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Posts Tagged ‘Street’

Street Art Lives: 13 Installations Interact with Nature

04 May

[ By Steph in Art & Street Art & Graffiti. ]

nature street art just cobe

In cities where greenery can be scarce, these art installations call attention to everything from wall-climbing ivy to weeds growing out of sidewalk cracks, turning bushes into luscious manes or tree hollows into canvases for oil paintings. Moss graffiti enlivens urban surfaces without damaging them, grass carpets unfurl across stone streets and mini greenhouses protect even the most modest of plants.

Floral Sideshow Bob by OakOak

nature street art sideshow bob

When French street artist OakOak saw these flowing purple flowers in his hometown of Saint-Etienne, he instantly pictured it as the untamable hair of Simpsons character Sideshow Bob. Careful placement of a paste-up on the wall just beyond the flowers creates a 3D street art effect.

Bush Trimming by Banksy

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Ivy draped over the edge of a wall in England gets a ‘bikini wax’ from a worker in this interactive piece by famed street artist Banksy, captured by photographer Duncan Hull.

Where the Red Fern Flows by Aakash Nihalani

nature street art aakash

Aakash Nihalani is known for perspective-shifting geometric street art , typically made of cardboard and neon tape. The graphics are placed around New York “to highlight the unexpected contours and elegant geometry of the city.” This piece, entitled ‘Where the Red Fern Flows,’ enhances some wall-clinging ivy in Brooklyn.

Mini Greenhouses for Sidewalk Weeds

nature street art greenouses 1

Scraggly weeds poking out of sidewalk cracks may not be much to look at, but sometimes their very existence in a concrete urban environment can seem miraculous. A group of art students in France developed simple ‘urban greenhouses’ that highlight the plants and protect them from being stepped on.

JustCobe in Freiburg, Germany

nature street art just cobe

Hyper-realistic eyes make this illusion even more effective as German artist JustCobe puts a curving wall edged with greenery to use in the city of Freiburg.

Tree Planter Art for Toronto

nature street art planters toronto

Grass pours out of a cracked concrete planter in Toronto as part of the ‘Outside the Planter’ project, calling attention to the neglected state of these containers around the city and engaging with passersby in a playful way. Dozens of artists participated; this one is by Sean Martindale.

Grass Carpet

nature street art grass carpet 1

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A green carpet weaves through the stone streets of the picturesque French city of Jaujac, traveling up and down stairs, meandering over bridges and traversing a park. Public artists Gaëlle Villedary used 3.5 tons of living turf for the 1400-foot installation, connecting the heart of the village and its inhabitants with the nearby valley.

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Urban Art Interacts With Nature

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Street Re-View: Hacking Google with Theatrical Performances

16 Apr

[ By Steph in Art & Photography & Video. ]

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Mons, Belgium might just be the most interesting and artistic-looking city on the entirety of Google Street View, full of seemingly spontaneous dramatic scenes like chaotic clouds of floating white feathers, painters turning sidewalk crossings neon pink, and basketballs falling out of trees like fruit. The theatrical performances are timed to coincide with the arrival of Google’s camera-equipped van when it comes along to map out the area.

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Mons Street Review, spearheaded by artists Ludovic Nobileau and Antonia Taddei, is an initiative put on by the city as part of its agenda as a European culture capital. The scenes are curated by citizens, who transform the streets into urban theater sets and pose as the camera passes.

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The artists encouraged people to come up with their own ideas, create their own roles and costumes, and arrange props however they like. About 900 people participated on 42 streets, essentially hijacking Google’s service to promote themselves and their city.

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The aim is to present Mons the way the people see it, as a living place of culture and history rather than a series of static street view images. Says Nobileau, “It should be up to people, rather than Google, to represent cities.”

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Portrait of a City: 31 Photographic Street Art Murals

06 Apr

[ By Steph in Art & Street Art & Graffiti. ]

wrinkles of the city main

Residents of cities like Tokyo, Havana and Los Angeles see their own faces blown up to monumental proportions and pasted onto all sorts of urban surfaces when photography, street art and architecture come together. These 31 images from artists working all over the world cover the humorous and the poignant, bringing photography to the most unexpected places.

2 Girls Building in Melbourne by Samantha Everton
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A fine art image by Australian photographer Samantha Everton spans the entire facade of the ‘2 Girls Building’ in Melbourne by KUD Architects. The concrete of the building is printed with a wallpaper texture and where it cuts away, the photo (printed on glass) is revealed. The image becomes three dimensional in the form of the three-story lamp mounted to the outside of the structure, mimicking the one in the original photo.

