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Rugged Fujifilm XP120 arrives just in time for winter

09 Jan

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It’s snowy season here in the Northern Hemisphere, so Fujifilm’s release of its XP120 is well-timed. The XP120 has a 16.4MP BSI-CMOS sensor and a 28-140mm lens, and is waterproof to 20m/65ft, shockproof to 1.8m/5.7ft and freezeproof to -10C/+14F.

Other features include a 3″ LCD, unique ‘Cinemagraph’ feature, which ‘produces still photos with moving elements’, 1080/60p video (with a wind filter) and Wi-Fi.

The XP120 will come in four colors – blue, sky blue, green and yellow – and will be available in February for $ 229.

FUJIFILM INTRODUCES NEW RUGGED FINEPIX XP120 FOR OUTDOOR ADVENTURES; FLAGSHIP X SERIES CAMERAS ARRIVE IN NEW PREMIUM COLORS

Valhalla, N.Y., January 5, 2017 – FUJIFILM North America Corporation today announced the new FinePix XP120, with a 16.4MP back-illuminated CMOS sensor and a large 3.0 inch LCD monitor in a compact body. The new FinePix XP120 is waterproof to 65 feet \ 20 meters, shockproof to 5.7 feet \ 1.75 meters, freeze proof to 14°F \ -10°C and dust proof. The XP120 is equipped with a FUJINON lens that provides unique color reproduction technology and advanced sharpness to deliver outstanding image quality, making it an ideal choice for a wide variety of shooting situations in rugged environments.

Also announced are the new FUJIFILM X-Pro2 Body with XF23mmF2 R WR Lens and Lens Hood Kit, Graphite Edition, and the new FUJIFILM X-T2 Body, Graphite Silver Edition.

FinePix XP120 Delivers Four-Way Rugged Protection
The XP120 is waterproof to 65 feet \ 20 meters, shockproof to 5.7 feet \ 1.75 meters, freeze proof to 14°F \ -10°C and dust proof and is designed for ease of use in outdoor activities. The XP120 features an improved grip design for firm one-handed holding and a double-locking mechanism for the battery compartment. There is no need to worry about water, sand or short drops, making it the perfect first camera for children when on a fun adventure.

High Performance Sensor and Lens for Sharp Images

The XP120 is equipped with a 16.4MP back-illuminated CMOS sensor and FUJINON 5x optical zoom lens that includes a 28mm wide-angle setting for sweeping landscape and scenic shots. The optical zoom range can be doubled to 10x with Intelligent Digital Zoom technology, while the camera’s optical image stabilization function ensures that any effects from camera shake are minimized.

Compact and lightweight design with a large 3.0-inch 920K-dot LCD monitor

The new compact XP120 has a large 3.0 inch 920K-dot high definition LCD monitor with anti-reflective coating in its lightweight body making it perfect for outdoor activities. The monitor inhibits light reflection so you are able to comfortably check composition and pictures taken under bright daylight or underwater. The operation buttons on the new XP120 were created in pursuit of optimal size and position, enabling smooth operation even while wearing gloves or holding with one hand. And, the battery compartment is designed with a double-locking mechanism that requires two-stage operation to lock and unlock the lid.

Extensive Shooting Functions with an All New “Cinemagraph” for Artistic Expression

The XP120 offers an all-new Cinemagraph mode that produces still images with moving elements. Cinemagraph is a novel photographic approach that creates an image somewhere between a still and video, which makes a stark contrast against the rest of the still image so that it appears as if time has been frozen. Additional features that aid versatile artistic expressions include Burst Mode of up to 10 fps, smooth full HD video recording of 60 fps, and time-lapse recording which is useful for fixed-point observation of scenes such as sunsets and flowers opening.

