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Posts Tagged ‘pricing’

Sigma announces 50mm F1.4 DG HSM Art pricing and availability

12 Apr

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Sigma has released pricing and availability information of its new 50mm F1.4 DG HSM Art lens. First announced in January at CES, the 50mm F1.4 DG HSM Art is a completely new lens, rather than a revision of Sigma’s existing 50mm F1.4 EX DG HSM. The lens employs the company’s Hyper Sonic Motor (HSM) system and has 13 elements in eight groups. It will be available for Sigma, Sony, Nikon, and Canon mounts in late April for $ 949. The UK RRP will be £849.99. Learn more 

News: Digital Photography Review (dpreview.com)

 
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Tamron gives pricing and availability for 16-300mm F3.5-6.3 superzoom

12 Apr

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Tamron has announced pricing and availability for its 16-300mm F3.5-6.3 Di II VC PZD Macro 18.8x superzoom for APS-C SLRs. The lens, which was announced in February, will go on sale in mid-May at a street price of $ 629. The 16-300mm F3.5-6.3 Di II VC PZD Macro will offer an unusually wide angle view for its class (24-450mm equivalent), while also allowing close-up shooting with 0.34x magnification. It has an ultrasonic-type autofocus motor, splashproof construction and optical image stabilization. Learn more

News: Digital Photography Review (dpreview.com)

 
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How Your Pricing Structure Could be Losing you Money

12 Mar

Jackie is the creator of the Portrait Photography Pricing Workbook – on sale now, for a limited time at SnapnDeals.

Are you 100% confident you are making a profit with each and every client?

As artists, photographers may not be as business-minded as they should be. This can get many of us into trouble, both legally and financially. In order to call your photography business successful, it should first and foremost be profitable. If you are not making money from your photography business, you need to call it what it is: a hobby.

How do you make sure you are not losing money, but rather making money and running a profitable photography business? Despite what you may think, it has little to do with the number of clients your business is attracting, or how high or low your prices are. It has everything to do with your pricing structure.

Paper and pen

Here are some questions you need to ask yourself if you think your photography business is losing your money:

What expenses does my business have? Whether it is a reoccurring expense or a variable one, a business expense is a vital factor to consider when pricing your business. An expense for your photography business can include any or all of the following:

  • Studio rental
  • Insurance (liability, equipment, health, and/or disability)
  • Accountant fees
  • Retirement accounts
  • Advertising
  • Loan Payments
  • Equipment purchases
  • Office Supplies
  • Workshops
  • Intern or Assistant
  • Props

These are just some examples of expenses for a photography business. Obviously there are many others that may be specific to yours. Once you total your fixed expenses (expenses that don’t change from month to month or on a yearly basis) and your variable expenses, you can have an idea of how much money you should be making per year in order to at least cover those expenses.

What is my cost of goods sold?

Cost of goods sold is separate from expenses, even though it acts like an expense. The definition of “cost of goods sold” is the cost of materials used to create the product. Basically, it is how much a product costs your business before you turn around and sell it to your client.

In the photography industry, the cost of goods sold can include any of the following:

  • Printing costs
  • Cost to ship the product to you
  • DVDs
  • USB drives
  • Print packaging

Before you set the price of any of your products, you must determine the cost of goods sold of each product. Otherwise, you risk losing money on each sale. Once you figure the cost of goods sold, you can set a break-even price for each product and mark the product up from there.

Calculator

How big are my package discounts?

Along the same lines, you need to make certain your packages are not priced too low. While there should be a discount to the client, you obviously do not want to discount the package to the point where your business is losing money with each sale.

Do I accept credit cards and what is the processing fee?

Even though the credit card processing fee is probably small, it can add up over time or with larger transactions. Think about what percentage of your clients pay with a credit card and integrate that into your pricing structure.

What taxes do I have to pay and what are the rates?

There are several different kinds of taxes you will have to pay as a business owner.  The 4 most common ones for your photography business would be:

  • Federal Income Tax
  • State Income Tax
  • Sales Tax
  • Use Tax

Check out the IRS Small Business and Self-Employed Tax Center to find more tax information (if you are US based). Since each state’s (or your country’s) income, sales, and use tax laws vary, you will have to check with your state’s Secretary of State’s office to get all of the applicable tax information for your photography business.

Finally, I’ll explain a little more about use tax, because it is very commonly overlooked. Use Tax is a tax you are responsible for paying to the state for items your business purchased, but did not pay sales tax on at the time of purchase. Some examples would be a portfolio album for your studio or a lens purchased online. It is typically paid at the same time as your sales tax.

How much time do you want to spend on your business?

This question is crucial. With the rise of digital cameras taking over film, the perception is that running a photography business does not cost much money. While you might be saving money on film and developing, it still is costing you the same amount of time, if not more of your time! However, since the perception is there is no monetary cost with each shoot, it seems easy to charge less for your services and product.

