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Posts Tagged ‘Photo’

Google lens can now identify pet breeds, create pet photo books and compile pet movies

13 Apr

Google first introduced Google Lens with the Pixel 2 smartphone. The feature uses Artificial Intelligence to power its visual recognition algorithms and provide information about whatever your smartphone’s camera is pointed at, and recently it was made available on iOS devices and integrated in the Google Photos app.

With Google Lens now available to a very large customer base many more users will be able to enjoy some new functions. The app is now capable of not just identifying the pet you are pointing the camera at, but also the exact breed – pretty impressive. This works for cats and dogs, and reportedly also some other kinds of animals. Some additional information about the breed is provided as well.

In addition, Google Photos can now automatically create a photo book starring your pet. Again, artificial intelligence is used to find the best pictures. If you look what you see and are based in the US or Canada, all you need to do is decide if you prefer a hardcover or softcover and hit the order button.

There is also a movie option which in a similar way as the photo book feature. In the Assistant tab in Google Photos you’ll find a movie button. You’ll then be able to choose the “Meow Movie” or “Doggie Movie” option and select your pet. The best photos of your pet are then compiled into a movie, accompanied by pet-themed music.

Articles: Digital Photography Review (dpreview.com)

 
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Eizo unveils ColorEdge CG319X DCI-4K HDR monitor for high-end video and photo editing

10 Apr

High-end monitor maker Eizo has just unveiled the ColorEdge CG319X: a 31.1-inch DCI-4K HDR display with a 4096 x 2160 resolution, built-in calibration sensor, and 98% DCI-P3 coverage. The new ColorEdge model builds upon the previously launched CG318-4K, adding multiple new features including hybrid log-gamma (HLG) support and a perceptual quantization (PQ) curve for HDR video editing.

According to the company, the CG319X’s panel offers images that “appear more true to how the human eye perceives the real world.”

The new ColorEdge model is targeted at pro-tier post-production work, offering a variety of features beyond what is available on typical consumer displays. For one, the CG319X has an integrated calibration sensor that has been upgraded so that it can recalibrate your monitor even while you’re using it. To facilitate this, the user selects a time during which the sensor will swing onto the screen, using up “minimal space” so that work can continue.

The CG319X comes with this built-in calibration sensor, which has been updated so it can recalibrate your display even if the monitor is in use.

This model also offers 98% DCI-P3 color space reproduction, a 1500:1 contrast ratio, and a retardation film that maintains tone depth when viewing the monitor from an angle. Finally, because temperature changes can affect an LCD’s brightness and color, Eizo has built a temperature sensor into the CG319X, which allows the display to adjust as necessary when the ambient temperature of the room changes.

The ColorEdge CG319X also features two HDMI ports, two DisplayPort inputs, DCI-4K/60Hz using HDMI or DisplayPort 1.2, 3D LUT, 10-bit simultaneous display from 24-bit LUT, 4K zoom, aspect ratio markers, luminance warning, an ergonomic stand, light-shield hood, built-in carrying handle, 5-year manufacturer’s warning, and support for the following cinema and broadcast preset modes:

  • EBU
  • Rec. 2020
  • Rec. 709
  • SMPTE-C
  • DCI
  • PQ
  • HLG

Eizo will start shipping the ColorEdge CG319X monitor next month in some regions; US shipments start in June. Price is still TBD.

Press Release

EIZO Releases 31.1″ DCI-4K Monitor with HDR Gamma Support for Media and Entertainment

Hakusan, Japan, April 5, 2018 – EIZO Corporation (TSE: 6737) today announced the new ColorEdge CG319X – a 31.1-inch monitor with DCI-4K resolution (4096 x 2160) and HDR gamma support for the professional post production workflow. It is the successor model to the CG318-4K with several upgraded features.

Distinguishing it from its predecessor, the ColorEdge CG319X comes equipped with HLG (hybrid log-gamma) and the PQ (perceptual quantization) curve for displaying and editing HDR (high dynamic range) video content. The optimized gamma curves render images to appear more true to how the human eye perceives the real world compared to SDR (standard dynamic range). Having a monitor equipped with HDR gamma support ensures professional creators can reliably display HDR content during the editing process so it is ready for color grading at the end of the workflow.

