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Posts Tagged ‘Studio’

OnePlus 6T comes with new Nightscape and Studio Lighting modes

29 Oct

OnePlus announced the OnePlus 6T, its latest high-end Android device, at an event in New York City today. On paper the 6T camera hardware looks identical to the OnePlus 6 which was launched earlier this year. However, the new model comes with a few improvements in the imaging software.

The 6T’s dual-camera has a 16Mp primary camera that uses a 1/2.55? sensor and F1.7 aperture. It also features optical image stabilization. The 20Mp secondary cam offers the same 25mm equivalent focal length as the primary but features a smaller 1/2.8? sensor and a non-stabilized F1.7 lens. The camera focuses using a PDAF system.

Like on the OnePlus 6, the device uses the secondary high-resolution sensor for optimizing noise and dynamic range, high-quality digital zoom and a simulated bokeh effect.

In terms of software features a new Nightscape mode promises night shots with better detail, reduced noise levels, better color rendering and a wider dynamic range than the default shooting mode.

The Studio Lighting feature looks very similar to Apple’s Portrait Lighting and modifies brightness and tonality on faces to simulate similar effects you could achieve with professional lighting equipment. In addition OnePlus says bokeh and HDR modes have been improved over the versions found in the 6.

In video mode the OnePlus 6T is capable of recording 4K footage at 60 frames per second. In Super Slow Motion mode you can shoot 1080p video at 240fps or 720p/480fps.

Non-camera specs are worthy of a high-end smartphone as well. The Android OS is powered by a Qualcomm Snapdragon 845 chipset and up to 8GB of RAM. According to OnePlus the 3,700mAh battery delivers a 20 percent better battery life than the OnePlus 6 and a new on-screen fingerprint reader is on board as well. The 6.41-inch AMOLED display comes with a 19.5:9 aspect ratio and 2340 x 1080 resolution.

The OnePlus 6T will be available from November 1, starting at $ 549.

Key Specifications:

  • Dual-camera
  • Main camera with 16Mp Sony IMX 519 1/2.55? sensor with 1.22 ?m pixels, F1.7 aperture, OIS
  • Secondary camera with 20Mp Sony IMX 376K 1/2.8? sensor with 1.0 ?m pixels, F2.0 aperture
  • 25mm equivalent focal length
  • PDAF
  • Dual-LED flash
  • 4K video at 30/60fps
  • 16Mp front camera with F2.0 aperture

Articles: Digital Photography Review (dpreview.com)

 
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Side-by-side Comparisons of Basic Studio Light Modifiers

26 Oct

Side-by-side Comparisons of Basic Studio Light Modifiers 1

Have you ever wondered what difference studio light modifiers make to your portraits?

Are you even convinced that they make a difference in the quality of light? I thought I’d do a little experiment to show you the effects that a few basic studio light modifiers can have on your portraits.

For some, the right modifier may make an image great, and the wrong modifier could break it.

Technical terms

Firstly, if you are new to artificial lighting, let’s look at some technical terms.

Flash – an electronic artificial light source which gives out a brief, sudden burst of light. A flash is also known as a strobe in North America.

Reflector – a panel that bounces light back towards the source and comes in silver, gold, black, white, fabric or other material.

Light modifier – an object attached to the front of the flash to change the quality and effect of light entering the camera.

Shoot – through Umbrella – an umbrella made of translucent fabric that allows light to pass through it.

Diffusion – a material that scatters light evenly as it passes through, thereby making the light softer and with less glare and harshness.

Softbox – a closed chamber usually lined in white or silver fabric, available in various shapes (such as a square, rectangle, umbrella, octagon). A softbox confines the light from the flash and releases it through a diffusion material, thereby allowing more control as to the size and spread of light that reaches your subject.

Grid – usually made from fabric strips of material that are sewn together to form a 3D grid that is attached to the light modifier. A grid restricts the focus of light, making it more directional, allowing the photographer more control. It also limits or restricts the spill of light onto other areas.

