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Posts Tagged ‘REVIEW’

Just Posted: Ricoh GR Review

20 Jun

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Just Posted: Our review of the Ricoh GR, compared with the Nikon Coolpix A. We’ve already reviewed the conceptually similar Nikon Coolpix A and concluded that in some respects it was it out-gunned by the Ricoh, so what does that mean for the GR? We’ve delved into the Ricoh’s menus to get to grips with what it’s capable of and explored a range of its interesting features. Read our comparative review to see how it performs and what we concluded about the Ricoh.

News: Digital Photography Review (dpreview.com)

 
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Just posted: Our Canon PowerShot D20 underwater camera review

19 Jun

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We’ve posted the first in a series of six reviews of rugged/waterproof compact cameras. First up is the Canon PowerShot D20, whose fish-inspired design can go for swim, get dropped on the floor, and shoot in freezing temperatures. Once we’ve completed our reviews of all six cameras, we’ll put together a comparison, so you can find out which is best-in-class. Follow the link to see how the PowerShot D20 performed in our tests.

News: Digital Photography Review (dpreview.com)

 
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Pentax Q10 Review

17 Jun

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Pentax is not a company to sit quietly on the sidelines and watch the traffic go by. The most recent and startling example of this was the introduction of the Marc Newson designed camera, the K-01.

Going further back and with more relevance to this camera under review were some Pentax products way back in the film era. Remember those times?

The 1970s saw the minuscule 110 format launched by Kodak and a whole avalanche of cameras appeared from seemingly every camera maker that accepted the tiny film cartridge.

And Pentax were in there with the Auto 110, an interchangeable lens reflex camera. Can you believe it!

The camera was so tiny the lens aperture was not built into the lens but into the camera body and doubled as the shutter!

The relevance of this camera is in the film area: each frame measured 13x17mm. Diagonal measurement: 21.4mm.

Welcome to the Pentax Q10!

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The light sensitive area of the sensor is 6.17×4.55mm and its CMOS diagonal is 11.04mm.

By referring to the diagonal, the Pentax Q10 would have an effective 35 SLR equivalent factor of 5.53. This makes it ‘the world’s smallest, lightest digital interchangeable lens camera.’

The review camera was supplied with two lenses: an f2.8/5-15mm and an f2.8/15-45mm. Applying the factor of 5.53 would make the former have a zoom range (as a 35 SLR equivalent) of 27.6-82.95mm and the latter as 82.95-248.85mm. Got that?

Taking it further, you can acquire an adapter Q to accept the Pentax K-mount lenses. So, attach a Pentax 300mm lens and you get a 1650mm! There are other ways to attach Leica, Nikon or Olympus lenses.
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Not only is the Q10 novel in many respects but, as an indicator of it eventual market, the Q10 can be bought in any of 100 ‘pop-tastic’ colour combinations!

The idea is to make the Q10 a fun camera to take fun photos. The whole digital camera game, I reckon, is now sufficiently broad to allow models such as this to catch your attention.

To be realistic, the Q10 is barely smaller than many fixed lens compact digicams. For example, take Sony’s Cybershot HX9V digicam: it measures 104.8x59x33.9mm while the Q10 measures 102x58x34 mm. Comparative weight? Sony: 245g. Pentax (with 5-15mm lens): 280g.

Add a lens and you get the full picture: it looks like a real fun camera. Hold the magnesium alloy body, attach a lens, it and looks and feels right! The rubberised surface makes handholding a treat, aided by a relatively prominent speed grip.

(insert Civic centre 2, Shop front 1, Play centre and Shop front 1)

Pentax Q10 Controls

Front panel: right next to the lens is a ‘quick dial’ button to which you can assign frequently used functions.
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Top deck: tap the flash button and you will be surprised at how high the pantograph raises the flash cell; from flash to lens centre is a healthy, anti red eye 70mm!

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To the right you’ll find the replay, power and shutter buttons, flanked by the mode dial and a controller called the E-dial. The mode dial has positions for auto, PASM, video record, scene modes (21 in all: portrait, macro, food etc) and a blurr control setting. The latter lets you shoot a picture ‘that looks as if it was taken with a wide-open aperture and shallow depth of field’; it shoots multiple images with different focus positions and merges them into a single picture.

The E-dial in shoot mode lets you set shutter speed, aperture and exposure values; in replay it will enlarge the on screen image.

Rear: a button for exposure compensation; trash; four way jog dial with positions for flash options, ISO setting, white balance and self timer. In the centre is an OK confirm button. Lower down are info and menu buttons.
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Unusually, there are side hatches for the battery and a memory card.

