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Posts Tagged ‘sensor’

Video: Canon shows off its new 120MP APS-H CMOS sensor

30 Mar

Full HD resolution video comes out to about 2-megapixels per frame. 4K UHD-1 closer to 8.3MP. Even 8K UHD, which hasn’t really hit the mainstream in any way yet, still only scratches the surface at about 33.2MP. Given all that, can you image capturing video at 120MP? Because Canon can, and has… sort of.

Canon’s 120MXS sensor—first introduced at CES in January—is a 120MP APS-H CMOS sensor that can capture “video” at 9.4fps. Of course, 9.4fps isn’t strictly video, but that hasn’t stopped Canon from showing off what this sensor can do in a side-by-side “video” test up top.

The video was published to YouTube earlier today, and it demonstrates this camera’s capability as a security or industrial cam. The ability to capture 120MP at 9.4fps might not make for smooth footage for filmmakers, but it gives you insane digital zoom capabilities if you’re trying to spot imperfections in a small gear mechanism, or identify suspicious subjects in a crowd:

Screenshots from video. Click to enlarge.

According to the video’s description, the sensor features a square pixel arrangement of 2.2µm x 2.2µm, with 122 million effective pixels, and the high-res readout is made possible by multiple signal output channels:

Ultra-high-resolution is made possible by parallel signal processing, which reads signals at high speed from multiple pixels. All pixel progressive reading of 9.4fps is made possible by 28 digital signal output channels. It is available in RGB or with twice the sensitivity, in monochrome

We don’t expect this sensor to pop up in any of Canon’s consumer cameras anytime soon, but it’s an interesting proof of concept… a technological feat that proves the megapixel war is far from over.

Articles: Digital Photography Review (dpreview.com)

 
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Red gives deep-space sensor dual ISO and puts it on general release

29 Mar

A sensor designed to be used in space has gone on general release from cinema camera manufacturer Red. The Gemini 5K S35 was originally created especially to work in very low light conditions, but has been adapted to offer dual native ISO settings so it can also shoot in normal conditions. The sensor uses particularly large pixels and features a resolution of 15.4MP on 30.72 x 18mm dimensions.

Red claims the Gemini has a dynamic range of 16.5 stops when used in Standard mode, which makes it good at recording very bright highlights and deep shadow detail in the same frame. When switched to Low Light mode some dynamic range is sacrificed, but in return users get exceptional noise performance that produces footage at ISO 3200 in LL (Low Light) mode that looks the same as movie recorded at ISO 800 in Standard mode, according to the company.

It seems the sensor uses different hardware behind the pixels to deal with each of the sensitivity modes, in a similar fashion to the Panasonic Lumix DC-GH5s and the EVA1 cameras. The LL and Normal modes are selected in the menu and become active immediately. To maximize the resolution of anamorphic work Red has made the Gemini 5K S35 slightly taller than the standard sensors it uses by adding 300 pixels to the vertical recording area to make a 5120×3000-pixel area.

The Gemini sensor can be bought in the Epic-W body with prices starting at $ 24,000. For more information see the Red website.

Key features of the EPIC-W with GEMINI 5K S35 sensor:

  • New 5K S35 sensor that delivers optimized low-light performance
  • 15.4 Megapixel Dual Sensitivity CMOS Sensor
  • 30.72 mm x 18 mm (Diagonal: 35.61 mm)
  • Dual sensitivity sensor provides greater flexibility for a variety of shooting environments
  • Seamless switching between Standard and Low Light modes ( no reboot needed )
  • 5K up to 96 fps Full Format
  • 16.5 stops of DR
  • 4K upto 30fps and 2K upto 120fps using ProRes or Avid
  • Simultaneously record REDCODE plus ProRes or Avid
  • Up to 275 MB/s write speeds
  • Interchangeable lens mount

Press release

Introducing The New GEMINI 5K S35 Sensor

Today, RED introduced the new GEMINI™ 5K S35 sensor for the RED EPIC-W camera. GEMINI 5K S35 leverages dual sensitivity modes to provide creators with greater flexibility for a variety of shooting environments. Whether capturing with GEMINI’s Standard Mode for well-lit conditions or its Low Light Mode for darker environments, RED EPIC-W 5K S35 delivers incredible dynamic range and produces cinema-quality images.

The GEMINI 5K S35 sensor provides exceptional low-light performance, allowing for cleaner imagery with less noise and better shadow detail. Operators can easily switch between modes through the camera’s on-screen menu with no down time and experience an increased field of view at 2K and 4K resolutions compared to the higher resolution HELIUM sensor. In addition, the sensor’s 30.72 mm x 18 mm dimensions allow for greater anamorphic lens coverage than with the HELIUM or RED DRAGON sensor.

Built on the compact DSMC2 form factor, the RED EPIC-W 5K camera and sensor combination captures 5K full format motion at up to 96 fps, boasts incredibly fast data speeds of up to 275 MB/s, and provides in-camera support of RED’s enhanced image processing pipeline, IPP2. Like all cameras in the DSMC2 line up, EPIC-W 5K is able to shoot simultaneous REDCODE RAW and Apple ProRes or Avid DNxHD/HR recording and adheres to RED’s dedication to OBSOLESCENCE OBSOLETE—a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled without having to purchase all new gear.

“While the GEMINI sensor was developed for low-light conditions in outer space, we quickly saw there was so much more to this sensor,” says Jarred Land, President of RED Digital Cinema. “In fact, we loved the potential of this sensor so much, we wanted to evolve it to make it have a broader appeal. As a result, the EPIC-W GEMINI now sports dual-sensitivity modes. It still has the low-light performance mode, but also has a default, standard mode that allows you to shoot in brighter conditions.”

Beginning at $ 24,500, the new RED EPIC-W with GEMINI 5K S35 sensor is available for purchase online and through select worldwide RED Authorized Dealers. Alternatively, WEAPON Carbon Fiber and RED EPIC-W 8K customers will have the option to upgrade to the GEMINI sensor at a later date.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei unveils the P20 Pro with triple camera and large 1/1.7-inch image sensor

27 Mar

Huawei has just unveiled its latest flagship smartphone: the P20 Pro. And just as the rumors and leaks that have been floating around the Web for weeks predicted, the new model is the first smartphone to feature a triple camera setup.

Like in previous Huawei models, the camera has been developed in cooperation with Leica, and a main RGB sensor is accompanied by a high-resolution monochrome imager that serves several purposes: it provides depth estimation for the simulated bokeh effect, improves detail and noise levels by merging multiple shots, and helps with digital zooming. New on the P20 Pro is a third, dedicated tele-camera.

