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Posts Tagged ‘System’

Yongnuo unveils its first Li-ion powered speedlight for the Canon RT system

05 Aug

Hong Kong camera company Yongnuo, known for its affordable lighting gear and knockoff Canon lenses, has launched its first Li-ion powered speedlite: the YN686EX-RT flash for the Canon RT system.

The Speedlite—which was quietly released a couple of months ago—is available through eBay and Amazon and features an integrated 2.4GHz transceiver and a 2,000mAh Li-ion battery able to power 750 full-power flashes. This model can be used as either a master or a slave, and it offers optical slave triggering, according to the Speedlite’s product page.

In addition, the Speedlite YN686EX-RT features a dot-matrix LCD display that shows the battery charge level, a USB port for firmware updates, and an electric zoom lamp head with a 20 – 200mm range. Other features include high-speed sync with shutter speeds up to 1/8000s, a stroboscopic mode, and support for both Custom Functions Setting and Auto-Save Setting.

Yongnuo’s Speedlite YN686EX-RT is available online starting at $ 150 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon 1 mirrorless system discontinued

01 Aug

You would have to be quite the optimist to have expected new models in Nikon’s 1 series of 1″ sensor mirrorless system cameras being launched any time soon. Despite camera manufacturers hardly ever announcing a product line’s end-of-life the 1-series phase-out is now pretty much official.

German camera website Digitalkamera.de produces buying guides in e-book format and the production process for those guides includes research into what models are still available to order by retailers and what is being discontinued. While updating their guide for mirrorless system cameras the guys at Digitalkamera.de found that the Nikon 1 AW and 1 V3 are both not available any more. The Nikon 1 J5 is still available but only while supplies last.

So, what has been obvious for quite some time is now confirmed: the Nikon 1 system has reached its end. The question is what’s next for Nikon in terms of mirrorless cameras? Thanks to an official Nikon statement we know that the company is working on a new mirrorless system. We’d expect the new cameras to come with a larger sensor than the Nikon 1 models but at this point Nikon has not made information on specifications or features available.

Articles: Digital Photography Review (dpreview.com)

 
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Apple patent shows camera system that helps you take better selfies

19 Jul

A newly granted Apple patent details a new type of camera system that aims to produce higher-quality selfies. The patent, first filed with the US Patent and Trademark Office in 2015, describes using a wider field-of-view with the iPhone’s front-facing camera when taking selfies in landscape mode. The wider FOV wouldn’t be fixed, however, with the camera reverting to a narrower FOV when a selfie is taken in portrait mode.

These field-of-view effects are designed to improve selfies when taken both in groups of people and alone. In the case of groups, the patent explains that turning the phone sideways would expand the camera’s field-of-view to cover a wider angle, ensuring everyone in the group is featured in the selfie. A self-only selfie taken in portrait mode, though, would feature a more traditional aspect ratio such as 4:3 and a narrower FOV.

The camera system in this patent would also be able to intelligently prod the user to take better selfies by selectively narrowing the FOV in portrait mode, requiring the user to extend their arm further away. The system could also adjust the previewed image in such a way that the user will need to change the camera’s angle, the end result being an overall better selfie with a more natural look, reduced distortion, and other improvements.

Explaining that latter point, the patent says the camera system may ‘crop/scale/zoom/shift the image window to coax the user to hold the camera device in a more optimal ‘self-taking’ position.’ As with any patent, it is possible Apple will never implement this technology into a consumer product, but it’s good to know so much technical thought is being put into… selfies.

Articles: Digital Photography Review (dpreview.com)

 
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Red patent shows plans for insanely modular Hydrogen One smartphone system

12 Jul

Last week, camera company Red unveiled its own upcoming Android smartphone: the VR/AR/3D/’4D’-capable Hydrogen One. But while the company did reveal some details about the model—such as the fact that it will be sold unlocked and that it is modular—a bunch of questions remain unanswered.

Red’s greater plans, though, may be revealed in a patent application it filed, in which the company describes a modular camera system that revolves around a smartphone.

