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Posts Tagged ‘REVIEW’

Fujifilm 16-80mm f/4 Lens Review: The Best All-Purpose Fujifilm Lens in 2020

21 Aug

The post Fujifilm 16-80mm f/4 Lens Review: The Best All-Purpose Fujifilm Lens in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Is the Fujifilm 16-80mm f/4 OIS the right lens for your needs? Who should think about purchasing it? Can it satisfy beginners? Professionals? Everyone in between?

Fujifilm 16-80mm f/4 review

That’s what this article is all about.

For weeks, I’ve been testing the Fujifilm Fujinon XF 16-80mm f/4 OIS.

And now I’m ready to share my conclusions.

So if you want to find out how this lens performs…

…read on!

Fujifilm 16-80mm f/4 review sample photo
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 65mm | 1/500s | f/8 | ISO 200

Fujifilm 16-80mm f/4: Overview

On the surface, the Fujifilm 16-80mm f/4 is an all-purpose lens that can do pretty much everything.

Fujifilm 16-80mm f/4 review

It offers:

  • An excellent focal length range, stretching from wide to standard to (slight) telephoto (24-120mm on a Fujifilm APS-C camera)
  • Fujifilm’s image stabilization technology (OIS), promising up to 6 stops of extra sharpness
  • A well-built, weather-sealed body with relatively compact dimensions
  • A fixed f/4 aperture, which can’t offer the same low-light or bokeh capabilities as an f/2.8 lens, but is still decently wide
  • 0.25x (1:4) magnification
  • A reasonable $ 800 USD price tag

Put all this together, and you’ve got a lens that should be able to find its way into the kits of landscape photographers, architectural photographers, street photographers, walkaround photographers, and travel photographers alike (and can even work for the occasional close-up shot!).

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 32mm | 1/125s | f/8 | ISO 320

But all-purpose lenses like these tend to fail in a couple of ways.

First, they’re often optically mediocre, especially on the extreme ends of their focal length range.

Second, they’re sometimes slow to focus, which immediately takes them off the table for street photographers, and can be a big issue for travel and walkaround photographers, as well.

So does the Fujifilm 16-80mm f/4 suffer from these same issues?

Well, I’m happy to report that it does not. And while I’ll go more into the details later, I’m prepared to argue that the 16-80mm is one of the absolute best all-around lenses out there, and combines impressive value with fantastic photographic capabilities.

It’s not that the lens doesn’t have any drawbacks; pretty much all lenses, especially sub-$ 1000 lenses, do! But the Fujifilm 16-80mm offers remarkable quality given the price (and will even satisfy both amateurs and professionals).

Let’s take a closer look.

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 80mm | 1/500s | f/8 | ISO 200

Fujifilm 16-80mm f/4: Build and handling

Right out of the box, the Fujifilm 16-80mm feels solid, but not in an annoyingly heavy tank sort of way. It’s just under a pound (0.97 lb/440 g), which is light enough for long days of shooting even when lots of travel is involved. You have a mix of metal and plastic on the body, and a nice, tactile zoom ring smack-dab in the middle of the barrel:

Fujifilm 16-80mm f/4 review

Below the zoom ring is the aperture ring, which fits nicely with Fujifilm’s old-school style and feels great. Above the zoom ring is the focus ring, which is a bit smaller and fast to focus than I’d like, but still very serviceable.

One of the great things about the 16-80mm f/4 is its size. At 16mm, the lens is under 4 inches (10 cm) long and fits firmly in one hand, so you can store it easily in a camera bag or backpack.

And even when zoomed out to 80mm, it feels relatively unobtrusive, which is nice for street photographers hoping to move through crowds unnoticed.

Fujifilm 16-80mm f/4 review

As I mentioned above, the manual focus ring is smoother than I’d like (there’s no real stiffness, at least not on my copy), which is a shame, given how the lens boasts 1:4 magnification for close-up shots on the fly. But the focus ring isn’t bad, and should be fine for casual macro shots.