That said, Huawei hasn’t just stuck a third sensor and lens onto its existing dual-camera system, the P20 Pro is more innovative than that in several ways:

  • The main camera comes with an unusually large 1/1.7-inch sensor, which is approximately twice the size of the smaller sensors in most direct competitors. At F1.8 the aperture is not the largest, but thanks to the increase in sensor surface the P20 Pro’s main sensor is still capable of capturing around 20 percent more light than most rivals.
  • The main camera sensor also features a Quad Bayer structure with a total pixel count of 40MP. It outputs data binned in 2 × 2 pixel units, resulting in 10MP image output with better detail and lower noise levels.
  • The P20 Pro’s optically-stabilized tele-camera offers 3x zoom factor—approximately a 80mm equivalent focal length—significantly longer reach than the 2x tele-modules in the iPhone X, Samsung Galaxy S9 Plus, or similar high-end devices. Huawei has been able to implement this longer reach while the 20MP monochrome is already contributing to decent zoom quality at 2x, allowing the tele to focus on 3x and larger magnifications.
The Huawei P20 Pro triple camera: Main camera at the center, monochrome camera on the left, tele module on the right.

Huawei claims significantly better low-light capabilities of the large main sensor, with ISO values up to 102400 allowing for usable exposures in very dim conditions. Other imaging features include phase detection and laser assistance in the AF system, predictive focus, motion detection, and a zero shutter lag for minimal delay before capture.

The rest of the specifications are worthy of a high-end device as well. The P20 Pro is powered by Huawei’s Kirin 970 chipset and 6GB of RAM, it offers a 4,000 mAh battery with quick-charge, and features 128GB of internal storage. Images can be viewed and composed on a 6.1-inch Full View display with minimal bezels.

The P20 Pro will be available in Europe from April for 900 Euros (approximately $ 1120 USD)—no information on availability in other regions has been released yet. In addition to the P20 Pro, Huawei has also launched the P20 smartphone, which is powered by the same chipset but comes with a smaller 5.8-inch screen and a more conventional dual-camera module. It will retail for 650 Euros (approximately $ 800 USD).

Articles: Digital Photography Review (dpreview.com)

 
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Samsung wants to dethrone Sony, reach #1 in the global image sensor market

17 Mar

According to a new report out of South Korea, Samsung is increasing production of its ISOCELL image sensors at its Hwasung, South Korea location in a bid to clinch the #1 spot in image sensors worldwide.

However, this feat is definitely easier said than done. Current market leader Sony has a comfortable advantage over its South Korean rival, and certainly won’t go down without a fight. In the lucrative smartphone segment alone, Sony currently has a 46 percent market share versus Samsung’s much smaller 19 percent.

That said, technologically at least, Samsung is well-placed to take on the challenge. Its latest Galaxy Note 8 and Galaxy S9/S9 Plus devices all come with innovative imaging technologies and offer excellent camera performance built on Samsung’s own sensor technology.

The company rebranded its image sensor range as Isocell in June 2017. Since then, Samsung has not only expanded its high-end sensor offerings, it also designed low-cost image sensor modules that are easy to implement into devices by other manufacturers. Several of those, for example Xiaomi and Meizu, are already using Samsung image sensors.

However, market leadership cannot be achieved with smartphones alone. Samsung is also planning to grow in the automotive space where CMOS sensors are increasingly used in the autonomous vehicle space and for other applications. In this segment, Samsung will face stiff competition from the likes of Bosch and Continental.

Whoever ends up ruling the image sensor market, a large company like Samsung challenging Sony’s quasi-monopoly for image sensors can only be good news for consumers.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces EOS M50 with 24MP sensor, 4K video and built-in EVF

26 Feb

Canon has taken the wraps off the EOS M50, a beginner-friendly mirrorless camera that’s the first in the company’s M-series to offer 4K video capture. It uses a 24MP APS-C sensor with Dual Pixel autofocus, a new Digic 8 processor and unlike its M100 sibling, provides a built-in electronic viewfinder.

Read our Canon EOS M50
First Impressions

The M50 is also the first camera to offer a new CR3 Raw format. It provides a standard “image quality priority” Raw setting as well as a “size priority” C-Raw that produces up to 50% smaller files with the same resolution, albeit with a slight drop in image quality.

Wi-Fi, NFC and Bluetooth are also included, enabling a new option to automatically transfer images from the camera to a smartphone after each shot. The M50’s updated processor makes 1080/120p high frame rate video possible, and UHD 4K recording is available at 24p. Unfortunately, 4K also imposes a significant 1.6x crop and Dual Pixel isn’t available.

The camera’s 2.36 million-dot OLED EVF complements a 1.04 million-dot fully articulated touchscreen. With focus locked the M50 will shoot up to 10 fps; 7.4fps shooting is available in C-AF.

Dual Pixel autofocus provides improved coverage with certain lenses, including the EF-M 55-200mm, EF-M 18-150mm and EF-M 28mm F3.5. With one of these lenses attached, the M50 gives 88% horizontal and 100% vertical sensor coverage and up to 143 AF points. A large number of EF and EF-S lenses will also give the same level of AF coverage, while other M-mount and EF/EF-S lenses will offer up to 99 AF points and 80% horizontal/80% vertical coverage.

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The Canon EOS M50 will be available in April for $ 780 body-only. It will also be bundled with an EF-M 15-45mm F3.5-6.3 IS STM for $ 900; a kit with 15-45mm and 55-200mm F4.5-6.3 IS STM will cost $ 1250.

WANT TO UP YOUR PHOTOGRAPHY GAME? NEXT GENERATION OF EOS CAMERAS FROM CANON BRING IMAGE QUALITY UP A NOTCH

New Additions to the Canon EOS Family include EOS M50 and EOS Rebel T7

MELVILLE, N.Y., February 25, 2018 – Upgrading from a smartphone camera to an entry-level interchangeable lens camera (ILC) can be considered to some people a daunting task. Canon U.S.A., Inc., a leader in digital imaging solutions, supports those looking to advance their skills by continuously developing and evolving its gear. Today, the company announced their latest additions to its all-encompassing lineup of digital cameras: the EOS M50 Interchangeable Lens Camera, the first Canon EOS M-series camera with 4K video recording which is four-times the size of full HD 1080, and the EOS Rebel T7, the latest addition to the wildly popular EOS Rebel line of entry-level DSLR Cameras, with an upgraded CMOS sensor to deliver sharp, high-resolution images to capture life’s key moments.

For photographers actively seeking to upgrade their skills, the EOS M50 is an all-around, entry-level camera with an extensive list of user-friendly features that encourages users to broaden their creative visions. Providing improved Dual Pixel CMOS AF, a 24.1MP APS-C CMOS sensor resulting in less noise and high definition in low-light situations, and the capability of recording 4K video, the EOS M50 will capture crisp, photographic expressions in various situations.