The studio light modifiers used in this article

Let’s start with the lighting diagram as shown below. My set-up consisted of 2 lights and the following:

Side-by-side Comparisons of Basic Studio Light Modifiers 2

  • a dark wall
  • a large silver panel reflector on camera left
  • a flash high up on the camera left to give a bit of hair light – I wasn’t after a vast separation from the background as I was using a light colored sofa that separates the background and the subject already. I also wanted a rather dark, moody lighting, so I covered the flash with a few layers of diffuser fabric. Doing this cut light out and limited it to the subject rather than hitting the wall
  • a flash on camera right onto which I attached various modifiers
  • studio light modifiers: flash hood, translucent umbrella, umbrella softbox, 90 x 60 softbox, diffuser fabric, grid

You can also shoot with one light, of course, see here for a beginner’s tutorial on how to create dramatic portraits with one light.

Side-by-side Comparisons of Basic Studio Light Modifiers 3

Left: #1 Shoot-through umbrella facing away. Right: #2 Shoot-through umbrella facing toward.

#1 Shoot-through umbrella facing away from subject

For the above-left image, I used an umbrella as a shoot through with the flash facing away from the subject. You can see there is still light hitting the subject’s face, but the shadows on the left side of the face and the neck are a lot more pronounced and harsh. The light was not able to reach the reflector to the left of the subject at all.

#2 Shoot-through umbrella facing toward subject

Compare this with the image on the right. I turned the flash and umbrella 180 degrees so that the flash was facing the subject and shot from behind the umbrella. The shadows are much softer, more light has reached the subject, and you can also see the light hitting the sofa on the far left which means the reflector was doing its job of bouncing some light back.

Side-by-side Comparisons of Basic Studio Light Modifiers 4

Left: #3 Bare flash with hood. Right: #4 Umbrella softbox

#3 Bare flash with hood

For the above-left image, I shot using just the electronic flash and the hood that comes with it. As it is rather small, it restricts the spread of light a little and focuses it more on the area you are lighting.

The light spills only as the light leaves the hood. Shadows on the face here are still defined, and not as smooth as I’d like it, but it is much better than on #1, where the shadows are much darker and harsher.

#4 Umbrella softbox

In the above-right image, I used a deep umbrella softbox allowing me to face both the flash and umbrella away from my subject. The umbrella is silver-lined which bounces all the light back towards the subject through a diffuser fabric. The resulting light quality is softer and more evenly spread due to bouncing and diffusion.

Compare this to image #2 that used only the shoot-through umbrella without the bounce. Notice how the light quality is gentler on the skin and more evenly spread, with softer shadows on the neck and under the nose.

Side-by-side Comparisons of Basic Studio Light Modifiers 5

Left: #5 Softbox Without the Diffusion Panel. Right: #6 Softbox with diffusion panel.

#5 Softbox without the diffusion panel

I switched to a 90 x 60 rectangular softbox for the images above. The one on the left is an example without the diffusion panel that covers the softbox. Shooting your subject without the diffusion panel is like shooting with a hood, as per example #3 (the hood also has a silver lining), only the softbox is larger.

The light is flashed away from the subject onto the silver lining of the softbox and bounced from the silver lining towards the subject without having to go through a diffusion panel.

#6 Softbox with diffusion panel

Comparing both images above, do you notice the softer quality of the light on the subject’s face on the image with the diffusion ‘on’? It is a subtle difference, but I can see it. Look even closer and you see the light without the diffusion is cooler and slightly harsher. It comes directly from the silver lining of the softbox not having gone through any diffusion.

This difference is noticeable on the sofa; the one on the left is a touch sharper and the one on the right darker and even. Compare the subject’s left eye (on camera right) – the shadow on the left image is stronger and deeper than the one on the right.

Such is the modifying effect of even just one diffuser fabric!

Side-by-side Comparisons of Basic Studio Light Modifiers 6

Left: #7 Softbox with the grid. Right: #8 Gridded softbox with the power adjusted.