And I haven’t even mentioned the weather sealing. Honestly, this feels like icing on the cake, and is especially important for street and landscape photographers, who shoot in all sorts of conditions and need a lens that can withstand a bit of water.

(Of course, you’ll want to make sure that you’re also using a weather-sealed body, such as the all-around awesome Fujifilm X-T4!)

Finally, one of the real bonuses on the 16-80mm is the image stabilization. This is a lifesaver in so many situations, from close-ups to low-light street shooting to handheld landscape photography and more (though the exception is photography of fast-moving subjects, where you’ll probably want to opt for a lens with a wide maximum aperture, instead).

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 16mm | 1/125s| f/8 | ISO 200

Fujifilm 16-80mm f/4: Autofocus and focal length

I tested the Fujifilm 16-80mm on the Fujifilm X-T4, and focusing speeds were stellar; the lens was snappy in good light and still pretty strong in low light. I’d expect a slight drop in focusing speeds as you work with other cameras in the Fujifilm lineup, but I can say, without a doubt, that I was happy with the 16-80mm’s performance.

If you’re shooting street-style photos, this fast focusing is essential. And you’re also going to appreciate the 16-80mm’s speed if you grab the occasional action shot while doing walkaround or travel shooting.

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 16mm | 1/250s | f/7.1 | ISO 200

That said, the Fujilm 16-80mm doesn’t really scream fast-paced action, so if you’re looking for some sort of wide sports lens or fast lens for indoor events, I’d suggest going elsewhere. This is thanks to the f/4 maximum aperture, which really isn’t going to get you the shutter speeds you need when shooting fast-moving subjects in low light.

On the whole, however, the Fujifilm 16-80mm f/4 autofocuses very well, and won’t let you down when it comes to capturing the occasional action shot.

In terms of focal length, I absolutely love the 16-80mm range on a crop-sensor camera. You can shoot landscapes at the wide end, zoom in for portraits, and zoom all the way to 80mm for longer street shots.

In fact, I’d argue that the 24-120mm focal length equivalent is one of the best focal length ranges available, especially compared to the standard 16-55mm kit-lens focal length range, which does well on the wide lens but just doesn’t offer that extra bit reach for travel and street scenarios.

Fujifilm 16-80mm f/4: Image quality

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 36mm | 1/250s | f/8 | ISO 200

When I buy a lens, image quality is my greatest concern.

Why?

Because I don’t care if a lens is lightning-fast and is a dream to handle if it can’t deliver sharp images in key scenarios.

Fortunately, I can confirm that the Fujifilm 16-80mm does extremely well optically. At f/4, sharpness is excellent at the center of the frame at all focal lengths, though it does fall off toward the edges of the frame, especially at the focal length extremes (i.e., 16mm and 80mm).

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 80mm | 1/125s | f/8 | ISO 500

That said, edge sharpness is still good at f/4 when shooting in the 30mm to 50mm arena, and edge sharpness improves across the board when you stop the lens down to f/5.6 and beyond (which is really where things start to count for landscape and other detail shooters, anyway).

All in all, you’re going to love the resolution that this lens can provide. You get gorgeous results in the center of the frame, and very good results at the edges when stopped down, which will be enough for most photographers, including professionals.

You also get pretty much zero chromatic aberration, limited distortion, and limited vignetting.

Now, the f/4 maximum aperture isn’t great for low-light shooting. You’re going to want an f/2.8 lens if you plan to shoot indoor events, and you’ll probably also want f/2.8 if you plan to do any astrophotography.

The f/4 maximum aperture is also a problem for portrait photography, where the goal is often to achieve a creamy background blur combined with a sharp subject; at f/4, the blur is nice, but not outstanding (as pictured below).

Fujifilm 16-80mm f/4 review bokeh
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 80mm | 1/250s | f/4 | ISO 200

Who should buy the Fujifilm 16-80mm f/4?

Fujifilm 16-80mm f/4 review

The Fujifilm 16-80mm f/4 is, simply put, an outstanding lens.

It offers the focal length, build quality, autofocus speed, and image quality to be taken seriously by professional landscape and street shooters. It’s also a fantastic walkaround or travel option, given its light weight and compact size, especially when attached to Fujifilm’s smaller camera bodies.

