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Posts Tagged ‘Sony’

Sony FE 200-600mm F5.6-6.3 G OSS sample gallery

12 Jun

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If Sony’s new 600mm F4 is a bit too much lens/cash for you, not to worry, the FE 200-600mm F5.6-6.3 G OSS is here for all your tele needs. We recently tested it out at a Sony-sponsored event during some high-speed, high-adrenaline activities. Check out the samples.

View Sony FE 200-600 F5.6-6.3 G OSS gallery

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Hands-on with new Sony FE 600mm F4 GM OSS and FE 200-600mm F5.6-6.3 G OSS

12 Jun

Hands-on with new Sony telephoto lenses

Sony has just released two new lenses, aimed at sports and wildlife photographers. The FE 200-600mm F5.6-6.3 G OSS is aimed squarely at enthusiast and semi-pro users, while the FE 600mm F4 GM OSS joins the FE 400mm F2.8 GM at the top of Sony’s professional lens lineup. We were given the opportunity to shoot with both lenses recently at a Sony event in New Jersey – click through for some initial impressions, and more information.

Sony FE 200-600mm F5.6-6.3 G OSS

The FE 200-600mm F5.6-6.3 G OSS is aimed at enthusiast and semi-professional photographers, especially fans of wildlife and sports shooting. As well as full-frame cameras, Sony expects some buyers to pair this lens with the company’s range of APS-C models, at which point it covers an equivalent focal range of 300-900mm.

One of the selling points of the 200-600mm compared to other lenses of its kind is an internal zoom design, which means that the lens doesn’t get any larger when zoomed through its focal length range. This has advantages when it comes to balancing the lens for handheld shooting, and also reduces the risk of dust and grit being sucked in during zooming.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

The G 200-600mm is equipped with optical stabilization, controllable in 3 modes. Mode 1 is standard, suitable for general photography. Mode 2 is specifically for panning, and according to Sony, Mode 3 provides ‘optimum stabilization for dynamic sports action’.

This shot also shows the main OSS on/off switch, and the 3-position focus limiter, which helps reduce unwanted lens hunting in situations where you can safely keep the lens within a certain focus range (i.e., capturing birds at a feeder, or aircraft at close to infinity).

The 200-600mm’s minimum focus distance is 2.4m (~8 feet). This might not seem impressive, but it’s in the same ballpark as other lenses of this type from competitive manufacturers. Autofocus is driven by a linear direct drive SSM motor, which in our time with the lens provides very fast and near-silent AF in normal lighting situations (tested on an a9).

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

Optical construction of the 200-600mm comprises 24 elements in 17 groups, with one aspherical lens and five ED elements. An 11-bladed aperture ensures circular bokeh even as you stop down modestly, an advantage this lens has over its 9-blade counterparts from competitors. Without the tripod foot attached, the lens weighs 2.1 kg (4.6 lb) which is very slightly heavier than competitive lenses from the likes of Nikon, Sigma and Tamron.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

Here’s that tripod foot, which can be quickly unscrewed and detached for handheld shooting, or stowage.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

A large, deep hood is provided to help protect the front element from flare (and rain). While the G-series aren’t guaranteed to offer quite the same resistance to the elements as the more expensive G Master lenses, the 200-600mm is extensively weather sealed.

The G 200-600mm F5.6-6.3 will be available in August, for $ 2,000.

Sony FE 600mm F4 GM OSS

The FE 600mm F4 GM OSS is aimed at professional photographers, and joins the FE 400mm F2.8 GM OSS at the very top of Sony’s lens lineup, offering the best optical technologies that the company is capable of creating. Sony’s G Master series is designed according to the principle of ‘no compromise’ and we’re told that when it comes to autofocus speed, the FE 600mm F4 should be able to keep up with the autofocus speeds of future generations of Alpha-series interchangeable lens cameras. Put simply, the lens is capable of even faster autofocus communications and speeds than are currently possible with the company’s flagship a9 camera.