#7 Softbox with grid

I attached a grid to the light set-up above so that it’s a silver-lined softbox with a diffusion panel plus a grid attached on the front of the diffusion panel. This setup is called a gridded softbox.

Notice just how much of the light has been cut out. Light gets focused on the face, and there are very few spills of light on the clothes, arms and outer areas of the space photographed.

The resulting image is a lot darker, moodier, and warmer in tone. However, I feel this is too underexposed, and details on the dress get lost, when I wanted these to show. The green wall looked too black, and the dress seemed to blend too much into it.

#8 Gridded softbox with power adjusted

On the above-right image, I kept the gridded softbox on and adjusted the flash power to my liking in order bring back the details I wanted. This new flash setting illuminated the face more and brought highlights back onto the hair and eyes. It also allowed a touch of light on the background too.

Finally, the end product I had in my mind used a textured background, so I added this texture to my dark green wall in Photoshop. For a step-by-step guide on how to add textures and creative overlays, see this post. In my opinion, the subtle texture adds more drama to the image and fits in better with the dark and moody lighting I was after.

Side-by-side Comparisons of Basic Studio Light Modifiers 7

Did you find this side-by-side comparison on light modifiers helpful? Please let me know and also share your studio lighting experiments in the comments below.

The post Side-by-side Comparisons of Basic Studio Light Modifiers appeared first on Digital Photography School.


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Why celebrity photographer Manfred Baumann uses ACDSee Photo Studio Ultimate 2019

22 Oct

Celebrity photographer Manfred Baumann has been using a pre-release version of ACDSee Photo Studio Ultimate 2019 for a while, and in this article he shares his impressions of using the software.


As a photographer, there are plenty of software programs out there that all want my attention (and my money). ACDSee is a name that will be familiar to many digital photographers, going right back to the 1990s. Designed originally as an image organization tool for digital photographs, ACDSee has evolved over more than 20 years to become a fully featured digital asset manager and editing platform. These days it’s basically a ‘one-stop shop’ for digital photographers.

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Like most photographers, I prefer taking pictures to sitting in front of a computer. For that reason, the software I use has to be fast, uncomplicated and self-explanatory. A Raw Converter is like a digital darkroom for me – everything else is optional. I’ve been using ACDSee for years. The latest version, Photo Studio Ultimate 2019, competes directly with the world’s best Raw editors, offering in-depth editing features alongside advanced image cataloging and organizational tools.

New in the 2019 version is face detection and automatic face recognition,

One of my favorite things about Photo Studio Ultimate’s editing power is the option to use layers when working on my Raw files. New in the 2019 version is face detection and automatic face recognition, which allows you to find photos of clients, friends or relatives at the click of a button. I don’t think many people would have difficulty recognizing some of my portrait subjects, but face detection and recognition are useful features when I’m organizing images for my clients.

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Photo Studio Ultimate also brings improvements to black and white editing, which let me individually adjust the contrast and brightness of different channels. I can even use the Edit Brush to paint these adjustments onto specific parts of an image. Monochrome editing is at the heart of a lot of my workflow, and the improved black and white mode features in Ultimate 2019 are really useful.

ACDSee is ideal for photographers who prefer to take photos rather than sit in front of the computer

It is important to continue growing, and as an artist, you always want to make sure that viewers can recognize your signature in your photographs. I like to think that I catch what others might not have seen. My primary focus is using images to say something about the essence of the person I’m photographing, and it’s all about the imagery: quality before quantity. Quality can be recognized by the fact that a good image doesn’t go out of date.

I would say ACDSee is ideal for photographers who prefer to take photos outdoors or in the studio rather than constantly sitting in front of the computer. It is cost effective, fast, and offers more features than most of its competitors. With Photo Studio Ultimate I really don’t need to use additional software in my workflow; I can usually do everything I need to do without leaving the app.