At $ 800 USD, the lens doesn’t come cheap. But the price is far from unreasonable when you consider everything it offers.

Fujifilm 16-80mm f/4 review sample image
Fujifilm X-T4 | Fujifilm 16-80mm f/4 | 80mm | 1/250s | f/8 | ISO 320

So who should purchase this lens?

Pretty much anyone looking for an all-purpose lens who can afford the price tag. The Fujifilm 16-80mm f/4 also does well at street photography, travel photography, walkaround photography, and handheld landscape shooting, and while I wouldn’t recommend it as a primary portrait or macro lens, you can still get some use out of it in both of these genres.

So I absolutely recommend you check it out; the lens is available for $ 799 USD here!


























Rating: 4 out of 5.

The post Fujifilm 16-80mm f/4 Lens Review: The Best All-Purpose Fujifilm Lens in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sony Alpha 9 II review

19 Aug

Introduction

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Product photos by Dan Bracaglia

Gold Award

90%
Overall score

The Alpha 9 II is Sony’s latest high-end sports camera and is capable of silently shooting 24MP images at up to 20 frames per second with no blackout between frames. If that sounds familiar, it’s because the a9 II’s predecessor was similarly capable, but this new version brings some refinements and enhancements to make for a formidable, yet compact, option for professional sports and action photographers.

One of the most significant of updates is a new mechanical shutter mechanism that allows for 10 fps bursts: this is significant because if you find yourself in a situation where you can’t use the electronic shutter for risk of banding or other artifacts, the older model could only muster 5 fps which is a bit uninspiring on a camera meant to specialize in sports and action. Suddenly, this is a camera that will give you a solid burst rate in just about any setting, rather than being best suited for brightly lit outdoor venues.

Key specifications:

  • 24MP full-frame stacked CMOS sensor with 93% autofocus coverage across the frame
  • 20 fps continuous shooting with full AF (electronic shutter)
  • New mechanical shutter rated to 500k shots, allows for 10 fps shooting with full AF
  • 5.5-stop (CIPA rated) 5-axis image stabilization
  • Dual UHS-II SD card slots
  • 3.69M-dot OLED viewfinder (1280 x 960 pixels) with up to 120 fps update
  • 1.44M-dot rear touchscreen LCD
  • Oversampled full width UHD 4K/24p video (1.24x crop for 30p); no Log option
  • Gigabit ethernet, 5GHz Wi-Fi, 10 banks of FTP / camera settings
  • Support for voice memos
  • Battery CIPA rated to 690 shots
  • 678g (24oz)
Processed and cropped in Adobe Camera Raw.
ISO 25600 | 1/800 sec | F2.8 | Sony FE 70-200mm F2.8 GM @ 152mm

With some additional ergonomic tweaks, the Alpha 9 II is an evolution of its predecessor’s revolutionary capabilities, but it remains impressively compact and speedy. And, of course, it comes with Sony’s industry-leading autofocus implementation. It’s available now at an MSRP of $ 4499 USD.


What’s new and how it compares

While the a9 II isn’t quite as revolutionary as its predecessor, it comes with some valuable updates.

Read more

Body, handling and controls

On the outside, the a9 II looks a lot like Sony’s a7R IV with an extra pair of dials on the top left. That’s a good thing.

Read more

Image quality

The a9 II produces lovely images across a variety of situations, with great noise performance and a fantastic JPEG engine.

Read more

Dynamic Range

The a9 II’s dynamic range is up there with the best in its class, but if DR is your main concern, it might not be your best choice.

Read more

Autofocus

The a9 II has, hands down, the best autofocus performance money can buy.

Read more

Video

With oversampled 4K video, the a9 II is great for casual run-and-gun video shooting, but it lacks some options that experienced users will miss.

Read more

Conclusion

It’s compact, it’s a great value, and its autofocus system will all-but-guarantee that you’ll just ‘get the shot.’ Read why we give the a9 II a gold award here.