ColorEdge CG319X is equipped with an upgraded built-in calibration sensor, which allows the user to continue to operate the monitor even during recalibration. The sensor swings onto the screen at a time designated by the user and takes up minimal space so work remains uninterrupted.1 A built-in sensor eliminates the need for a third-party calibration device and ensures the screen stays color-accurate.

The monitor’s wide color gamut reproduces 98% of the DCI-P3 color space used in the media and entertainment industry. In compliance with the DCI standard, the ColorEdge CG319X offers a high contrast ratio of 1500:1 for producing true blacks that are otherwise difficult to display on a typical LCD monitor. In addition, it is equipped with a retardation film which allows tones to retain their depth even when viewed from an angle.

The color and brightness of an LCD monitor can be affected by changes in ambient temperature of the monitor itself. The ColorEdge CG319X is equipped with an internal temperature sensor which detects those changes and adjusts the monitor so gradations, color, brightness, and other characteristics continue to be displayed accurately. The algorithm used in the AI (artificial intelligence) 2 of the monitor allows it to perform this temperature detection and adjustment even at high brightness levels for providing a truly accurate viewing environment. In addition, EIZO’s patented digital uniformity equalizer (DUE) technology also counterbalances the influences that a fluctuating temperature may have on color temperature and brightness for stable image display across the entire screen. The monitor also provides noiseless, fanless operation while still maintaining low heat output without impacting performance.

Additional Features

  • 3D LUT for individual color adjustment on an RGB cubic table
  • 10-bit simultaneous display from a 24-bit LUT for smooth color gradations 3
  • DCI-4K resolution at 60 Hz via DisplayPort 1.2 or HDMI input
  • Broadcast and cinema preset modes: EBU, Rec. 2020, Rec. 709, SMPTE-C, DCI, PQ, and HLG
  • Two DisplayPort and two HDMI inputs
  • Ergonomic stand which meets IEC/EN 62368-1
  • Light-shielding hood included
  • 5-year manufacturer’s warranty 4

EIZO will be showing the ColorEdge CG319X for the first time at the NAB Show 2018 in Las Vegas, USA from April 9 – 12. Visit Booth SL15713 to see the product.

Product Information

  • ColorEdge CG319X

Availability

The ColorEdge CG319X will begin shipping in May, 2018. Date of availability varies by country so contact the EIZO group company or distributor in your country for details.

Articles: Digital Photography Review (dpreview.com)

 
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1969 US Geological Survey photo of a massive lava ‘bubble’ goes viral

07 Apr
Photo by JB Judd/USGS

A photograph captured by US Geological Survey (USGS) photographer JB Judd in 1969 is ‘going viral’ online this week. The photo shows a massive, symmetrical lava dome fountain that was captured during a 5-year-long eruption of the Kilauea volcano’s Mauna Ulu cone between 1969 and 1974.

The so-called lava “bubble” measured approximately 65ft / 20m in height, and it owes its Internet fame to this “Throwback Thursday” tweet by the USGS:

After a bit of digging, the internet managed to unearth Judd’s original photograph of the lava bubble, which seems to have been flipped horizontally, straightened, and edited to produce the image shared on Twitter. The USGS photo page lists the estimated height of the bubble as 50 to 75 meters, or approximately 164 to 246 feet, and describes symmetrical dome fountains such as these as “rare.”

The image is one of many public domain photos in the USGS photo archive. To see more, head over to the USGS website where you can browse the full collection.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Quick Photo Editing in the Field

04 Apr

In today’s world of fast and super fast consumption of everything, perhaps photography and photographers are an anomaly in that we obsess over editing and over-editing our photos until the cows come home (figuratively speaking of course)! But there are some situations where quick photo editing and speed are our friends.

For example, say you are traveling on an adventure of a lifetime but still want to keep your followers and/or your community engaged and up to date on all your adventures by way of images. Or if you have just come back from a client photoshoot and want to send some sneak peek images so that your clients get excited about what is to come in the next few weeks.