Offering an equivalent focal length of 900mm on APS-C, the 600mm F4 can be used on all Sony E-mount cameras, and has been designed to work with Sony’s 1.4X and 2X teleconverters without a significant penalty to either AF speed or sharpness.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

The GM 600mm F4 is the smallest and lightest lens of its kind currently on the market – just edging out the Canon EF 600mm F4 III at 3,040g (6.7 lb) compared to 3,050g. Like the GM 400mm F2.8, the weight of the lens is mostly concentrated towards the rear, which means that despite its size, the lens can be hand-held for short periods of time without being unmanageable. The lightweight construction is partly achieved thanks to the extensive use of magnesium alloy in the body shell.

Despite its relatively light weight, the 600mm F4 has a complex optical construction, made up of 24 elements in 18 groups, including a 40.5mm drop-in filter. This is compared to 17 elements in 13 groups from Canon’s EF 600mm F4 III. Of these 24 elements, three are fluorite, and two are ED glass. Just like the 200-600mm, the 600mm F4 features an 11-bladed aperture, meaning it can retain circular bokeh as you stop down better than its 9-bladed competitors.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

The GM 600mm F4 is intended to be used alongside the GM 400mm F2.8. As such, all of the major controls are identical, and can be found in the same places. This is to ensure that life is as easy as possible for a photographer swapping between them at (say) a sporting event. Even the focus rings of the two lenses are the same size and the same distance away from the camera body.

This view also shows the tripod foot tensioning screw, and a dedicated strap lug. While the weight of the 600mm F4 can probably be supported by the lens-mount of an Alpha-series camera for short periods of time, this is not advisable. The rotating tripod ring can be ‘declicked’ if required, and a security wire can be connected to a dedicated socket in the foot (not pictured) to secure it against theft.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

The GM 600mm F4 has a minimum focus distance of 4.5m (14.7 ft) which is slightly longer than the 4.2m (13.7 ft) minimum focus of its nearest competitor, Canon’s EF 600mm F4 III.

Autofocus throughout the 600mm F4’s focus range is swift and accurate (tested on an a9), thanks to dual XD linear motors, similar to the ones found in the 400mm F2.8. These provide the power required to drive the relatively large, heavy focusing group across its range extremely quickly. In the relatively low light of an artificially-lit sports arena, the 600mm performed very well in our limited testing, even when paired with a 1.4X teleconverter.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

Here’s the 40.5mm drop-in filter, which is an integral part of the lens’ optical makeup. The filter size is the same in both the GM 600mm F4 and the GM 400mm F2.8.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

This view shows (R-L) the wide and deep focus ring, the ‘adjustment ring’ and one of the four focus hold buttons which are standard on professional lenses of this kind. The adjustment ring is effectively a ‘nudge’ control which can be customized to perform various actions, one of the most useful for sports photographers being a ‘focus position recall’, to quickly jump to a preset ‘home’ focus position of your choosing.

Hands-on with new Sony GM 600mm F4 and G 200-600mm F5.6-6.3

The Sony FE 600mm F4 GM OSS will be available in August for $ 13,000.

Sony FE 600mm F4 GM OSS sample gallery

Sony FE 200-600mm F5.6-6.3 G OSS sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Sony World Photography Awards adds new 2020 category, reveals grant recipients

10 Jun

The Sony World Photography Awards has a new ‘Environment’ category under its Professional competition, the World Photography Organization has announced. Under this category, photographers are challenged to ‘address environmental concerns affecting the world today.’ Additionally, the 2020 Awards will also feature a new Youth competition that allows photographers ages 12 to 19 to submit up to three images per months through December 2019.

The 2020 Sony World Photography Awards kicked off its Youth competition this month; its deadlines are the last day of each month from June to December. Under the competition, photographers as young as 12 and as old as 19 can submit up to three single images each month. Every month has its own theme and will result in one winner and a shortlist.

In addition to the new Youth competition, the 2020 Awards will feature a new ‘Environment’ category in the Professional competition, which has a January 11, 2020 deadline. According to the organization, winning and shortlisted photographers will get a ‘global platform’ for showcasing their work.

The 2020 Awards will also include the Open competition with a January 7, 2020, deadline and the Student competition with a November 29 deadline.

In addition to revealing the new Environment category and Youth competition details, the organization has announced the 2019 Sony Grant recipients. In the Professional competition, 2019 Sony Grant recipients get $ 7,000 each alongside Sony photography gear. Recipients of the Student grant receive $ 3,500 each and will work together as a team to provide commissioned images.

