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Tips for Minimizing Reflections When Photographing Through Windows

03 Mar

Have you ever wanted to take a photo through a shop window, but couldn’t work out how to cut the reflections? Or been up on an observation deck, trapped behind glass that had so many stray lights shining into the glass, that you couldn’t get a good shot of what was on the other side?

LeanneCole-photography-through-glass-1028

It is hard to take photos through glass and not get lots of unwanted reflections.

Glass can be one of the hardest things to take photos through. It doesn’t seem to matter where you move, you will find more reflections. Then just when you think you have the perfect shot, you put it on the computer only to find that they are still there.

Shop Windows

One of the most commons places to take photos, is through shop windows. But, they are often in well-lit places, and they are tough because you will be getting reflections from all directions. There are ways of minimizing the reflections, and things you can do to help prevent them.

Polarizering Filter

A polarizer filter will help reduce the reflections. It may not remove them all, but it will help you to eliminate many of them. Take the images below, it has all the lights on the outside of the store reflected in the glass, and with a polarizing filter.

LeanneCole-photography-through-glass-1036

The reflections of the lights from outside the shop can be seen on the glass.

LeanneCole-photography-through-glass-1037

The reflections have been removed by the help of the polarizing filter.

A circular polarizing filter was put on the lens, and in order to remove the reflections, it was turned until they just disappeared. Take a look at the image above right, the filter has helped remove many of them.

It doesn’t always work, but it can help reduce reflections. In some cases, you are going to find that reducing them is better than having them ruin your images.

Using a Lens Hood

If you can get your lens right up to the glass of the window so that it sits on it squarely, it can stop any unwanted reflections from getting in front of the lens. However, it means that you can only take photos of what is directly in front of the camera, what do you do if you want to take some at an angle? There is no doubt that once you move it on an angle you will start to see reflections.

You want to be able to create a seal around the end of the lens, and a rubber lens hood can do that. Look at the following photo, you can see one on the lens.

LeanneCole-photography-through-glass-1038

The rubber lens cap is on the lens, and pushed against the window.

The advantage is the flexibility, and how you can move it around and change the angle of your lens. The following two images show one with reflections, and one without. The latter is the one taken using the rubber lens hood.

LeanneCole-photography-through-glass-1034

Reflections on the glass are apparent here.

LeanneCole-photography-through-glass-1035

The rubber lens hood has eliminated the reflections.

They used to be very common and a lot of people would have the rubber hoods for their lenses, but slowly the hard plastic ones have taken over. It is good to see that if you hunt around on the internet, you can still find them. The one used for this demonstration was found on Ebay.

Trams, trains and cars

There are numerous places you could use it, and on a recent trip to the mountains around Lake Tahoe, it would have been great in the tram up Squaw Valley. The glass in the tram had so many reflections it wasn’t worth trying to get any photos. It was the same on the tram that runs from Roosevelt Island to New York.

Trains and other moving vehicles have the same problems with windows and reflections. The rubber lens hood would help you to get an image free of any distracting reflections. However, there is one place in Melbourne where it wouldn’t help at all.

Eureka Skydeck

In Melbourne there is an observation deck that is 88 floors up, Eureka Skydeck, that provides some stunning views of Melbourne. It is a great place to see the city, but a terrible place to take photos.

There is glass all around, and it reflects everything else in it. The one place where you can go outside has mesh across it and for most cameras the holes in it are not big enough to take photos through. At night there are lights on the floor that create their own effects on the windows.

If you go up to the glass to take photos, you will find that if you use the rubber lens hood method won’t work as there are two panes of glass. You might get rid of the reflections off the first pane, but there is not much you can do with the second.

Here are two images, the first was taken during the day and you can see the reflections. The second image was taken at night and you can see all the lights that are there reflected in the glass.

LeanneCole-photography-through-glass-1027

Taken during the day and you can see the reflections.

LeanneCole-photography-through-glass-1030

At night the lights inside reflect everywhere, and you can also get portraits shots, whether you want them or not.

Like everything in photography, there are always ways to get around problems.

To eliminate the reflections, you will need to put your camera on a tripod, or something similar, for the following image a GorillaPod was used. It was placed close to the ground, as you can see in the image. At the Eureka Skydeck they have lights in the floor, so you have to make sure that light isn’t coming from under the camera.

