RSS
 

Posts Tagged ‘Photographers’

BenQ releases SW240 PhotoVue monitor for photographers on a budget

03 May

BenQ has added a new entry-level monitor to its SW PhotoVue line of photo editing monitors. The new SW240 is a 24-inch 1080p 10-bit IPS display that will sit below the 27-inch QHD SW2700PT, the 27-inch UHD SW271, and the 32-inch UHD SW320, and like the rest of the lineup, it was designed with photo editors in mind.

The SW240 boasts 99% AdobeRGB coverage, 95% DCI-P3, a 14-bit 3D Look Up Table (LUT), hardware calibration, an ‘advanced black and white’ mode, and a color mode hotkey for switching between AdobeRGB, sRGB, and DCI-P3 while editing.

“We want to make professional tools accessible to everyone, whether you’re just starting out or you’re a pro upgrading an old monitor, the SW240 is the perfect choice,” says BenQ Product Manager Jason Lee. “It fits in our professional lineup with pristine color accuracy and without the hefty price tag of similar professional monitors.”

Key features:

  • 24.1 inches, 16:10, 1920 x 1200 resolution
  • 99% Adobe RGB coverage, 100% sRGB and 95% DCI-P3
  • 14-bit 3D LUT, ?E ? 2
  • Hardware Calibration with Palette Master Element calibration software
  • Color Mode HotKey for switching between color modes
  • Advanced Black & White mode
  • Optional shading hood

Of course, the most important feature for this “value monitor” is its price, and that’s where BenQ may have missed the mark. The SW240 monitor is available now for $ 400 by itself—the optional shading hood will cost you an additional $ 100. Which makes us wonder: why would you purchase an SW240 for $ 500 (with the shading hood) when you can get the SW2700PT 27-inch QuadHD option (shading hood included) for just $ 50 more right now?

Are we missing something? Let us know what you think in the comments.

Press Release

BenQ Adds Best Value Professional Photo Editing Monitor to Its Award-Winning SW PhotoVue Line

The High-Quality SW240 Monitor Gives Seasoned Photographers and Hobbyists All the Right Tools at the Right Price

COSTA MESA, Calif. — May 1, 2018 — BenQ America Corp., an internationally renowned provider of visual display solutions, today released the new SW240 24.1″ PhotoVue Photo Editing Monitor. Presenting photography professionals, enthusiasts and students with the most affordable AQColor SW PhotoVue Monitor to date, it supports 99% Adobe RGB color space for greater and more natural color reproduction and hardware calibration via BenQ’s Palette Master Element software for optimal, long-lasting, accurate color performance users can trust. The new monitor completes BenQ’s SW PhotoVue professional photography IPS portfolio, which includes the award-winning SW2700PT (27″ QHD), SW271 (27″ 4K UHD HDR) and SW320 (32″ 4K UHD HDR).

“Great artists rely on great tools, which is why we offer a complete family of professional photography monitors to suit every level, from the new value-priced 24.1″ SW240 up to our 32″ display,” said Jason Lee, product manager at BenQ America Corp. “We want to make professional tools accessible to everyone, whether you’re just starting out or you’re a pro upgrading an old monitor, the SW240 is the perfect choice. It fits in our professional lineup with pristine color accuracy and without the hefty price tag of similar professional monitors.”

Unparalleled Color Reproduction at an Exceptional Value

Engineered with all the advantages of a high-end professional monitor, the debut of the BenQ SW240 24.1″ monitor is a photographer’s dream. The 10-bit display shows more than 1 billion colors and allows users to enjoy the smoothest color gradations of even the most detailed images. Its 14-bit 3D Look Up Table (LUT) improves RGB color blending accuracy, resulting in impeccable color reproduction, and having Delta E?2 in both Adobe RGB and sRGB color spaces gives users the truest and most representative view of the original image. Featuring BenQ’s AQCOLOR™ technology, the SW240 provides out-of-the-box, factory-calibrated color accuracy with industry-standard color space to bring brilliant colors to life. The 99% Adobe RGB color space offers a greater range of color reproduction for shades of blue and green, resulting in a more realistic color representation for outdoor and nature photography.