When it comes to image organization and cataloguing I do this exclusively in ACDSee Studio Ultimate now. It’s the quickest and easiest way for me to work.

Learn more about ACDSee Photo Studio Ultimate 2019


Manfred Baumann lives and works in Europe and the USA with his wife, Nelly. Throughout a long and varied career he has photographed celebrities from the worlds of acting, sports, and fashion for some of the top publications in the world.

A passionate advocate for animal rights, images from Baumann’s ‘Mustangs’ project have been exhibited in the Natural History Museum, Vienna.

See more of Manfred’s work


This is sponsored content, created by ACD Systems. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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ACDSee Photo Studio Ultimate 2019 Review: Face Detection and Recognition

16 Oct

A question seen frequently on photography groups is “What software do I get to process my images in?”. There is the usual flurry of recommendations for the familiar choices and a few random ones thrown in. One option that doesn’t get mentioned as often as it should is ACDSee. In particular the Photo Studio Ultimate 2019 bundle is worthy of consideration for both beginners and more experienced users.

The 2019 version with the newly included Face Detection and Facial Recognition features is a step up from the previous 2018 program, indicating an intention towards AI-based digital asset management.

For anyone wanting a one-stop shop to manage, view, process RAW files, and edit with layers, etc, PLUS only having to pay once for a perpetual licence, ACDSee offers a compelling option in the marketplace.

My background is in Lightroom and Photoshop which is the basis for comparison in this review.

Let us assess this software from the point of view of what it offers a beginner.

CONTENTS

  1. Getting Started – installing and setting up
  2. Layout and Features
  3. Importing and Viewing Images
  4. Editing your RAW Image
  5. Advanced editing with layers
  6. New Features in 2019 version
  7. General Comments

1. Install and Setup

Setup and installation are fairly standard as per most software. ACDSee does require you to set up an account as part of the install process (it’s mandatory and cancels the install if you try to opt out), which then requires an extra registration step with an email confirmation. However, once sorted, no further registration is required. If you have registered before, you can use the previous login details.

It does allow you to choose which drive/directory/folder you want to install it into, as well as if you want to use a non-standard install path. As per the splash page below that opens on Startup—you can auto select the folder to open when the software starts.

Also new is the next screen, which helpfully shows you what the key functions and features are, and where to find them. Both of these can be turned off if desired. You can click on any of the words on the left panel and it will take you to the appropriate screen. Or click through on the NEXT button. Or close it.

 

Once you have navigated the splash pages, you will be taken to the Manage mode screen.

2. Layout and Features

ACDSee has five main modes in separate tabs for each function—Manage, Photos, View, Develop, and Edit.  There are some extra features but these are key ones used in general.

Summary of the features:

Manage mode has access to your computer, direction to find images where they are stored on the computer, and the default option is to view your images in thumbnail view (similar to Grid in LR). It shows EXIF data, histogram, and shot information for a particular image. You can colour code or rate images in Manage Mode.

Photos mode is similar to Manage. It allows a more comprehensive way of viewing image files on your hard drive, and you can drill down to specific day/month/year views.

View mode allows you to view a single image in full screen mode (similar to a single image view in LR) and has some basic editing functions included.

Develop mode is where you edit your RAW image files (similar layout and functions to LR or ACR).

Edit mode is where you can do advanced editing with layers (similar to PS).

There are also the 365 tab, Dashboard tab, and Messages tab. 365 is where you have access to your subscription information, if you opt for it. The Dashboard shows graphical data on image/camera information—if you want to know your most commonly used ISO setting, type, and number of files, it is visible here.

 

3.  Importing and Viewing Images

Importing is not required with ACDSee. The software will read folders directly off your computer, displaying and respecting its existing folder structure, just like Explorer. However, users can import off of external sources if they wish to achieve other organizational goals at the same time, such as culling, tagging, renaming, etc.

Once imported, you will then want to view them, cull, tag, and select the best ones for editing.

I have all my images stored on a NAS and it found those with no issues.  Above is the Manage page showing the hard drive directory structure and images in thumbnail grid view.