LeanneCole-photography-through-glass-1025

The camera on the gorillapod on the floor.

Set up your image and create a seal around the camera with fabric, you could use a piece of black cloth. It needs to be dark as a lighter colour will reflect as well. For these images a lightweight black jacket was held up against the window, to help prevent the reflections. You want to be able use the fabric or jacket to create a closed-in area around the camera, so you don’t get unwanted views in your image. Look at the following image.

LeanneCole-photography-through-glass-1026

The jacket is placed around the camera to stop reflections.

Of course no system is going to be foolproof, but, if you compare the following two images, you can see that it does make a big difference. The first image was done without any protection, and the jacket was used for the second one.

LeanneCole-photography-through-glass-1033

This image has had nothing done to stop the reflections.

LeanneCole-photography-through-glass-1032

This was taken using the above method with a jacket to block the reflections.

You have to judge each situation as you get to it. While one technique might work in one place, it may not work elsewhere. There is no doubt that glass and windows are one of the hardest objects to photograph through, a bit like photographing a mirror. Take care, and I hope the next time you are taking photos of a shop window, you get some great photos.

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The post Tips for Minimizing Reflections When Photographing Through Windows by Leanne Cole appeared first on Digital Photography School.


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Find Love Through Your Lens: 3 Ideas for a Valentine Photo Shoot

09 Feb

Editor’s note: Valentine’s Day is a good opportunity for aspiring portrait photographers to practice love story and romantic / family photo shoots. Below you can find three practical tips and ideas for a Valentine photo shoot from our regular writer, a portrait photographer, Barbara Stitzer. *** Ahhh, Love. It can be giddy, maddening, complacent, jealous, warm and gooey, and downright Continue Reading

The post Find Love Through Your Lens: 3 Ideas for a Valentine Photo Shoot appeared first on Photodoto.


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The Long Night: Tim Matsui on creating social change through stories

26 Jan

Award-winning and Emmy-nominated visual journalist and filmmaker Tim Matsui used to view stories as a means of having experiences. Now, he sees them as a means of creating change, engaging audiences and helping them see that they can make a difference. In this PIX 2015 video, Matsui speaks on The Long Night, his documentary on human trafficking, and how he leveraged grassroots distribution to effect social change.

Matsui’s insistence on grassroots distribution stems from the difficulty he found in getting sponsorships to fund creation of the project and get the final film in front of audiences. ‘This is a difficult subject,’ Matsui says. ‘Brands don’t want to touch it. It’s a little too dark. This pisses me off.’

After exhausting his grant money, leveraging his own savings and going into debt just to get the filming done, Matsui explored every avenue he could find to take his film to his audience. He explored social media, Kickstarter, mainstream media like TIME Lightbox and the Huffington Post, and GATHR, a crowdsourcing platform for bringing small productions into mainstream movie theaters.

To be successful in creating change, ‘don’t make them come to you,’ he says about his audiences. ‘Go to them.’

Articles: Digital Photography Review (dpreview.com)

 
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PIX 2015: Connecting kids with nature through photography

31 Oct

We’ve already introduced you to David FitzSimmons, so the topic of his PIX 2015 talk shouldn’t be a big surprise. The author of three photography-based children’s books about creatures of the natural world spoke on the importance of introducing children to the natural world. Read more

Articles: Digital Photography Review (dpreview.com)

 
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How to take more Photography Gear through Airports

23 Sep

Have you ever wondered how you can get more gear onto a plane without paying an excess baggage fee?
We found this interesting video from photographer Peter Leong, a wedding photographer in Japan who travels regularly for overseas weddings, describing how he carries camera gear on board.

Have you worn a photography vest before? What has your experience been when traveling with photography gear and taking it through airport security?

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The post How to take more Photography Gear through Airports by Darlene Hildebrandt appeared first on Digital Photography School.