“Our core goal when developing new entry-level interchangeable lens cameras for our consumers is to meld high-quality features and usability together. In listening to our customers, we believe we have achieved this goal with both the EOS M50 and EOS Rebel T7, ” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “With enhanced features for photographers of all skill levels to enjoy, both cameras demonstrate Canon’s commitment to developing and manufacturing best-in-class quality imaging solutions.”

Additional features of the EOS M50 include:

  • New DIGIC 8 Image Processor
  • HD 120p High-frame video rate
  • Built-in OLED Electronic Viewfinder with Touch and Drag Autofocus
  • Vari-Angle LCD touchscreen
  • Wi-Fi*, NFC** and Bluetooth connectivity***
  • Automatic image transfer to compatible devices while shooting*
  • New Silent Mode

The EOS Rebel T7 DSLR camera, featuring an upgraded CMOS sensor of 24.1 megapixel resolution, is the successor to the EOS Rebel T6. Offering easy sharing of high-quality photos and videos on social media sites, the EOS Rebel T7 provides continuous shooting up to 3.0 frames per second (fps), a nine-point autofocus system and a three-inch LCD monitor, offering users a multitude of options to capture and share life’s important moments.

Additional features of the EOS Rebel T7 include:

  • Built-In Wi-Fi* and NFC** connectivity
  • Scene Intelligent Auto Mode
  • Optical View Finder

For an additional cost, both products are also eligible for the reliable protection of CarePAK PLUS, Canon’s optional service plan, which includes accidental damage protection and Image Recovery, designed to retrieve irreplaceable images or videos otherwise lost or corrupted. CarePAK PLUS, along with all Canon camera service plans, is performed exclusively by Canon’s renowned service and support team.

The Canon EOS M50 is scheduled to be available in April 2018 for an estimated retail price of $ 779.99^ for the body only. The EOS M50 will also be available with the EF-M 15-45mm f/3.5-6.3 IS STM lens in both black and white for an estimated retail price of $ 899.99^. Additionally, the EOS M50 will be sold with the EF-M 15-45mm f/3.5-6.3 IS STM and the EF-M 55-200mm f/4.5-6.3 IS STM in black only for an estimated retail price of $ 1,249.00^. A Video Creator Kit will also be available for the EOS M50 for an estimated retail price of $ 999.99^.

The EOS Rebel T7 is scheduled to be available in April 2018, and will be sold as a lens-and-body kit with the EF-S 18-55 f/3.5-5.6 IS II for an estimated retail price of $ 549.99^.
For more information, please visit usa.canon.com.

*Compatible with iOS® versions 9.3/10.3, Android™ smartphone and tablet versions 4.4/5.0/5.1/6.0/7.0/7.1. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.
**Compatible with Android™ smartphone and tablet versions 4.4/5.0/5.1/6.0/7.0/7.1.
***Compatible with select smartphone and tablet devices (Android™ version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later) equipped with Bluetooth® version 4.0 or later and the Camera Connect. ^ Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic unveils ‘industry-first’ 8K organic image sensor with global shutter

22 Feb

Panasonic has developed an 8K image sensor capable of shooting 60p video, with wide dynamic range and global shutter. The latter removes the ‘rolling shutter’ effect from stills and video. The sensor combines an organic photosensitive film that sits atop CMOS circuitry, circumventing one of the biggest problems with traditional global shutter CMOS chips: co-located photosensitive and charge storage areas that compete with one another for space within the surface area of each pixel. This allows Panasonic’s chip to comparatively achieve far greater photosensitive area (better low light performance) and expansive charge capacity (wide dynamic range), and perform some other unique tricks.

Comparing typical BSI CMOS image sensor design (left), Panasonic’s new OPF/CMOS image sensor (right). Note how thin the OPF layer is compared to a traditional silicon photodiode. This allows a large area to be devoted to circuitry, and also means each pixel can accept a wider cone of incident light. This increases the CRA (chief ray angle) from the traditional 30-40º to 60º.

In June of 2013, Fujifilm and Panasonic announced a collaboration that got a lot of photography nerds talking: together, the two companies had developed an ‘industry-leading’ organic / CMOS sensor technology that replaces the silicon photodiode in a conventional CMOS chip with a much thinner, high absorption coefficient organic photoelectric conversion (OPC) layer. A transparent electrode sits on top of this organic photoconductive film (OPF) and modulates its photosensitivity when a voltage is applied. This approach brings a number of advantages, like the ability to accept more oblique light rays, higher pixel capacities and global shutter.

Advantages include the ability to accept more oblique light rays, higher pixel capacities and global shutter

It’s been many years since we first heard about the collaboration, but it now appears to be at the heart of Panasonic’s latest announcement: the news that it has developed an ‘industry-first’ 8K global shutter sensor that uses OPF/CMOS tech to perform all of its tricks. Panasonic claims its new sensor can capture 8K images and 60fps video while offering incredible dynamic range, global shutter, and a built-in electronically-controlled variable ND filter function.

At face value, this sensor seems to offer quite a bit more than the backlit CMOS sensor with global shutter announced by Sony last week. Furthermore, Sony has only so far managed to build a 1.46-megapixel sensor using its pixel-parallel ADCs, while Panasonic seems to have an 8K organic/CMOS sensor already operational. Ostensibly, Panasonic’s technology shouldn’t place any particular restrictions on pixel size – which likely explains how it was able to achieve high resolution via small pixels – while Sony’s approach of an ADC for every pixel presumably places some size constraints on the design.

This Figure shows the dynamic range capabilities of the sensor’s ‘high saturation’ mode (left) and the advantages of its global shutter functionality (right)

Technical Details

Organic/CMOS sensors are able to offer these capabilities by separating the photosensitive area (the organic light-sensitive material) from the signal processing area (all the circuitry), and by then modulating the organic photoconductive film to turn its photosensitivity on or off (or tune it). A transparent electrode sits on top of the OPF – which spans the entire sensor – and the application of increasing voltage to the electrode makes the OPF more photosensitive. This allows for fine tuning of the photosensitivity of the sensor, and the ability to turn all pixels on or off simultaneously.

The organic film layer allows all pixels to be turned on or off simultaneously

The separation of the photoelectric conversion part from the circuitry allows each to be optimized independently, rather than the optimization of one placing constraints on the other. This, combined with how thin the OPF layer is compared to a traditional silicon photodiode, has allowed Panasonic to dedicate a large area to circuitry, separating the (traditionally somewhat co-located) photoelectric conversion and charge storage parts. The result? Large capacitors that allow for enormous full-well capacity: Panasonic claims its sensor can collect up to 450,000 photoelectrons per pixel, which is insane and means this sensor is likely to have a very wide dynamic range. By comparison, we’re more used to seeing an order of magnitude less full-well capacity: ~45,000 photoelectrons per pixel in full frame cameras.