You can rate your images either using numbers or color tags. In the above image it has picked up the color rating I gave one image in LR. If you select the Catalog tab on the left hand menu, you can further refine your search parameters with selecting a specific rating or color tag. In the below example it has used the Red color tag to select images to view.

 

Also visible in the above image is the histogram (color graph below left) with camera settings above it for the selected image. The fine print at the bottom of the window has the name, file format, date/time taken, and file size information.

The full Manage mode window above, with directory tree/histogram/camera data on the left hand menu, and EXIF data for the selected image on the right hand pane, and all the images on display.

Other Image Viewing Options

ACDSee has two other image viewing options included. Photos mode and View mode

Photos mode opens with a splash screen explaining what it does.

It offers another way to sort and view your image files and has some granular control. You can get it down to a specific day quite easily and just see the images shot on that day. Probably very helpful for wedding or event photographers. Below is an example where it shows all the shooting days, with a blue bar that gives an idea of how many photos are stored under that day.

View mode is where you can see just a single image using the full screen size. You can zoom in to check the image quality using various zoom features. There is a floating Navigator panel you can activate and use that to ensure you are viewing the correct part of the image.  Similar to the Navigator in LR/PS.

There are some very basic editing tools available here, but better functionality is had in Develop mode.

4. Editing RAW Files

RAW image editing is done in Develop mode and it is laid out very similarly to LR. By default, the Editing tool panel is on the left but it can be moved.

Image with Edit Tool Panel on the left

It’s not immediately obvious, but the white section of the grey bar that ends with the triangle cut out of the bottom is the active slider. You move the light bar to the desired settings. Or type in a number or use the Up and Down arrows on the end.

There are 4 main tabs in the Tool Panel:

Tune – The usual tools for editing a RAW file, exposure, etc. Very similar to LR

Detail – Sharpening, Noise Reduction, and Skin Tuning

Geometry – Lens Correction, Cropping, Perspective adjustments

Repair – Heal/Clone and Red Eye adjustments

In Develop Mode with the Tune Panel open

In general, I found the sliders a bit fiddly to operate; it wasn’t smooth, but apparently it is easier to incrementally adjust sliders with a mouse wheel. My perception of the program is that its application of the settings is quite harsh, so careful use of the sliders is necessary.

While you can activate a second screen in Develop mode, the only purpose is to maintain a view of the unedited image for comparison.

The Tune tab also has some spot editing features—Develop Brush, Linear Gradient Tool and Radial Gradient Tool—the equivalent of Adjustment Brush, ND Grad, and Radial Tool in LR.

5. Advanced Editing With Layers

Edit mode gives most of the expected features you would find in Photoshop and other programs that offer layer/mask functionality. The Filmstrip is visible (similar to Bridge), although you can turn it off to gain the screen real estate back.

Edit Mode open with all the default settings and panels visible

Edit mode offers quite a few extra or useful features. The 2019 version also has an Adjustment layer for Color LUTs, which is a recent new feature brought into LR.

A new feature in the 2018 version was an Actions Menu—a range of preset creative edits you can apply with one click. The 2019 update to this allows you export and import actions as well.

Some of the actions have a really harsh effect like overdone HDR or similar, which was quite noticeable in the 2018 version. In the 2019 version they have toned down the effect in some of the actions, but not all of them. So it pays to pick and choose as it does depend on which action you choose as to what outcome you get. Also it applies it directly to the image so you can’t do it as a layer and then blend in, unless you duplicate the base layer and blend back which has its own issues.

One of the features that did impress me in both the 2018 and 2019 versions was how good a job the Heal tool did in tidying up spots and other issues. On the above image I have removed several spots and imperfections. On the right hand side, in the center of the flower, was a long black mark on a petal (near the small curled one), and that has been seamlessly removed.