The 2019 Sony Grant recipients are:

Professional category:

– Yan Wang Preston (UK)
– Ed Thompson (UK)
– Kohei Ueno (Japan)
– Thomas Uusheimo (Finland)

Student category:

– Joel Davies (Central St Martins, UK)
– Sam Delaware (Pacific Union College, USA)
– Tobias Kristensen (Danish School of Media & Journalism, Denmark)

You can find a gallery of the 2018 Sony World Photography Awards competition in our previous coverage.

Press Release:

Sony World Photography Awards reveals new categories for 2020 and latest Sony Grant recipients

?Photography’s power to capture environmental issues recognized in new dedicated category
?Sony Grants awarded to four exceptional professional artists and three student talents
?Youth competition restructured to give young photographers more opportunity
?Exhibition tours to Japan, Italy, Germany and beyond in 2019

June 4, 2019, London: Submissions for the 13th edition of the internationally acclaimed Sony World Photography Awards are now open and free for all to enter at www.worldphoto.org.

The 2020 Awards are marked by the introduction of an Environment category to its Professional competition, recognizing the importance of the subject for contemporary artists, and a new format for the Youth competition, to engage and reward young photographers working worldwide.

The Awards also announced today the recipients of the 2019 Sony Grant. Chosen from the winners and shortlist of the 2019 Sony World Photography Awards, the Sony Grant give artists the freedom to create new bodies of work or develop long-term projects. In clear demonstration of this, a new film by 2018 Photographer of the Year Alys Tomlinson funded by her Sony Grant will be premiered at Rencontres d’Arles, France, this summer. The film is an extension of the artist’s 2018 award-winning series Ex-Voto.

Having been seen by 25,000 people in London, the exhibition of winning and shortlisted works from across the 2019 Awards will now tour internationally. Opening in Japan on June 1, the exhibition will travel to Germany, Italy, India, and Mexico giving audiences worldwide the opportunity to see the very best in contemporary photography from the past year.

Environmental issues highlighted in new Professional category

The Professional competition seeks serious bodies of work across ten diverse categories by artists working across fine art photography and photojournalism, and rewards those pushing the boundaries of what photography can do. The new Environment category will challenge artists to address environmental concerns affecting the world today and winning and shortlisted photographers are given a global platform upon which to showcase their work.

Speaking about the direct results of winning, Italian artist Federico Borella states: “Winning the 2019 Photographer of the Year title is one of the most important things for my career and my life. This kind of visibility is amazing because it allows me and my work to reach a global audience. My phone started ringing straight after the announcement and it hasn’t stopped ringing since! People want to listen to the story I want to tell. How can I ask for more?”S

Judges selected Borella as the overall winner in 2019 for a powerful photographic essay on the human effects of climate change in Tamil Nadu, India.A

New opportunity for young emerging photographers

The new Youth competition will give young photographers aged 12-19 the opportunity to enter up to three single images per month from June – December 2019. Each month will have a different theme and judges will select one winner and a shortlist per month. The seven monthly winners will then compete to be named Youth Photographer of the Year.

The monthly structure has been implemented to give emerging photographic talent more opportunity to be discovered and will be accompanied by expert advice on the monthly theme to help those entering.

In addition to the Professional and Youth competitions, the 2020 Awards includes the Open competition, rewarding outstanding single images across ten categories and the Student competition, for photography students worldwide. The National Awards program also runs in 60+ countries and celebrate local photographic talent.

The Awards are judged anonymously, giving all photographers across the world equal opportunity to be seen by juries of industry leading experts and win.

A total prize fund of $ 60,000 (USD) plus Sony digital imaging equipment is shared between winning photographers, with many also being flown to London to attend the annual awards ceremony. All shortlisted photographers are given exposure via the Sony World Photography Awards Exhibition which opens in London before touring globally. The 2019 Awards saw 327,000 entries from 195 countries. For more details about all the competitions and categories please go to www.worldphoto.org/swpa

2019 Sony Grant recipients
The World Photography Organisation and Sony are committed to supporting contemporary photographers and contributing to the further development of photographic culture worldwide.

The Sony Grants program, introduced in 2016, is open to winning and shortlisted photographers of the Awards’ Professional and Student competition. Recipients of the 2019 Professional grant are Yan Wang Preston (UK), Ed Thompson (UK), Kohei Ueno (Japan) and Thomas Uusheimo (Finland). Each receive $ 7,000 (USD) and Sony digital imaging equipment to create work of their choice.