Hardware Calibration for Consistent Images

The SW240 hardware calibration adjusts the monitor’s image processing chip rather than the graphics card output. As a result, users are never fooled by what they’re seeing on screen and can trust that images will stay consistent with their original copies. What’s more, BenQ’s Palette Master Element software allows users to easily tune and maintain the color performance of the monitor at its most optimal state.

Eye-Care Protects Eyes From Fatigue After Long Hours

The creative process can sometimes be a grueling one. Now users don’t have to fret over how much time they’re spending in front of their BenQ monitor. Engineered with BenQ’s exclusive Eye-Care technology, every PhotoVue Series monitor reduces eye fatigue for user comfort, enhanced productivity and workplace safety during extended use.

The SW240 PhotoVue Photographer monitor is now available at retail price of $ 399. A shading hood, which can be mounted to suit portrait or landscape orientation, is also available for purchase (MSRP $ 99).

More information on the full line of BenQ products is available at www.BenQ.com.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on BenQ releases SW240 PhotoVue monitor for photographers on a budget

Posted in Uncategorized

 

How to Choose the Best Portrait Lens According to Three Professional Photographers

30 Mar

Here on dPS, we’ve covered this topic in previous articles. For example: How to Choose the Perfect Portrait Lens.

In the following videos, see which lens these photographers chose and why.

85mm versus the 70-200mm f/2.8

Portrait photographer, Manny Ortiz takes you to a live shoot in this video. Watch as he shoots the same subject, in the same location with both the 85mm f/1.4 and a 70-200mm f/2.8 lenses.

See how they differ and watch all the way to the end to find out which is his favorite lens and why.

Is there such a thing as the “best” portrait lens?

In this next video, Gabriel Sanchez (Gabe) talks about the four lenses he uses most often for portraits and which are his go-to and favorites.

He goes over the 24mm f/1.4, 35mm f/1.4, 50mm f/1.2, and a Sigma 85mm f/1.4, and the benefits and results you can get with each lens. See why he says there is no “perfect” or best portrait lens, watch to the end.

?

Favorite lenses – fashion photographer

Finally, get a different point of view from fashion photographer Julia Trotti as she explains why the 35mm f/1.4 and 50mm f/1.2 are her favorite lenses.

?

Which lens do you use for portraits?

So at the end of the day which lens are you going to choose for doing portraits? Do you have any favorites? Tell us which lenses you use and why in the comments below.

If you’re still undecided here are some more dPS articles to help you out:

  • 3 Tips for Taking Portraits with a Kit Lens
  • Tips From a Pro to Help You Know Which Lens to Choose
  • Primes Versus Zoom Lenses: Which Lens to Use and Why?
  • Comparing a 24mm Versus 50mm Lens for Photographing People

The post How to Choose the Best Portrait Lens According to Three Professional Photographers appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on How to Choose the Best Portrait Lens According to Three Professional Photographers

Posted in Photography

 

Rumor: Canon full-frame mirrorless already ‘being used by select pro photographers’

24 Mar
So far, the EOS M5 is the nearest thing Canon has made to a high-end mirrorless camera.

Rumors of a Canon mirrorless full-frame camera are heating up. Just days after our own Canon interview from CP+ 2018 seemed to hint, quite strongly, that a “high-end mirrorless” from Canon is in the works, Canon Rumors is reporting that they have “confirmed from a couple of good sources” that a full-frame mirrorless Canon is indeed being tested by select pros.

The Canon Rumors report, published earlier today, claims that “a full frame mirrorless camera is well into its development cycle,” and is in fact being used by “select Canon pro photographers” in the field. This matches up with what Canon told us during our interview at CP+ 2018. Specifically, the Canon executives we spoke to said:

In accordance with the full lineup strategy, we will be tackling [the mid-range and high-end mirrorless market] going forward.