The patent application, filed with the USPTO, describes a ‘Modular Digital Camera and Cellular Phone,’ explaining that the modular camera systems could include both still and motion products. While Motorola has already launched a modular phone system with the Moto Z, the patent indicates that Red’s version of a modular phone will be far more capable.

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As you can see from the diagrams above, rectangular modules can be attached to the phone detailed in the patent, each stacked on the other to form an increasingly robust product. These modules may include high-quality cameras, larger batteries, mechanical controls, a camera grip, EVF, and more.

The illustrations even show the modular phone being transformed, via modules, into a DSLR-like still camera and a cinema-like motion camera.

The cost of assembling something like a DSLR or cinema camera using a phone like the Hydrogen One and these modules is unclear, but given the phone’s starting price of $ 1,195 there’s little doubt a fully assembled modular camera system would be very pricey.

For whatever upsides a consumer may get from this system, there would also be some notable downsides: losing access to your phone while it is part of the camera, having to assemble and disassemble the camera system frequently, and having to store/transport many small modules.

Articles: Digital Photography Review (dpreview.com)

 
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FAA may develop a remote drone identification system for law enforcement

05 Jul

Despite present drone regulations in the US, identifying the operator of any given drone in the sky is nearly impossible, making it difficult for law enforcement to deal with drones that are being misused. To address this issue, the Federal Aviation Administration has developed the new UAS Identification and Tracking Aviation Rulemaking Committee (ARC), which just recently wrapped up its first meeting.

According to the FAA, this initial meeting was used to discuss law enforcement concerns related to drones, to present regulations concerning drone tracking and identification, as well as possible legal issues and air traffic drone management. Existing drone ID tech was reviewed, and ‘preliminary…identification parameters’ were created.

Speaking on the behalf of unnamed sources, Recode reports that law enforcement agencies are concerned about their inability to identify drones from the ground; this concern has reportedly delayed an FAA proposal related to flying drones over people. The FAA is said to be using this committee to develop a system in which law enforcement will be able to identify a drone from the ground, addressing the agencies’ concerns.

Such a system may involve the drone itself broadcasting its identification to a law enforcement system, enabling police to ID the drone’s operator or, at the very least, its owner. Such an identification system would likely require small non-commercial drones to be registered, however, marking a deviation from current drone regulations.

At the moment, only commercial drones must be registered with the FAA.

Articles: Digital Photography Review (dpreview.com)

 
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Hahnel introduces radio-controlled MODUS 600RT hotshoe flash system

11 May

Hahnel industries has launched its first flash unit in the shape of the radio-controlled Modus 600RT. The new hotshoe flash is powered by a block lithium ion battery, in the style of the Godox V860ll, instead of the usual AA cells and has a guide number of 60m @ ISO 100. Each flash unit can operate as both slave or master in a wireless set-up, using optical or 2.4GHz radio signals to communicate with other guns or with a Viper flash trigger in the hotshoe.

Hahnel says the Modus units will be compatible with some other third party speedlights via its optical system and the Viper TTL radio transmitter, but stops short of saying which ones. The Modus 600RT’s radio system has a range of 100m and can control up to three groups of flash units, with manual and TTL output modes. High speed sync is also supported, with shutter speeds of up to 1/8000sec possible, and the lithium ion battery is said to provide up to 550 full power bursts per charge.

The Hahnel Modus 600RT is available for Canon, Nikon and Sony flash systems and retails at £219.99 for the flash on its own, £269.99 for the flash and a Viper transceiver, or £429.99 for a kit with two flash units and a Viper. US prices have yet to be announced.

For more information see the hahnel website.

Manufacturer’s information

{PressRelease}

You may recognise the hähnel brand for their long-standing reputation for manufacturing high quality Li-Ion batteries & DSLR accessories, so their new speedlight range may well come as a surprise to you. You must remember though, that hähnel have a long-standing reputation for their wireless flash trigger range which includes the popular Tuff TTL & Viper flash triggers.

The MODUS 600RT is powered by one of their best-sellingLi-ion batteries –the staggeringly powerful hähnel Extreme Li-Ion battery which beats the speed of AA-powered speedlight’s hands down.