Overall, a terrific and workable layout, despite the camera’s small size. With one caution: while the various controls are clearly labelled in smallish white text, the actual buttons are black on a black background: difficult to see the actual button you need to press.

Pentax Q10 Features

The Q10 has an internal stabiliser, thanks to a shifting sensor, so all lenses can be used with no shake.

It also has a supersonic vibration mechanism, which vibrates the image sensor at high speed to shake the dust off its surface.

The maximum image size is 4000×3000 pixels, so expect to make a 34x25cm print.

Video is captured in FullHD at 19209x1080m pixel resolution.

As with its stablemate, the Ricoh GR, there is only one ‘shoot’ button (for stills and video). I had a bit of a contretemps with the camera at this stage with video record: I couldn’t make it bend to my wishes!

No help in the manual. But at last I found the answer on the Internet: you must gently depress the shutter button to confirm auto focus; once the confirmation green square appears on screen you then depress the shutter button all the way and … voila! You’re recording! Hope this helps yo’all!

Pentax Q10 ISO Tests

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Pentax Q10 ISO 400.JPG

Pentax Q10 ISO 800.JPG

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The Q10 performed very well up to ISO 3200, with noise not too objectionable. Even at ISO 6400 you could use it for some subjects.

Pentax Q10 Review Verdict

Quality: about average. No more.

Why you’d buy the Pentax Q10: small; you can add a bundle of lenses.

Why you wouldn’t: is it really a better alternative than a fixed lens, compact digicam?

A novel camera for the person who has everything.

Pentax Q10 Specifications

Image Sensor: 12.4 million effective pixels.
Sensor: 11mm CMOS.
Lens: Mount: Pentax Q.
Lens Factor: 5.53.
Metering: Multi segment, centre-weighted, spot.
Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
Shutter Speed: 30 to 1/2000 second, Bulb. Flash sync: 1/2000 sec (electronic shutter).
Memory: SD/SDHC/SDXC.
Image Sizes (pixels): Stills: 4000×3000 to 1440×1440.
Movies (30 fps): 1920×1080, 1280×720, 640×480.
Continuous Shooting: 1.5 or 5 fps.
Viewfinder: 7.6cm LCD screen (460,000).
File Formats: RAW (DNG), JPEG, RAW+JPEG, MPEG4.
Colour Space: sRGB, Adobe RGB.
ISO Sensitivity: Auto, 100 to 6400.
Interface: USB 2.0, HDMI type D, AV, DC input.
Power: Rechargeable lithium ion battery, DC.
Dimensions: 102x58x34 WHDmm.
Weight: 200g (inc battery, card).
Price: Get a price on the Pentax Q10 at Amazon.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

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Accessory Review: GigaPan Epic Pro

15 Jun

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The GigaPan EPIC Pro is an affordable motorized panorama head for DSLRs, built to create high-resolution images from multiple frames. in this article, Ireland-based landscape photographer Carsten Krieger takes the device out into the field to put it through its paces. Click through for a link to the full review. 

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Richoh GR Review

15 Jun

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I’m not sure how the Ricoh GR one will do in the marketplace, now that smartphones are gnawing away at the digicam sector. But, I figure it will have enormous appeal to enthusiasts and the adventurous. After all, how many people do you know who will die for a fixed lens camera?

But wait, it images to an APS-C sized CMOS. Surely worth a dollar or two and a moment of your time to peruse this review.

The Pentax GR is a small, magnesium alloy bodied compact camera with an f2.8 lens equivalent to a 28mm 35 SLR optic. It succeeds the 2011 camera — the GR DIGITAL IV — and upgrades the basic specs and functions of that model.

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Ricoh GR Features

The lens diaphragm is nine-bladed, so highlights are reproduced naturally; I found I could shoot directly into the light without annoying flares (see the video).

An internal neutral density filter is accessed via the finder menu: handy to slow the shutter speed for shooting flowing subjects like tides, waterfalls etc.

The 16.2 million pixel CMOS captures a maximum image size of 4928×3264 pixels, leading to a 42x28cm print.

Video? Full HD capture at 1920×1080 pixels. In video, the GR takes a different path to every other digicam on the market in requiring you to tap the same shutter button for stills and video recording. I fell foul of this situation a number of times, thinking I was shooting video when I was actually shooting stills! And vice versa!

You can easy fall into this trap as the LCD display has text of an inordinately small size, so you can easily be unaware of where you’re at! So, naturally, you can’t shoot stills while recording video.