Don’t make this mistake, or you and your business will be headed down a dangerous path. If you are working too much, for too little money, you risk burning out. So, how do you calculate your time into your prices? Everyone’s personal situation is different, so it is difficult to put an exact number on your “time”. What it comes down to is:

  • How many sessions and/or weddings do you want to shoot each year?
  • How much money does your business need to bring in each year?

If you want a low workload, your prices should be higher, if you need to bring in more money. If you can handle a high workload, your prices could be set lower. But, don’t forget to include the factors above, so you aren’t under-pricing yourself and losing money.

Running a photography business encompasses so much more than just the photo shoot! You need to consider all of your time spent on your business, not just the time spent shooting. For instance, managing emails, editing photos, packaging and sending orders, meeting with clients, and holding in-person ordering sessions are all examples of tasks to run your photography business. Make sure you are compensating yourself appropriately for all that time!

Pricing workbook

These hold true for ALL businesses! I assure you that if you ask yourself these questions and calculate it all out, your photography business will be profitable and not lose you money.

Here are some summary points for you to remember:

  • Total up all your expenses
  • Figure in all taxes and credit card fees
  • Consider the total cost of goods sold
  • Factor in your time, workload, and financial situation!

What if you don’t want to do these calculations manually?

You might want to check out my Portrait Photography Pricing Workbook! You just plug in the numbers and watch the magic happen before your eyes. It will automatically calculate suggested retail prices and what you should be charging based on the points above. On sale now for a limited time only on SnapnDeals.com.

The post How Your Pricing Structure Could be Losing you Money by Jackie Boldt appeared first on Digital Photography School.


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Sigma announces pricing and availability of 24-105 F4 lens

25 Oct

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Buried among all of the cameras announced last week was a new 24-105 F4 DG OS HSM lens from Sigma. The company has announced pricing and availability for this full-frame ‘Art lens’, which will be available for Canon, Nikon, Sigma, and Sony mounts (in that order). You’ll be able to pick one up for yourself starting next month at a retail price of $ 899.

News: Digital Photography Review (dpreview.com)

 
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Samsung announces pricing for Android-based Galaxy NX camera

29 Aug

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As the first hybrid smartphone and interchangeable lens camera, the Samsung Galaxy NX certainly cut a unique profile when we first looked at it in June. The Galaxy NX merges the features of Samsung smartphones, including a huge 4.8-inch touch LCD and 3G/4G/Wi-Fi connectivity, with a NX-mount ILC with a 20.3MP APS-C sensor, hybrid AF system, and 8.6 fps burst mode. At long last, the Galaxy NX has been given a price: $ 1,599.99 body only, or $ 1,699.99 bundled with an 18-55mm lens. 

News: Digital Photography Review (dpreview.com)

 
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Photography Pricing: How much is your Art worth?

14 Aug

We all love the art of photography, and perhaps even the technical challenges of capturing the essence of a scene or an occasion. Behind passion and creativity, however, is the reality that every photographer – whether you are into advertising photography, or offer wedding photography services, or any specialization for that matter – must place proper value on his or Continue Reading

The post Photography Pricing: How much is your Art worth? appeared first on Photodoto.


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Tokina offers US pricing for AT-X 12-28 F4 lens

07 Jun

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Tokina has announced a US price of $ 599 for its AT-X 12-28 F4 lens. Soon to be available in both Canon and Nikon mounts for APS-C bodies, this lens was announced at the CP+ tradeshow back in January and will replace the company’s existing 12-24mm F4 wideangle zoom for APS-C cameras. 

News: Digital Photography Review (dpreview.com)

 
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Zeiss announces pricing and availability of Touit lenses for mirrorless cameras

03 Jun

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Zeiss has announced that its first two Touit lenses for mirrorless cameras are now available for sale. The 12mm F2.8 wideangle has been designed according to the ‘Distagon optical concept’, and has an RRP of €920 / US$ 1,250 excluding VAT. Meanwhile the Planar-type 32mm F1.8 normal lens will cost €670 / US$ 900 excluding VAT. The lenses will be available to fit Sony NEX and Fujifilm X-system cameras, and the X-mount models feature aperture rings with 1/3 stop detents. The next model in the line, a 50mm F2.8 Macro, is expected to appear at the end of the year.

News: Digital Photography Review (dpreview.com)

 
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Sigma sets out its stall at CES – including lens pricing and SPP mono mode

08 Jan

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Sigma has published details of what it will be showing at the CES show, including pricing details for two of the lenses it announced at Photokina 2012. The 17-70mm F2.8-4 DC Macro OS HSM, part of the company’s ‘Contemporary’ line of lenses, will retail for around $ 499. Meanwhile the 120-300mm F2.8 DG OS HSM, which falls into the company’s ‘Sports’ category, will sell for around $ 3,599. Meanwhile, the company has given details of a monochrome processing mode that it’s added to its Sigma Photo Pro processing software for its Foveon-sensored cameras.

News: Digital Photography Review (dpreview.com)

 
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Photography Pricing Guide

22 Dec

photographypricingguide.com Photography pricing guideline. How to set profitable prices for photography. Portrait photography pricing. Wedding photography pricing.
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