Albert Hall Jaipur India at Sunset with pigeons - Tips for Quick Photo Editing in the Field

A quick edit of an image as I was traveling around India for 10 days.

In situations like these, having a process to edit your photos quickly yet efficiently and on-point with your photographic aesthetics is key. Luckily there are a few elements that can be adjusted to achieve a clean edited look. These sliders are universal in that they are available with almost any editing software available be it Lightroom (as seen below), Photoshop, or even smartphone editing software like Snapseed and VSCO.

Follow along with this video

In the following video, I share some quick and easy editing tips for times when you are in a crunch.

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One quick tip for a fast edit in the field is to start with an image that has good bones, to begin with. Essentially what this means is that you try to get the images as close to your vision for the final outcome, straight out of the camera.

So slow down and really think through elements like exposure, composition, tonality, etc., right as you are taking the image. This will definitely help speed up your editing even more.

Golden Gate Bridge with a pink hue at sunrise before editing straight out of camera -

A clean straight out of camera shot that was almost what I wanted to achieve.

Karthika Gupta Golden Gate Bridge with a pink hue at sunrise after a quick edit

A few minor adjustments to amplify the pink/orange hues for a quick edit.

Conclusion

I hope these editing tips were useful. Keep in mind, the whole point of this exercise is to make editing in the field easy and quick.

You can always come back and re-edit those images to perfection when you have the time to spend hours on a single image (we have likely all been guilty of doing that at some point or the other – it is called the photographer’s dilemma!!).

Do you have any other quick photo editing tips you’d like to share? Please do so in the comments below.

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Facebook Messenger adds 360-degree photo and HD video support

04 Apr

Facebook just released an update that brings high-definition video and 360-degree panoramic photo support to Messenger. The update follows the high-res photo support Facebook added to Messenger in November 2017, expanding the quality and type of content that users can privately share with each other.

For 360-degree photos, users capture the panoramic content using their phone’s camera app or a third-party app, then share the panorama in Messenger like any other photo. The app automatically processes the panorama, converting it into an immersive 360-degree image that recipients can ‘explore’ by either moving their phone around or tapping and dragging the photo. Panoramic photos feature a compass icon in their upper right-hand side.

High-definition video sharing, meanwhile, supports the sharing of 720p videos from both the Camera Roll and a user’s newsfeed. To distinguish these videos from standard definition videos, Messenger now shows an HD or SD marker with the content.

360-degree photos are now available to all Messenger users on Android and iOS. HD video support is only available in the following countries:

  • Australia
  • Belgium
  • Canada
  • Denmark
  • Finland
  • France
  • Hong Kong
  • Japan
  • Netherlands
  • Norway
  • Romania
  • Singapore
  • South Korea
  • Sweden
  • Switzerland
  • Taiwan
  • UK
  • USA

Articles: Digital Photography Review (dpreview.com)

 
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Fotophire Photo Editing Toolkit

04 Apr

If you’re looking for a good and reliable photo editing tool, Fotophire  has you covered. It provides you with a host of interesting features that help you turn your photos into beautiful works of art. Fotophire is simple and easy to use. It has an intuitive user interface packed with functionalities both beginner and pro users can draw on to Continue Reading

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Software Overview of the New ON1 Photo RAW 2018.1

30 Mar

The world of photo editing is changing and as more people are picking up cameras to take photos, it also means those same people are looking to process them. ON1 is one of the leaders in that change. They have been developing their software for a few years and pride themselves on having the only editing program that has been designed by photographers for photographers – ON1 Photo RAW 2018.1

Software Review - ON1 Photo Raw 2018.1 - sunset

A sunrise processed with ON1 Photo RAW 2018.

You may know ON1 as a plugin for Adobe Photoshop and Lightroom. While it is still available as such, it also comes as a stand-alone product. You can purchase the program and use it on your computer without a subscription to Adobe to use the plugins. This makes it far more accessible to most people. You can also buy it outright, so there are no monthly payments and you have options to upgrade as it is updated over time. It is only available as a perpetual license.