‘In-pixel gain switching technology’ also allows the Panasonic sensor to switch to a high efficiency mode, though in this mode the pixels saturate at 4,500 photoelectrons – yielding far less dynamic range but enhanced low light ability.

Panasonic shows off the incredible dynamic range of this new organic sensor.

In this latest design, these benefits have been combined with a new “in-pixel capacitive coupled noise cancellation technique” which can suppress pixel reset noise very quickly, even when you’re shooting at really high resolution… say, 8K.

The organic layer is also the source of the electronically-controlled ND function. By changing how much voltage you apply to the organic layer, you can change its sensitivity and therefore have it capture more or less light per unit time. You can see the relationship between applied voltage and signal, with higher voltages making the OPF more light sensitive (increasing photoconductivity), and lower voltages making the sensor less sensitive. VH (high voltage) is the default voltage applied to make the OPF maximally sensitive, while VL (low voltage) simulates the effect of a 5 stop ND filter.

This would, ostensibly, save photographers and videographers from needing to carry around a set of ND filters, allowing you to adjust to challenging lighting situations in-camera.

This figure shows the stepless, electronically-controlled ND filter functionality of the Panasonic sensor.

Finally, the organic layer is also the source of the global shutter function. Global shutter involves capturing/reading all of the pixels on a sensor at once. Most CMOS sensors read the image row-by-row, leading to ‘rolling shutter’ distortion where fast moving objects look warped because the bottom part of the object was actually captured a split second later than its top.

This is what Sony addressed with its new BSI CMOS sensor announced last week. That sensor achieves global shutter by adding an ADC to every single pixel rather than every column of pixels. Unfortunately, this approach is currently difficult to scale—which is why Sony has only managed to put it into a 1.46MP sensor with fairly large pixels thus far.

Panasonic’s design achieves this same trick by taking advantage of the ability to turn the entire organic layer on or off simultaneously. At the end of an exposure, the voltage applied to the transparent electrode is simply switched off, effectively turning off the photosensitivity of all pixels simultaneously. This decouples the end of an exposure from read-out, which can still be done sequentially, line-by-line. Impressively, Panasonic’s sensor can operate in this manner “even driving a large number of pixels like the 8K sensor”.

The sensor’s global shutter functionality eliminates rolling shutter distortion caused by reading the sensor row-by-row, rather than all at once.

What’s Next?

So, are we going to see this in any upcoming Panasonic video cameras? Will the Panasonic GH6 or its best high-end Varicam shoot 8K/60p with insane dynamic range, global shutter, and built-in electronic ND filter? We’d sure like to hope so, but probably not.

Remember, this organic/CMOS sensor technology was first introduced as a major breakthrough in 2013. To the best of our knowledge, not a single camera has used that technology in the intervening 5 years. Apple recently acquired InVisage QuantumFilm technology, which uses a film layer to to roll-off highlights for 2-3 stops of additional dynamic range. All this makes us wonder if the tech is really ready for prime time.

Not that we shouldn’t be excited about this breakthough—those are some really incredible specs. We’re just tempering our excitement with a little bit of experience… and maybe a touch of patience and skepticism.


Panasonic Develops Industry’s-First 8K High-Resolution, High-Performance Global Shutter Technology using Organic-Photoconductive-Film CMOS Image Sensor

The new technology enables 8K high resolution and high picture quality imaging without motion distortion, even in extremely bright scenes.

Osaka Japan, – Panasonic Corporation today announced that it has developed a new technology which realizes 8K high-resolution (36M pixels), 60fps framerate, 450k high-saturation electrons and global shutter [1] imaging with sensitivity modulation function simultaneously, using a CMOS image sensor with an organic photoconductive film (OPF). In this OPF CMOS image sensor, the photoelectric-conversion part and the circuit part are independent. By utilizing this OPF CMOS image sensor’s unique structure, we have been able to newly develop and incorporate high-speed noise cancellation technology and high saturation technology in the circuit part. And, by using this OPF CMOS image sensor’s unique sensitivity control function to vary the voltage applied to the OPF, we realize global shutter function. The technology that simultaneously achieves these performances is the industry’s first*1.

With the technology, it is possible to capture images at 8K resolution, even in high contrast scenes, such as a field under strong sunlight and shaded spectator seats under a stadium roof. Moreover, by utilizing the global shutter function that enables simultaneous image capture by all pixels, it is expected to be able to capture moving objects instantaneously without distortion, be utilized for multi viewpoint cameras (performing multi-view synchronized imaging using plural cameras) and used in fields requiring high-speed and high-resolution, such as machine vision and ITS monitoring. In addition, conventionally, even in scenes where it was necessary to utilize different ND filters [2] according to capturing conditions, the technology realizes a new electronically-controlled variable ND filter function which enables stepless adjustment of the OPF sensitivity [3] merely by controlling the voltage applied to the OPF.

The new technology has the following advantages.

  1. 8K resolution, 60fps framerate, 450k saturation electrons and global shutter function are realized simultaneously.
  2. Switching between high sensitivity mode and high saturation mode is possible using gain switching function.
  3. The ND filter function can be realized steplessly by controlling the voltage applied to the OPF.

This Development is based on the following technologies.

  1. “OPF CMOS image sensor design technology”, in that, the photoelectric-conversion part and the circuit part can be designed independently.
  2. “In-pixel capacitive coupled noise cancellation technique” which can suppress pixel reset noise at high speed even at high resolution
  3. “In-pixel gain switching technology” that can achieve high saturation characteristics
  4. “Voltage controlled sensitivity modulation technology” that can adjust the sensitivity by changing the voltage applied to the OPF.

Panasonic holds 135 Japanese patents and 83 overseas patents (including pending) related to this technology.

Panasonic will present some of these technologies at the international academic conference: ISSCC (International Solid-State Circuit Conference) 2018 which will be held in San Francisco on February 11 – 15, 2018.

Notes:

*1: As of February 14, 2018, according to Panasonic data.

More on the Technology

1. “OPF CMOS image sensor design technology”, in that, the photoelectric-conversion part and the circuit part can be designed independently.

The OPF CMOS image sensor has a unique structure, in which, the OPF performs a photoelectric conversion and the circuit area performs charge storage and signal readout functions completely independently. Using this OPF CMOS image sensor structure, we developed high-speed noise cancellation technology and high saturation technology in the circuit area which has a large available space. As a result, it is possible to realize simultaneously 8K resolution, 60fps framerate readout, wide dynamic range [4] (by achieving a high saturation level) and global shutter function, which are normally traded off.

