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Nice Visual Art photos

02 Apr

Some cool visual art images:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
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Nice Visual Art photos

01 Apr

Check out these visual art images:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land
This Graffiti no longer exists. It has been covered with another one.

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
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Posted in Photographs

 

Nice Visual Art photos

31 Mar

Check out these visual art images:

Une Grande Dame in Progress, by Millais
visual art
Image by Martin Beek
One of my big interests as an artist is the use made of photography by painters. Millais often used photographs both as a record and to make compositional decisions, this is interesting to see how he painted a typical "Fancy Picture" of 1880’s "Une Grande Dame"
The camera and the artist (set) about the relationship between photographic images and those painted. I hope to use examples from my own practice where photography has been used in both photo-realistic work as well as illustration and other art-forms.

I have used a number of artists whose work I have studied and look at the way photography informed and influenced their visual expression.

As I have scanned a lot of my old work I’m well aware that photography has played and still plays a significant role for me as an artist, indeed in recent years these two practices have overlapped and are no longer distinct paths.

 
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Picfari wants to help you take the best vacation photos possible

28 Mar

picfari.png

If you strive for postcard-perfect images to document your travels, Picfari may pique your interest. Available via a website or as a free iOS app for mobile devices, Picfari offers photo maps of various tourist attractions around the world with easy access to EXIF data to help inform your take on the perfect shot of the landmarks. Users can pick from a curated Picfari photo tour featuring geotagged Flickr photos, or build their own tour using Picfari’s library of images along with their own uploaded photos. Read more about the app at connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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Nice Visual Art photos

27 Mar

Some cool visual art images:

ysinembargomagazine16_high_Página_71
visual art
Image by fernandoprats
"du-champ-i-ssue"
jun.jul.ago.2008 | inviernosurveranonorte

ON PAPER (new! second edition! 25/09!)
PDF (new! second edition! 24/09!)
NAVIGATE it (new! second edition! 24/09!)
Hi-Res PDF (new! second edition! 24/09!)

Un número dedicado a explorar la visión y propuestas de Marcel Duchamp.
No su vida, no su obra; tan sólo algunos de sus conceptos.
Realizado con aportes de artistas, pensadores y diseñadores de todo el mundo
combinados con la explícita intención de producir a su vez un objeto duchampiano.

-el medio como instrumento intelectual que transpasa su especificidad y se burla de ella
-la obra independientemente de su carácter representativo e interpretativo
-”arte”, en términos de convenciones, lo más “amorfo” posible
-”obras” en las que la obra no es una finalidad en sí misma sino una excusa
-interpretaciones o, mejor dicho, lecturas que pueden convivir a pesar de ser aparentemente excluyentes
-objetos “anestesiados estéticamente”, anulados en su probable complacencia de la mirada, “rectificados”,”asistidos” para otorgarles una nueva -a menudo, insólita- significación. Como en la elección de los “ready-mades”: “basada en la indiferencia visual y en la ausencia total del buen o mal gusto”
-obras “definitivamente inacabadas”
-rrose sélavy, su alter(-)ego
-ajedrez, máquinas ópticas, matemáticas, geometría, “artefactos”
-la “pintura mental”, “pintura de precisión”, el rechazo de cualquier elemento en el que la mirada se pueda recrear con fruición

-texto, – bloques, – fotografías, + mixed-media, + pintura, + ilustración.
-toda la revista está en castellano e inglés.

(descárgala gratis y comienza felizmente el verano -o el invierno-)

# # #

This issue plays around the conceptual universe of Marcel Duchamp. Not his life, nor his works, just some of his concepts.

– the medium, as an intellectual tool which goes beyond its specificity mocking it.
– the work, regardless of its representative and interpretative character.
– “art”, in terms of conventions, as “amorphous” as possible.
– “construction”, in which the work is not it’s purpose, but an excuse.
– interpretations, or rather readings which can coexist despite being seemingly exclusive.
– objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”
– works “definitively unfinished”.
– rrose sélavy, his alter (-) ego.
– chess, optic machines, mathematics, geometry, “artifacts”.
– “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.

– aesthetics: – text, – blocks, – photographs, + mixed-media, + painting, + illustration.
– the whole magazine, in spanish and english.