But … you can add effects such as Retro and Bleach Bypass to a video recording.
Another: Ricoh calls it an Interval Composite mode. The camera can be set to fire off a sequence of timed exposures of the night sky at a fixed interval, then it selects and combines only the high-luminance pixel data from each of those images to produce a single composite image. Great when you want to combine the trails of the moon and the stars with a landscape.

There is a useful dual-axis on screen level for horizontal and vertical alignment.

And catch this: not only does the camera offer Bulb and Time for long exposures but you can also set the shutter to fire off exposures between 1/4000 second and 300 seconds. That’s right: five minutes!
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Ricoh GR Layout

There are relatively few external controls.

At the side of the camera: a flash activation button and beneath it is a button giving access to a range of image effects: retro, high key, miniaturise, cross processing, B&W etc. The B&W mode actually offers three variations: straight mono; tinted mono; high contrast mono.

Top

: on/off button; shutter button; mode dial with positions for auto, PASM, MY1/2/3 user settings and video record. This has a useful detent button that avoids the chance of an accidental alteration to the setting.

Rear

: just over the lip is an up-down lever that adjust shutter speed and lens aperture. Off to the right is a button to alter exposure compensation and another to give you screen replay.

Lower down is an AF function button and lever. Set the lever to the Continuous AF (C-AF) mode and you can shoot a series of sharp images of a moving subject by tapping the shutter release button while pressing the AF button. An optional setting takes you to a continuous shooting mode, activated while the C-AF button is pressed.

Lower still is the four way jog dial that gives access to white balance settings, menu, a function button, flash options plus macro. And here’s a trap that’s easy to fall into: set the macro function on the rear four way jog dial, turn off the power, turn it back on again and the macro function is still active. Dangerous if you want to shoot distant subjects in a hurry!

And lower again are buttons for the self timer and screen display options.
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The rear screen menu options are extensive, identified by a no frills list of text options.

Ricoh GR ISO Tests

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Ricoh GR ISO 400.JPG

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Ricoh GR ISO 6400.JPG

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A slight increase in noise became evident at ISO 3200 which rose even further by ISO 6400. At ISO 12800 noise rose further still but IMHO the overall quality made it useful for some shots.

ISO 25600: it’s all over Rose! High noise level, poor sharpness, muddy colour.

Startup Time

I was able to take my first shots just two seconds after startup. Follow ons came in faster than I could hit the shutter!

Distortion

There is slight barrel distortion.

And a note: if you need more coverage with the fixed lens you can buy an optional wide lens converter that will effectively give you the 35 SLR equivalent of 21mm.

Ricoh GR Verdict

Quality: excellent in all respects: vivid, natural colour, razor sharpness. A top performer.

Why you’d buy it

: top lens; small form factor; copious shooting features.

Why you wouldn’t

: unless you surrender to the principle of a fixed focal length lens you will be frustrated; no stabiliser so it makes it less than perfect for handheld video shooting.

A camera for the specialist.

Ricoh GR Specifications

Image Sensor: 16.2 million effective pixels.
Metering: Multi zone (484), centre-weighted average; spot.
Sensor Size: 23.7×15.7mm CMOS (APS-C).
Lens: f2.8/18.3mm (28mm as 35 SLR equivalent).
Exposure Modes: Program AE, shutter and aperture priority, manual.
Shutter Speeds: 300 to 1/4000 second, Bulb and Time; movies 1/60-1/2000 second. check
Memory: SD/SDHC/SD/SDXC/Eye-Fi plus 54 MB internal memory.
Image Sizes (pixels): 4928×3264 to 640×480. Movies: 1920×1080, 1280×720, 640×480.
File Formats: RAW, JPEG, MPEG4.
ISO Sensitivity: Auto, 100-25600.
Viewfinder: 7.6cm LCD screen (1.23 million pixels).
Interface: USB 2.0, HDMI mini, AV.
Power: Rechargeable lithium ion battery, DC input.
Dimensions: 117x61x34.7 WHDmm.
Weight: Approx. 245 g (inc card and battery).
Price: Get a price on the Ricoh GR at Amazon.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Richoh GR Review


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Canon EOS 700D / EOS Rebel T5i review updated with lens data

15 Jun

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We’ve updated our review of the Canon EOS 700D / EOS Rebel T5i with lens data and analysis of the camera’s 18-55mm STM F/3.5-5.6 IS kit zoom, with an example of its AF performance in video mode. As this lens is about the only change of significance with the EOS 700D release, we thought we’d incorporate our findings directly inside the review for your convenience. Click through to find out what this updated kit zoom offers.