An oddity also visible in the above image—in View mode I applied a LOMO preset and liked what it did, and further edited the image to mute the tones and lower the saturation.However, when you use the Navigator tool, as per above, it shows the original RAW file in its unedited state.

Finally I dragged some texture layers, (can be dragged from a second monitor into the Layer Palette), apply some blend modes, adjust the opacity, and soften areas with a mask to reach the final image.

New Features in 2019

Several new features have been included in the 2019 edition, but one key one is Face Recognition. A short video explains how to use it HERE.

I don’t shoot people/portraits generally but had a few tucked away to test. I could get the Face Recognition to function, however it didn’t automatically find all the other images and assign them correctly.  I suspect this is because I have all my images on a NAS and not in the usual directory. If I clicked on each image individually, it did recognise the face and the person.

General Comments

There are some things I find odd about how the program functions; three different ways to view the image can be a bit confusing. The second monitor view in Develop mode that only holds a copy of the unedited file for a comparison seems like a major waste of screen real estate.

Many new features were included in the 2018 version, and the ones assessed in this review of the latest version have been further enhanced and improved—I am guessing in response to user feedback.

This 2019 version adds a lot of nice new mature touches, and helpful splash screens to introduce you to different features.  More accessible help options is a vast improvement: there are links in the Help menu to a Support Community, a Facebook page, and a Twitter account.

Any new software program takes a bit of getting used to, but once you understand it, ADCSee Photo Studio Ultimate 2019 offers any beginner (and more experienced users) a compelling package. It has all the features you need for image management, RAW editing, and more advance editing in one place, with the advantage of a ‘pay once and it’s yours’ option instead of a subscription.  Although a subscription option is available, if desired.

At $ 149 USD for the single purchase perpetual licence, you get a LOT of capability all wrapped up in one software program.

Rating

8.5 out of 10

Disclaimer: ACDSee is a paid partner of dPS

 

 

 

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Microsoft unveils Surface Pro 6, Surface Laptop 2, and Surface Studio 2

04 Oct

At a small press event in New York yesterday, Microsoft unveiled its latest generation of Surface products: the Surface Studio 2, Surface Laptop 2, and the Surface Pro 6. The trio of devices offer upgrades over the previous models, with Microsoft boasting that the Surface Pro 6 is its “most powerful Surface Pro yet.” Similarly, the company claims the new Surface Studio 2 is the “most powerful” Surface device it offers.

The new Surface Pro 6 features the 8th-generation Intel Quad Core processor, boasting 67% faster speeds than the 5th-gen Surface Pro 2017 model. According to Microsoft, it worked to strike a balance between portability and performance, the end result being all-day battery life (up to 13.5 hours) combined with a high level of versatility.

The Surface Pro 6 features a 12.3-inch PixelSense touch display with a 2736 x 1824 267ppi resolution, SSD storage options ranging from 128GB to 1TB, Intel UHD Graphics 620, and 8GB/16GB RAM options. The model starts at $ 899 USD with an October 16 availability date for US customers.

The Surface Laptop 2 likewise offers the newest 8th-generation Intel Quad Core processor, that giving it a speed boost of 85% versus the original model. The Surface Laptop 2 features a 13.5-inch PixelSense touch display with a 2256 x 1504 201ppi resolution, as well as up to 14.5 hours of battery life. This model features the same RAM, storage, and graphics options as the Surface Pro 6.

The Surface Laptop 2 starts at $ 999 USD with an October 16 shipment date in the US.

Finally, Microsoft unveiled the Surface Studio 2, its “most powerful Surface ever.” This model sports next-gen Pascal graphics and a 50% GPU speed increase over the previous model. The 28-inch PixelSense touch display on the latest Studio model is 38% brighter than the original, bringing 22% greater contrast and a 4500 x 3000 192ppi resolution.

The Studio 2 offers Vivid, sRGB, and DCI-P3 color settings, support for up to two 4K Ultra HD 30Hz or one 4K UHD 60Hz external displays, and two NVIDIA graphics options: the GeForce GTX 1060 6GB and the GeForce GTX 1070 8GB. Other features include the 7th-generation Intel Core i7-7820HQ processor, support for Windows Hello authentication, and Xbox Wireless built-in.