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Dark Water: Take a Boat Ride Through a Flooded Museum

15 Sep

[ By Steph in Art & Installation & Sound. ]

boat ride art installation 1

In order to take in the new, dimly lit installation at Palais de Tokyo by artist Céleste Boursier-Mougenot, you’ll have to pilot a small boat through dark waters inside the flooded museum. Taking its name from the annual flooding event that sees the water levels in Venice rise so high that walkways disappear, the ACQUAALTA exhibition envisions the concrete interiors of the Palais as they would be if the forces of nature were similarly unleashed upon Paris.

boat ride art installation 4

boat ride art installation 6

Visitors sit or stand within their rowboats, using oars to paddle themselves around the nearly pitch-black space and disembarking to explore jagged foam landscapes.The hallucinatory voyage is reminiscent of souls crossing over to the underworld via the River Styx, with the ferryman Charon to guide them.

boat ride art installation 2

boat ride art installation 3

As they take in the subtle figurative silhouettes projected onto the black walls, the guests themselves become part of the exhibition, like actors in a play. As they navigate the waters, they are filmed, their movements projected onto one of the walls. The foam ‘island’ is a place of refuge, allowing deeper immersion into the work without fear of drifting.

boat ride art installation 5

boat ride art installation 7

Boursier-Mougenot believes that creating an atmosphere is integral to art, so that the work is not just disconnected imagery hanging on a wall, but rather an interactive experience that envelops onlookers and makes them active participants. The hope is that as a viewer, you temporarily forget who you are, falling headfirst into a dreamworld via an artificially constructed series of hypnotic images, movements and sounds.

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[ By Steph in Art & Installation & Sound. ]

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Climbing Cocoon: Ascend Gallery Atrium Through Net Tube

10 Sep

[ By Steph in Drawing & Digital. ]

numen for use 1

Test your climbing skills with a vertical ascent through three stories of a gallery atrium with the newest interactive installation by design collective Numen/For Use. Occupying Austria’s Architekturforum Tirol, ‘Tube’ is a network of connected safety nets suspended from the walls and ceiling, inviting visitors to crawl, slide and scramble until they hit various dead ends providing vantage points out the windows or onto other areas of the installation.

numen for use 2

numen for use 3

The angles are as irregular and organic as if they’d been woven by a spider or silkworm, creating a sort of human cocoon. The cables attaching the installation to the wall are elastic so the whole thing gently bobs up and down with the movement of its occupants at any given time. The structural support is designed in such a way that anyone climbing inside experiences the sensation of free-floating.

numen for use 4

numen for use 5

numen for use 6

Stretching upward through an oculus in the gallery’s second floor, ‘Tube’ is an abstract composition, its jagged black form like a brushstroke against a network of erratic geometric lines. Contrasting against the white surfaces of the space, the installation stands out in stark relief, placing the emphasis on the shape of the nets and the bulges created by the people moving around inside.

numen for use 7

numen for use 9

 

Numen/For Use previously created a grid of climbable strings, a bounce house for adults and a network of translucent tunnels made of packing tape, humans crawling around inside like trapped insects.

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[ By Steph in Drawing & Digital. ]

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Landscape Photography – Shooting the Same Location Through the Seasons

06 Sep

2-for-1 special

As part of Landscape Photography Week here on dPS, we’re offering TWO for the price of ONE on our best-selling Living & Loving Landscape Photography ebooks!

Click here to take advantage of this offer.


Put up your hand if you like shooting landscape photography, and are always looking for new places – but only photograph them once, maybe twice, and then think you are done with that area.

I am guilty of the same thing. I go looking for places to photograph, take photos of them, and think I will go back but never do. Perhaps this is something we need to rethink.

Consider how the seasons affect landscapes and what changes happen throughout the year. In Australia the traditional owners of the land, or the indigenous people, have different seasons to the European ones, there are six of them. They are very descriptive of what happens, though the usual seasons of autumn, winter, spring, and summer can still provide lots of differences to give the same place different aspects.