2. “In-pixel capacitive coupled noise cancellation technique” which can suppress pixel reset noise at high speed even at high resolution

Because the OPF CMOS image sensor has a structure in which the OPF and the charge storage part are connected by metal plugs, accumulated charges cannot be completely read out. Therefore, there is a problem that it is affected by reset noise at the time of resetting the pixel (signal charge storage node). And, in a high-resolution sensor, such as an 8K sensor, it is necessary to drive large loads exceeding 4000 pixels aligned in the vertical direction at the same time as the time of noise cancellation, and therefore, the long time it takes to suppress noise is a problem. So, we developed a new structure that cancels pixel reset noise at high speed, even when high resolution pixels have to be driven, by using Panasonic’s original semiconductor device technology and the newly developed “in-pixel capacitive coupled noise canceller”. In this structure, the reset noise is suppressed at high speed by using the negative feedback loop provided for each pixel.

3. “In-pixel gain switching technology” that can achieve high saturation characteristics

In the OPF CMOS image sensor, by incorporating a large capacitor in the circuit part with a large available area, it is possible to realize both high sensitivity mode and high saturation mode with the same pixel structure merely by switching modes from the camera system. In the high sensitivity mode, it is possible to capture data up to a light intensity of 4.5k electrons with high sensitivity. Furthermore, by switching to the high saturation mode, it is possible to capture data up to a light intensity of 450k electrons. In this way, since the high saturation mode can capture up to 10 times the high sensitivity mode, it is possible to clearly display the fine winding structure of the lamp filaments, in which bright part gradation cannot be expressed, because it becomes overexposure in high sensitivity mode, as shown in Fig. 3 (a). Even in a scene with high contrast, such as shown in Fig. 5, from the facial expression of the person in the shadow of the stadium roof to the blue sky and clouds during a mid-summer day, and such as shown in Fig. 6, from the dimly lit room to the sunny garden, it will be possible to capture brilliant images without overexposure or underexposure.

4. “Voltage controlled sensitivity modulation technology” that can adjust the sensitivity by changing the voltage applied to the OPF.

The OPF CMOS image sensor can change the sensitivity of the OPF simply by controlling the voltage applied to the OPF. By utilizing this function, we can realize the following functions which could not be realized with conventional silicon image sensors.

Sensitivity Modulation Example 1: Global shutter function which can capture all pixels simultaneously at 8K resolution

By controlling ON / OFF of the voltage applied to the OPF and controlling the sensitivity of the OPF, we realize the “global shutter function” capable of imaging all pixels at the same time, even driving a large number of pixels like the 8K sensor. By capturing with the global shutter function, as shown in Fig. 3 (b), the letters on the rotating body are read sharply without distortion. In addition, as shown in Fig. 7, even at the time of high speed moving object capturing, such as when driving on a highway or at industrial inspection, capturing without distortion becomes possible.

In the conventional global shutter type silicon image sensor, it is necessary to add new elements such as transfer circuits and charge storage capacitors in order to accumulate charges simultaneously in all pixels. As a result, the area of the photodiode and that of the additional circuits must compete for space, there is a problem that the pixel size cannot be reduced and the amount of saturation electrons cannot be increased. On the other hand, in the OPF CMOS image sensor, since there is no need for additional elements, it is possible to realize small cell, high resolution sensors, and by incorporating large capacitors in the circuit part with a large available area, accurate imaging with no distortion from dark scenes to extremely bright scenes is possible. For example, as shown in Fig. 9, with the OPF CMOS image sensor, when buildings are photographed while panning [5] at high speed, even in scenes with high contrast like a bright sky and dark windows, it is possible to acquire image data maintaining all gradations of the whole area without distortion.

Sensitivity Modulation Example 2: “Electrical ND Filter Technology” which can change sensitivity continuously and steplessly

Conventionally it has been necessary to provide a plurality of ND filters according to photographing conditions and change them many times. On the other hand, in the OPF CMOS image sensor, merely by controlling the voltage applied to the OPF (VITO in Fig. 8) and changing the sensitivity of the OPF to the desired value, it is possible to electrically implement the ND filter function. By using this function, it becomes possible to simplify the photographic equipment and continuously, steplessly control the sensitivity which could not be realized with a conventional silicon sensor. Therefore, the possibility of capturing according to the scene is expanded.


In the future, we will utilize this OPF CMOS image sensor technology in various applications such as broadcasting cameras, surveillance cameras, industrial inspection cameras, automotive cameras, etc., and will contribute to realize high resolution, high speed and high precision imaging and sensing functions.

Technical Terms:

[1] Global shutter:
Shutter operation which can captures the image at the same time with all pixels. Organic CMOS image sensors operate in rolling shutter mode in which exposure and shutter operation is executed row by row.
[2] ND filter
Abbreviated name of neutral density filter.
A filter that functions to evenly absorb light in the visible range and reduce only the light intensity without affecting color.
[3] Sensitivity modulation
The photoelectric conversion efficiency is changed according to the control. In the OPF CMOS image sensor, the photoelectric conversion efficiency can be changed by controlling the voltage applied to the OPF.
[4] Dynamic Range
Range of brightness that can be imaged.
(Ratio between the largest and the smallest values of brightness.)
[5] Panning
A technique for capturing wide scenes by moving the framing in the horizontal direction with a fixed camera, which is a common video capturing technique.

Articles: Digital Photography Review (dpreview.com)

 
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Sensor breakthrough: Sony has developed a backlit CMOS sensor with global shutter

17 Feb

Sony has made something of a breakthrough in sensor development, announcing a new backside-illuminated stacked sensor that can read out every pixel simultaneously to enable global shutter. While the company has only made it work with a 1.46-million-pixel sensor so far, the nascent technology has significant potential.

The sensor is able to read out from every pixel instantly because each pixel has its own analog-to-digital converter (ADC) buried in a ‘bottom chip,’ which is stacked beneath a ‘top chip’ containing the active, photosensitive pixels. This allows all exposed pixels to be read simultaneously, rather than sequentially row-by-row as is done with traditional CMOS sensors containing far fewer ‘column parallel’ ADCs.

This instant read-out avoids the rolling shutter distortion caused by the time delay as each row of pixels is recorded one after the other. In most existing chips, fast-moving objects become warped as they progress across the frame, because the pixels at the top of the sensor were read earlier than those at the bottom. This can also lead to banding under certain types of artificial lighting.

Global shutter—reading out all of the pixels at once—solves both these problems.

Shot with an exposure time of 0.56ms

Sony claims its sensor is the first back-illuminated high-sensitivity CMOS sensor with pixel-parallel ADCs and a pixel-count greater than 1 million.

While one million pixels may not be much good to photographers, this is a big step towards the production of a photographic quality sensor. Chips with ‘global shutter’ need only an electronic shutter to record undistorted action pictures, boast the ability to use short electronic shutter speeds with flash, and are able to work under fluorescent and solid state (LED) lighting without banding.

In the end, a global shutter sensor like this be useful for both still and movie photographers.

