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Posts Tagged ‘plus’

Picfair launches ‘Plus’ subscription with custom online stores for photographers

14 Nov

On September 10, stock image company Picfair introduced a new option for photographers to showcase their work called Picfair Stores. The online storefronts went live for all users a couple weeks later and are now joined by a new subscription option called Picfair Plus. Customers who sign up for Plus get access to new features, including support for custom templates and custom domains.

The free Picfair product enables users to create their own online store with custom prices for image sales. Picfair Plus builds upon that, enabling customers to connect the store to a custom domain, add social media profiles, eliminate Picfair branding, sort content into albums, choose design themes, and set up custom image ordering on the store’s home page. Below is a comparison of the free and Plus versions of Picfair Stores.

In addition to the new features, Plus customers get early access to new future features and highest priority customer service. Picfair Plus is priced at £4.99 / $ 5.62 per month, but there’s also a £49.90 / $ 64.66 annual subscription option. A sample Picfair Store with Plus features is accessible here.

Articles: Digital Photography Review (dpreview.com)

 
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Canon USA revives CarePAK Plus, free accidental damage repair on EOS R, most DSLRs

23 Oct

Canon USA has reintroduced its CarePAK Plus service as a promotional incentive for most of its recent DSLR cameras, as well as for the new EOS R full frame mirrorless body. The service plan offers 13-months’ worth of free accidental damage cover, as well as two Canon Maintenance Services during that period.

The offer covers 10 of the company’s DSLR and the EOS R, and will also be accessible for those buying one of 13 lenses from the L professional series. Customers have a month to register their products for the service, and Canon boasts that it handles everything from calls and emails, to the actual servicing, so you’ll never have to deal with a third party. Below is a complete list of the participating products:

EOS R EOS 6D Mark II EF 24-70mm F2.8 II USM
EOS 1D X Mark II EOS 80D EF 70-200mm F2.8 IS II USM

EOS 5D Mark IV

EOS 77D EF 70-200mm F2.8 IS III USM
EOS 5D Mark III RF 28-70mm F2 L USM EF 50mm F1.2 L USM
EOS 5Ds RF 50mm F1.2 L USM EF 85mm F1.2 L USM
EOS 5Ds R EF 16-35mm F2.8 L II USM EF 85mm F1.2 L II USM
EOS 6D EF 16-35mm F2.8 L III USM EF 100mm F2.8 L Macro IS USM
EOS 7D Mark II EF 17-40mm F4 L USM EF 100-400mm F4.5-5.6 L IS II USM
EOS 6D Mark II

The offer applies to products purchased from authorized dealers from now until 5th Jan 2019. See the Canon website for more information.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung’s ISOCELL Plus promises better color accuracy and low light performance

28 Jun

Samsung’s ISOCELL smartphone image sensor technology was introduced in 2013. It uses physical barriers between neighboring pixels to reduce color crosstalk and expand the capability to capture light, compared to conventional backside-illuminated (BSI) image sensors.

Now the Korean company has launched ‘ISOCELL Plus’ which has been developed in cooperation with FujiFilm. It replaces the metal grid at the front of the pixels with a new ‘mystery’ material, providing even better separation between pixels.

This material reduces reflections and light absorption by the barriers between pixels, leading to increased light sensitivity of up to 15% and better color fidelity. According to Samsung the technology allows for the design of sensors with 0.8µm and smaller-sized pixels without a loss in performance. This is 1/3rd the size of the pixels in a typical 1″-type sensor and should allow smartphone sensors with a resolution of 20MP and higher.

“We value our strategic relationship with Samsung and would like to congratulate on the completion of the ISOCELL Plus development,” said Naoto Yanagihara, corporate vice president of Fujifilm. “This development is a remarkable milestone for us as it marks the first commercialization of our new material. Through continuous cooperation with Samsung, we anticipate to bring more meaningful innovation to mobile cameras.”

In combination with other new mobile imaging technologies, such as multi-frame stacking and multi-sensor camera modules, ISOCELL Plus should allow for the design of smartphone cameras with even better low light performance than we’re seeing in current models.