Autumn

Put up your hand if you like shooting landscapes, are always looking for new places, but only photograph them once, maybe twice, and then think you are done with that area.  I am guilty of the same thing. I go looking for places to photograph, take photos of them, and think I will go back but never do. Perhaps this is something we need to rethink.  Consider how the seasons affect landscapes and what changes happen throughout the year. In Australia the traditional owners of the land, or the indigenous people, have different seasons to the European ones and there are six of them. They are very descriptive of what happens. Though the usual seasons of autumn, winter, spring and summer can still provide lots of differences to give the same place different aspects.  Autumn  The most obvious thing about autumn is the changing of the leaves. In some parts of the world, this happens a lot more and nearly all trees lose their leaves. In Australia it doesn’t happen so much and many of the native trees are evergreen and retain their leaves all year round. Having said that, there are also many introduced species that do, and in towns and some areas in the country you can find trees that have those beautiful, golden colors associated with autumn.  The changing of the leaves isn’t the only thing to look for. On billabongs, swamps and dams, you will often find low level mist creating wonderful moods. If you go out early in the morning, wait for the sun to rise and you can get some great effects from the sun rays as they hit the water.  There, sunrises are more interesting and sometimes there is a golden light that is associated with that time of morning that you can only see at that time of year. The golden hour that is normally associated with sunsets is there to give your landscape that rich color. It isn’t too cold in the mornings, but the weather is changing as winter approaches.  Before you go to bed check what the forecast will be the following day. What you are looking for is the weather to get worse, such as rain being forecast. In the morning before the sunrise take a look outside at the sky. If the sky is clear and there are no clouds, you won’t get that beautiful color that you get when the sun reflects off the clouds. If the sky is very grey, go back to bed, the change has already happened.  Winter  In winter the sun doesn’t go so high, so you can get long shadows all day. The shadows are softer and have a moist feel to them, especially in the morning when there is dew all over the ground. You can take photos at any time of the day and it is the best time of the year to photograph.  Frosts and fogs can give the landscape a completely different look, and heading out on a foggy morning can be well worth it. It is cold, but the images will make you glad you went. If you know it is going to be foggy or frosty in the morning you need to just head out, as you may not get many mornings with either of these. If you stay out long enough you might also be rewarded with an amazing sunny afternoon.  Stormy skies and rain can give another dimension to your images. Large storm clouds or grey skies can give a landscape a completely different look to when there are blue skies. Look for cloudy skies and breaks in the sun to give the scene in front of you a great effect.  Winter often means bare trees. Once the leaves have been stripped from them there are branches that can give your images interesting shapes and shadows. If you like photos with lots of mood, it is a perfect time to get it, especially if you get a great fog to go with them.  There is an array of colors that you don’t see at other times of the year. The dew in the early mornings makes everything wet which can bring out the colors and give you wonderful naturally saturated images.  Some of the most beautiful landscapes I have ever seen were taken when there is a blanket of snow. Unfortunately, in most places here, it never snows. If you live somewhere where it does, you should use it, brave the cold and just get out there and make the most of it.  Spring  The most obvious aspect of spring is flowers. It might be flowers in the garden, or wildflowers growing in their natural environment. Having them blooming in the landscape leaves no doubt that it is spring.  It is beginning to warm up as summer approaches, and, while the weather is getting better, there is also going to be lots of rain and more stormy skies as spring is often the wettest time of the year. You could try taking photos of your landscapes in the rain, it will give them a different look.  Spring is also the time that many baby animals are born, so you can see new life everywhere you look.  Waterfalls, creeks and rivers run faster and have more water in them as the snow melts. Go to your favorite waterfalls and see how the extra water adds more volume. You will get something quite different than you would if you photographing them at the end or the height of summer.  Summer  This can be the harshest season in Australia. It is dry and hot. Most of the grasses in the landscape die off, leaving brown grass everywhere. There is an absence of color and the landscape is very different to what you find in winter. The hot sun will also leach out all the color in what you see. A beautiful landscape that you get in other times of the year will look desaturated.  The light is harsh and hard. The sun is higher in the sky and the shadows are shorter. Going out to get nice pictures in the middle of the day is too hard, and often too hot. Though it shouldn’t stop you from trying. See what you can get and see if you can show that heat in the images. If you get those extreme days where the temperature is above 100°F then it won’t matter when you go, it will be horrible.  On a positive note, if you know the next day is going to be a scorcher, check for clouds and head out somewhere great for a landscape as you can be fairly certain that you will get the most magnificent sunset. You need clouds to get a great one and the more the better, but you don’t want overcast or you won’t see the setting sun. Don’t forget to hang around for an hour afterwards to get the best of it. Summer is the best time for those amazing sunsets, and over water means you get double.  In Australia it is very hot at that time of the year, but usually after a few days of intense heat it gets broken by a big thunder storm. You can head out, somewhere where you will be protected, and take some photos of the lightning and thunder clouds as they approach.  Using the Seasons for Your Photography  Think of your favorite places that are nearby, places you can get to easily. What are they like at different times of the year? How can you show those differences? It could give your photography a new focus, give it a try. I’ve been doing it for the last couple of years and it is amazing how you can get very different images from the same location.  If you have an area that you love photographing but feel as though you have exhausted it, consider documenting the change throughout the seasons with your camera.