This new speedlight has a GN of 60 and each unit will handle over 550 shots at full power. Rather than waiting the normal 4-6 seconds which normal Speedlight’s would require at full power, the MODUS 600RT has fast re-cycling in abundance at just 1.5 seconds. The built-in wireless receiver/transmitter offer TTL, manual and multi-modes and high speed sync supports up to 1/8000 of a sec.

The unique wireless connectivity really steps into a league of its own though when the MODUS 600RT is paired with the Viper TTL Wireless Flash Trigger. Use them together and control up to 3 separate groups of flash guns in either TTL, manual or Multi (Stroboscopic) mode.

DCM channel matching and over 100m range makes the Viper TTL the perfect partner for this new speedlight.

Available for Canon, Nikon & Sony.
For more info take a look at www.hahnel.ie.

{/PressRelease} 

Articles: Digital Photography Review (dpreview.com)

 
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Lomography plans convertible lens system with three focal lengths

07 May

Alternative photography brand Lomography has set out plans to produce a system that allows users to achieve three different focal lengths by switching the elements in the front half of a lens. The Neptune Convertible Art Lens System comprises a four-element barrel unit that remains attached to the camera, and three interchangeable front sections that can be switched to deliver 35mm, 50mm or 80mm focal lengths.

A click-less aperture is positioned in the rear section of the Neptune that provides a maximum F-stop setting of F2.8 when used with the 50mm front end. The same iris offers a maximum F number of F3.5 with the 35mm section and F4 with the 80mm section, according to Lomography. Each of the four-element front sections has been given a name – the 35mm F3.5 is called Thalassa, the 50mm F2.8 is called Despina and Proteus is the 80mm F4.

In addition to interchangeable front element groups the system has a collection of six shaped stops that can be inserted to interrupt the passage of light through the lens. The idea is that the shapes cut into the stops, or Special Aperture Plates, influence the characteristic of out-of-focus highlights in the image.

Lomography is using a Kickstarter campaign to fund the project, and at the time of writing had already succeeded in raising three times its target figure for production to go ahead. The manual-focus Neptune system will be available in black or silver and in Nikon F, Canon EF and Pentax K mounts. The system will also work with most compact system models via an adapter.

The company says it intends to begin shipping a limited number of Neptune systems in November this year, with the main production being available from February 2018. The full retail price is expected to be around $ 980, but early bird offers are in place from $ 690. The kit comprises a base lens unit, the three converters and the six aperture plates.

For more information see the Lomography website and the company’s Neptune Kickstarter page.

Manufacturer information

The Neptune Convertible Art Lens System

The Neptune Convertible Art Lens System is everything you need on any photography venture. A reimagination of the world’s first convertible lens system created by Charles Chevalier in the late 1830s, this unique system opens up a world of possibilities for beginners and professionals alike.

The Neptune Convertible Art Lens System consists of a lens base that’s mounted to your camera and several convertible lens components. By interchanging the front components, you can shoot photos or videos at three different fixed focal lengths — 35mm, 50mm and 80mm. An Art Lens System unlike any other; it offers you all the freedom of a zoom lens without compromising on prime lens quality, and it’s the only convertible Art Lens out there to work with a range of modern-day analogue and digital cameras. Each component is assembled by using the finest multi-coated glass and crafted to produce exceptionally sharp focus and strong, saturated colors for stunning high-definition images — even when you’re shooting close-ups at 0.25m/9.8” with Thalassa (35mm), 0.4/15.7” with Despina (50mm) or 0.8m/31.5” with Proteus (80mm). This is an Art Lens System that lets you take beautifully intimate shots, allowing you to get near enough to capture every last detail of your subject. And because it’s so small and lightweight design, you can take it with you everywhere.

And that’s not all — the Neptune Convertible Art Lens System also features two aperture mechanisms to give you all the creative freedom you need. The stopless iris diaphragm aperture mechanism in the lens base features a wide range of optimal Fstops for each focal length, but with the 35mm and 80mm lenses you’ve got the freedom to go beyond that range and experiment. You can also soften your style by inserting the special aperture plates in front of the iris diaphragm to edge your frame with delicate bokeh.