Samsung will be showcasing the new sensors at Mobile World Congress Shanghai come end of June, but for now there is no word on when to expect the new technology in a production smartphone.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung Galaxy S9 Plus Review

21 Jun

Samsung’s Galaxy S9+ is a large, fast smartphone that’s jam-packed with photography-focused features. But while it’s certainly capable of great image quality, we found some issues with regard to capturing moving subjects, shooting under low lighting and when using ‘Live Focus’ portrait mode. On the other hand, 4K/60p video capture is of very high quality with good autofocus, and the screen on the S9+ is the best we’ve seen on a smartphone to date.

Key photographic / video specs

  • Dual rear cameras, each with optical stabilization
    • Wide-angle: 12MP F1.5-2.4, 26mm equiv. focal length, dual pixel autofocus
    • Telephoto: 12MP F2.4, 52mm equiv. focal length, contrast detect autofocus
  • Wide-angle module is the only variable aperture smartphone design on the market
  • Front-facing wide-angle camera: 8MP F1.7 25mm equiv.
  • ‘Live Focus’ background blurring for rear and front cameras
  • ‘Pro’ mode offers manual control in built-in camera app, and Raw can be enabled
  • UHD 4K/60p video recording, slow-motion 1080/240p and 720/960p recording (8x and 32x slow motion when outputted at 30 frames per second)

To start, the Galaxy’s dual rear cameras are similar to the setup on Apple’s iPhone X (one wide-angle, one telephoto), while Google’s Pixel 2 makes do with just a single camera on the rear of the phone.

Out-of-camera JPEG | ISO 32 | 1/614 sec | F2.4

But beyond just the number of cameras, each of these phones takes a noticeably different photographic approach across different shooting scenarios. We’re starting to see enough differences between the experiences of using these phones to really warrant consideration of what you want (and like) to photograph, especially if you’re choosing your next phone with camera quality as a primary concern.

The ‘Live Focus’ portrait mode experience
is disappointing

With the Galaxy S9+, Samsung touts its Dual Aperture technology as an aid to low-light shooting and the included telephoto lens is primarily used for the ‘Live Focus’ portrait mode. We found that, despite the Dual Aperture, the phone would select exposure settings that resulted in unnecessarily blurry images in even moderately low light. We also found that, overall, the ‘Live Focus’ experience using that telephoto lens can give you completely mis-focused images even in bright light, and that it’s nigh unusable as light levels start to drop.

Other specs

  • Android 8.0 Oreo
  • 6.2″ Super AMOLED display with 2960×1440 resolution (529 ppi)
  • Qualcomm Snapdragon 845
  • 6GB RAM
  • 64/128/256 GB storage plus microSD card slot
  • 3500 mAh Lithium-ion battery (non-removable)
  • $ 840/890/940 (£849/869/929 in the UK, €949/1049 in Germany and France for 128GB and 256GB models)

We’ve now had our loaner Galaxy S9+ for several weeks courtesy of Verizon Wireless, and taken a critical look at how its cameras perform under a wide variety of scenarios. Let’s dig in and see what’s what.


Unique Features

The Samsung Galaxy S9+ (along with its smaller brother, the S9) are the only current smartphones on the market with adjustable apertures and screens that automatically adjust contrast and brightness depending on your viewing conditions.

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Body and display

The Galaxy S9+ comes with a huge 6.2″ AMOLED display with rounded edges that is simply gorgeous to look at – for the most part.

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Photo quality

From ‘Live Focus’ portraits to a special ‘Food’ mode, we’ve taken a look at the Galaxy’s image quality under a wide range of situations.

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Video quality

With UHD 4K/60p and slow-motion video recording, the Galaxy S9+ certainly looks capable on paper – so we found out how it looks in the real world.

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Sample gallery

We’ve updated our sample gallery with dozens of images from several weeks of shooting. Check out portraits, concerts, sports and more.

Read more

Conclusion

The Galaxy S9+ is one of the most photographically capable smartphones on the market; is it the one for you?

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Camera Plus 2 comes with overhauled UI and new features

30 May

Camera+ was launched almost eight years ago and since then has become one of the most popular third-party camera apps for iPhone and iPad. Now its makers have given the app a complete overhaul and launched Camera+ 2.

Camera+ 2 is a universal app and as such provides the same user experience across all compatible iPhone and iPad models. Unlike on the original app, all features and tools are included from the start, without the need to acquire some function via in-app purchase.