The Surface Studio 2 starts at $ 3,499 USD with a November 15 shipment start date in the US.

According to Microsoft, preorders are available now in “select” markets; the products are expected to launch in other regions some time next year.

Via: Microsoft

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z7 added to studio comparison scene

29 Sep

Our test scene is designed to simulate a variety of textures, colors and detail types you’ll encounter in the real world. It also has two illumination modes to see the effects of different lighting conditions.

The Nikon Z7 has a sensor said to be very similar to the one in the D850 DSLR. We’ve found a few differences, which we’ll be discussing soon, but we wanted to let you have a look straight away. See what you think:

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Click here to read our Nikon Z7 First Impressions Review

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T3 added to studio test scene comparison

19 Sep

Our test scene is designed to simulate a variety of textures, colors and detail types you’ll encounter in the real world. It also has two illumination modes to see the effects of different lighting conditions.

The X-T3 boasts a brand-new 26MP BSI image sensor, which is likely to appear in the next generation of Fujifilm cameras. We’ve added the X-T3 to our studio test scene comparison to take a first look at how the new sensor compares to the competition.

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Read our Fujifilm X-T3
First Impressions Review

Articles: Digital Photography Review (dpreview.com)

 
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Konseen launches Photo Studio, a portable light box tent for portraits

15 Sep

Konseen has launched Photo Studio, a new light box tent large enough to photograph people, in addition to smaller objects like clothing and jewelry. Photo Studio is offered in two sizes, one measuring 47 x 39 x 78in / 119 x 99 x 198cm with enough room for adults, the other 47 x 32 x 63in / 120 x 80 x 160cm, which is large enough for children. Both models include LED lights, a silver reflector, and multiple backgrounds.

Features include three soft cloth backgrounds, as well as three PVC backgrounds

The Konseen Photo Studio features a pipe-based frame with a tent cloth that zips over the structure. Users assemble the tent, which includes the option of attaching light panels to any of the frame pipes. The smaller Photo Studio model includes six light boards, each with 96 LEDs; the larger model includes 8 light boards, each also featuring 96 LEDs.

Each light board includes its own dimmable AC adapter. Other features include three soft cloth backgrounds, as well as three PVC backgrounds in white, black, and blue colors. The light color temperature is 5500K and each board has a dimming range from 1- to 100-percent.

The Photo Studio is priced at $ 280 USD (small model) and $ 340 USD (large model).

Via: PetaPixel

Articles: Digital Photography Review (dpreview.com)

 
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Profoto launches compact 250Ws B10 studio flash

14 Sep

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After last week’s teaser, lighting manufacturer Profoto has announced its new ‘small big’ product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well. The 250Ws unit is fully wireless with a removable lithium ion battery and output control via the company’s AirTTL system.

The B10 can also be controlled via the Profoto smartphone app that allows users to adjust flash power as well as the continuous light’s brightness and color temperature. A new Creative Capture feature that lets users preview a scene through the smaertphone’s camera and adjust lights at the same time to achieve the desired effect. The picture can then be captured through the app so the results can be inspected to check exposure and light positioning. The app also offers users the means to download and update firmware as it becomes available.

The lithium ion battery that powers the B10 can be charged while in use, and will provide up to 75 minutes of full power continuous lighting

The continuous LED light has a maximum output of 2500 lm and can be dimmed between 10 and a 100%, with temperature changed between 3000-6500K. The lithium ion battery that powers the B10 can be charged while in use in the head, and will provide up to 75 minutes of full power continuous lighting or 400 full power flashes. It is said to charge in less than an hour and a half.

The B10 measures 11cm / 4.3in wide, is 17.5 / 6.9in long and 10cm / 3.9in high – and it weighs 1.5 kg / 3.3 lbs including the battery. The stand clamp can be removed to fit the light on a tripod, and there are 12 OCF small light modifiers to fit the head, as well as 120 from the full-size range.