By reviving and reinventing Chevalier’s convertible lens design for modern-day cameras, we’ve created an Art Lens System that will revolutionize the way you approach photography and videography. There’s no limit to the amount of new front lenses we can produce, and we’re already designing new lens components with unique effects and possible focal lengths ranging from an ultra-wide-angle 15mm to a 400mm monocular.

Each new front lens will be just like the ones you can see on this page — small, handcrafted and compatible with the same lens base, meaning that you won’t have to break the bank by buying a whole new system every time you want to shoot with a new prime lens.

Photographers and videographers all over the world have tested the Neptune Convertible Art Lens System to make sure that we’ve created a system that performs exceptionally in any and every shooting situation. Lightweight and compact, it’s everything you need in your bag — no matter where your adventures take you.

Thalassa: 3.5/35
When attached to the base, the Thalassa lens shoots at a wide-angle fixed focal length of 35mm, making it perfect for architecture, street photography and reportage. As this is a focal length very close to that of the human eye, you can approach your subjects intimately, fill the frame, and immerse yourself in the shot. And as Thalassa has a closest focusing distance of 0.25m/9.8” and delivers exceptional sharpness, you’ll be able to capture all the gritty details that make this beautiful planet we live on so captivating. Sleek and compact, the Neptune Convertible Art Lens System is discreet enough to capture bustling street scenes off guard. Combine Thalassa with the special aperture plates to turn busy urban backgrounds into colorful bokeh frames for stunning environmental portraits, and try bypassing the optimal maximum aperture of F3.5 to add unique effects to your imagery.

Despina: 2.8/50
To shoot at a versatile fixed focal length of 50mm, attach Despina to the base. Nicknamed the Nifty Fifty for good reason, 50mm is one of the pillars of photography — a great focal length for learning, but also for constantly improving your craft. Ideal for everyday, fashion and studio photography, it comfortably captures everything from full-length portraits to editorial spreads in stunning high definition. 50mm also produces delicate bokeh — particularly when fired at the largest aperture of F2.8 and especially when paired with the special aperture plates. With a closest focusing distance of 0.4m/15.7”, Despina captures stand-out features of couture, and allows you to experiment with framing and composition.

Proteus: 4.0/80
Proteus is perfect for portraits, sports and action photography. It has a closest focusing distance of 0.8m/31.5”, and when attached to the base it shoots at a fixed focal length of 80mm. This means that the depth of field is very shallow, and as such Proteus produces beautiful, soft bokeh perfect for framing a subject and guiding your viewer to the focus of your shot. Not only is this ideal for placing your subject against a busy background to create a mesmerising headshot, but it’s also great for isolating the background to make subjects in the foreground appear closer, which makes it a popular focal length for capturing sports stars in action. And because the bokeh also turns crisp foliage into textured backdrops for snapshots of fauna, Proteus is a fantastic lens for nature photography. Add delicate effects to your background using the special aperture plates, and bypass the optimal largest aperture of F4.0 to experiment with the blurred areas in your shot even more.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases firmware update for 1 J5 mirrorless system camera

28 Apr

Nikon has released a firmware update for its 1 J5 mirrorless system camera. Version 1.01 only comes with one modification over version 1.0 and fixes an issue that prevented additional deletions after multiple shots had been deleted in succession from a single burst of pictures.

The Nikon 1 J5 captures images on a 1″ 21MP BSI CMOS sensor and was originally announced in April 2015. If you own the camera you can check your current firmware version by selecting Firmware version in the Setup menu. If you want to update, the new version is now available for download on the Nikon website. 

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm launches professional support program for GFX system in the US

27 Apr

Starting in May Fujifilm will provide a professional support program for its GFX medium format system. Photographers who want to take advantage of the Fujifilm Professional Services (GFX FPS) program have to own the GFX camera and at least one GFX lens. You also have to sign up within 30 days of purchase of a GFX product and be based in the continental United States.