FinePix XP120 Key Features:

16.4MP back-illuminated CMOS sensor and FUJINON 5x optical zoom lens with 28mm wide-angle setting
Four-way protection
- Waterproof up to 65 feet/20 meters, shockproof to 5.7 feet/1.75 meters, freeze proof to 14°F/ -10°C and dust proof
Compact lightweight design with 3.0 inch 920K dot high definition LCD monitor with anti-reflective coating
Scene Recognition Mode quickly determines the scene before optimizing focus, exposure and shutter speed for best possible results
- Underwater and underwater macro functions available
Remote Shooting function: Allows for wireless connection from the XP120 to a smartphone or tablet for remote camera operations such as releasing the shutter or zooming in and out
Interval Timer Shooting: Automatically shoot any number of images in set intervals
- Interval can be set to either 5 or 10 minutes, or 15, 30 or 60 seconds
Burst Mode up to 10 fps, and Advanced Burst Mode capable of shooting at up to 60 fps
Time Lapse Video: Automatically converts images taken with interval timer to video
- Frame rates of 10fps, 30fps or 60 fps can be selected along with three different types of movie size, including full HD. Allows for capturing transitions in nature from a stationary point, such as sunsets or opening flowers
Wireless LAN connectivity, Smartphone Transfer and the FUJIFILM Camera Remote app
- Transfer photos and videos from the XP120 to your smartphone or tablet, or directly to the Instax Share SP-2 Printer for quick, high-quality prints
Cinemagraph mode: produces still images with moving elements
Motion Panorama 360° function for superb panoramic shots, and the Advanced Filter function to create advanced artistic effects with ease
- Select from 11 filters when taking pictures or 7 filters during video recording
Records smooth Full HD video at 1080/60p with a dedicated movie button
Wind Filter Setting: reduces wind noise which is often a problem with outdoor movie recording

Availability and Pricing

The FinePix XP120 will be released in late February 2017 in the U.S. and Canada for USD $ 229.95 and CAD $ 239.99.

Articles: Digital Photography Review (dpreview.com)

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5 Top Tips for Incredible Headshots Every Time

21 Dec

Headshots are arguably the unsung heroes of the photography world. They’re everywhere, from social media profiles and advertisements to portfolios and hanging on the walls of the home. These carefully crafted images didn’t take themselves, though.

If your headshot skills are a little wanting, there are a few tips you could take to improve your game. If you’re after magnificent snaps, for personal or professional reasons, follow these steps for a perfect shot every time.

1. Let the eyes be the stars

As cliché as it may sound, eyes really are the windows to the soul. By creating a clear focus on them, this is a world of opportunities that can instantly draw in the attention of a viewer. If you want to capture a certain emotion it’s easy to do so.

Depending on the intended use of the images, you can convey a specific message. Want to create a professional looking photo? Focus on welcoming eyes that encourage contact. After a serious acting portfolio? Concentrate on targeting a stern appearance stemming from the eyes.

Don’t be afraid to experiment with different poses, eye positioning, and lighting. After a few shots, you’ll know exactly what to do.

2. Think about light

Light headshots

It may sound rather obvious, but light can create a number of different variations of the same photo. The best photographers know how to use light to their advantage and create excellent works of art.

Again, this is largely dependent on the purpose of the shoot. Natural light and the outdoors are great for showcasing a genuine feel. Natural light can be powerful for achieving real-life situation photos. It will also allow you to grab an honest and genuine aura of the person.

Light headhsots

Artificial or studio light is an exceptional tool for providing a highly professional end result. You’ll be able to inject light where you see fit, creating a photo that screams professionalism. This is probably the better option for taking corporate headshots as it allows for a uniform lighting pattern amongst a team.

3. The lens is key

You’re probably very familiar with your lenses but with so many available, it can sometimes be difficult to know which one will work for each shot. Generally speaking, headshots aim to achieve two things. Compliment the subject and grab a clear and concise image.

Even the best lenses on the market are vulnerable to distortion if used in the wrong way. Mid to wide angle options are best avoided, as headshots are taken within a fairly close range to the subject (they will create facial distortion).

Using a 90mm or longer telephoto lens will let you capture a stunningly clear image, with the added benefit of slimming the face, which most subjects would be thrilled with.

