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Posts Tagged ‘Photo’

You can now order photo books, prints and more directly through Flickr

31 Aug

Flickr has announced a new printing service that allows members to order prints, wall art, frames and printed mugs directly from their photostream. Developed in conjunction with SmugMug the service uses print houses in Minnesota, California and Scotland to fulfill the orders, as well as Blurb and Chatbooks for the photo book services.

The new service appears on the user’s photostream, image viewing and home pages as a Print menu item at the top of the page and/or a shopping cart at the bottom. Clicking either of these icons opens a new dialogue with product choices that include paper prints, wall art, desk art and keepsakes. The paper print section is divided into regular print sizes that fit standard frames, ‘other sizes’, panoramic prints and square sizes. The smallest print is 5 x 3.5in and the largest on offer is 20 x 30in.

When choosing canvases the site shows the area of the image that will be lost to the wrap. Print previews also show when the proportions of the image don’t match that of the paper

The wall art section contains options for canvas prints, framed images as well as printing on to metal and acrylic. Clicking on the photobook option takes you into a Flickr dedicated section of the Blurb website.

As a guide, 6x4in prints cost $ 0.76 each – with no apparent discount for multiple copies of the same image – and a 30x20in print will cost $ 22.80. Postage for print orders seems to be $ 14.59 however many you order, whether one or a hundred.

For more information see the Flickr prints information page.

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Print Boldly with photo prints on Flickr

We’re thrilled to bring every photographer on Flickr a new professional-quality printing experience. Whether you’re a passionate beginner or a seasoned Pro, you can now order prints from the best pro labs around the world, capturing the beauty of the images that mean the most to you.

How does it work?

Whether you want to order a statement piece for a space you’re decorating or paper prints to share with family and friends, you can shop print products with just a few clicks.
Log in to your Flickr account and select the brand new Prints menu item in the upper navigation. You’ll be able to select the photo you want to print, choose the product style, size, and finish and add to cart. When you’re done making your selection, go to your cart and check out.

Or, while you’re browsing through your Photostream, choose a photo, click the new shopping cart icon, and select the product (we love the metal prints) to add it to your cart. Simply repeat this step to add more photos and items to your cart. When you’re done shopping, head back to your cart (accessible through the Prints menu item in the upper navigation) and check out.

Why print through Flickr?

We’re committed to making Flickr your be-all home for photography and this is just one more step to giving photographers better ways to let their photos live beyond the pixel. We are partnering with some of the best photo labs on the planet (Bay Photo, Loxley Colour, and White House Custom Colour) to make sure that no matter what size or shape your print, you’re getting professional quality prints each and every time.

What kind of prints can I get?

Metal prints: When you want to stand out.
Metal prints deliver unparalleled color and vibrance to produce a depth and clarity unlike any other photographic wall art. If you want a print as bold as your most epic photo, look no further than metal prints.

Paper prints: Big or small print them all.
Paper prints are a time-honored way to show off and share your favorite photos. From stacks of 4x6s to frameable statement pieces, you’ll be able to find the perfect size and paper finish for your favorite photos.

Canvas prints: Add a little class to your casa.
Add a little class to your home, office, or whatever other space needs the finesse of a classic canvas print. With shapes and sizes perfect for wherever you want to hang your photos, your images will look outstanding.

While you’re at it, come join the new Flickr group: Print Boldly. There will be lots of discussions and conversation around preparing your photos for printing, finding inspiration around what to print, and exclusives and deals for all members.

We’ve been lucky enough to lean on our friends at SmugMug to develop this new feature. This has been an awesome opportunity to take advantage of our sister product teams’ skills to build something new while most of the core Flickr team was consumed by the migration including getting Camera Roll up and running again. It was a team effort!

Have fun and #printboldly!

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Articles: Digital Photography Review (dpreview.com)

 
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NeuralCam Night Photo app brings Google-inspired ‘Night Sight’ functionality to iPhones

27 Aug

An app called NeuralCam Night Photo uses machine learning and computational photography to offer a ‘Night Sight’ mode on the iPhone. The technology works to transform very low-light images into brighter, clearer photos without the need for a tripod using only software.