It’s also a major improvement over current global shutter CMOS sensors, which have a photosensitive pixel, and then a ‘storage’ pixel that the charge is transferred to after the exposure is made. This storage pixel holds the charge until the column ADCs read out, row by row. The problem with this approach is that your active pixel area now has a bunch of dead space per pixel taken up by the ‘storage pixel’.

By going BSI and stacked, we believe this technology eliminates the need for the storage pixel entirely, because you can read all the pixels at once at the end of your exposure.

The company says it has had to include 1000x more ADCs than it would normally in a 1MP sensor. The extra ADCs would require far more current, so Sony developed low current, compact ADCs for this chip. Additionally, new high speed data transfer construction allows for the fast read and write speeds required to operate all the ADCs in parallel and transfer the digital data.

While it might be some time before one is ready for use in a standard camera, this is a big step forward for global shutter sensor technology, which has traditionally been plagued by higher noise levels and lower dynamic range.

When will we see it scaled up to larger, smaller pixel pitch higher-resolution sensors? Hard to tell, but we’re keeping our fingers and toes crossed.

Press Release

Sony Develops a Back-Illuminated CMOS Image Sensor with Pixel-Parallel A/D Converter That Enables Global Shutter Function

Sony CorporationSony Semiconductor Solutions Corporation Tokyo, Japan – Sony Corporation today announced that it has developed a 1.46 effective megapixel back-illuminated CMOS image sensor equipped with a Global Shutter function*1. The newly developed pixel-parallel analog-to-digital converters provide the function to instantly convert the analog signal from all pixels, simultaneously exposed, to a digital signal in parallel. This new technology was announced at the International Solid-State Circuits Conference (ISSCC) on February 11, 2018 in San Francisco in the United States.

CMOS image sensors using the conventional column A/D conversion method*2 read out the photoelectrically converted analog signals from pixels row by row, which results in image distortion (focal plane distortion) caused by the time shift due to the row-by-row readout.

The new Sony sensor comes with newly developed low-current, compact A/D converters positioned beneath each pixel. These A/D converters instantly convert the analog signal from all the simultaneously exposed pixels in parallel to a digital signal to temporarily store it in digital memory. This architecture eliminates focal plane distortion due to readout time shift, making it possible to provide a Global Shutter function*1, an industry-first for a high-sensitivity back-illuminated CMOS sensor with pixel-parallel A/D Converter with more than one megapixel*3.

The inclusion of nearly 1,000 times as many A/D converters compared to the traditional column A/D conversion method*2 means an increased demand for current. Sony addressed this issue by developing a compact 14-bit A/D converter which boasts the industry’s best performance*4 in low-current operation.

Both the A/D converter and digital memory spaces are secured in a stacked configuration with these elements integrated into the bottom chip. The connection between each pixel on the top chip uses Cu-Cu (copper-copper) connection*5, a technology that Sony put into mass production as a world-first in January 2016.

In addition, a newly developed data transfer mechanism is implemented into the sensor to enable the high-speed massively parallel readout data required for the A/D conversion process.

*1:A function that alleviates the image distortion (focal plane distortion) specific to CMOS image sensors that read pixel signals row by row.*2:Method where the A/D converter is provided for each vertical row of pixels in a parallel configuration.*3:As of announcement on February 13, 2018.*4:As of announcement on February 13, 2018. FoM (Figure of Merit): 0.24e-?nJ/step. (power consumption x noise) / {no. of pixels x frame speed x 2^(ADC resolution)}.*5:Technology that provides electrical continuity via connected Cu (copper) pads when stacking the back-illuminated CMOS image sensor section (top chip) and logic circuits (bottom chip). Compared with through-silicon via (TSV) wiring, where the connection is achieved by penetrating electrodes around the circumference of the pixel area, this method gives more freedom in design, improves productivity, allows for a more compact size, and increases performance. Sony announced this technology in December 2016 at the International Electron Devices Meeting (IEDM) in San Francisco.

Main FeaturesGlobal Shutter function*1 achieved in a high-sensitivity back-illuminated CMOS image sensor by using the following key technologies:

Low-current, compact pixel-parallel A/D converter In order to curtail power consumption, the new converter uses comparators that operate with subthreshold currents, resulting in the industry’s best-performing*4, low current, compact 14-bit A/D converter. This overcomes the issue of the increased demand for current due to the inclusion of nearly 1,000 times as many A/D converters in comparison with the traditional column A/D conversion method*2.

Cu-Cu (copper-copper) connection*5 To achieve the parallel A/D conversion for all pixels, Sony has developed a technology which makes it possible to include approximately three million Cu-Cu (copper-copper) connections*5 in one sensor. The Cu-Cu connection provides electrical continuity between the pixel and logic substrate, while securing space for implementing as many as 1.46 million A/D converters, the same number as the effective megapixels, as well as the digital memory.

High-speed data transfer construction Sony has developed a new readout circuit to support the massively parallel digital signal transfer required in the A/D conversion process using 1.46 million A/D converters, making it possible to read and write all the pixel signals at high speed.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix ZS200 offers 1″ sensor and 24-360mm equiv. zoom in a pocketable form factor

13 Feb

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Panasonic has announced the ZS200/TZ200, a 20MP 1″-sensor compact that updates the existing ZS100 and its 25-250mm equiv. zoom with a 24-360mm equiv. F3.3-6.4 lens that’s both slightly wider and much longer (though a bit slower).

Like its predecessor the ZS200 offers a 3″ touchscreen, accompanied by an upgraded 2.3 million-dot EVF with 0.53x magnification. Contrast detect autofocus is aided by Panasonic’s very good Depth from Defocus technology, and up to 10 fps burst shooting is available with AF-S (6 fps in AF-C). Rounding out a travel-friendly feature set are 4K video, Wi-Fi with Bluetooth, 5-axis image stabilization and a new L.Monochrome Photo Style for a black-and-white film look.

The ZS200’s 3840 x 2160 4K recording is offered at 30p and 24p. Familiar 4K Photo features like Post Focus are available, in addition to a couple of new modes. Auto Marking analyzes a 4K video clip and automatically marks points at which it detects action. Sequence Composition allows you to composite multiple frames of a moving subject in front of a static background into a single image – think of the images you see of a snowboarder frozen mid-flight in the various stages of a jump.

The Panasonic ZS200 boasts an improved battery life of 370 shots per charge (the ZS200 claimed 300) thanks to a new eco-friendly mode. It will ship in mid-March for $ 799 in your choice of gunmetal silver or black.