Inside Out Project by JR in Tokyo

photographic murals JR Tokyo 2

photographic murals JR Tokyo 1

The most well-known street artist working with photographic imagery is JR, who creates collages of portraits of residents in each of the cities in which he works. Based in Paris, the artist pastes up gigantic images of faces on buildings, bridges, rooftops and trains all over the world and gets in his subjects’ faces with a 28mm lens to capture unguarded expressions. The work pictured here is part of the Inside Out Project, which welcomes people to submit their own black and white photographic portraits to be exhibited in their own communities.

Humorous Photographic Images by Mentalgassi

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Trash cans mounted to poles become backpacks, ‘metal heads’ appear on domed recycling bins and faces appear to be squashed in windows as artist trio Mentalgassi bring their photographic imagery to the streets. The anonymous young Berlin artists met at school and became interested in how new media techniques could be applied to three-dimensional objects.

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Portrait Of A City 31 Photographic Street Art Murals

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The Importance of Capturing Gesture and Emotion in Street Photography

31 Mar
Sometimes an expression can cut you like a knife.

Sometimes an expression can cut you like a knife.

One of the most fascinating things about street photography is that it can be so hard to pinpoint the reasons why one photograph works and another does not.

A good street photograph can be sharp or it can be blurry; it can be in contrasty light or in soft and even light; it can be an energetic scene with layers of people or it can be a quiet shot with nobody in it. It gets further complicated when you start to think about the ideas, moods, and feelings that your images suggest.

Despite this lack of certainty, I believe there are two things that will always improve a candid photograph, and that is a gesture in a subject’s body or an emotion captured on a subject’s face. Both of these elements have the power to be the defining reason that a photograph is great. They can be the basis for an entire image.

When I refer to emotion, I am talking about the look in a person’s face, in their eyes, in their mouth, in their eyebrows, or even in their nose. When I refer to gesture, I am talking about a movement, a stance, an elegance, or any position of a subject’s body that is suggestive in some way.

This image would not have worked without the elegant and suggestive stance in the legs.

This image would not have worked without the elegant and suggestive stance in the legs.

It can be misunderstood that doing street photography well is solely about photographing people that seem to pop out at you in some obvious someway. Maybe this is through a unique fashion or an interesting facial feature. The result is that you see images of people deemed interesting for some reason that don’t seem to be actually doing or thinking anything – they are expressionless and neutral in stride.

Instead of photographing with only the intention of capturing interesting people, try to take this idea further and locate interesting emotions and gestures in all different types of people. I don’t believe that you can differentiate who is more worthy of a photograph based solely on someone’s facial features or clothing. Your most ‘uninteresting’ person aesthetically can give you the best photograph of your life with a single powerful expression. So many compelling moments lie within these expressions and gestures.

So the next time you’re out photographing, pay attention to what you think a person is feeling and work from there out.

NY is filled with nervous people. This image tells the story of the city more than any image of a skyscraper can.

New York is made up of nervous people. To me this image tells the story of the city more than any image of a skyscraper can.

For more street photography tips try these articles:

  • There is No Bad Light for Street Photography
  • 7 Tips for a More Anonymous Approach to Street Photography
  • How to Create Amazing Urban Landscape and Street Photography Images
  • Practical Tips To Build Your Street Photography Confidence

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The post The Importance of Capturing Gesture and Emotion in Street Photography by James Maher appeared first on Digital Photography School.


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Street Photography: Easy To Learn, Impossible To Master

30 Mar

Of all the different fields of photography, street photography might be the most difficult. However, it’s also an area that many aspiring photographers jump into first. Street photography almost seems like the reason photography was created for in the first place. Unlike taking photos in a studio, shooting landscapes or working with models, street photography entails a bit of chaos. Continue Reading

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Rainworks: Water-Activated Street Art & Games in Rainy Seattle

27 Mar

[ By WebUrbanist in Art & Street Art & Graffiti. ]

rainworks

Rainworks are pieces of street art that only appear when wet, featuring messages, images and interactive games that work great for a city infamous for its frequent precipitation. The idea, in part, is to encourage people to enjoy the rain, and reward those who go out and play in the gathering drizzle.

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rain animal art

Peregrine Church creates these works which, while temporary, can last for months before degrading – the water-repellent sprays used are eco-friendly and will biodegrade when the designs eventually dissolve.