ON1 Photo RAW 2018 is available for both Windows and Macs.

ON1 Community

There is a community around ON1 and if you love being a part of one then you are going to feel at home. They encourage you to tell them what you like about the software and what you don’t like. They like to listen to the ideas submitted and if they are feasible will implement them in future updates. The community can submit their feature requests through the ON1 Photo RAW Project.

There are tons of free training videos available to help you learn how to use ON1 Photo RAW 2018.1. The videos are not too long and are made so they are easy to follow.

Software Review - ON1 Photo RAW 2018.1

A macro flower image, processed with ON1 Photo Raw 2018.

Opening up

When you open up ON1 Photo RAW you will go straight to the Browse mode. This is where you will find your photos.

Layout

When ON1 opens you are automatically taken to the Browse Mode. From here you will find the folders and files for your images on the left. In the center are the images. On the right is all the metadata information about your images. You will also see on the far right all the different modules in which you can work.

If you want to see the image on its own, just click the tab key.

Software Review - ON1 Photo RAW 2018.1

By clicking the tab key all the windows around the image disappear so you can get a clearer view.

Browse

The Browse module is where you can view your photos and all your folders. There are four different ways of viewing your images.

  1. The first, which seems to be the default, is a set of thumbnails of which you can adjust the size.
  2. You can view just one image on its own without the distraction of the others.
  3. There is the filmstrip method, with your photo blown up and the thumbnails below.
  4. The last method is like the previous one, but you can click on more than one image using Ctrl/Cmd which allows you to compare them side by side.

While you can see all the images that are on your computer, you can also import photos from your camera, phone, or wherever they are currently stored. The Import function allows you to rename your photos, decide where they will go, and you can also opt to change the metadata at the same time.

Software Review - ON1 Photo RAW 2018.1 - browse

The Browse section where you can view all your photos.

Develop

Once you have decided which image you want to work on you are ready for the Develop module.

Here you can make all your basic adjustments like exposure, highlights, and shadows. You can adjust the white balance and look at adding sharpening or noise reduction. There are quite a few options in this section.

If you go to the top of where the adjustments are located you will see a button called Show More. From there, you will see more adjustments that you can use. They appear as more panes underneath the default ones that are available when you go to Develop.

Above the Show More button are two tabs. The first is Overall settings, and the other is Local Adjustments.

The first one, Overall Settings, will make any changes to your entire image. On the other hand, Local Adjustments is there to make changes to only small sections of your image. The tools you can use to do this are on the left-side panel. There are two, an Adjustment Brush and a Gradient. With these, you can work on only parts of the image where you want the desired effect.

Software Review - ON1 Photo RAW 2018.1 - develop

Working on your image in the Develop module.

Local adjustment tools

With the brush tool, you can make changes to the size of the brush, amount of feathering, opacity and other things from the menu along the top of the window.

You will also see another option there, the Perfect Brush, which allows you to make selections or correction to parts based on the color on which the cross-hairs of the brush is placed. If you keep the brush over the color or tones you want to adjust, then nothing else outside those tones will be affected. It is a great tool to use when you want to remove or replace a sky.

There are other tools in the Local Adjustments tab as well. You can crop your images here if need be. The crop tool also allows you to straighten any wonky horizons.

Retouching tools are also on that panel. These will allow you to remove sensor dust spots, which is very important. You can clone, heal and use the content-aware Perfect Eraser with them as well. There are a lot of choices.

Software Review - ON1 Photo RAW 2018.1 - split toning

Adding a split tone to the image in the Develop area.

Effects

In the Effects module, you have even more adjustments, though they are referred to as filters here (some of the most popular include Dynamic Contrast, Textures, Borders, Lens Blur, Skin Retouching, etc.). You can add as many as you like and then stack them on top of each over. The effect will be applied to the whole image, however, you can add a mask so it will be more local to the areas of your image that you want to affect.

You will notice in the panel on the left that there are more tools available, including two that are very important.

There is another brush tool, along with a gradient and they both have masks attached. As soon as you start working on the image with one of them a mask is created automatically. This is valuable because it means you can fix what you are trying to do if you make a mistake. Masks are a great way to work non-destructively.