Autumn brings low mist over the water in Banyule Flats.

The most obvious thing about autumn is the changing of the leaves. In some parts of the world, this happens a lot more and nearly all trees lose their leaves. In Australia it doesn’t happen as much, and many of the native trees are evergreen which retain their leaves year round. Having said that, there are also many introduced species that do have color changing leaves, and in some towns and areas in the country you can find trees that have those beautiful, golden colors often associated with autumn.

The changing of the leaves isn’t the only thing to look for. On billabongs, swamps and dams, you will often find low level mist creating wonderful moods. If you go out early in the morning, and wait for the sun to rise, you can get some great effects from the sun rays as they hit the water.

In those types of locations, sunrises are more interesting and sometimes there is a golden light associated with that time of morning, that you can only see at that time of year. The golden hour that is normally associated with sunsets is there to give your landscape that rich color. It isn’t too cold in the mornings, but the weather is changing as winter approaches.

cole-landscape-photography-seasons-0009

Autumn’s early morning golden glow through some trees.

Before you go to bed at night, check what the forecast will be the following day. What you are looking for is the weather to get worse, such as rain in the forecast. In the morning before the sunrise take a look outside at the sky. If the sky is clear and there are no clouds, you won’t get that beautiful color that only happens when the sun reflects off clouds. If the sky is very grey, go back to bed, the change has already happened.

Winter

cole-landscape-photography-seasons-0012

Thick fog in the countryside, in the middle of winter.

In winter the sun doesn’t get as high in the sky, so you can get long shadows all day. The shadows are softer and have a moist feel to them, especially in the morning when there is dew all over the ground. You can take photos at any time of the day, it is the best time of the year to photograph.

Frosts and fogs can give the landscape a completely different look, and heading out on a foggy morning can be well worth it. It is cold, but the images will make you glad you went. If you know it is going to be foggy or frosty in the morning you need to just head out, as you may not get many mornings with either of those conditions. If you stay out long enough you might also be rewarded with an amazing sunny afternoon.

Stormy skies and rain can give another dimension to your images. Large storm clouds or grey skies can give a landscape a completely different look compared to those with blue skies. Look for cloudy skies, and breaks in the sun, to give the scene in front of you a great effect.

Winter often means bare trees. Once the leaves have been stripped from them, there are branches that can give your images interesting shapes and shadows. If you like photos with lots of mood, it is a perfect time to get that, especially if you get a great fog to go with the bare trees.

cole-landscape-photography-seasons-0010

A typical Australian winter with some bare trees, long shadows and saturated colors.

There is an array of colors that you don’t see at other times of the year. The dew in the early mornings makes everything wet which can bring out the colors and give you wonderful naturally saturated images.

Some of the most beautiful landscapes I have ever seen were taken when there is a blanket of snow. Unfortunately, in most places here, it never snows. If you live somewhere where that it does, use it. Brave the cold and just get out there and make the most of it.

Spring

cole-landscape-photography-seasons-0014

Wildflowers add some color during spring.

The most obvious aspect of spring is flowers. It might be flowers in the garden, or wildflowers growing in their natural environment. Having them blooming in the landscape leaves no doubt that it is spring.

It is beginning to warm up as summer approaches, and, while the weather is getting better, there is also going to be lots of rain and more stormy skies, as spring is often the wettest time of the year. You could try taking photos of your landscapes in the rain, it will give them a different look.

cole-landscape-photography-seasons-0015

A spring rain on Banyule Flats.

Spring is also the time that many baby animals are born, so you can see new life everywhere you look.

Waterfalls, creeks, and rivers run faster, and have more water in them as the snow melts. Go to your favorite waterfall and see how the extra water adds more volume. You will get images that are quite different than you would if you photograph there at the end, or the height, of summer.