And when we asked if it was “realistic” to expect a Canon full-frame mirrorless camera within a year, their tongue-in-cheek response was:

That would be nice, wouldn’t it?

Read our full Canon interview from CP+ 2018

Canon Rumors is “very confident we’re going to see something announced before the end of Q1 in 2019,” while other outlets have predicted something for Photokina in September. Either way, as rumors and reports heat up, it seems more and more likely the industry will be getting a major shake-up in early 2019 or late 2018.

The major unanswered question is: what about lenses? Will Canon release a new lens mount with this rumored full-frame mirrorless camera—thereby taking advantage of the shorter flange distance offered by mirrorless—will the new camera be compatible with EF lenses out of the box, or will it be some sort of hybrid arrangement?

When we spoke to Canon, the company said it “can’t simply ignore the [130 million EF lenses] in the market,” but that “we’re considering the technical advancements that are possible” with a new mount. In the end, they didn’t give us anything definitive, encouraging us instead to “let your imagination suggest some possibilities.”

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Rumor: Canon full-frame mirrorless already ‘being used by select pro photographers’

Posted in Uncategorized

 

Fashion magazine expects photographers to PAY to be on the cover

24 Mar

An American fashion magazine has created a storm by expecting photographers to pay $ 860 if their image is chosen for its cover. In a ‘the world’s gone crazy’ role-reversal, Sheeba magazine’s submission guidelines specify that photographers lucky enough to have an image selected for the cover will have to pay for the privilege of having it used.

In the magazine’s defense, it does style itself as a place where photographers, designers and models have an “opportunity to show-case and promote their contemporary masterpieces worldwide through print, digital and social media exposure” and presumably getting the cover position allows that photographer the most exposure.

Work placed inside the magazine is published for free, and at the moment there’s a special 50% off deal for cover placement.

In return, the photographer gets a copy of the print edition, a high-resolution tear sheet, and possibly an interview inside the magazine. Although billed as a monthly magazine, there seem to be three ‘volumes’ some months. The 74-page latest issue costs $ 26 for the print edition.

It isn’t clear what the magazine’s reach is, or exactly how much exposure gracing the front cover will gain the chosen photographer. The magazine’s Instagram page has fewer than 2,500 followers and its Twitter posts appear in the feed of just 75 people. The magazine is a little more successful on Facebook where it has 6,703 followers, but its most recent post is rather soiled by a lengthy comment thread about the morality of its cover policy.

If you don’t feel up to applying for a place on the cover, the magazine is looking for a number of interns to help put the publication together. The job ads offer the “opportunity to gain valuable editorial experience in media publishing and further develop a professional portfolio in return for work efforts” and a promise that you might be considered for a permanent position in the future. There’s no mention of payment, but the magazine expects considerable skills and dedication, and someone to layout 100 pages of content—perhaps three times a month.

For more information see the Sheeba website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fashion magazine expects photographers to PAY to be on the cover

Posted in Uncategorized

 

How two photographers captured the same millisecond in time

11 Mar

On March 3rd, during a large East Coast winter storm, I headed to the ocean to capture some wave action. My travels eventually took me to Great Island Commons in New Castle, NH where Whaleback Lighthouse is prominently featured 0.8 miles offshore. I was hoping to capture big waves crashing around the lighthouse, and Mother Nature didn’t disappoint.

Great Island Common is a wide open park where people come to picnic during the summer and to watch the ocean during the winter. After arriving, I set up my tripod and my Canon 5D Mark IV with Sigma 150-600mm lens on a tripod and positioned myself just to the right of a tree in order to help reduce the pummeling Northerly winds. As many of you know, it’s a challenge keeping 600mm stable in high winds, even on a tripod.