Software Review - ON1 Photo RAW 2018.1 - effects

Looking at the filters and presets you can add in the Effects module.

Layers

When you get to the Layers module, you can start using the workspace which is designed to be easy and help take your photos further. It is here that you can start editing your photos. It also gives you more choices so if you want you can add layers, or start compositing. You can also do specific edits to particular layers.

One thing that is amazing in this section is replacing skies. Using the masking brush you can switch it to the Perfect Brush so you select just the sky, then reveal the image underneath. To help with the edges of the subjects you can switch to the masking refine tool, or the chisel masking one. They work really well together to help you get clearer edges.

Software Review - ON1 Photo RAW 2018.1 - Layers

Working in Layers doing a sky replacement.

If you look at the menu on the left near the tool panels you will see a section called Files. From here you can add extra images if you want. It is a great place to choose a new sky or find textures to add to your image. It even comes with a collection of skies you can use on your photos.

Once you make that selection you can also blend the images or layers. There are many different blending modes. You can try them all out to see which ones will work for your image.

You do have to be prepared to take layers back into Effects or Develop to make adjustments or add filters to them to get the desired results that you are after.

Software Review - ON1 Photo RAW 2018.1 - replace sky

Looking at the different options for replacing the sky and applying it.

Resize

As the name states, it is where you can resize your images, though ON1 has packed it with far more. You can crop, level, sharpen, add film grain, add gallery wrap wings for canvases, plus many more things. It is a great place to finish off your images ready for printing.

There are also a lot of resizing presets that you can use to help you get the printed results and size that you are looking for.

Software Review - ON1 Photo RAW 2018.1 - resize

Resizing an image ready for posting on the web.

Presets

In Develop and Effects, you will find a series of presets you can use to enhance your image. Unlike other programs you have options with them and can adjust them to suit the purpose of your image. You can also add a mask so that it is only applied to part of the image.

If you do your own enhancements and think you will want to use the same settings again then you can also save them as a preset. You can use the filters in Effects to get the image you want, then make a preset that can then be applied to your other images. This is really good if you like all your images to have a similar look and feel.

Software Review - ON1 Photo RAW 2018.1 - presets

Adding presets and layers in Effects.

ON1 Photo for Mobile

There is also an app available for your phone, so you can process your images there. The advantage of this app is that you can send your photos straight to social media. Most of us do not like images straight from the camera and like to be able to edit them in some way.

The downside to this app is that it is only available for iPhones, so if you have an Android, you can’t use it. Unfortunately, I have a Samsung (Android) phone, so, therefore, have no idea how the app works. Though I am sure it is good if it is anything like the Desktop program.

Some of the improvements that have been made

With every new version that is released, there are always new features or some of the old ones are improved. Let’s look at what you will find with the latest release of Photo Raw 2018.1.

HDR

Doing High Dynamic Range (HDR) images in ON1 is incredibly easy and the results are fantastic. Aligning the images, along with deghosting have all been improved to help you get the best image. You are now able to mark which frame you want to use to help with the deghosting process, as well as decide how much movement you get with motion instead of the program doing it for you.

Software Review - ON1 Photo RAW 2018.1 - HDR

An HDR image that was done with ON1 and then processed further.

Catalog

If you’ve used an older version of ON1 Photo RAW, when you go to Browse mode, you should notice how much faster it is to look through your images in this new updated version. You don’t have to wait for eons while your photos all load. As soon as the folder is open you can view the images. They have improved the catalog searching tool as well so it also loads faster.

Noise Reduction and Sharpening

You can now sharpen your images to enhance the details on a micro level that will give you better results.

With so much people doing long exposure photography, one of the major problems is hot pixels. ON1 Photo RAW 2018 now will remove them automatically, along with the ability to remove high levels of noise from your images which all make your workload easier.

Chromatic Aberrations are caused by your lens and there isn’t a lot you can do to prevent them. But ON1 has worked on improving how to get rid of them, which is now much easier in this updated version of the software.