4. Capture the mood with your background

Backdrop headshots

Pathetic fallacy works on so many levels. Primarily used as a literary term for setting a mood or humanizing elements, the same criteria can be applied to the camera.

If your shoot is outdoors, you don’t have to do too much to convey the message. Typically speaking, you wouldn’t capture a happy face in the rain unless you were doing a contrast shoot. You’d wait until the weather brightens up and use the environment to further enhance the purpose of the image.

Backdrop headshots

Healthy trees and plants have lively connotations; a park can showcase a playful personality. There are literally thousands of ways you can use a backdrop to strengthen your headshots. Just be careful that the attention isn’t taken away from the subject, though.

5. Live the shoot as a director

Director headshots

As a photographer, you’re essentially the director of a film split into still photographs. This might not be completely for your benefit, but you’re the one who knows exactly how it should be done.

Of course, it’s important to listen to the subject’s requirements, but from there you are the captain. Dictate how the shoot goes. Explore different angles. You are the professional after all.

You’ll be working together to achieve the end goal. With your direction, knowledge, and experience, you’ll both get the best possible results.

Director headshot tips

It’s easy once you know how

Headshots are among the trickiest photographs to capture. A demand for perfection is there almost every single time. With so many variants to take into account, what works for one shoot may be completely wrong for another.

With a little thought and by leaning on your expertise, you’ll get incredible results. You’ll produce your best work and the subject will be more than happy. Everybody wins.

Please post any questions or share your images in the comments section below.

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The post 5 Top Tips for Incredible Headshots Every Time by John Kemp appeared first on Digital Photography School.

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Time Machines: Langdon Clay’s Gritty Cars Of New York City

12 Dec

[ By Steve in Art & Photography & Video. ]

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Photographer Langdon Clay captured New York‘s bruised & battered road warriors at rest, evoking a dirtier and more dangerous era of the city that never sleeps.

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New York City in the 1970s was a city on the slippery slope to disaster; a major metropolis whose decline into bankruptcy, pervasive corruption and rampant crime portended a grim dystopian future fit for the likes of Snake Plissken. Armed with only his trusty Leica camera and rolls of Kodachrome film, Langdon Clay ventured into the Big Apple’s littered streetscapes, finding a fitting iconography for troubled times amongst the oft-filthy and snow-encrusted parked cars sheltering under the unforgiving glare of sodium-vapor streetlights.

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Langdon Clay, a native of NYC born in 1949, grew up in New Jersey and Vermont before moving back to the city of his birth in 1971. Like many photographers of the era, Clay cut his teeth on black and white composition but once immersed in New York’s unique urban milieu, inspiration struck. “I experienced a conversion of sorts in making a switch from the ‘decisive moment’ of black and white to the marvel of color,” relates Clay, “a world I was waking up to every day. At the time it seemed like an obvious and natural transition. What was less obvious was how to reflect my world of New York City in color… I discovered that night was its own color and I fell for it.”

Checkered Past

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From 1974 through 1976, often in winter and always after dark, Clay roamed the streets of New York and nearby Hoboken, New Jersey seeking out likely land-barge subjects. Most – though not all – of his photos depict used and abused Detroit iron of the Malaise Era with a few stubborn survivors of the Space Age tossed in for good measure. Of course, no expose of New York’s cars would be complete without a Checker or two: the pair above includes one once-ubiquitous New York cab and a rarer, privately-owned Checker Marathon.

Apple Spread

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We’re not sure why it took Clay forty-odd years to publish his collection of mid-seventies car photos… perhaps, like fine wine, a significant passage of time was required to imbue his subjects (and their surroundings) with the flavor of their long-passed era. In the event, “Cars – New York City 1974 – 1976”, published by Steidl, features 96 photographs spread over 132 pages.