(download it. it’s free. and start enjoying summer -or winter-)

# # #

edit(ing), direct(ing) + complements
fernandoprats
art direct(ing) + design(ing)
estudi prats
insistAnçao, correct(ing) + additional stuff
r | v
listen(ing)
hernán dardes
musicaliz(ing)
albert jordà
translat(ing)
kiddo | emilia cavecedo
frontcover(ing) concept fot
une autre sensualité
backcover(ing) concept borrador
UU – dou _ ble _you et aa
open(ing) concept
nacho piédrola + salaboli & fp porta

-structure:
accesories, lisa kehoe { kiddo | emilia cavecedo, lisa liibbe lara, josean prado, oriol espinal, mark valentine sullivan, hernán dardes, alfredo de la rosa, jonathan minila } => meta
{ pepo m.-the secret society, r | v, leah leone } => hilarious
{ pancho lorenz, natalia osiatynska } fernandoprats => rage

=> meta kiddo | emilia cavecedo, nacho piédrola, salaboli, lisa kehoe { lisa liibbe lara, mark valentine sullivan + shari baker, oriol espinal, gabriel magri, naomi vona, mara carrión }
=> hilarious { d7, olivier gilet, jef safi, special spatial guests }
=> rage { brancollina, gabriel magri, natalia osiatynska, bill horne, UU, christy trotter } simon fröehlich

ysinembargo#16… sensualmente inacabada.

a b r e l a m u r a l l a
antwerp · barcelona · basauri · boulder · bruxelles · buenos aires · carlsbad · collioure · coyoacán · grenoble · holden beach · iowa city · lawrenceville · lansing · london · madrid · mendoza · mexicali b.c. · milano · san francisco · san rafael · sào paulo · tarragona · warsaw

# # #

YSE #16’s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group

ysinembargomagazine16_high_Página_17
visual art
Image by fernandoprats
"du-champ-i-ssue"
jun.jul.ago.2008 | inviernosurveranonorte

ON PAPER (new! second edition! 25/09!)
PDF (new! second edition! 24/09!)
NAVIGATE it (new! second edition! 24/09!)
Hi-Res PDF (new! second edition! 24/09!)

Un número dedicado a explorar la visión y propuestas de Marcel Duchamp.
No su vida, no su obra; tan sólo algunos de sus conceptos.
Realizado con aportes de artistas, pensadores y diseñadores de todo el mundo
combinados con la explícita intención de producir a su vez un objeto duchampiano.

-el medio como instrumento intelectual que transpasa su especificidad y se burla de ella
-la obra independientemente de su carácter representativo e interpretativo
-”arte”, en términos de convenciones, lo más “amorfo” posible
-”obras” en las que la obra no es una finalidad en sí misma sino una excusa
-interpretaciones o, mejor dicho, lecturas que pueden convivir a pesar de ser aparentemente excluyentes
-objetos “anestesiados estéticamente”, anulados en su probable complacencia de la mirada, “rectificados”,”asistidos” para otorgarles una nueva -a menudo, insólita- significación. Como en la elección de los “ready-mades”: “basada en la indiferencia visual y en la ausencia total del buen o mal gusto”
-obras “definitivamente inacabadas”
-rrose sélavy, su alter(-)ego
-ajedrez, máquinas ópticas, matemáticas, geometría, “artefactos”
-la “pintura mental”, “pintura de precisión”, el rechazo de cualquier elemento en el que la mirada se pueda recrear con fruición

-texto, – bloques, – fotografías, + mixed-media, + pintura, + ilustración.
-toda la revista está en castellano e inglés.

(descárgala gratis y comienza felizmente el verano -o el invierno-)

# # #

This issue plays around the conceptual universe of Marcel Duchamp. Not his life, nor his works, just some of his concepts.

– the medium, as an intellectual tool which goes beyond its specificity mocking it.
– the work, regardless of its representative and interpretative character.
– “art”, in terms of conventions, as “amorphous” as possible.
– “construction”, in which the work is not it’s purpose, but an excuse.
– interpretations, or rather readings which can coexist despite being seemingly exclusive.
– objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”
– works “definitively unfinished”.
– rrose sélavy, his alter (-) ego.
– chess, optic machines, mathematics, geometry, “artifacts”.
– “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.