I set the camera up and then waited until I saw a wave starting to hit the lighthouse. I then kept firing until the splash ended, not knowing ahead of time the action of the wave. Most shots never panned out, but about three of them over the course of about 45 minutes were pretty decent.

Once back at home, I culled through the images and choose one to edit and upload to Instagram, replacing an earlier upload that was done in haste while still in the parking lot.

When a local TV station shared the photo to their Facebook page (with permission) it started to receive a large amount of shares, comments, and likes; however, there was one comment that mentioned that I had stolen the image from another New England photographer, Eric Gendon. After letting the commenter know that it was indeed my image and that I possess the original RAW file, I headed over to the other photographers page and was blown away.

We had what looked like the exact same image, taken at the exact millisecond in time, from what looked like the same exact location and perspective.

Aside from choices made in Lightroom, the photos at first glance look virtually identical aside from water in front and some of the white caps being in different position. Even then, the white caps were identical in size and shape—and I know those things are easily moved using the clone stamp in Photoshop—so I was concerned that maybe MY image was stolen and altered a bit.

Initially, I only had access to his shared, low-resolution, image so I wasn’t able to make out some of the very fine details that ultimately helped to convince me that we both had originals. After overlaying and aligning the images in Photoshop I was blown away that the lighthouse and waves were carbon copies, almost to the pixel. As mentioned already, there were many differences in the foreground water and the white caps on the horizon, and it was these differences that held me back from claiming he stole my image.

It wasn’t until another local photographer started comparing my photo to a higher resolution version of Eric’s image that he noticed that the iron gating around the top of the lighthouse had slightly different spacing between the vertical bars compared to my image. This would indicate that the other photographer was likely standing just a little bit left of where I was standing.

Since the 60D uses an APS-C sensor he would have also likely been back a little further to compensate for the 1.6x “zoom” / crop of the sensor or using a shorter focal length to compensate. This would also explain the white caps being in different positions.

However, the fact that the lighthouse doesn’t really show any rotational changes—and the crashing wave is an exact match—makes this all the more remarkable that these were captured randomly from two different photographers.

The next morning, Eric woke up to a flood of messages from me as well as other photographers, and immediately contacted me to share his EXIF data, and to agree that it was astounding that we both captured the exact same image of water motion at the exact millisecond in time. What makes this even more amazing is that this wasn’t a planned event (aka. sporting event, shuttle launch, etc.).

I also didn’t know Eric—we each chose this location randomly, and we both shot with different cameras (60D and 5D Mark IV) with different size sensors.

The 60D has a burst mode of 5.3fps, the 5DMKIV is 7fps; we both used a 600mm focal length; our exposures and depth-of-field were almost the same as well (F8 aperture, ISO 400, 1/1600th shutter vs. F8, ISO 320, 1/1000th shutter); and, ultimately, we both selected the same photo from that day to promote. Come to find out we were only 28 meters away from each other. He was hunkered down under a picnic enclosure to help block some of the wind and I was up against a tree to help reduce the wind.

I did a Google search to see how often this happens and could only find one article from 2011 where two photographers filming a surf competition on Huntington Beach ended up catching a virtually identical image of a surfer and its wave action.

If you shoot water in burst mode you know how different each exposure is even when the difference in time is just 1/7th of a second between shots. And I have been leading night-sky photography workshops for five years and have had well over 200 photographers who are often aiming at the same subject, shooting with similar cameras and lenses, and capturing at the same moment in time, even doing continuous shooting for time lapse, and until now I have never seen two images that were so close as to be virtual clones of each other.

While this is a rare occurrence, I believe that with cameras getting faster and photographers taking more time to prepare for their shots, I have to imagine that these situations will happen more frequently. It happens every day with stationary or slow motion objects (buildings, sun/moon rise) but almost never with water movement.

One commenter on my FB post mentioned how this mistake brings to light the importance that post-processing plays in making your images your own. Here we had two essentially identical images—one edited to preserve a more natural feel, while the other image was edited to enhance the drama and emotion of the scene.