Read more

Sample gallery

Check out how the a9 II performs right here. Where else will you find a sample gallery with everything from rugby to farm animals?

Read more

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Sigma 85mm F1.4 DG DN Art review

15 Aug

Sigma has been cranking out some fantastic lenses lately, and the new 85mm F1.4 DG DN Art joins the club. Find out why we like this fast, compact lens.

Make sure to visit our updated sample gallery – now with more F1.4 images!

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • The competition
  • Size and weight
  • Controls and handling
  • Close focusing
  • Autofocus
  • Vineyard sample photos
  • Chromatic aberration
  • Bokeh
  • Garden sampl photos
  • Sharpness
  • Flare
  • Video performance
  • Who's it for?

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Sony a7S III initial review updated: excellent rolling shutter rates

13 Aug

We’ve started digging into the a7S III’s video capabilities. Initial results are positive: we measured excellent, sub-10ms rolling shutter rates, and we can confirm that the camera uses a dual gain sensor.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Panasonic S1H ProRes Raw review

08 Aug

ProRes Raw is finally here for the Panasonic S1H. Find out why Jordan says ‘This is absolutely my favorite image from any of the cameras I’ve got right now…’

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • What is ProRes Raw?
  • White balance correction vs. Raw still images
  • Gradeablility vs. internal 10-bit
  • Performance and workflow
  • Punch-in focus
  • Who's it for?

Articles: Digital Photography Review (dpreview.com)

 
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TourBox Review: A Controller to Revolutionize Your Creative Workflow?

07 Aug

The post TourBox Review: A Controller to Revolutionize Your Creative Workflow? appeared first on Digital Photography School. It was authored by Kav Dadfar.

Tourbox review feature image

What is the one thing that all photographers hate? Maybe selfie sticks take the top spot. But close to the top has to be editing.

It is the one part of my workflow that I least look forward to. Like most photographers, I would much rather be spending my time taking photos than sitting in front of a monitor.

For any given assignment, I may come back with between 4000-6000 photos to edit. The quicker I can get through these, the better. So, over the years, I have looked at many ways of speeding up my workflow efficiency. I try to get my pictures as close to the final version as possible in the field. But there will always be some editing needed.

So, when I first learned about the TourBox controller, I was extremely excited to test it out.

tourbox review

About TourBox

TourBox is a controller for digital creators, designed so you can use creative software such as Photoshop and Lightroom more efficiently. TourBox is compatible with Mac and Windows, and works by adding the shortcuts that you might use in your workflow to dials and buttons. This makes it quicker and easier to access software tools and features, which in turn speeds up your workflow.

The company behind TourBox was founded in 2016, and they spent two years developing this console. After a successful Kickstarter campaign, the first finished versions were shipped in July 2019 to 58 countries.

tourbox review

First impressions

The controller arrived in a stylishly-packaged box which would look at home on the shelf of a high-end department store. Inside the box was an instruction manual, a console, and a USB cable to connect the controller to a computer. There was no power cord, as the controller uses power directly from your computer.

tourbox review

One of the first things I noticed about the TourBox controller is how heavy it is. This is great, because it stops the controller sliding around on a desk. There are some grips underneath the console, but the weight helps. I also liked the slick, matte black finish, which is less slippery than gloss.

The controller is approximately 11 cm x 8 cm (and around 4 cm high to the top of the center knob).

tourbox review

Installation

TourBox is quick and easy to install. You simply to go to the TourBox website. Download the drivers and the software for the controller and follow the steps. In all, it took around four minutes for me to download and install everything needed for the console to work.

So, within a few minutes, you are ready to start using the product.

tourbox console

How does TourBox work?

In simple terms, the console replaces the shortcuts that you would type on a keyboard. By using the different dials and buttons, you can replace up to 42 different shortcuts. So, there are plenty of options (depending on how efficient you are with using keyboard shortcuts).