The Profoto B10 is shipping now and costs £1175 / $ 1595. For more information see the Profoto website.

Press release

The power of small

Profoto B10

Size matters, it does. Because how much gear you have to carry matters. How much space you have to set up and work in matters. Being able to move fast, getting in, getting out and nailing the shot matters.

Something else matters too; knowing that the equipment you have will push you forward rather than hold you back – that you’ll be inspired to grow and to express yourself creatively. To be you, at your best.

That’s why when Profoto set out to create the Profoto B10, their brand new cordless off-camera flash, the company first considered size. Or rather, a lack of it. “We designed the B10 to be small,” said Göran Maren, Product Manager at Profoto. “Just a little bigger than a medium-sized zoom lens. That means you can fit it in your bag with the rest of your gear and because it’s cordless and lightweight, it’s easy to bring and set up anywhere. That said, this is in every way a Profoto light, so the power and quality of light is essential.”

And while the B10 is small, it’s small without compromise. The B10 gives you five times more light than a speedlight; it’s a light that has a natural and beautiful soft fall off.

But this is more than just a flash; it’s also a highly effective continuous light that you can use for both stills and video. And like all Profoto lights, it’s easy to use. A separate dial on the sleek B10 interface allows you to adjust both brightness and color temperature until it blends perfectly with the ambient light.

The continuous light is just one example of the extreme flexibility contained within the B10. The stand mount and the battery are prime examples. The stand mount can be swiftly removed. As a result, you can mount the B10 on any camera tripod. It is just as quick to replace the battery too, and you can charge it while you’re using it.

Göran Marén continues: “every part of the B10 has been designed to help the photographer to be more creative with light on location. We felt that the more flexibility we built in, the more an image creator can adapt to any issues or opportunities that a location might offer.”

Better still, the possibilities don’t end there since your creativity can run riot with an enormous range of Profoto light shaping tools that are as flexible as the B10. There are a dozen light shapers in Profoto’s compact and lightweight OCF series to start with, and if they’re not enough, there are 120 more light shaping tools in the full Profoto range.

Controlling the B10 off-camera is also easy. You can trigger and control the B10 wirelessly from any Profoto AirTTL remote or the Profoto A1. From up to 300metres/1000ft you can point and shoot with TTL or switch to manual control at any time. AirTTL Remotes are available for all major camera brands.

To further capture the imagination, Profoto has added smart connectivity in the form of a unique and innovative smartphone app. With the B10 connected to the Profoto app you always have the latest B10 updates available at your fingertips. The app also gives you an ingenious remote control that lets you view and control all B10 settings from your smartphone screen.

But the most exciting part of the app might be the unique smartphone camera that brings smartphone photography and the creative use of light closer together than ever before. Göran adds: “we wanted to inspire new ways of being creative with light, and to give photographers a glimpse into the future of photography.” Ultimately the B10 is a big light in a small package. And that means the possibilities are enormous.

The final words belong to Göran. “It’s what we like to call, ‘the power of small.’ It’s the power to be creative with light in so many more ways. It’s the ability to take all those incredible images that live in your imagination – and make them real.”

The Profoto B10 is light unleashed. Actually, it’s more than that – it’s you unleashed.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-GX9 added to studio scene comparison

20 Jul

Our test scene is designed to simulate a variety of textures, colors and detail types you’ll encounter in the real world. It also has two illumination modes to see the effects of different lighting conditions.

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Our technical evaluation of the Panasonic GX9 has included a trip to the studio, where we put its 20MP Four Thirds sensor in front of our standard test scene. We’ve seen solid image quality from this sensor before, but Panasonic says that it has gone one step further and improved color rendition compared to both the 20MP GX8 and 16MP GX85. Take a closer look at its performance against its predecessors as well as its peers.

Articles: Digital Photography Review (dpreview.com)

 
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