Press release:

LUMIX DMC-ZS200 Travel Zoom Camera

Powerful 15x Optical Zoom with 1-in. 20.1-MP High Sensitivity MOS Sensor for 4K Video/ 4K PHOTO Capability

Newark, NJ (February 13, 2018) –Panasonic is proud to introduce the LUMIX DMC-ZS200, the new flagship camera of the popular Travel Zoom series. The compact LUMIX ZS200 comes with a 24mm ultra-wide angle LEICA DC VARIO-ELMAR lens and enhanced 15x optical zoom (35mm camera equivalent: 24-360mm). The camera also includes 5-Axis HYBRID Optical Image Stabilizer Plus*1 to suppress hand-shake in both photo and video recording. For added creativity the LUMIX ZS200 integrates a new L.Monochrome mode in Photo Style for monochrome images with rich B/W film gradation.

The camera’s 1-inch MOS sensor produces high-quality images with stunning details. The combination of a High Sensitivity MOS Sensor and Venus Engine delivers up to ISO 12,800 for high sensitivity quality beyond the reach of most other digital compacts. And an upgraded Live View Finder (LVF) integrates a new 0.21-in. 2,330K-dot equivalent LVF to provide a high magnification ratio of approx. 1.45x/0.53x (35mm camera equivalent). Both LVF and a 3-in. touchscreen display provide approx. 100% field of view. The LUMIX ZS200 boasts exceptional optical performance with stunning clarity with minimum distortion and flare. This new lens system also enables stunning close-up shots with its 3cm macro capability.

With the LUMIX ZS200, 4K video recording is every bit as stunning with high-resolution QFHD 4K video in 3840×2160 at 30p or 24p in MP4. And 4K PHOTO lets LUMIX ZS200 users capture memorable moments by extracting single frames from 4K burst files shot at 30 fps to save as 8-megapixel equivalent images. Auto Marking and Sequence Composition, included in addition to Post Focus and Focus Stacking, make 4K PHOTO even easier to use.

A Contrast AF System features DFD (Depth From Defocus) technology*2 and excels in both speed and accuracy for ultra-fast auto focusing in approx. 0.1 sec*3. The LUMIX ZS200 includes Bluetooth and Wi-Fi® connectivity for a more flexible shooting experience and instant image sharing. Compatibility with Bluetooth 4.2 (Bluetooth Low Energy) enables a consistent connection with a smartphone or tablet with minimum power consumption.

The independent dials and Control Ring located on the lens barrel provide an intuitive way to capture creative vision. Smoother control of exposure and zoom allows users to concentrate on framing the perfect picture and press the shutter at the perfect moment. It also provides easier access to frequently-used settings such as aperture, shutter speed, focus, filter effect and scene mode. For even more precise control over focusing, the LUMIX ZS200 also boasts a Focus Peaking function that shows the peak of focus in manual focus mode to ensure users know exactly where the focus is.

The LUMIX ZS200 will be available in stores on March 20, 2018. Suggested retail price is $ 799.99. Available in Black and Silver.

Additional features

Bluetooth 4.2 and Wi-Fi 2.4GHz (IEEE802.11b/g/n)
The LUMIX ZS200 integrates Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Once the camera is connected to a smartphone or tablet installed with the Panasonic Image App for iOS / Android, users can shoot, browse and share images remotely. They can also choose the quality of images to transfer using the Image App. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables a constant connection with a smartphone/tablet with minimum power consumption. This activates the camera by simply using a smartphone/tablet or to automatically add GPS geotags on the photos.

• Long battery life and AC/USB Power Charging
Thanks to a newly adopted eco30fps mode, the LUMIX ZS200 provides long battery life for approx. 370 pictures (when using a rear monitor) per charge. The battery is recharged via AC or USB according to user convenience.
• Exposure / WB / Focus / Aperture Bracket
Focus Bracket and Aperture Bracket are new additions to the conventional Exposure Bracket and WB Bracket to let users choose their best shots later. In Focus Bracket, a maximum 999 images can be shot with different focus points. The Aperture Bracket enables multiple shots with different depths of field.
• In-Camera RAW Data Development
• The LUMIX ZS200 can shoot images in RAW and develop them in-camera.
• LEICA is a registered trademark of Leica Microsystems IR GmbH. • LEICA DC VARIO-ELMAR lenses are manufactured using measurement instruments and quality assurance systems certified by Leica Camera AG according to the company’s quality standards.
• “AVCHD Progressive”, “AVCHD”, the “AVCHD Progressive” Logo and the “AVCHD” Logo are trademarks of Panasonic Corporation and Sony Corporation.
• Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are trademarks of Dolby Laboratories.
• All other company and product names are trademarks of their respective corporations.
• The LUMIX ZS200 is compatible with both SD/SDHC/SDXC Memory Cards. Use SDHC/SDXC Memory Cards on compatible devices only. SDHC/SDXC Memory Cards cannot be used with devices compatible only with SD Memory Cards. (Before using an SDHC/SDXC Memory Card in another device, read the operating instructions for that device.)
• Some accessories are not available in some countries.
• Design and specifications are subject to change without notice.

*1 5-axis compensation works in video recording except for 4K video recording.
*2 Works for still image recording.
*3 Based on the CIPA standard.

Panasonic Lumix DC-ZS200 specifications

Price
MSRP $ 799
Body type
Body type Large sensor compact
Body material Metal
Sensor
Max resolution 5472 x 3648
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type CMOS
Processor Venus Engine
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800 (expands to 80-25600)
Boosted ISO (minimum) 80
Boosted ISO (maximum) 25600
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Optical
Image stabilization notes Hybrid 5-axis available in movie mode
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.31)
  • Raw (Panasonic RW2 format)
Optics & Focus
Focal length (equiv.) 24–360 mm
Optical zoom 15×
Maximum aperture F3.3–6.4
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2X)
Manual focus Yes
Normal focus range 50 cm (19.69)
Macro focus range 5 cm (1.97)
Number of focus points 49
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 1,240,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.53×
Viewfinder resolution 2,330,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Aperture Priority
  • Shutter Priority
  • Manual
Scene modes
  • Clear Portrait
  • Silky Skin
  • Backlit Softness
  • Clear in Backlight
  • Relaxing Tone
  • Sweet Child's Face
  • Distinct Scenery
  • Bright Blue Sky
  • Romantic Sunset Glow
  • Vivid Sunset Glow
  • Glistening Water*
  • Clear Nightscape
  • Cool Night Sky
  • Warm Glowing Nightscape
  • Artistic Nightscape
  • Glittering Illuminations
  • Handheld Night Shot
  • Clear Night Portrait
  • Soft Image of a Flower
  • Appetizing Food
  • Cute Dessert
  • Freeze Animal Motion
  • Clear Sports Shot
  • Monochrome
Built-in flash Yes
Flash range 6.80 m (at Auto ISO)
External flash No
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 secs, 3 shots @ 10 sec)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 1/2 EV, 1 EV steps)
Videography features
Format MPEG-4, AVCHD, H.264
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 20 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 30p / 10 Mbps, MOV, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-I compatible)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (microHDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2 LE
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description Lithium-ion battery & charger
Battery Life (CIPA) 370
Weight (inc. batteries) 340 g (0.75 lb / 11.99 oz)
Dimensions 111 x 66 x 45 mm (4.37 x 2.6 x 1.77)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Rumor: DJI Mavic Pro II will sport 1-inch sensor, may arrive in March

06 Feb

When the DJI Mavic Air came out, we pretty much knew right away that it wasn’t the sequel to the Mavic Pro (or Pro Platium) that many had been hoping for. Following in Apple’s nomenclature footsteps, DJI’s Mavic Air is kind of like the MacBook Air—still powerful, but mostly built for extreme portability, not as a followup to the MacBook Pro.