– aesthetics: – text, – blocks, – photographs, + mixed-media, + painting, + illustration.
– the whole magazine, in spanish and english.

(download it. it’s free. and start enjoying summer -or winter-)

# # #

edit(ing), direct(ing) + complements
fernandoprats
art direct(ing) + design(ing)
estudi prats
insistAnçao, correct(ing) + additional stuff
r | v
listen(ing)
hernán dardes
musicaliz(ing)
albert jordà
translat(ing)
kiddo | emilia cavecedo
frontcover(ing) concept fot
une autre sensualité
backcover(ing) concept borrador
UU – dou _ ble _you et aa
open(ing) concept
nacho piédrola + salaboli & fp porta

-structure:
accesories, lisa kehoe { kiddo | emilia cavecedo, lisa liibbe lara, josean prado, oriol espinal, mark valentine sullivan, hernán dardes, alfredo de la rosa, jonathan minila } => meta
{ pepo m.-the secret society, r | v, leah leone } => hilarious
{ pancho lorenz, natalia osiatynska } fernandoprats => rage

=> meta kiddo | emilia cavecedo, nacho piédrola, salaboli, lisa kehoe { lisa liibbe lara, mark valentine sullivan + shari baker, oriol espinal, gabriel magri, naomi vona, mara carrión }
=> hilarious { d7, olivier gilet, jef safi, special spatial guests }
=> rage { brancollina, gabriel magri, natalia osiatynska, bill horne, UU, christy trotter } simon fröehlich

ysinembargo#16… sensualmente inacabada.

a b r e l a m u r a l l a
antwerp · barcelona · basauri · boulder · bruxelles · buenos aires · carlsbad · collioure · coyoacán · grenoble · holden beach · iowa city · lawrenceville · lansing · london · madrid · mendoza · mexicali b.c. · milano · san francisco · san rafael · sào paulo · tarragona · warsaw

# # #

YSE #16’s Original Music | YSElected videos

# # #

Official WEBsite | MySpace | Flickr Group

 
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Posted in Photographs

 

Photos of The Beatles taken by an amateur photographer fetch £30000

27 Mar

Beatles1_BBC.png

A rare set of photos taken by an amateur photographer of the Beatles’ 1965 concert at the Shea Stadium, New York have been sold at an auction for £30000 (~ $ 47000). Photographer Marc Weinstein used a fake press pass to get a spot next to the stage. According to Weinsten, the only other photographer present at the show ran out of film during the concert. Weinstein’s 61 pictures fetched £30,680, compared with a pre-sale estimate of £15,000-£20,000. Click through for some pictures and links to the full story on the BBC, and an Examiner.com interview from 2009.

News: Digital Photography Review (dpreview.com)

 
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Posted in Uncategorized

 

Nice Visual Art photos

26 Mar

Some cool visual art images:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
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Posted in Photographs

 

Nice Visual Art photos

26 Mar

Some cool visual art images:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
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Posted in Photographs

 

10 Tips for Improving Your Flower Photos

25 Mar

Spring is here!

For those of us in the Northern Hemisphere who have been hunkered down for winter, enduring the rain and the snow, the time has finally come to get outside and enjoy some long awaited sunshine.

As the flowers start to emerge from the soil, all the neighbours begin emerging from their houses with gardening tools in hand. I, on the other hand, have my camera in hand ready to capture the spring flowers and I hope you do too!

Here are 10 tips that will help you make the most of your flower photography this spring.

1. Photograph flowers on an overcast day

Okay, not every day in spring is a sunshiny blue sky day. But that’s okay because the white sky days are perfect for photographing flowers.

The soft even light of an overcast day compliments the delicacy of the flowers and there are no shadows and no harsh bright spots, which makes it easier to get a good exposure.

Flowers in soft light by Anne McKinnell

2. Backlight will make your flowers glow

Another type of light that is excellent for flower photography is backlight. Backlight happens when the sun is directly in front of you lighting your flower from behind. Because flower petals are translucent, backlight makes flowers appear to glow.

