in Alaska.

1. Know the Minimum Focus Distance

You may already know that the GoPro has a very wide field of view (FOV), which lets you frame a subject with the contextual scene around it. When searching for an image, focus on your desired foreground element and then get as close to it that foreground element as you ethically can. Place your camera close and take advantage of the GoPro’s 12-inch (~30cm) minimum focus distance. Placing the foreground element about 12 inches from the camera will emphasize it while still providing surrounding context.

GoPro, Hero5, Underwater, Photography, Hawaii, Coral

I kept the minimum focusing distance in mind for this coral. The image was taken from very close while snorkeling.

2. Pre-set your Camera Field of View

Following in line with the minimum focusing distance, be sure to pre-set the FOV for your GoPro before entering the water. Even though GoPros are waterproof, I use a third-party housing to further protect the camera. And if you use a housing you can’t engage the touch screen, so you need to set the FOV first.

If you can’t get close enough to your subject, set the field of view to “Narrow”. This will require you to aim your camera precisely, which can be difficult if snorkeling or swimming. Of course, you can keep an eye on the back screen to help you compose the shot.

GoPro, Hero5, Underwater, Photography, Hawaii, Triggerfish

I used a narrow field of view to capture this image of this large trigger fish in Hawaii.

3. Set Your Camera Defaults to Maintain Image Quality

Setting your default settings ahead of time will help you capture quality photographs. GoPros have pretty good image quality in well-lit conditions, but the image graininess (noise) will increase quickly as the camera adapts its ISO to low-light conditions. You can control the image quality by setting a maximum ISO setting. With your phone connected to your GoPro, go into your settings and change the maximum ISO to a value of 800 or less. While you’re there, you may want to set the default mode to “photo”. Doing this will ensure you can quickly take a photo if your GoPro shuts off while underwater and you need to turn it back on.

GoPro, Hero5, Underwater, Photography,

Underwater conditions can be very murky and may cause your camera to boost the ISO, which will result in greater image noise.

 

GoPro, Hero5, Underwater, Photography, Herring, Alaska

A slower shutter speed due to low light caused some of the darting herring in this image to blur.

4. Stabilize Your Camera

If the water is cloudy or the day isn’t sunny the camera will shoot at slower shutter speeds, which may result in blurry or non-sharp images. This will be particularly noticeable if you can’t keep the camera  stable. If you’re hand-holding the camera, keep it as stable as possible. You can also mount the GoPro to a tripod and place it in a suitable location. This is more useful when a phenomena or animal is predictable, such as salmon in a river. Just as it does on land, using a tripod will help stabilize the image.

GoPro, Hero5, Underwater, Photography,Salmon, Alaska

I captured this image from a tripod. This was necessary because this salmon was wary of any movement in the river that reminded it of a bear.

If you’re out of the water and photographing something near you (think of tide pools) you can keep the camera stable by mounting it on a extension pole. You can buy one, or even build one relatively easily. A long pole will help you photograph something far away, and if you have a long pole (say 12 feet) the top of it will help counterbalance the GoPro at the bottom. If you’re using the pole in shallow water try bracing it against the bottom for further stability.

GoPro, Hero5, Underwater, Tide Pool, Photography, Sponge, Orange, Alaska

I used a long pole and a GoPro to capture an image of this sponge during a low-tide cycle in Alaska. I braced the pole against the bottom to take this image.

 

GoPro, Hero5, Underwater, Photography, Tidepool, Tidal, Octopus

This image combines a couple of the concepts discussed in this article. I kept the camera on a pole and maintained the minimum focusing distance to capture the image of this octopus in a tide pool.

 

GoPro, Hero5, Underwater, Photography,

I used a pole and a GoPro to photograph these colorful tube worms and anemones under a dock.

Another camera setting useful for stability is the time lapse mode. Set the camera to time lapse (say, one shot every second) and start taking images. Compose your shot underwater, and then hold the camera in place while it takes pictures. Since you won’t have to fumble for the trigger button it will be easier to keep it still and ensure your images are sharp.

GoPro, Hero5, Underwater, Photography,

I used the time lapse mode to capture this school of fish in the clear waters of Hawaii.

In some situations you may be able to trigger the camera with your phone. The GoPro’s wifi network will cut out under deep water, but if the camera is on a tripod with only a small covering of water you can trigger the camera remotely from a distance. You’ll need to experiment with how much water is too much for the wifi network. Remotely triggering the camera may help you ethically and safely photograph wildlife.

GoPro, Hero5, Underwater, Photography, Bear, Brown Bear

I remotely triggered this image of a large coastal brown bear moving up a river in Alaska.

Although I don’t use underwater lighting, you can avoid blurring by using strobes or other versions of underwater lighting. These will help keep your shutter speed up and your ISO low. But use them with discretion depending on your subject. In some circumstances they may be detrimental to wildlife.

5. Use a Housing for Split-Level Photography

Split-level imagery is a way to help give an image context and tell a story. To create the effect, use an underwater housing with a convex dome and then place the dome half-in and half-out of the water. By doing so you get to observe both the underwater world and the terrestrial world. I use a housing by GoPole to create split-level images capturing the streams and local salmon runs of Alaska. You can use this technique anywhere to create compelling images. You can create split-level images by hand-holding the camera or using a tripod as I mentioned earlier.

GoPro, Hero5, Underwater, Photography, Brown Bear, Coastal Brown Bear, Alaska

A GoPole dome housing was used to create this split-level image of a large coastal brown bear.

 

GoPro, Hero5, Underwater, Photography, Salmon, Alaska

The split-level shot helps tell the story of these spawning pink salmon under a large log in Alaska.

The Takeaway

I want to reiterate that I’m not an expert at underwater photography. But I’ve enjoyed extending my capabilities and skills to that realm. The GoPro is a fun way to learn underwater photography techniques without breaking the bank. And since GoPros are naturally waterproof, the likelihood of destroying gear is lowered substantially.

As I like to say, “pixels are cheap,” so I hope you make a lot of pixels while shooting photographs underwater with your GoPro.

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