Panoramic Images

Many people like to do panoramas and you will find that ON1 has improved this feature so it will stitch your vertical images together far better. You can stitch together over 25 images at once. You also don’t need to worry about different exposures as it will compensate for them.

Software Review - ON1 Photo RAW 2018.1 - HDR

A composite of two images where the sky was replaced.

New Features

With the latest release, some features were also added.

Import

If you choose to use the import function you can decide where those images will go on your computer. As they are importing you can also assign metadata that you think is important, like copyright information.

Soft Proofing

The ability to soft proof has been added so you can simulate what your image will look like when it is printed. It should stop the surprises that you get sometimes when an image comes back from your printer.

Batch Renaming

While a lot of people don’t worry about this, it is a great feature if you have to send a bunch of photos somewhere. The ability to select the images and then rename them all at once is a fantastic feature that has been added to ON1 Photo RAW 2018.

Edit Capture Date

This was added so if you want to change the date and time that a photo was taken you can do so. This is a good feature if you’re like me and are too lazy (or you forget) to change the time and date on your camera when you are traveling. You can now fix it with ON1 Photo RAW.

Auto Advance

When you are going through your photos picking your faves, once you have culled one image the program will automatically move to the next image. This makes moving through them much faster.

Software Review - ON1 Photo RAW 2018.1

The final image of the cloudy sky.

More information

When you purchase ON1 Photo RAW 2018.1 it also comes with a 30-day money back guarantee if you aren’t happy with it, no questions asked. Though if you want to try it out first you can use the full program for a free 30-day trial. It doesn’t stamp a watermark on your images making them ineligible to use, so it’s fully functional.

Software Review - ON1 Photo RAW 2018.1 - b/w

Converting an image to black and white.

Overall

ON1 Photo RAW 2018.1 is a good alternative for you if you wish to edit your photos, but don’t want to be locked into a subscription.

It is also suitable if you want to learn about image processing as the community that surrounds ON1 is welcoming. There is a lot of help available if you are just learning. In some ways, it is perfect for beginners, but also for others who want to get the best possible images they can.

Disclaimer: ON1 is a paid partner of dPS.

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This NVIDIA algorithm copies the artistic style of one photo onto another

26 Mar

Struggling with stylistic consistency, or wanting to transpose the style of your best picture onto the rest of your Instagram feed? Thanks to a group of scientists at Cornell University, you can now do just that with surprisingly accurate and realistic results.

The team created an algorithm for graphics card company NVIDIA that lifts the stylistic characteristics of one picture and drops them onto a completely different image with startling precision. The algorithm is called FastPhotoStyle, and it’s capable of transferring the coloration, drama and atmosphere of one picture and making an entirely different frame look as though it was taken at the same time even if the subject matter is totally unrelated.

According to the developers, the goal of photorealistic image style transfer is:

…to change the style of a photo to resemble that of another one. For a faithful stylization, the content in the output photo should remain the same, while the style of the output photo should resemble the one of the reference photo. Furthermore, the output photo should look like a real photo captured by a camera.

There are programs already invented to do this, but the inventors of this algorithm claim that what already exists is slow, and doesn’t produce realistic results anyhow.

FastPhotoStyle is different, they say, because it uses a smoothing process after the initial whitening and Coloring Transfer step—or PhotoWCT step. This smoothing step tries to ensure that neighboring pixels receive similar styling and, by using what they call Matting Affinity, individual areas of the image can be subjected to slightly different treatment. This is what helps the algorithm produce such realistic looking results.

Another major difference is that this program reportedly operates as much as 60x faster than existing algorithms.

The code can be downloaded from NVIDIA’s GitHub for anyone to use under Creative Commons license (BY-NC-SA 4.0), and a user manual download is included on the page. If you’re brave, you can read the full technical paper as well.

Technical Paper Abstract:

A Closed-Form Solution to Photorealistic Image Stylization

Photorealistic image style transfer algorithms aim at stylizing a content photo using the style of a reference photo with the constraint that the stylized photo should remains photorealistic.