Try to capture backlit flowers late in the day when the sun is close to the horizon which will cast nice warm light on the rest of your image too. You might even be able to catch some rays of light filtering through the trees.

Backlit flowers by Anne McKinnell

3. Watch out for wind

When it comes to photographing flowers, wind is your enemy. The easiest way to avoid it is to do your photography early in the morning when there is less chance of wind. If there is a bit of wind, you can use a piece of cardboard or your reflector to create a block.

Your other option is to bring a flower inside. I photographed the flower below by taking it inside and placing it in front of a white sheet.

Gerbera by Anne McKinnell

4. Get closer

There are a number of ways to go about making the close up images of flowers we all love.

First, you can use a telephoto lens and zoom in to the flower. In this case, make sure you take note of the minimum focussing distance of the lens. This is usually marked on the outside of the lens. For example, my 70-300mm telephoto lens has a minimum focusing distance of 1.5 meters (or 5 feet). It simply will not focus on anything closer.

There are a couple of solutions for getting around the minimum focussing distance problem. One is to use extension tubes which are hollow tubes that you place between the camera and the lens. Essentially the tubes move the lens farther away from the camera’s sensor which allows the lens to focus on closer objects. The other solution is to use a close-up filter which works like a magnifying glass and attaches to the end of your lens.

Finally, you can use a dedicated macro lens which has the ability to focus on objects that are close to the end of the lens.

Spring Tulips by Anne McKinnell

5. Use a reflector

If your subject is in the shade, you can use a reflector to bounce some light back towards your subject and make the flower more vibrant.

6. Avoid a cluttered background

As with every photograph, the background can make or break the image. Try to change your position so that there is nothing distracting behind your flower.

7. Use a shallow depth of field

Shallow depth of field is when only part of the image is sharp and the rest is soft and out-of-focus. You can achieve this by using a wide aperture (low aperture number) such as f/4 or f/2.8. The effect is even more pronounced if you are using a telephoto lens with a wide aperture.

Flowers and water drops by Anne McKinnell

8. Make it sharp

Even if you are using a shallow depth of field, it is essential that at least part of the flower is sharp. Use a tripod, a cable release or your camera’s two second timer, and the mirror lock up function for the best results.

Remember that even if there doesn’t appear to be much wind, flowers always move. If your flower isn’t sharp, try using a faster shutter speed.

Finally, check your focus and if necessary use manual focus to ensure the camera is focussed on the most important part of the subject.

9. Change your point of view

Move around and try some different angles for more interesting images. Try photographing the flower from behind or underneath to capture a point of view that is different from what we see from a standing perspective.

Behind the flower by Anne McKinnell

10. Focus through another flower

One technique I love is focussing through another flower. Remember how I said in tip #4 that your lens has a minimum focussing distance? You can use that to your advantage! Try positioning yourself so that another flower is in front of your main subject and very close to the end of your lens. The secondary flower will become a blur of colour and your final image will have a more abstract feel.

Flowers using the shoot through technique by Anne McKinnell

If your camera has been gathering dust this winter, now is the perfect time to get yourself and your camera outside to enjoy the sunshine and the flowers and make some beautiful images!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

10 Tips for Improving Your Flower Photos


Digital Photography School

 
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Nice Visual Art photos

20 Mar

Check out these visual art images:

AVENUE Magazine – February 2013
visual art
Image by Amazon Silverweb
Passion is in the air at AVENUE for our February issue, and there is no better way to celebrate than with TenderLove, our cover feature for the month. Indulge in "Rouge", our Couture Clash feature, and treat your eyes to a visual confection of trendsetting styles from AVENUE’s stylist team, including a special couples Valentine’s Day spread. Check out the beautiful work of featured designer, MichaMi, so that you can head out in style to visit the grid’s top hotspots with your sweetheart for a touch of romance. Continue the journey to see the Game of Thrones roleplay sim, and don’t miss Zigana, our architecture and interiors highlight for February. Our arts section brings you works from Seraph Kegal, Kicca Igaly, and Nessuno Myo, as well as the Theatre on the Hill’s presentation of "Rent". Read on for all of this and more in AVENUE’s February issue.

issuu.com/avenue/docs/avenue.february2013

 
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