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Neverwet is not exactly a new material, nor is the idea of applying it to stenciled graffiti art novel, but the variety of Church’s work is compelling, as is his targeting of its results to different neighborhoods in an oft-soaked city, from the U District to Ballard and beyond. Some of the vignettes are simply playful images, or geek and gaming references, while others carry water usage-related messages.

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rain ground is lava

Indeed, this seems the perfect set of urban settings – while Seattle has frequent rains it rarely has downpours, meaning the ground is often moist but the weather rarely so bad that it is difficult to go out and experience it.

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Deceptive Dimensions: Illusion Street Art Creates 3D Portals

18 Mar

[ By Steph in Art & Street Art & Graffiti. ]

optical illusion art 2

At first glance it looks as if thin layers of these walls have been slowly torn away in concentric shapes, leading deeper and deeper into the spaces on the other side. No longer clearly cinder block, brick or any other solid building material, the walls seem as if they really could consist of nothing more than stack after stack of thin paper in rainbow hues.

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Germany-based street artist 1010 creates the effect with nothing more than spray paint, adding a third dimension to flat surfaces with clever use of color, shape and shadows. The works range from actual paper cuts that are framed for gallery walls to murals covering multiple stories of a building, like the installation created for contemporary art festival Knotempunkt in Hamburg.

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Making small creations out of stacked paper likely give 1010 a chance to study the shapes and shadows that make his illusions so effective on a larger scale. “In this case painting a shadow does the trick,” the artist tells Hashimoto Contemporary Gallery. “I call them holes, abyss, passage or portals, names that leave enough space for interpretation and projection for the viewer.”

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There is No Bad Light for Street Photography

12 Mar

One of the advantages of being a street photographer is that you certainly don’t need to get up before dawn to catch the good light. Harsh sunlight, nighttime and rainy days are only a few of the most desired situations on the streets. Getting up too early, before people are out and about, may actually be counter-productive in your search for the decisive moment.

The key is to use light, any light, to your advantage

Any time of day or night, be aware of the quality and quantity of light, and look for interesting light sources and subjects.

©Valérie Jardin

©Valérie Jardin

Nighttime photography

The night adds a new dimension to your street photography. There are so many interesting light sources to work with such as street lights, traffic lights, car lights, neon signs, etc. Even bright Smartphone screens illuminating people’s faces can make for a fun shot. Learn to focus manually for night photography. Even if the auto focus works in most conditions, practice switching to manual focus rapidly, it may save the shot!

It’s true that a simple slider action in post-processing can bring out details from the shadows, but that doesn’t mean that you should always use it. This is a common mistake that I see too often when the night scene starts to look like it was shot in the daytime. Let the shadows fall where they do and embrace the atmosphere and mystery of the night.

©Valérie Jardin

©Valérie Jardin

Don’t worry about noise, especially if you shoot black and white. First, you can now push the ISO of most cameras to very high numbers with very little noise. Second, the little bit of grain in your pictures will enhance the mood and atmosphere. Likewise, embrace the motion blur and the slightly out of focus shots. Who says that a good image has to be tack sharp? What’s the point of technical perfection if your subject is boring, or the story non-existent?

©Valérie Jardin

©Valérie Jardin

Silhouettes

The key to successful silhouette photography is to find a well-defined subject. Remember that not everyone makes an interesting street photography subject and the same principle applies to silhouettes. The shape of the body should be well defined, capturing the right gesture is even more important to achieving a strong image. Many elements can add interest as well, such as umbrellas, bicycles, hats, etc. Watch for obstructions in front of and behind your subject, and if they are moving, make sure you don’t catch them in between steps. Setting your camera in burst mode will increase your chances of getting the right gesture. Remember that your subject is not the background, which can act as a distraction, so do not be afraid to blow out the highlights behind your silhouettes unless it is an integral part of the story.

In order to shoot successful silhouettes, you need to take control of your camera first. Instead to going through all the steps here, check out: How to Photograph Silhouettes in 8 Easy Steps.

Shooting into the bright sun

Shooting into the sun when it’s low in the sky can create some dramatic shots. Add a sunburst effect when possible. The starburst effect is best achieved by setting your camera at a small aperture and hiding the sun partially behind a structure or person. Experiment with exposure compensation to get a nice dark silhouette and once you’re happy with the result, wait for the right subject to enter your frame, or the right action to happen.