The redesigned interface includes manual controls, raw shooting and editing, depth capture, and other advanced features. In shooting modes parameters such as shutter speed, ISO or white balance are controlled via on-screen dials. Owners of dual-camera devices can switch between wide angle and macro lenses. If you prefer things simpler, many settings can also be hidden.

When shooting in depth capture mode, depth information is saved alongside the image, allowing for the application of depth effects in the editor. In addition a range of filters can be adjusted in terms of strength and layered for customized effects.

There are also a few new shooting modes. Smile mode triggers automatically once a smile is detected on your subjects. Stabilizer mode triggers when the camera is held steadily enough for a sharp picture and a slow shutter mode allows for long exposures, even in bright light.

On the editing side of things, Camera+ 2 now offers full Photo Library integration with editing support. If you are the owner of an iOS device running version 11 or later of the mobile OS, you can download and install Camera+ 2 from the App Store for $ 2.99.

Articles: Digital Photography Review (dpreview.com)

 
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Meizu unveils the 15 Plus smartphone with stabilized tele-camera

24 Apr

Chinese smartphone manufacturer Meizu has launched a new high-end model, the Meizu 15 Plus. And based on specs alone, the 15 Plus could be well-worth a closer look for mobile photographers who are open to the idea of buying from a less established brand.

In the camera department, a 12MP 1/2.3″ main sensor is combined with a 20MP secondary camera that features a 2x zoom factor. On the main camera, light is captured through a F1.8 lens while the tele-lens has to make do with a slower F2.8 aperture. Both lenses are equipped with optical image stabilization, though.

As with most similar systems, the optical zoom is enhanced with computational methods and Meizu promises a 3x “lossless” zoom, and the cameras features multi-frame noise reduction and HDR as well. To view and edit those images, the phone is equipped with a 5.95-inch AMOLED screen with QHD resolution and a notch-less 16:9 aspect ratio.

In the processing department, the Meizu deploys the Exynos 8895 chipset from last year’s Samsung flagship models, and users can choose between 64 or 128GB storage—unfortunately, there is no expansion slot. All components are housed in a body made of a stainless steel aluminum composite material.

The Meizu 15 Plus costs CNY 3,000 (approximately US$ 475) for the 64GB version and CNY 3,300 (approximately US$ 525) for the 128GB model. This sounds like a very decent deal for a tele-camera equipped device with high-end specs, but unfortunately, no pricing information for outside China has been provided as of yet.

Articles: Digital Photography Review (dpreview.com)

 
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The Galaxy S9 Plus’ camera is its third most expensive component

20 Mar

Last week the team at iFixit undertook a teardown of the brand new Samsung Galaxy S9 Plus to examine and evaluate the device’s repairability. Now analysts TechInsights have done the same thing, but with a focus on components and costs.

When taking the device apart the team found Samsung’s Fast 2L3 third-generation 12MP, 1.4 µm pixel-pitch Dual Pixel ISOCELL sensor in the main camera and a 12MP, 1.0 µm pixel-pitch Samsung S5K3M3SM in the tele-camera, the same as in the Galaxy Note 8 dual-camera module.

TechInsights also provides cost estimates for all components and at $ 48 the Samsung’s camera setup is the third largest cost block on the device. Only the display at $ 72.50 and the main chipset at $ 68 have a higher impact on the overall figure. Final assembly and testing is estimated as $ 12.50, and the overall manufacturing cost of the device is $ 379.

Given in the US the S9 Plus currently retails at $ 840 unlocked, this should leave a decent margin for covering overheads and, crucially, making a profit. For more technical details and up-close images of most components have a look at the full report on TechInsights.

Articles: Digital Photography Review (dpreview.com)

 
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iFixit teardown finds Samsung Galaxy S9 Plus difficult to repair, shows dual-blade aperture

12 Mar

The team at iFixit.com has taken apart Samsung’s brand new Galaxy S9 Plus flagship smartphone and given it a pretty low repairability score of 4/10 points. The testers liked the fact that many components are modular and can be replaced independently, but found accessing the battery to be an unnecessary challenge.

The device’s display and glass back also increase the chance of breakage, and make repairs difficult to start. The need to remove the rear glass panel and disassemble the entire phone when replacing the display was listed as another negative point.

During the teardown, the iFixit crew also had a closer look at the smartphone’s 12MP optically-stabilized camera module with 2x zoom. The dual-camera comes as a single unit on a single PCB and with a single connector. Inside, they found the DRAM chips that power the 960 fps super-slow-motion mode.