The 2019 Student grant was awarded to Joel Davies (Central St Martins, UK), Sam Delaware (Pacific Union College, USA) and Tobias Kristensen (Danish School of Media & Journalism, Denmark). Each receive $ 3.500 (USD) and have been commissioned to create a new body of images, working as a team.

The results of all grant recipients work will be shown at the 2020 Sony World Photography Awards Exhibition. Find out more about the Sony Grant at www.worldphoto.org/sony-grant

2020 Competition deadlines
?Youth competition: Last day of each month from June – December, 2019
?Student competition: November 29, 2019
?Open competition / National Awards: January 7, 2020
?Professional competition: January 11, 2020

About World Photography Organisation
The World Photography Organisation is a global platform for photography initiatives. Working across up to 180 countries, our aim is to raise the level of conversation around photography by celebrating the best imagery and photographers on the planet. We pride ourselves on building lasting relationships with both individual photographers as well as our industry-leading partners around the world. The World Photography Organisation hosts a year-round portfolio of events including the Sony World Photography Awards, one of the world’s leading photography competitions, and PHOTOFAIRS, leading international art fairs dedicated to photography. For more details see www.worldphoto.org

Articles: Digital Photography Review (dpreview.com)

 
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Sony Xperia 1 sample gallery

09 Jun

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Sony’s flagship mobile device packs some powerful imaging features, including a rear triple-cam, Eye AF and 4K HDR video recording. It seems like a natural place to find sophisticated autofocus and video capture features given its pedigree, and we were eager to take it for a spin when it arrived in the office. Take a look at how we got along.

See our Sony Xperia 1 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Unreleased Sony 200-600mm F5.6-6.3 G OSS FE lens prototype appears on auction website

05 Jun

Last month, a rumor surfaced that Sony has a new ‘wildlife/sports’ lens announcement scheduled for the first week of June. Following that leak, a new Sony 200-600mm F5.6-6.3 G OSS FE lens prototype appeared for sale on Yahoo! Japan’s auction website for 20,000 JPY ($ 185 USD). A number of images were included with the auction, which detailed the lens as ‘junk / for parts.’

The auction went live on June 1 and ended at a price of 31,500 JPY ($ 291 USD) on June 2. The prototype’s origins remain a mystery; the product was listed as slightly disassembled with ‘unconfirmed’ functionality. No box or accessories were included with the product, fueling speculation that the prototype was either stolen or found discarded.

The lens visibly contains Sony branding, as well as the model info stamped into the housing. The company hasn’t commented on the auction, which is still visible on Yahoo! Japan, but no longer open to bidding. It’s unclear whether the prototype was sold or the auction was cancelled. At this time, the lens doesn’t officially exist.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s US-only ‘Step up to Sony’ sales event is offering up to $1K off cameras, kits and lenses

03 Jun

Sony is currently running its ‘Step Up To Sony’ sales event, a summer sales event for U.S. customers that’s heavily discounting some of Sony’s most popular cameras, lenses and kits. The ‘Step Up To Sony’ event runs through Jun 22, 2019. We’ve rounded up some of the best deals from the sales event and have listed them below.

Cameras and kits

Sony a7R III (Adorama, B&H): $ 2,598 ($ 600 instant rebate)

Sony a9 (Adorama, B&H): $ 3,498 ($ 1000 instant rebate)

Sony a7R II (Adorama, B&H): $ 1,498 ($ 500 instant rebate)

Sony A7 II (Adorama, B&H): Body only for $ 898 ($ 500 instant rebate), kit for $ 1000 ($ 600 instant rebate)

Sony RX100 V (B&H): $ 898 ($ 100 instant rebate)

Sony RX10 IV (Adorama, B&H): $ 1,598.00 ($ 100 instant rebate)

Lenses

Sony FE 12-24mm F4 G (Adorama, B&H): $ 1,598 ($ 100 instant rebate)

Sony FE 70-200mm F4 G OSS (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Planar T* FE 50mm F1.4 ZA (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Distagon T FE 35mm F1.4 ZA (Adorama, B&H): $ 1,498 ($ 100 instant rebate)

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Sony releases promotional videos to highlight Xperia 1 pro-oriented video features

02 Jun

The Sony Xperia 1 was announced back in February but has become available to buy in the shops only this week. It’s Sony’s first triple-camera phone and comes with a range of enticing imaging features, including a 21:9 OLED display with 4K resolution, 4K HDR video as well as ultra-wide and tele-cameras.