Next Page – Click Below to Read More:
Time Machines Langdon Clays Gritty Cars Of New York City

[ By Steve in Art & Photography & Video. ]

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Chronos high-speed camera hits crowdfunding goal in record time

26 Nov

The Chronos 1.4 affordable high-speed camera that created some buzz on the internet about a month ago has now made it onto Kickstarter and reached its funding goal of approximately $ 48,000 in only 5 hours. The Chronos 1.4 can shoot high-speed video with 1,957 fps at its full resolution of 1280 × 1024 pixels, and up to 21,600 fps at lower resolutions.

The Chronos captures its footage on a 8.45 x 6.76mm sensor with a 6.6um pixel pitch. A global shutter means that leaning verticals won’t be an issue and the electronic shutter achieves a fastest speed of 1/500,000 sec. The sensitivity can be adjusted between ISO 320-5120 when shooting in color and 740-11840 in monochrome mode. The camera takes C and CS-mount video lenses and comes with a 5″ 800×480 touchscreen, an SD-card slot, audio IO connector, built-in microphone and HDMI out. Power is supplied by a standard Nikon camera battery.

If you want to support the project and reserve a Chronos 1.4, you can do so by pledging approximately $ 3,000, a fraction of the cost of other pro-level high-speed cameras, on the Chronos Kickstarter page. Shipping of the first units is planned for March 2017. You can find more information on the Chronos website, some sample footage can be seen in the video below.

Articles: Digital Photography Review (dpreview.com)

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TIME releases 100 most influential images of all time

18 Nov

TIME has released its 100 Most Influential Photos of All Time, a multi-platform project that explores 100 images that have changed the world and shaped the human experience. Of primary interest is an interactive virtual museum of all 100 photos, which also includes essays, 20 original short documentary films, and the never before told stories behind many of the photos.

Along with the website, TIME is publishing a companion book with all 100 images, and will feature the project as its cover story in the November 18th issue of TIME Magazine.

Not only is this an impressive collection, but the stories and videos behind the photos are very interesting, so we encourage you to head over to the site.

Which images stand out to you? Share your thoughts in the comments.

Articles: Digital Photography Review (dpreview.com)

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PanoMoments cleverly adds the element of time to 360-degree images

14 Nov

PanoMoments’ ‘360-degree living photos’ are a kind of mashup between 360-degree images and Apple’s Live Photos. It’s not quite video, and it’s not a static image: PanoMoments can be created using any robotic panorama head (though the company is producing a specialized one), uploaded to their website for conversion and viewed on the web, with a VR headset or on a mobile device. Varying the time it takes for the device to complete a full rotation gives the resulting product a ‘live photos’ feel or a more time-lapse effect.

Click to view this PanoMoment. Note that you will need to be running Google Chrome version > 52.x or viewing on a modern Android/iOS smartphone.

The process for creating a PanoMoment begins with the camera of your choice (ideally a larger sensor ILC) and a circular fisheye lens. Using PanoMoments’ PanoCatcher Loop or any panorama head, the camera is rotated 360-degrees while capturing at least 120 images. Convert your images to equirectangular format, upload them to PanoMoments.com and voila – you’ve got a PanoMoment. You can upload up to 20GB worth of images for free, while a ‘Pro’ membership will get you 500GB.

At the moment, PanoMoments’ creators are looking for funding through Kickstarter to help with building costs. Currently, a $ 270 pledge will get you a PanoCatcher Loop along with a 1 year Pro membership.

Head over to their Kickstarter page to learn more and see additional PanoMoments.

Articles: Digital Photography Review (dpreview.com)

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The filmmakers who took a stroll on Yellowstone’s Grand Prismatic are facing jail time

08 Nov

Three of the four Canadian filmmakers who were caught roaming onto Yellowstone’s Grand Prismatic hot spring have pled not guilty to charges of foot travel in a thermal area and disorderly conduct. Hamish McNab Campbell Cross was the only member of the group representing clothing brand High on Life to plead guilty to his charges. He’ll pay a fine of $ 8000 and accepts a five year unsupervised probation.

The remaining three have received court-appointed lawyers and may face a bench trial if they do not accept plea deals. The Jackson Hole News and Guide reports that the group’s previous attorney, who removed himself from the case due to a conflict of interest, mentioned that the US Attorney is considering jail time.