The S9 Plus main camera uses a variable F1.5/F2.4 aperture, and the close-up images show the design. Instead of a diaphragm-design with several aperture blades, the lens comes with a simpler construction, comprising of two rotating, ring-like blades for switching between its two aperture values.

Head over to iFixit.com to read the full report.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro’s updated Plus subscription will now replace two broken cameras per year

01 Feb

GoPro has announced an expansion to its Plus subscription service, now offering subscribers “no questions asked” camera replacements in the event their own camera breaks. The new benefit started on January 31st, and is available to both existing and new Plus customers. The camera replacement offer is in addition to Plus’s other various perks, including mobile backups and priority customer support.

For now, GoPro’s $ 5/month “enhanced” Plus plan is only available to US customers, though expansions into other markets are expected to start later on in 2018. The camera replacement perk is available for customers who have a Hero5 or newer, though it is not a free replacement. GoPro charges the following “exchange fees” for the four replaceable GoPro camera products:

  • HERO5 Session: $ 39
  • HERO5 Black: $ 59
  • HERO6 Black: $ 79
  • Fusion: $ 139

Per GoPro’s FAQ, Plus customers must return their old camera to get the replacement—which is done using a return shipping label the company provides—so the replacement program doesn’t cover cameras that are lost. Additionally, subscribers are limited to two camera replacements per 12 billing cycles, though the exchanges can happen any time during those 12 months.

In addition to device replacement, Plus subscribers will soon also have access to mobile cloud backups for photos and videos—unlimited image backup and up to 35 hours of video backup. Apple customers get the backup feature first via its February 20th iOS availability, while Android users will get the same backup benefit on an unspecified date this Spring.

Finally, GoPro Plus includes front-of-the-line customer support priority status and a 20% discount on accessories on the GoPro.com website.

A free 30-day trial is available now for new customers. To learn more, visit the GoPro website.

Press Release

GoPro Rolls Out Enhanced Subscription Service: Plus

New Benefits. No Additional Cost. Damage Replacement, Mobile Cloud Backup and Unlimited Photo Storage Added to $ 4.99 Monthly Service

SAN MATEO, Calif., Jan. 31, 2018 /PRNewswire/ – GoPro, Inc. (NASDAQ: GPRO) is building on the success of its Plus subscription service with the introduction of new benefits that deliver significant value to GoPro customers at no additional cost.

Today, the company announced details of the expanded Plus monthly service:

  • Camera replacement – If you break your GoPro we’ll replace it, no questions asked
  • Mobile cloud backup – The GoPro App now automatically backs up your photos and videos, eliminating the need to connect to a computer or buy new SD cards
  • Unlimited photo storage
  • 35 hours of video storage
  • 20% off accessories at gopro.com
  • Front-of-the-line priority phone and chat support

Mobile cloud backup will be available on iOS February 20 and on Android in the spring.

“Plus streamlines the GoPro experience and delivers outsized value for our customers,” said GoPro Founder and CEO Nicholas Woodman. “Our subscription business, Plus, has proven popular with consumers and the roll out of our enhanced service marks the first of several subscription initiatives we will introduce this year.”

The new GoPro Plus is now available in the US for $ 4.99 a month with a 30-day free trial and will expand to global markets later this year. Visit The Inside Line for more details on all the benefits of becoming a subscriber and the GoPro Plus page to sign up.

Articles: Digital Photography Review (dpreview.com)

 
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Yuneec’s new Typhoon H Plus drone boasts a 1-inch sensor camera that shoots 4K 60p

11 Jan

Hong Kong drone manufacturer Yuneec has announced three new drones at CES, including an update to the popular Typhoon H that boasts a bigger sensor with more resolution and the ability to shoot 4K at 60fps.

The company is also preparing to move into the fixed-wing category with its Firebird FPV, and take on the racing drone sector with the compact HD Racer.

Yuneec Typhoon H Plus

The Typhon H Plus now uses a 1-inch, 20MP sensor along with a wide aperture lens that results in better low light performance. The company doesn’t specify what the aperture is, but it does say that the lens has a focal length equivalent to that of a 23mm lens on a full frame body. The ISO range runs from 100 to 6400, and shutter speeds of between 4-1/8000sec are possible.