Selecting a shortcut is then a case of clicking different combinations on the controller. For example, in Lightroom, Command/Control+Alt+V is the shortcut for pasting settings from a previous photo to the one you are on. But you can achieve this with one button using the console if you wish.

tourbox settings

Perfect for Lightroom (and Photoshop)

One of the great things about this console is that it comes with functions for Lightroom and Photoshop already programmed in. You can literally open Lightroom and start using the console as soon as it is installed.

You might be asking: Aren’t there more than 42 shortcuts in Lightroom? What the people at TourBox have cleverly done is program shortcuts for the most commonly-used functions.

Things like temperature, tint, exposure, and contrast are controlled by pressing the relevant button. You can then turn the controller dial to adjust the slider. The other nine sliders in the Lightroom Basic panel are controlled by holding a button and clicking a direction on the Dpad.

So, as an example, if you wanted to adjust the saturation, you would hold the top button and tap the “right” arrow on the Dpad. This selects the saturation slider, which you can then adjust with the dial. Once you have selected the slider, it remains selected until you choose something else. So there’s no need to keep the buttons pressed down.

tourbox settings

But how will I remember all the combinations?

First, no need to worry. There is a handy Dpad guide that stays on the screen to show you the different functions. It will change to different combinations when you press any of the buttons on the console.

Even though the guide is on the screen, in reality, you will learn the combinations really quickly. Because let’s be honest: It is much easier to remember to click one or two buttons than four different ones.

Keep in mind that the vast majority of the editing you will do is in the basic panel. So you will be clicking these different combinations all the time. After around 15 minutes, I noticed that I began to use the console without needing the guide.

Lightroom

Customize TourBox to your needs

The console has plenty of space for your own shortcuts (i.e., settings that you might use often). So you can change any of the preset shortcuts to fit your most commonly used adjustments.

For me, one of the most used functions of Lightroom is copying the develop settings from the previous photo to the current one. I programmed this into the Tall button + C1. I have also programmed next photo and previous photo (normally the left and right arrow on a keyboard) as C1 and C2.

So I can use the console without even needing to take my hand off of it.

Tourbox settings

Faster and more efficient workflow

You may be thinking: What the point of all this is? After all, your mouse and keyboard can do all these things.

For me, the benefit of a console like this is three-fold. First, it makes it much easier and quicker to edit through photos. This is because you are not moving your hand from the mouse to the keyboard all the time, which cannot be avoided for shortcuts that need many keys to be pressed. Plus, the controller makes it easier to remember shortcuts; I struggle to remember any shortcuts which are more than two keys, so this is ideal.

The second benefit is that you have much more control when adjusting the sliders with the TourBox console (compared to the mouse). You can fine-tune the sliders in a way that’s difficult to do with a mouse.

The third benefit of TourBox is that you can use it in conjunction with a tablet (and pen) for editing. This makes using a tablet quicker, as you can switch between commands using the console.

Tourbox review
TourBox is designed for left-handed use but can also be used right-handed.

Other software

99% of my editing work happens inside Lightroom. But you can also use TourBox with other creative software such as Photoshop, Capture One, Final Cut, and more. You can create different presets for each of these programs, and TourBox automatically detects the software you are using and switches to the relevant settings. So switching your editing from Lightroom to Photoshop becomes seamless and happens without interruption.

tourbox review

Conclusion

I often get excited about new photography gadgets. But over the course of a few days and months that enthusiasm wanes, and I usually stop using the new gadget altogether. I always revert back to the old way of doing things.

But I must confess: Having had the TourBox controller for a few days now, it might become a permanent fixture in my workflow. I am finding that I am going through my editing much quicker than usual. Either I have become considerably quicker in a few days, or it is due to the TourBox console.

The post TourBox Review: A Controller to Revolutionize Your Creative Workflow? appeared first on Digital Photography School. It was authored by Kav Dadfar.


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DPReview TV: Olympus 100-400mm F5.0-6.3 IS review

04 Aug

The Olympus 100-400mm f5.0-6.3 IS is a light and compact telephoto zoom for the Micro Four Thirds system. It gets the same weather sealing as Olympus’s Pro lenses, but does it stand up optically? We put it to the test to find out.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Intro
  • Compared to the Panasonic 100-400mm
  • Design and build
  • Aperture
  • Sharpness and diffraction
  • Flare and aberrations
  • Bokeh
  • Autofocus
  • Close focus capabilities
  • Who's it for?