Summer

cole-landscape-photography-seasons-0008

Summer often dries out the swamp in Banyule Flats

This can be the harshest season in Australia. It is dry and hot. Most of the grasses in the landscape die off, leaving brown grass everywhere. There is an absence of color and the landscape is very different to what you find in the winter. The hot sun will also leach out all the color in what you see. A beautiful landscape that you get at other times of the year, will look desaturated.

The light is harsh and hard. The sun is higher in the sky and the shadows are shorter. Going out to get nice pictures in the middle of the day is too hard, and often too hot – though it shouldn’t stop you from trying. See what you can get and if you can show that heat in the images. If you have extreme days where the temperature is above 100°F (37.8°C) then it won’t matter when you go, it will be horrible.

cole-landscape-photography-seasons-0013

On a very hot summer day in the early evening, the sun is still very strong, and the shadows still harsh.

On a positive note, if you know the next day is going to be a scorcher, check for clouds and head out to a great landscape photography location, as you can be fairly certain that you will get the most magnificent sunset. You need clouds to get a great one and the more the better, but you don’t want overcast or you won’t see the setting sun. Don’t forget to hang around for an hour afterwards to get the best of it. Summer is the best time for amazing sunsets, and over water means you get double.

In Australia it is very hot at that time of the year, but usually after a few days of intense heat it gets broken by a big thunder storm. You can head out, somewhere where you will be protected, and take some photos of the lightning and thunder clouds as they approach.

Using the seasons for your photography

Think of your favorite places that are nearby, places you can get to easily. What are they like at different times of the year? How can you show those differences? It might your photography a new focus, give it a try. I’ve been doing it for the last couple of years and it’s amazing how you can get very different images from the same location.

If you have an area that you love photographing but feel as though you have exhausted it, consider documenting the change throughout the seasons with your camera.


Here on dPS this is landscape week – here is list of what we’ve covered so far. Watch for a new article (or two) on landscape photography daily for the next few days.

  • 6 Tips for Better Low-Light Landscape Photography
  • Landscape Photography and the Human Element
  • 5 Ways a Telephoto Lens Can Improve Your Landscape Photography
  • Landscape Photography from the Side of the Road
  • 32 Majestic Landscape Photos to Inspire Your Wanderlust
  • Weekly Photography Challenge – Landscape

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The post Landscape Photography – Shooting the Same Location Through the Seasons by Leanne Cole appeared first on Digital Photography School.


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Take Better Pics Through Windows

01 Sep

The windows of high rise buildings offer the best city views. Capturing that view, without reflections that make the city look like it’s under alien attack, can be a frustrating venture.

QT Luong, a photog famous for capturing all 59 US National Parks in large format, offers up some advice on avoiding window pain.

We love his “oh duh” tip of cleaning the window as well as the more advanced advice like ensuring the window is shaded from sunlight, using a rubber hood or dark cloth to make a seal with the window and removing your polarizing filter. Techniques that work well for DSLR and phone cameras alike!

Photo by QT Luong


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Wave-Free Surfing: Electric Boards Power Through Calm Waters

26 Aug

[ By WebUrbanist in Technology & Vehicles & Mods. ]

onean surfboard

Leaving those stand-up paddleboarders in the proverbial dust, these new battery-powered boards will let you cruise lakes, rivers, cannals and other bodies of water all without that formerly-critical ingredient: waves.

The Spanish surf company Onean has unveiled two models, the Carver and Manta, respectively designed for serious surfers to slalom across calm water and to let more casual surfers to smoothly explore still surfaces in remote places.

surf remote stream lake

Each version has speed controls tied to a handheld remote and optional foot slots for greater traction. A third model, the Blade, is also in production but details about the board have yet to be released.

surf electric battery board

The Carver owes its look to the classic longboard and its speed (around 5 miles per hour) to an interchangeable onboard battery powering an axial water pump. The wider Manta has is slightly slower and wider, made for cruising.

surfboard remote demo

The battery life on the faster variant is only 20 minutes, at which point it can be swapped with a spare, but the latter has more energy storage, allowing for up to 2 hours of travel and enabling more ambitious explorations.

surf without waves

surfboard close up

Aside from obvious coastal uses (like providing a backup board on calm days at the beach), electric boards can bring an entirely new sport to landlocked but water-covered places like Minnesota, the Land of 10,000 Lakes.

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