Fortunately for those people who are still waiting for a true Mavic Pro successor, it sounds like you won’t have to wait very long.

According to a new report from DRN, the upcoming DJI Mavic Pro II is already in production, and may see its official announcement as early as March, 2018. What’s more, DRN got its hands on some rumored specs, claiming the Mavic Pro II will have:

  • A 1-inch CMOS sensor with 28mm lens
  • A 4820 mAh battery that will give it 35 minutes of flight time
  • Binocular rear sensors

They’re also expecting it to take design cues from the sleeker Mavic Air, only in a larger package that can carry the bigger sensor and battery.

As with all rumors, nothing is confirmed until DJI says so, but the drone rumor mill should really heat up ahead of any official announcement in March. In the meantime, the folks at Autel might need to get a head start developing their next drone; that Autel EVO that out-specs DJI’s Mavic Pro Platinum… it might not be superior for long.

Articles: Digital Photography Review (dpreview.com)

 
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Yuneec’s new Typhoon H Plus drone boasts a 1-inch sensor camera that shoots 4K 60p

11 Jan

Hong Kong drone manufacturer Yuneec has announced three new drones at CES, including an update to the popular Typhoon H that boasts a bigger sensor with more resolution and the ability to shoot 4K at 60fps.

The company is also preparing to move into the fixed-wing category with its Firebird FPV, and take on the racing drone sector with the compact HD Racer.

Yuneec Typhoon H Plus

The Typhon H Plus now uses a 1-inch, 20MP sensor along with a wide aperture lens that results in better low light performance. The company doesn’t specify what the aperture is, but it does say that the lens has a focal length equivalent to that of a 23mm lens on a full frame body. The ISO range runs from 100 to 6400, and shutter speeds of between 4-1/8000sec are possible.

The drone has a flight time of up to 25 minutes and can reach speeds of 13.5 meters per second (just over 30 miles per hour). With six large rotors the hexcopter provides stable flight in winds of up to 30mph, while a new design sees the machine producing 40% less noise.

Yuneec Firebird FPV

For a completely different experience, the fixed-wing Firebird FPV, “enables the user to fly just as if they were in the cockpit of a real airplane.”

The airplane has a 13MP-sensor camera and can also shoot 4K video. It uses a ‘short-latency’ digital video link to stream footage back to Earth in high-definition. The craft is simple to fly and, according to Yuneec, can remain in the air for up to 30 minutes on a single charge.

Yuneec HD Racer

The HD Racer is designed to be a fun, portable quadcopter for use in indoor racing. It has a 13MP camera that can record 1080p video at 60fps, and it has a handy flip-over feature that allows the user to right the craft remotely should it land upside down at any stage.


The Typhon H Plus and Firebird FPV will ship in the first half of 2018 and will cost $ 1,800 and $ 700, respectively. The HD Racer will come out later in the year, and should cost $ 180. For more information on any of these drones, visit the Yuneec website.

Press Release

Yuneec unveils new product releases at CES 2018

Las Vegas (Jan. 09, 2018) – Yuneec entered two new categories with the unveiling of the all-new fixed wing Firebird FPV and all-new HD Racer for a more immersive flight. Additionally, the company announced the second generation of its proven six-rotor hex platform, Typhoon H Plus—its most powerful consumer product yet.

The category expansion and product line advancements are a result of Yuneec’s ongoing commitment to deliver industry leading technologies and pilot-centric features for an unparalleled electric aviation experience.

Typhoon H Plus

Typhoon H Plus is packed with powerful features and professional image quality that photographers at any skill level will enjoy. The second generation of Typhoon H features Yuneec’s all-new, larger, highly stable six rotor hex airframe.

With a 40 percent reduction in noise from previous hex models, and stable flight in winds up to 30mph, H Plus leads its category in stable flight and quiet operation.

Designed with the creative consumer in mind, Typhoon H Plus is equipped with a high aperture one-inch sensor camera capable of 20 megapixel stills and 4K resolution video at 60fps. The new model also boasts an improved low-light performance compared to previous models. A continuous rotation gimbal combined with retractable landing gear provides seamless 360-degree unobstructed views.

Typhoon H Plus comes equipped with Intel® RealSense™ Technology, a sophisticated collision avoidance system that detects obstacles and intelligently navigates around them. With this feature, drone pilots can worry less about obstacles and focus more on their flight path and camera work. Additionally, the Typhoon H Plus is accompanied by a newly redesigned Android-based ST16S controller, which includes a large, high brightness seven-inch integrated display and HD 720p video downlink for stunning real-time video reception.

HD Racer

The HD Racer, Yuneec’s first racing drone, fits in the palm of your hand and once in the air, gives pilots an immersive experience with cutting-edge technology.

Built-in flight stabilization, with beginner and advanced modes, allow any skill level of pilot to experience the nimble, action packed experience of a racing drone. Its compact size, protected blades, and durable construction make it safe to fly indoors.

While in the air, pilots can seamlessly navigate through any obstacle with an optimized, all-digital, low latency HD video downlink. Additionally, pilots can record and share their best racing moments in high resolution 1080p at 60fps. If pilots do catch an obstacle, ‘Flip-Up’ mode automatically uprights the downed HD Racer to maximize flying and minimize downtime.

Firebird FPV

Firebird FPV provides a fully immersive real-time outdoor flight experience, allowing the user to fly as if they were in the cockpit of a real airplane.

The lightweight fixed-wing design extends the flight time to 30 minutes, which allows users to experience the true nature of piloting an aircraft in one continuous journey. Whether soaring the open sky or performing acrobatic maneuvers including inverted flight, rolls and loops, the Firebird FPV elevates the senses for new and experienced pilots alike.

Its operation is simple and easy to fly at any skill level. Pilots can enable Safety Mode to remove all concern of flying too low by making it impossible to descend below the set floor altitude. Pilots will also appreciate Return Home, Geo Fence and Auto Landing capabilities of this easy-to-use fixed wing aircraft.

Articles: Digital Photography Review (dpreview.com)

 
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