While several methods exist for this task, they tend to generate spatially inconsistent stylizations with noticeable artifacts. In addition, these methods are computationally expensive, requiring several minutes to stylize a VGA photo. In this paper, we present a novel algorithm to address the limitations.

The proposed algorithm consists of a stylization step and a smoothing step. While the stylization step transfers the style of the reference photo to the content photo, the smoothing step encourages spatially consistent stylizations. Unlike existing algorithms that require iterative optimization, both steps in our algorithm have closed-form solutions.

Experimental results show that the stylized photos generated by our algorithm are twice more preferred by human subjects in average. Moreover, our method runs 60 times faster than the state-of-the-art approach.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Client Photo Sessions – What it’s NOT All About

26 Mar

There are a host of things which are important when doing photo sessions for clients. But if you’re not careful you could end up falling into the trap of assuming that photo sessions are about something that they really are not. The list of things to keep in mind covers topics such as lighting, exposure, location, posing, and even practical elements like what to charge and what to recommend they wear.

I’ve personally made some mistakes in my development as a photographer when I got caught in the trap of focusing on the wrong things. An understanding of what client sessions are not about can be just as impactful as knowing what they are all about.

With that, here are a few things to keep in mind the next time you set out to take pictures for people.

Tips for Client Photo Sessions - What it's NOT All About - family portrait

It’s not about your gear

I know how fun and exciting it is to get new photography equipment. While I don’t have an entire room full of cameras and lenses, I do have enough to fill a pretty large backpack, and I once chased down a UPS driver just to get my new 70-200mm f/2.8 lens one day early. I always enjoy showing my latest camera purchase to friends and family. While none of this is necessarily a bad thing, an obsession with photo gear can actually become a hindrance when working with clients.

I can remember some photo sessions from a few years ago that I’m almost embarrassed to recall because of the way I showed up and starting flaunting my cameras, lenses, and accessories for my clients. There were times when I would make it a point to explain that my lenses had super wide apertures which meant that they were so much better than a kit lens.

Or when visiting with potential clients I would make sure to point out that I was shooting with the latest, greatest, and costliest full-frame camera on the market. Shamefully, I have even gone so far as to literally pull out speedlights, tripods, and other accessories that I had no intention of using just so the clients could see that I had them.

mom and baby photo - Tips for Client Photo Sessions - What it's NOT All About

Clients want results and to feel important

In hindsight, not a single client I have ever worked with was impressed with my camera gear. They wanted results, not grandstanding, and it was the pictures that mattered to them rather than the gear I used to make the images. For all my clients care, I might as well be using an old Canon Rebel T3 and the on-camera flash! (Truth be told I know some photographers who do great work with a basic setup like that.)

If you try to dazzle your clients with how cool your camera stuff is, it could actually make things worse by setting unrealistic expectations in their mind of what you can actually do. Or worse yet, you could come across seeming like an arrogant show-off even if that’s not your intention at all.

When you work with clients I recommend leaving gear out of the equation entirely. Don’t talk about your cameras, your lenses, your super cool equipment bag with dozens of folding pockets, or the camera you don’t have but hope to buy someday.

Discuss your goals for the photo session, explain your plan for getting the kids to smile, or take a few minutes and just get to know your clients on a personal level. Don’t make the session about your expensive fancy camera stuff. Instead, make it about your clients and let them be impressed with your pictures, not your camera.

Tips for Client Photo Sessions - What it's NOT All About - photo of a little girl

It’s not about your last gig

Have you ever been to a holiday gathering and had the unfortunate luck of sitting by a particular relative who just wouldn’t stop talking about all the things he or she has done, the places they have visited, or the new stuff in their house?

Every time you bring up something from your own life, they counter with a swift rebuttal, “Oh you went to the Grand Canyon for a day? That’s nice. But it’s nothing compared to the week I spent backpacking in the Swiss Alps!” 

All you want is to share some of your life experiences, but all this unfortunate friend or family member wants to do is play an endless game of one-upmanship until you finally excuse yourself to go get some pie. And you don’t even like pie.