Photographer Information

Ron Risman
Website: http://www.timelapseworkshops.com
Instagram: Timeographer
Facebook: risman

Eric Gendron
Website: http://www.ericgendronphotography.com/
Instagram: ericgendronphotography
Facebook: ericgendronphotography


Ron Risman is a New England-based photographer, cinematographer, and time-lapse specialist with over 30 years of experience behind the camera. You can find more of his work on his website, Instagram, and Facebook page.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on How two photographers captured the same millisecond in time

Posted in Uncategorized

 

Things People Say to Photographers – What Have You Heard?

10 Mar

If you’re in the photography business you’ve likely heard some pretty outrageous comments made by clients. In these three videos let’s have a humorous look at things clients say to photographers. Remember this is all in fun, and we, as photographers, value our loyal clients fiercely. Right?!

Things Clients Say

I this first video by Queen Photographers we see some of the most common phrases and things heard by photographers. Some just make our eyes roll. Have you heard any of these gems?

Shtuff People Say

Here’s another tongue-in-cheek look at “shtuff” people say to photographers. What’s your favorite? How about, “Wow your camera takes really good pictures!” If you aren’t a professional, even as an amateur or hobby photographer you’ve probably heard that one right?

Kid Edition

This one is probably my favorite of the lot. It was made by a photographer and his kids, using the kids as models. I think they did a fantastic job.

?

Let’s hear from you

So now it’s your turn. What are some of the doozies you’ve heard from people? Here are some of my faves:

  • Your camera takes great photos. (Never mind the two years of photography school, and years of experience I have been doing it.)
  • Much be nice charging that much for a wedding, you hardly have to do any work at all. (Said a wedding guest who has no idea a wedding takes up to 40-50 hours of work before, during and after the big day.)
  • Can you take a photo with my camera? (A father of the bride asked me this once, and I was the paid wedding photographer taking their family photo at the time!)
  • Can you NOT put your name/signature on our prints? I might want to get them copied and the copy shop won’t do it if there’s a professional mark on them. (Asked of me by an actual paying client.)
  • Can you NOT put your signature on any of my family’s prints? That is only for art and artists. You’re just a photographer and what you do isn’t really art, so I don’t want your name on it. (He then proceeded to convince everyone in the extended family why they didn’t need 20×24 prints which they have purchased and they all downsized to 11×14 or 8×10, thanks, buddy! But I refused to not sign them so he had to take it or get none.)
  • Can you give us the wedding photography package we want but just throw in a free 16×20 wall canvas? The studio down the street said they’d do it for less. (To which I suggested they go meet with that photographer and hire him if they liked his work. After 2 days they hired me at my price PLUS the 16×20 at full price.)

Let’s hear yours. Remember – this is dPS so please keep it clean folks, no curse words (use a bleep if you have to), or name calling. Keep it light-hearted in the spirit of the videos. Just do an eye-roll and move on.

The post Things People Say to Photographers – What Have You Heard? by Darlene Hildebrandt appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Things People Say to Photographers – What Have You Heard?

Posted in Photography

 

Associated Press photographer’s video shows ‘travel photographers’ staging photos

22 Feb

Last month, Associated Press photographer A. M. Ahad shared a video on Facebook that shows something disappointing… if not terribly surprising. His video, captured at a train station in Bangladesh, shows photographers shooting staged images of a boy who is posing out a train window as if in prayer.

Ahad criticized the photographers’ actions, saying such staging is used in an effort to capture award-winning images at the expense of professional etiquette.

Speaking with PetaPixel, Ahad explained that a large number of camera-wielding tourists show up for Eid al-Adha and Bishwa Ijtema to snap images that are often posed: “They are all around making images and ruining things for professional photographers.”

“Bangladesh is not for people like this who came to ruin professional photographers etiquette for the sake of winning medal,” Ahad said in the Facebook post that accompanies the video, expressing frustration that photographers who are staging scenes are getting in the way of actual professionals. “Stop telling us that you are foreign media covering the congregation when you have no proof to show us […] just stay home, for goodness sake.”