In order to highlight the camera’s video capabilities Sony has now released several promotional videos, explaining some of the more advanced new features.

Cinema Pro is a set of features aimed at mobile videographers. Users can choose from a range of color presets and footage can be recorded at a cine-compatible 24 frames per second and 21:9 aspect ratio. You can also shoot with any of three lenses and select manual shutter speeds.

Optical Steady Shot is another highlighted video feature. It combines electronic and optical image stabilization for smooth and shake-free footage. The results in the sample clip below look pretty impressive but we have seen similar results on other high-end devices. That said, Sony claims the Xperia 1 comes closest to ‘cinema-grade’ results.

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Yongnuo reveals YN560TX Pro TTL flash and EF-E II Adapter for Sony E-mount

31 May

Chinese camera gear manufacturer Yongnuo has announced two new products: the EF-E II Adapter for Sony E-mount cameras and the YN560TX Pro TTL flash. The new adapter is available to purchase from online retailers now for $ 99.99 USD, but the YN560TX Pro flash won’t be available to buy until some time in June.

The Yongnuo EF-E II adapter makes EF and EF-S series lenses compatable with Sony E-mount cameras. This model supports AF and mixed-focus systems, and also offers a function key, USB interface (for firmware updates) and a 1/4-in screw hole for tripods.

Joining the new adapter will be the YN560TX Pro scheduled for release in June. Yongnuo describes the product as ‘a new generation of flash signal transmitters’ that will integrate with the YN622 and YN560TX systems. There will be full support for ‘flash mode, focus control, high-speed synchronization and other functions such as GR/TTL/M/Multi,’ according to the company.

No pricing information for the YN560TX Pro TTL flash is currently available

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Sony bumps Nikon from #2 spot as its global ILC market share increases 4% year-over-year

24 May
An illustration in Sony’s financial documents that shows how its Digital Imaging Business is positioned.

In a recent conference call with investors and analysts, Sony broke down the numbers and statistics of its digital imaging business for the 2018 fiscal year (FY2018). While there’s plenty of interesting tidbits to pull out, the most significant is that Sony is now reporting it has 24 percent of the global still camera market based on revenue, an increase in four percent compared to FY2017.

Sony’s global market share, based on revenue, from its FY2017 report.
Sony’s global market share, based on revenue, from its FY2018 report.

According to Sony’s report, its interchangeable lens camera (ILC) market share increased from 19 percent in FY2017 to 23 percent in FY2018, moving them to second place behind Canon and ahead of Nikon. Meanwhile, its compact camera market share increased from 26 percent in FY2017 to 29 percent in FY2018, moving them to the number one spot globally.

Despite Sony’s increase in the global market share, based on revenue, Sony’s report shows the still camera market as a whole decreased from ¥1,400 billion to ¥1,300 billion, a drop of 7.1 percent. Interestingly, this decrease is identical to the 7.1% drop in global digital camera unit sales according to the most recent report from the Camera & Imaging Products Association (CIPA).

Moving away from still images, Sony also reported that while its global market share in the video camera market remained at 29 percent, the overall market size, in revenue, dropped dramatically from ¥390 billion to ¥300 billion, a massive decrease of 23 percent.

Articles: Digital Photography Review (dpreview.com)

 
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Sony pushes firmware updates for eight of its cameras to improve overall stability

18 May

Sony’s software engineers might have some sleep to catch up on, as eight Sony cameras have received incremental firmware updates to smooth out the stability of the cameras.

Specifically, Sony has released firmware updates for its a9 (version 5.01), a7R III (version 3.01), a7 III (version 3.01), a7R II (version 4.01), a7S II (version 3.01), a7 II (version 4.01), a6500 (version 1.06) and a99 II cameras (version 1.01). Sony doesn’t elaborate on what exactly has been fixed, other than to say the updates ‘[improve] the overall stability of the camera[s].’

Before downloading and installing the latest firmware updates, be sure to read through the instructions provided by Sony on each of the firmware update pages linked above.

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