Tips for Client Photo Sessions - What it's NOT All About - family photo

Think about those uncomfortable situations the next time you are at a photo session with clients and you feel tempted to regale the people with tales of fun, excitement, and adventure from previous sessions. You might have some fun stories to share of how you barely got the shot before a thunderstorm rolled in, or you might want to pull out your phone and show off some amazing images of that time you photographed a destination wedding at a national park.

Focus on the people in front of you right now

The best course of action in those situations is to say nothing at all and keep the focus squarely on your clients and the job you are currently doing. You know, the one you are getting paid for.

Regaling clients with tales of your previous sessions can make them feel inadequate by comparison, and often sends them messages that you don’t intend. It can make your clients feel inferior, outclassed, or even jealous when pitted against the fantastic tales being spun of your other work.

Save your stories for your friends and instead talk with your clients about how great they look, how much fun you are having, and how you plan to address the questions and concerns they might have.

Tips for Client Photo Sessions - What it's NOT All About - family photo siblings

Rest assured your clients already have a high opinion of you and your work based on what they saw on your website or heard from others. Otherwise, they would not have asked you to take their pictures. So put away the stories of past gigs you’ve had and make the session about the only people who matter at the moment – the ones in front of your camera.

It’s not about how awesome you are

Look, I get it. As a photographer, you’ve done some pretty cool things, seen some great places, made some incredible images, burned the midnight oil into the wee hours of the morning to make sure your RAW files were edited to absolute metaphysical perfection.

You’ve got some stories to tell and you might have even earned an award or two along the way. Perhaps one of your pictures ended up in a print publication, or you teach photography classes at your local vocational/technical school. As Ron Burgundy might say, you’re kind of a big deal.

Tips for Client Photo Sessions - What it's NOT All About

All this may sound harsh, but I bring it up because I’m ashamed to admit it used to be my attitude. There were times when visiting with clients that I would make it a point to describe, in painful detail, how hard I worked on other sessions. Or I’d brag about the number of images on my memory card the last time I did a similar shoot. And I would talk about this as if it had any bearing at all on the quality of my work when all it did was alienate people and send them the wrong message about me as a photographer.

The most important people in the room

Your clients don’t care about the stories you might want to tell them demonstrating how great you are. What they care about is the job you are doing for them and the pictures they are paying you for, not your stories, your adventures, or your portfolio.

They hired you for a reason, and they are probably already familiar with your work after seeing samples on your website or talking with friends, family, or other client referrals. They already think highly of you or they wouldn’t have hired you, so you don’t need to keep reminding them of your greatness.

Tips for Client Photo Sessions - What it's NOT All About

Conclusion

When it’s time to do the photo session just show up, do the work, and rest easy in the confidence of knowing you are an awesome photographer. You consistently produce great results, and people like your work enough to pay you for it! Let your work speak for itself, pay attention to your clients and their needs, and you’ll get some phenomenal photos that will keep your clients returning and sending others your way as well.

What about you? Do you have any lessons you have learned from doing client photo sessions over the years, or mistakes you feel comfortable sharing with others so they can avoid the same pitfalls? Please leave your thoughts in the comments below.

The post Tips for Client Photo Sessions – What it’s NOT All About appeared first on Digital Photography School.


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Photo story of the week: Flowing under a solar storm

17 Mar
A night of stunning Northern Lights dancing above Haukland Beach, the Lofoten Islands, Arctic Norway, on a moonless evening.

The serene stream that flows from the surrounding mountains and pours into the Norwegian Sea curved into a beautiful shape, paralleling the curves of the Auroral display. Haukland is a very good location for shooting Aurora, since it has numerous interesting features (such as the mountain and the stream), and since any water left stationary frequently freezes over and supplies more variety and interest. It’s also relatively shielded from artificial lights.

This image was taken in the winter of 2016 during my Lofoten workshop. I used a Sony A7R and a Samyang 14mm F2.8 with a Metabones adapter. The photograph was taken at F2.8, ISO 3200, and 8 sec exposure. The high ISO, wide aperture and long exposure were used to counter the darkness and produce a balanced exposure.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram, Facebook and 500px, and subscribe to his mailing list for updates. Erez offers photo workshops worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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