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Associated Press photographer’s video shows ‘travel photographers’ staging photos

Posted in Uncategorized

 

Avoid These 5 Major Mistakes Made By Travel Photographers

18 Feb

Whether you are traveling abroad or within your own country, there are several mistakes that I’ve seen travel photographers make that hinder the process of making memorable photos.

Five Major Mistakes Made By Travel Photographers

Mistake #1: Not being aware of cultural sensitivities and laws

When you travel to another country it’s easy to forget that the people there may see certain things differently than you. For example, in China, you will see signs up in temples asking you not to take photos. So it should be fairly obvious that doing so may cause offense.

Others are not so obvious. Did you know that in Spain the law prohibits photographers from taking photos of people in public without permission unless they are taking part in a cultural event such as a festival? That’s right, Spain is not a great place to be a street photographer (although that doesn’t stop people from doing it).

Unless you know this, you probably think taking candid photos of people in Spain is perfectly okay (as it is in most other places). Once you understand the attitude (and the law) towards photographing people in Spain, you can adjust your behavior to fit in with local expectations and behavior.

If you want to create a street photo of somebody, it’s best to stop them and ask for permission. That way you protect yourself and (added bonus!) keep out of trouble with the police.

Avoid These 5 Major Mistakes Made By Travel Photographers

I made this street portrait in Cadiz, Spain after asking the street vendor if I could take his photo. If I had tried to take a photo without him noticing it would have been illegal, and if he had called the police I would have been on the wrong side of the law.

Some countries have laws forbidding the photography of certain buildings, like airports. Did you know that photographers have been arrested, jailed, and accused of spying in Greece for photographing an airshow at a military base? If you’re going to Greece it’s a good idea to know which buildings are out of bounds for photographers. Make sure you’re aware of any legal restrictions in your country of travel.

Mistake #2: Being disrespectful to local people

When you travel somewhere new, especially somewhere that is exotic to you, it’s easy to treat people as if they were laid out, like colorful extras in a movie scene, for you to take photos of. That is not true, and it’s disrespectful and unkind to act as if it is. Imagine how you would feel if somebody from another country came and tried to take photos as you went about your daily life, without consideration for you and your feelings.

It seems to me that a big part of the problem is when people travel through other countries without interacting with locals in anything other than a commercial context, such as renting a hotel room or eating in a restaurant. Sometimes this is down to language – it’s hard to strike up a conversation in China if you don’t speak Chinese, for example.

But your travels (and life in general) can become a lot more interesting if you are open to non-commercial experiences with local people. Try having conversations with people about their hopes and dreams, what they do for a living, how they like living in their town and similar topics. You’ll gain a deeper understanding and appreciation of the places you’re traveling through when you do.

Avoid These 5 Major Mistakes Made By Travel Photographers

A Spanish friend of mine invited me to see a farm owned by a member of her family. I would never have gotten to see the farm or make this photo if we didn’t know each other.

Language study is an excellent way to meet local people. I have many good friends in Spain and South America that I met online through websites aimed to help people learn other languages. I’ve met most of them in person and learned a lot about their culture and countries in the process.

Mistake #3: Not putting safety first

Another mistake I’ve seen photographers make is forgetting to take care of their personal security or failing to take appropriate precautions to guard their gear against theft.

Most photographers travel to most places without any security problems, but there is always the potential for something to go wrong, especially if you don’t put much thought into your personal safety and the security of your camera and computer equipment. Some countries are safe, others can be dangerous, so make sure you do your research beforehand and take any appropriate precautions.

A good travel insurance policy that covers your gear (check the fine print) will help give you peace of mind if the worse does happen.

Mistake #4: Taking too much gear

We’ve all seen the type of photographer that walks around with a large dSLR camera and telephoto lens, perhaps even two, swinging from their side.