The drone has a flight time of up to 25 minutes and can reach speeds of 13.5 meters per second (just over 30 miles per hour). With six large rotors the hexcopter provides stable flight in winds of up to 30mph, while a new design sees the machine producing 40% less noise.

Yuneec Firebird FPV

For a completely different experience, the fixed-wing Firebird FPV, “enables the user to fly just as if they were in the cockpit of a real airplane.”

The airplane has a 13MP-sensor camera and can also shoot 4K video. It uses a ‘short-latency’ digital video link to stream footage back to Earth in high-definition. The craft is simple to fly and, according to Yuneec, can remain in the air for up to 30 minutes on a single charge.

Yuneec HD Racer

The HD Racer is designed to be a fun, portable quadcopter for use in indoor racing. It has a 13MP camera that can record 1080p video at 60fps, and it has a handy flip-over feature that allows the user to right the craft remotely should it land upside down at any stage.


The Typhon H Plus and Firebird FPV will ship in the first half of 2018 and will cost $ 1,800 and $ 700, respectively. The HD Racer will come out later in the year, and should cost $ 180. For more information on any of these drones, visit the Yuneec website.

Press Release

Yuneec unveils new product releases at CES 2018

Las Vegas (Jan. 09, 2018) – Yuneec entered two new categories with the unveiling of the all-new fixed wing Firebird FPV and all-new HD Racer for a more immersive flight. Additionally, the company announced the second generation of its proven six-rotor hex platform, Typhoon H Plus—its most powerful consumer product yet.

The category expansion and product line advancements are a result of Yuneec’s ongoing commitment to deliver industry leading technologies and pilot-centric features for an unparalleled electric aviation experience.

Typhoon H Plus

Typhoon H Plus is packed with powerful features and professional image quality that photographers at any skill level will enjoy. The second generation of Typhoon H features Yuneec’s all-new, larger, highly stable six rotor hex airframe.

With a 40 percent reduction in noise from previous hex models, and stable flight in winds up to 30mph, H Plus leads its category in stable flight and quiet operation.

Designed with the creative consumer in mind, Typhoon H Plus is equipped with a high aperture one-inch sensor camera capable of 20 megapixel stills and 4K resolution video at 60fps. The new model also boasts an improved low-light performance compared to previous models. A continuous rotation gimbal combined with retractable landing gear provides seamless 360-degree unobstructed views.

Typhoon H Plus comes equipped with Intel® RealSense™ Technology, a sophisticated collision avoidance system that detects obstacles and intelligently navigates around them. With this feature, drone pilots can worry less about obstacles and focus more on their flight path and camera work. Additionally, the Typhoon H Plus is accompanied by a newly redesigned Android-based ST16S controller, which includes a large, high brightness seven-inch integrated display and HD 720p video downlink for stunning real-time video reception.

HD Racer

The HD Racer, Yuneec’s first racing drone, fits in the palm of your hand and once in the air, gives pilots an immersive experience with cutting-edge technology.

Built-in flight stabilization, with beginner and advanced modes, allow any skill level of pilot to experience the nimble, action packed experience of a racing drone. Its compact size, protected blades, and durable construction make it safe to fly indoors.

While in the air, pilots can seamlessly navigate through any obstacle with an optimized, all-digital, low latency HD video downlink. Additionally, pilots can record and share their best racing moments in high resolution 1080p at 60fps. If pilots do catch an obstacle, ‘Flip-Up’ mode automatically uprights the downed HD Racer to maximize flying and minimize downtime.

Firebird FPV

Firebird FPV provides a fully immersive real-time outdoor flight experience, allowing the user to fly as if they were in the cockpit of a real airplane.

The lightweight fixed-wing design extends the flight time to 30 minutes, which allows users to experience the true nature of piloting an aircraft in one continuous journey. Whether soaring the open sky or performing acrobatic maneuvers including inverted flight, rolls and loops, the Firebird FPV elevates the senses for new and experienced pilots alike.

Its operation is simple and easy to fly at any skill level. Pilots can enable Safety Mode to remove all concern of flying too low by making it impossible to descend below the set floor altitude. Pilots will also appreciate Return Home, Geo Fence and Auto Landing capabilities of this easy-to-use fixed wing aircraft.

Articles: Digital Photography Review (dpreview.com)

 
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