©Valérie Jardin

©Valérie Jardin

Strong shadows

Street photographers love shadows. Similarly to silhouettes, not every shadow works. It should be really dark and well defined. The surface on which it shows will also play a part in the result. It’s important to strategize and position yourself to get the best possible shot, the shadow may hit a wall next to the subject for instance. Long shadows are also really interesting when shot from a higher vantage point. Sometimes it’s all about the shadow, and the subject casting it does not even need to be fully included. This method, if well executed, will add an element of mystery.

©Valérie Jardin

©Valérie Jardin

Reflections

Sunlight can create some really cool reflections in windows, puddles, or other surfaces and add interest to your street photography. Don’t be afraid to experiment!

©Valérie Jardin

©Valérie Jardin

High contrast situations

Harsh sunlight and deep shadows can create ideal situations for the discerning street photographer.  The sun comes out after the rain? Even better! The wet pavement will add yet another dimension and interest.

©Valérie Jardin

©Valérie Jardin

Dappled light

One of my favorite daylight situations in street photography is when I find a nice source of dappled light. Remember that even if the situation is ideal, not every person walking down the street will make an interesting subject. It’s often a game of patience…

©Valérie Jardin

©Valérie Jardin

Rainy days

As long as you protect your gear (and yourself), rainy days can provide some of the best street photography opportunities. People on the streets will behave very differently when it’s raining, creating some interesting situations. Umbrellas also make for good props. There are also ways to embrace the rain by focussing selectively through windows, car windshields, etc.

©Valérie Jardin

©Valérie Jardin

Open shade for street portraits

If you enjoy doing street portraits, then the same simple rules that you apply for any other portrait will help you achieve the best result. Once you’ve asked your subject for a portrait, you might as well go the extra step and ask them to move slightly, or even cross the street for the most flattering light. Look for open shade to avoid harsh shadows on their face.

Golden and blue hour

Of course, there are also beautiful photographs of people to be made in the early morning and late evening hours, but always remember that there is no bad light!

©Valérie Jardin

©Valérie Jardin

Conclusion

Never use the quality of light as an excuse not to hit the streets. Making any light work in your favor is part of the fun and also the best way to improve your skills and get some cool shots. Have fun!

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Social Media + Street Graffiti = Stenciled Signs of Our Times

09 Mar

[ By WebUrbanist in Art & Street Art & Graffiti. ]

social media child art

For better and worse, self-reflection and meta-art is an inevitable facet of the digital age – this artist recognizes the blurred lines between physical walls and their Facebook equivalents, commenting on our relationship to social media while making light of it as well.

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iHeart(StreetArt) is a street artist based in Vancouver whose creations span the spectrum from traditional tags and stencils to this series of works reflecting on our virtual lives and interactions, particularly how young people are raised in this strange new culture of communication.

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social commentary ironic subject

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He variously uses, abuses, twists and repurposes elements of our wireless language, giving hashtags and message bubbles new meaning. While he is not alone in this pursuit of geek graffiti or in using street art for social commentary, his dark humor and unique style set him apart.

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social media hashtag art

This is also only a smaller sampling of a much larger body of work by iHeart which spans various street art styles as well as gallery and installation works on topics beyond contemporary digital interaction.

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Road A-Peel: Upside-Down Car Clings to Curling Street

24 Feb

[ By Steph in Art & Installation & Sound. ]

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An upside-down, cherry-red car clings improbably to a slice of a concrete parking lot as it curls up over itself in this gravity-defying installation by British artist Alex Chinneck. Hanging in mid-air with no visible supports, ‘Pick yourself up and pull yourself together’ is a collaboration with Vauxhall Motors located just outside London’s Southbank Centre.

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About 50 feet of the parking lot surface appears to have been peeled right up, with the vehicle hanging from its uppermost curve within sight of one of the city’s most iconic landmarks, the London Eye. Hidden sections of steel designed by structural engineers hold the car in place.

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“I see sculpture as the physical reinterpretation of the material world around us and so by introducing fictional narratives into familiar scenarios, I try to make everyday situations as extraordinary as they can be,” says Chinneck. “I choose to do this through illusions because I think there is something both optimistic and captivating about defying the realms of possibility.”

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“With an effortlessly curling road I hoped to transcend the material nature of tarmac and stone, giving these typically inflexible materials an apparent fluidity. Vauxhall Motors allowed me a great amount of creative freedom and this collaboration offered my studio an exciting platform to explore new areas of engineering and fabrication.”

Top image by Richard Simms

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