At the other extreme are photographers who travel with just one camera and one lens. When I worked at EOS magazine we published an article about a photographer who traveled to India with one camera and a single 50mm lens. He made some beautiful images so the approach worked for him.

Avoid These 5 Major Mistakes Made By Travel Photographers

During a recent trip to China, I calculated afterward that I had used my 35mm lens for 73% of the photos, including the one above. That tells me that I probably could have taken just that lens and still enjoyed a very productive journey.

There’s nothing wrong with taking lots of gear, especially if it works for you. Professionals often take lots of lenses so they know they are covered for just about any situation they may encounter. But there are a couple of things worth considering.

  • The first is that a large camera and lens combo is an obvious target for theft. Smaller cameras attract less attention and don’t look as expensive.
  • The other consideration is creative. If you have too much gear it’s heavy to carry around and you can waste time trying to decide which lens/camera combination to use.

The key is to think in advance about the subject matter you intend to photograph and what gear you’ll need for it. If you are into long exposure photography, for example, then you’re going to need a tripod, cable release and neutral density filters.

If you are photographing people, you need to decide what lens or lenses you are going to use for portraits. If you are photographing local architecture, you will probably need a good wide-angle lens. If you are going to walk around all day taking street photos, a small camera and lens are much less tiring than a large DSLR with a telephoto zoom.

You get the idea. Ultimately, you need to find the right balance between taking enough gear to meet your needs and taking too much. Also, if security is a concern, you may want to consider leaving your more expensive gear at home.

Mistake #5: Not doing enough research

If there’s one mistake that links all the others, it’s this one – not doing enough research. It’s important because it makes you aware of any local laws or cultural sensitivities you need to know (mistake #1).

As part of your research, you may get in touch with local people (mistake #2) who can give you advice or help you gain access to places or events you would never know about otherwise. Some photographers go even further and work with a fixer – somebody who introduces you to other people, translates if necessary, and acts as a bridge between you and the local culture.

Research alerts you to any security considerations (mistake #3). It helps you decide what gear you need to take, and avoid overload caused by taking too much equipment (mistake #4).

In other words, doing your research is a key part of avoiding the mistakes that many travel photographers make.

Avoid These 5 Major Mistakes Made By Travel Photographers

Research also helps you find interesting places to photograph, such as this ancient fishing village in north Devon.

Conclusion

These mistakes are based on my observations of other photographers while traveling. But what mistakes have you seen other photographers make? What mistakes have you made yourself? I’m looking forward to hearing your responses in the comments section below.


The Candid Portrait

If you’d like to learn more about street and travel photography then please check out my popular ebook popular ebook The Creative Portrait.

The post Avoid These 5 Major Mistakes Made By Travel Photographers by Andrew S. Gibson appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Avoid These 5 Major Mistakes Made By Travel Photographers

Posted in Photography

 

Review: Google Pixel 2 is the best smartphone for stills photographers

12 Feb

DPReview smartphone reviews are written with the needs of photographers in mind. We focus on camera features, performance, and image quality.

The Pixel 2 and its larger sibling, the Pixel 2 XL represent Google’s latest flagship phones. Both offer a single 12.2MP F1.8 main camera and an 8MP F2.4 ‘selfie’ camera. From a photographer’s perspective that might not sound like anything special – after all, the iPhone X offers dual rear cameras – yet thanks to behind-the-scenes processing, the Pixel 2 is capable of some of the most detailed photos we’ve ever seen from a smartphone.

It also features a background blurring effect (portrait mode), DNG Raw capture (with use of a third party app), 4K/30p video and optical image stabilization. Plus, all Pixel 2 owners get free Google Photo storage for photos and videos shot on the device through the end of 2020. After that point users will still get free storage but files saved will be high-quality compressed versions (full-res storage will still be available for a price).

Priced at $ 650, the Pixel 2 is not cheap, but it is 2/3rds the price of the iPhone X.