The cost of the program is $ 499 per year which buys you the following goods and services:

  • Welcome kit
  • Personalized FPS Card confirming exclusive access to dedicated hotline technician telephone and email support
  • 30% discount on non-warranty repairs for Covered GFX System products
  • Expedited two business day turnaround time for repairs with free 2-day express shipping to and from the repair facility
  • 4 Check & Clean program service vouchers
  • 50% discount on additional Check & Clean program services and 2 business day turnaround for check and clean services with complimentary 2-day express return shipping for all service
  • GFX system product loaners for covered equipment in repair may also be available upon request if repair is expected to exceed two business days

If you are Fujifilm GFX owner and thinking the program might be useful to you, you can find more information and register to become a member on the Fujifilm website. 

Press Release:

FUJIFILM PROVIDES EXCLUSIVE SUPPORT FOR PHOTOGRAPHERS WITH NEW GFX PROFESSIONAL SERVICES IN THE U.S.

Valhalla, N.Y., April 24, 2017 – FUJIFILM North America Corporation, as the leader in innovation for photographers, announced the new Fujifilm Professional Services (FPS) in the U.S. beginning in May 2017. This service is designed to provide exceptional support for photographers currently using the newFUJIFILM GFX system, Fujifilm’s first medium format mirrorless digital camera. The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (FUJIFILM G Format) 51.4MP CMOS sensor that delivers ultra-high image quality. The GFX 50S combines the heritage of over 80 years of imaging and theaward-winning functional design for a relentless pursuit of perfect image quality.

GFX FPS Program Puts Photographers First

Members of the new GFX FPS Program will receive extensive benefits to ensure the utmost support for photographers utilizing the new FUJIFILM GFX System, including:

  • Welcome kit
  • Personalized FPS Card confirming exclusive access to dedicated hotline technician telephone and email support
  • 30% discount on non-warranty repairs for Covered GFX System products
  • Expedited two business day turnaround time for repairs with free 2-day express shipping to and from the repair facility
  • 4 Check & Clean program service vouchers (voucher limitations, terms & conditions apply, terms here)
  • 50% discount on additional Check & Clean program services and 2 business day turnaround for check and clean services with complimentary 2-day express return shipping for all service
  • GFX system product loaners for covered equipment in repair may also be available upon request if repair is expected to exceed two business days

GFX FPS Program benefits are intended to put photographers first by providing service and convenience for an optimal photographic experience.

Program Requirements, Availability and Pricing

The GFX Professional Services begins on May 1, 2017 for an annual membership fee of USD $ 499.Photographers can become a member of the GFX FPS Program by registering online. For full details on the GFX Professional Services program requirements, please see the GFX digital camera and GF lens purchase requirements and other eligibility requirements here.

Articles: Digital Photography Review (dpreview.com)

 
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Edelkrone launches SliderPLUS X and Motion Kit 4-axis motion control system

15 Apr

Accessory-maker Edelkrone has launched its latest motion control product for videographers. The SliderPLUS X & Motion Kit is a slider and motion head combo that offers 4 axes of control – slide, pan, tilt and focus, all controllable via a smartphone app. Edelkrone claims its new rig is the ‘world’s smartest and most portable 4-Axis motion control system.’

The system allows you to lock the lens and focus onto a subject for a slide. You can program complex motion by movements the head and slider manually to ‘record’ the motion and it’s possible to create looping sequences as well. Edelkrone is still working on a number of features that will be added at a later stage via app and firmware updates respectively. Eventually users will be able to convert programmed motion paths into time-lapse or stop-motion animations and the camera will be controllable during live recordings. You’ll also be able to program your lenses into the system, so focus calibration can be saved for future use.

The SliderPLUS X & Motion Kit will set you back $ 3,700, $ 1,000 for the slider and $ 2,700 for the Motion head. That’s a serious investment, but given the rig might help set your videography apart from the competition it could well be worth it from a business point of view. More information can be found on the Edelkrone website and in the video below. 

Articles: Digital Photography Review (dpreview.com)

 
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