The Grand Prismatic incident is just one of quite a few recent cases park vandalism. Stiffer penalties for offenders may help reduce incidences of vandalism, but is an $ 8000 fine enough? Do the filmmakers pleading not guilty deserve jail time? Tell us what you think in the comments.

Related: Opinion: Park vandals need to be stopped

Articles: Digital Photography Review (dpreview.com)

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TIME to celebrate 175 years of photojournalism

04 Nov

TIME magazine is celebrating the birth of photography and photojournalism with a ‘multimedia experience’ telling the stories behind 100 of history’s most influential images. The project goes live at time.com/photos on November 17, but you can get a preview by way of the trailer above. A hardcover book is also available.

Are there any photos you don’t see in the trailer that you expect to see in the top 100? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

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The Sony a99 ll will be available on time – but in very short supply

27 Oct

Sony has announced that its a99 ll full-frame SLT camera will go on sale on November 25th as expected, but it will not be able to supply nearly enough to meet demand straight away. The company has issued a statement saying that domestic demand has ‘significantly’ exceeded the Japanese company’s sales plans and that customers should expect some delay in the delivery of ordered cameras.

The 42MP camera offers a top shooting rate of 12 fps and features a combined phase detection and contrast detection AF system that the company says provides speed, accuracy and improved tracking. The camera was the surprise launch of Photokina this year, as many assumed Sony had abandoned its SLT cameras in favor of the more popular mirrorless models.

It seems even Sony has been caught off-guard by the demand of the a99 ll, and if there are to be delays in the Japanese market there will almost certainly be delays in the rest of the world. The a99 ll is due to be priced at ¥388,880/$ 3200/£3000/€3500. For more information see the Sony website.

Articles: Digital Photography Review (dpreview.com)

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Review: Inexpensive Time Lapse with the YI 4K Action Camera

12 Sep

While this is essentially a review of a small action camera, that produces both stills and video, I’m going to focus on using the little YI 4K Action Camera, to kickstart your love of time lapse photography.

YI Technology – YI 4K Action Camera

Time lapse photography can produce stunning results that can inspire you to travel, to capture behind the scenes of your photographic projects, even as a great way to capture your holidays. Your week at the beach might only last a few minutes as a time lapse (as opposed to a couple of hours of video to make your friends sit through!) However you use it, there’s no denying it’s fun to use, and fun to try.

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Gear for time lapse photography

So, time lapse with amazing results requires a bit of gear, right? A camera that allows you to adjust your shutter and aperture. A trigger that allows you to set your camera to capture the time lapse, either indefinitely or for a certain period of time. If you want to take it further, you might look at something that allows you to have movement in your time lapse, rather than a static shot, just to add interest. (more on that, next article)

That being said, can you create a good enough looking time lapse, to start your journey into this fun and creative style of photography with an action camera? That’s the question I set out to find an answer to, with this latest hardware review.

I have a GoPro, it’s great! It’s the Hero4 Black, and it does time lapse, but it’s actually pretty expensive! Expensive enough, with some accessories and a spare battery, that you might actually consider just getting an entry level dSLR!

I also have a very brilliant Sony Action Cam 4K. Again, a spare battery and you’re up over half a grand. So, looking at options, I once again find myself wading into the “not really brand name” manufacturers of the lesser known! Enter YI Technology YI 4K Action Cam. There are a handful of reviews popping up online for this little camera, and most I’ve read or watched are positive. I’m not going to talk about the whole video side of the unit much, though it produces decent quality 4K footage for the price tag. This review is all about the camera’s time lapse ability.