The Pixel 2 offers excellent image quality thanks to a combination of hardware and software processing .
ISO 82 | 1/23000 sec| F1.8

As smartphone cameras progress, we’re seeing a cultural split from traditional camera companies, who rely mostly on hardware and optics to achieve good image quality, just as they did with their film cameras. Instead, smartphone manufacturers are relying more on computational photography and artificial intelligence to produce a photo that is detailed and well-toned, right ‘out of camera’. With just one button press – no need to set the exposure or dynamic range compensation or AF mode yourself.

Google’s secret sauce is in what the company calls ‘HDR+’, which judges exposure intelligently and uses multi-imaging techniques for every shot. So has computational photography, à la Pixel 2 come far enough to replace the pocket cam? How about the mirrorless camera or DSLR?

Aside from the excellent camera, the Pixel 2 is a fairly ordinary smartphone.

Key photographic / Video specs

  • 12.2MP rear camera (1/2.55″ | 1.40 ?m pixels)
  • F1.8 max aperture
  • 4K/30p video
  • 1080/120p, 720/240p slow motion video
  • Optical image stablization
  • Dual Pixel AF with phase detect
  • DNG Raw capture and manual control with 3rd party apps
  • 8MP front camera (F2.4 max ap.)

Other specs

  • Android 8.0 operating system (Oreo)
  • 5 in 1920×1080 AMOLED (441ppi) display (95% DCI-P3)
  • Qualcomm Snapdragon 835 processor
  • 4GB Ram
  • 64 or 128GB internal storage
  • Unlimited cloud photo/video storage with Google Photos
  • 2750 mAh battery
  • $ 650

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Review: Google Pixel 2 is the best smartphone for stills photographers

Posted in Uncategorized

 

4 Young Photographers Who Will Inspire and Amaze You

09 Feb

Since I started teaching photography I’ve had the opportunity to teach a few kids as well as adults. Some special parents were able to see that their child had an interest in photography and a gift for doing it as well, and they encouraged them to pursue it. I gladly jumped on that bandwagon and supported them as well.

So I’ve rounded up not one, but four young photographers whose work will amaze you. You may think it slightly depressing that these youngsters can do such amazing work at a tender age (while you may be struggling to figure out how to shoot in Manual), but instead – allow them to inspire you!

Award-winning wildlife photographer age 13

Josiah Launstein started doing photography at age 5, using his dad’s old camera and got “serious” about it when he was only 7. Now he’s won awards for his photography and has been displayed in national galleries. Watch him in action photographing one of his favorite subjects, bighorn sheep. AND he’s Canadian like me!

See more of Josiah’s work on his website where you can buy prints, art cards, and calendars. I liked his work so much I bought a calendar myself!

Teen featured in national publications

By age 16 Alex Currie’s work was being featured in National publications, even recognized by Vogue magazine. He’s also produced short films with some of his friends.

See some of Alex’s current work on his website here. He also was on the Flickr Top 20 Under 20 list.

?

A day with a teenage pro photographer

Our next young sensation is Ryan Parrilla, a Manhattan-based teen photographer. He’s been doing photography since age 12 on the streets of NYC. His camera of choice is a Canon Powershot G7 Mark II. Follow along to see a day of shooting with Ryan in his city.

See more of Ryan’s images on 500px or his Instagram profile where he has more than 90,000 followers.

10-year-old’s photography business – helps his autism

In this final inspirational video story, learn about how Morgan Wolfers picked up a camera to help him “focus”. He and his parents realized that photography helped with his autism and that he was naturally good at it.

?

See more of this amazing kid’s photography on his website here.

Inspired yet?

I hope these stories of kids doing photography have inspired you to get out there and do more shooting yourself. Look for the dPS weekly photography challenge if you need some ideas on what to shoot.

The post 4 Young Photographers Who Will Inspire and Amaze You by Darlene Hildebrandt appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 4 Young Photographers Who Will Inspire and Amaze You

Posted in Photography