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Olympus OM-D E-M10 Mark IV initial review

04 Aug

Introduction

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Product photos by Dan Bracaglia

The Olympus OM-D E-M10 Mark IV is the entry-level model in the company’s DSLR-style lineup of Micro Four Thirds cameras (the PEN models, such as the E-PL10, are rangefinder-style). It’s a step up from the beginner-focused E-PL series, offering more controls, better build quality and a broader feature set. It sports a 20MP Four Thirds sensor, in-body image stabilization, flip-down touchscreen with a simple interface and 4K video capture.

Key specifications

  • 20 Megapixel Live MOS sensor (Four Thirds)
  • TruePic VIII processor
  • 5-axis in-body image stabilization (up to 4.5 stops)
  • 121-point contrast-detect AF system
  • Flip-down touchscreen display
  • Electronic viewfinder
  • 4.5 fps burst shooting w/AF
  • USB charging
  • Wi-Fi + Bluetooth
  • 360 shots per charge (with LCD)

The E-M10 IV will be available in two kits in your choice of silver or black: body only for $ 699 and with the very compact 14-42mm F3.5-5.6 EZ lens for $ 799.

In the US and Canada, Olympus is throwing in a camera bag, extra battery and a 32GB memory card through November 1st.


What’s new and how it compares

The updates on the E-M10 IV are fairly minor, with changes that make selfie-shooting easier being the focus.

Read more

Body, controls and handling

The biggest change on the E-M10 IV is its flip-down LCD, but everything else remains about the same. And that’s not a bad thing.

Read more

First impressions

The E-M10 IV is a lovely camera, though it doesn’t break any ground in its segment.

Read more

Sample gallery

See how the E-M10 IV’s photo quality stacks up in our extensive sample gallery.

View gallery

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Canon EOS R5 review

01 Aug

The EOS R5 is Canon’s flagship mirrorless camera, and there’s a lot to like. We put it to the test for both stills and video and also address the overheating issues you may have heard about.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Intro
  • Handling
  • Image stabilization
  • Displays
  • Autofocus
  • Badlands sample photos
  • Image quality
  • Video capabilities
  • Who's it for?

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Sony a7S III initial review

29 Jul

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Sony’s alpha 7S Mark III is the third iteration in the most video-focused of the company’s a7 series of full frame cameras. It’s essentially a native 4K camera with impressive video specs and a revised user interface. It can capture UHD 4K footage at up to 120p in 10-bit 4:2:2 encoding and promises 16-bit Raw video output.

  • 12MP BSI CMOS sensor
  • Bionz XR processor
  • On-sensor phase detection
  • ISO 80-102,400 (expandable to 40-409,600)
  • 9.44M dot EVF with 0.91x magnification
  • 4K video at up to 120p, 60p for ‘at least an hour’
  • 16-bit Raw video output at up to 60p
  • 10-bit 4:2:2 internal capture (in codecs including H.265 and All-I H.264)
  • Fully articulating LCD
  • 5-axis in-body stabilization with Steady shot active mode
  • Twin card slots that each accept either SD or CFexpress Type A

The Sony a7S III will sell for around $ 3500. This is a $ 500 premium over 2015’s Mark II but still $ 500 lower than the launch price of the Panasonic Lumix DC-S1H, which is arguably its closest competitor.


What’s new and how it compares

The a7S III offers a series of new features such as 10-bit internal video and Raw video output but the changes go much deeper.

Read more

Body, controls and handling

Alongside a host of ergonomic improvements, which includes greater use of the touchscreen, Sony has significantly redesigned its menu system.

Read more

Initial impressions

The a7S III looks to be a workhorse camera for amateur and independent production teams, but it also offers insights into what future alpha cameras will be like.

Read more

Sample gallery

We’ve prepared a sample gallery of images using a near-final a7S III.

See the images

Articles: Digital Photography Review (dpreview.com)

 
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