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Sony Xperia Z Camera Review: Do its impressive specs measure up?

13 Jun

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Sony’s flagship Xperia Z offers some head-turning specs, including a 13-megapixel primary camera and a high-definition 1920×1080 443 ppi display on its 5-inch screen. It’s even and water- and dust-resistant — the ad campaign shows users rinsing the Xperia Z off by pouring water over it. We were eager to see if these exciting features make for a quality mobile camera. See our findings on connect.dpreview.com.

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Pompidoo Palermo Camera Bag Review

13 Jun

POMPIDOO BAG REVIEW

www.pompidoo.com

Until recently I wasn’t fully aware of the availability of such stylish camera bags for women, until I received the opportunity to review this refined camera accessory.

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The Palermo Camera Bag by Pompidoo is a very stylish and functional way to carry your camera equipment to any occasion. Whether I’m out taking photos, or having a milkshake with my family, this bag plays it’s part perfectly.

When I’m out taking photos, I love the fact that this Palermo bag doesn’t look like a typical camera bag. As well as looking stylish this bag acts as a great safety function for the “Female Street Photographer” like myself, the general person on the street wouldn’t realise your carrying expensive camera equipment as it looks just like a larger style hand-bag.

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First Impression was ‘Style & Quality’.
I was very impressed by how the bag was packaged when I opened the shipping carton; it was very protected. My initial impression to the Palermo Bag was quality of the leather and fixtures then the lining inside and padding.

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What I Loved

1. There’s something special about handmade European leather goods. The quality of the genuine bane leather is simply beautiful and it has a pearl touch to it. The bag comes in 3 different colours, this one that I am using is Kitty Red, which I love.

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2. The two carry options. The Palermo Bag has two handles to use like a carry bag or an adjustable de-attachable cross shoulder strap. The leather strap I found to be very functional and comfortable for those longer photo walks, it made it easy to distribute the weight of my equipment evenly across my back.

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3. The padded main body and the 4 padded Velcro dividers to customise the bag to suit your belongings and keep them well protected. I found it to be the perfect size for my gear, as an example, the equipment for my typical outing would be – Canon 5D MarkII with a 24-70mm lens attached, external flash, 50mm lens and a Lensbaby Spark. I really like the built in padded section with a soft cloth attached to carry your ipad / tablet. The front pocket is ideal to hold camera accessories like CF Cards, cloths, and business cards along with some personal belongings such as your mobile phone, keys and even snacks for my little man ?. There really is plenty of room. There is also a zip pocket at the back, which I found perfect for a notebook to keep any notes or lists.
I need to mention that the floral material used inside this bag is beautiful.

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What Could Be Improved

1. The metal feet are a perfect idea for the bag to stand upright when you place it on the ground in whatever situation or environment, however I did find that the bag would still sometimes fall forward, as if unbalanced. This didn’t happen all the time.

2. I’m not sure if this next feature actually needs to be improved, as this probably would depend on each individual using the bag. I am very fussy with my camera gear and I found when removing my camera from inside the bag, I needed to fold the zipper section back on either side of the main compartment so the zipper wouldn’t scrap along the camera body. I also found that when the zipper section is folded back, it made the top opening larger and easier to view and remove my equipment without obstruction.

Overall, I would recommend Pompidoo products to any Female Photographer who is looking for a bit of “Style, Quality & Functionality”.

Lisa Cole – Melbourne based photographer

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

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Just posted: Our Canon EF 40mm f/2.8 STM lens review

12 Jun

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Just posted: Our review of the Canon EF 40mm f/2.8 STM lens. In the latest of our lens reviews brought to you in partnership with DxOMark, we take a look at Canon’s slimline ‘pancake’ prime for its APS-C and full frame SLRs. It’s one of the smallest and cheapest lenses currently on the market, and includes a stepper motor for silent focusing during movie recording. But does its small size and low price result in compromised optics? Read our review to find out. 

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11 June, 2013 – New Leica X Vario Review on ReidRevies

11 Jun

I’m giving a plug here for my friend Sean Reid and his subscription web site, Reidreviews.

Sean has just published the first review of the new Leica X Vario, which was announced this morning. This is bound to be a somewhat controversial camera (which new Leica isn’t), and if you are interested in what it might havw to offer you then Sean’s write-ups are always a great place to find out what’s what.

 


The Luminous Landscape – What’s New

 
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