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The specs in brief are as follows:

Main Processor – Ambarella A9SE chipset, includes a 800 MHz dual-core. Cortex-A9 ARM CPU and a high-performance digital signal processing (DSP) subsystem with a 32-Mpixel image sensor pipeline (ISP), and an advanced H.264 encoder capable of 4K resolution.
Image Sensor – SONY IMX377, 1/2.3″, 12 megapixels CMOS image sensor with Exmor R ability.
LCD Screen – 2.19″, 640×360 resolution touch screen, 330PPI, 250cd/m2 brightness, 30FPS, 160° FOV, 16:9.
Lens – Lens f/2.8 aperture / 155° wide-angle lens, 7G, f=2.68mm.
Wi-Fi – Broadcom BCM43340 Dual-band 5GHz /2.4GHz, built-in (802.11 abgn), offers 30Mbps download speed.
Weight – 3.4 ounces camera + battery (96.4 grams).
Size – 65 x 42 x 30 mm.

Said to have a Gorilla Glass rear touch screen, and I’ve got to say, that it’s actually useable! Responsive and clear, and also quite good at playing back your Time Lapse sequence on the camera.

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What’s it like to work on your time lapse creation with the YI 4K?

It’s actually very simple, there’s a touch screen rear display (as per above) and you simply tap it, select time lapse (either photo or video version of time lapse), dial in some adjustment, and press the go button! Now, the unit saves the time lapse in one of two formats, you may have noticed I said “Photo or Video time lapse” above, which is basically the output you get when you select either. In video time lapse mode, you get a single file at the end of your sequence, with photo time lapse you get the time lapse movie as the individual images.

There are benefits to both. With the video version of the sequence, you get a simple video at the end, that you can directly upload and share with your friends. The downside of this is that if you get a dodgy image (bird flies across, a drastic light change, etc.) in the middle of your time lapse, with the photo version you can simply delete the offending frame and you’re good to go. In video mode, you would need to edit that frame out with a video editor of sorts. Keeping in mind you may lose a little continuity in your time lapse if you delete more than a couple of frames, and you’ll see jumps.

I’ve made a quick example. At 1:03 in this video mode time lapse, someone over my back fence switched on their outside light and the white balance (auto, in video time lapse mode) jumped a gate and ran off into the hills! Take a look, you’ll see what I mean. It’s only 4 frames and I could edit it out, but left it in to show you what I mean. In photo time lapse mode, you can preselect the white balance and this wouldn’t have happened. My sweet darkening purples changed to blue.

Does the YI 4K work as an entry level time lapse camera? Absolutely it does, and with better specs than the current GoPro Hero 4 Black, it’s a decent little all-round package if you want something less expensive to document your photoshoots with too.

Conclusion?

I really enjoyed using the YI 4K as I call it. It’s easy to use, produces a good result, and is very well priced for what you get. One other thing I really like is the inclusion of a 1/4 20″ metal tripod mount in the bottom of the camera. So, you can stick a tripod plate on it, or screw it straight onto a light stand for use on set, or just to get your YI4K up high for a time lapse.

I’m not about to bin my GoPro or Sony Action Cam, but there is rumoured to be a GoPro 5 dropping sometime very soon – we shall see how they stack up.

What I like about the YI 4K Action Camera:

Simple iOS app to change all settings on the YI 4K.
Good quality images from an Action Cam.
Multiple options for time lapse (Video / Stills).
Fantastic touchscreen included in device by default.
Good battery life.
Tripod mount on the camera.

What I’d like to see improved:

More standard accessories

I’m not really thinking I should give this a star rating as I’ve really only used it for time lapse, but if I were to give it a rating, it’d have to be a 4.5 out of 5 I think! Good job, YI Technology.

The post Review: Inexpensive Time Lapse with the YI 4K Action Camera by Sime appeared first on Digital Photography School.

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Posts Tagged ‘Time’

Rugged Fujifilm XP120 arrives just in time for winter

FUJIFILM INTRODUCES NEW RUGGED FINEPIX XP120 FOR OUTDOOR ADVENTURES; FLAGSHIP X SERIES CAMERAS ARRIVE IN NEW PREMIUM COLORS

5 Top Tips for Incredible Headshots Every Time

1. Let the eyes be the stars

2. Think about light

3. The lens is key

4. Capture the mood with your background

5. Live the shoot as a director

It’s easy once you know how