NeuralCam Night Photo was recently featured on Product Hunt where app creator Alex Camilar had the following to say about the app:

‘Our inspiration for NeuralCam comes from all the various Night Modes available on Android phones, that helped people make brighter and nicer photos in low light settings, whether natural or artificial. We wanted to make the best out of the iPhone’s hardware and give it the software spin needed to get its own Night Mode photography update.’

NeuralCam Night Photo can be used in a variety of low-light settings, including for both indoor and outdoor shots, according to Camilar. The entire process is done behind the scenes, meaning NeuralCam should more or less work the same as any other camera app for iOS; compose the scene you want to capture, wait for the app to focus, capture the image, and within a few seconds you should see a much brighter and clearer photo than would otherwise be possible.

A comparison shared by NeuralCam to show the difference between an image shot in the standard iPhone camera app (left) and NeuralCam (right).

The app works by capturing multiple images and processing them using machine learning. This same computational photography approach has been used by Google for its single-camera Pixel smartphones.

NeuralCam Night Photo is available for the iPhone 6 and newer; it requires iOS 12 and is supports both the front and rear cameras on these phones with the exception of the iPhone 6s / 6s Plus, which only has rear camera support. A full list of supported image resolutions for each iPhone model can be found on the app’s App Store listing, where the product is temporarily discounted to $ 2.99.

Articles: Digital Photography Review (dpreview.com)

 
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How to Plan and Pull-Off a Toddler Photo Session

26 Aug

The post How to Plan and Pull-Off a Toddler Photo Session appeared first on Digital Photography School. It was authored by Mat Coker.

Toddlers are filled with volatile emotions. They can be shy, moody, defiant, chaotic, unpredictable, and in need of bribes. So a toddler photo session can be a challenge.

But when you build a photo session just for toddlers, it’s far less challenging and lots of fun. It is also the perfect opportunity to get creative.

Here’s how to let your inner child create a toddler photo session that’s fun for you and toddlers.

Toddler-photo-session-Documentray toddler photo session

1. The big idea

The first step is to plan out the photo session. I think that a themed lifestyle or documentary session is perfect for toddlers.

The big question is, how do you come up with an idea or theme for the session?

Many photographers choose a theme themselves, such as princesses or pirates. The benefit of choosing your own theme is that you get to exercise your creative vision (designing the set, costumes, etc.) and let people choose to be part of it or not.

Of course, one downside is that it’s a cookie-cutter approach that gives every child similar portraits.

If you want to choose something unique to the child, keep in mind that every toddler has something they love to do. Go with that as the theme for the session.

If they love dinosaurs, then find a way to make dinosaurs part of the session. If they love to play with big-rigs and diggers, then make those part of the session. Whatever it is they love, try to make it larger than life for the session.

Toddler-photo-session-Toddler photos at football field

When I found out that this little guy loved watching football with his Mom and Dad, I knew we had to visit an actual football field for his photo session.

Start with a small everyday experience and take it to the next level (I’d love to hear some of your ideas in the comments).

2. The toddler photo session

When it comes to pulling off the session, start by being prepared. This seems obvious, but many photographers come unprepared, and it can ruin a session.

If you are prepared, then you won’t have to think about it during the shoot. The less you have on your mind, the more room you have to be creative.

Gear

Pack the right gear and check twice that you’ve got it all.

  • Spare camera
  • Charged batteries
  • Lights (if needed)
  • Props (provided by you or the family)
  • A checklist of other things you need

Part of being prepared is being familiar with your camera and knowing what settings to use. I keep things as simple as possible with aperture mode and exposure compensation. I only use manual mode when I need it.

Fire fighter thmemed toddler photo session.

Even though props for the session should be prepared in advance, you should still allow room for spontaneity. Dressing up as a firefighter was not part of the plan, but it was the best part of the session.

Chaos

Generally, you’ll need to embrace chaos as part of the toddler photo session. Toddlers are emotionally volatile, and the session may take many twists and turns. This is one of the reasons that I love lifestyle sessions. It easily allows for pauses, breaks, and spontaneity.

Go with the flow and don’t try to force anything. If you design the session for the toddler, then it should be fun. They should be happy, and it should be the perfect environment for them. Even a studio can be fun.

Keep the parents informed, but don’t feel the need to explain things to the toddler. You don’t even need to tell the toddler it’s a photo session. If it’s a lifestyle or documentary session, just let them be themselves.

How to Plan and Pull-Off a Toddler Photo Session

Creativity

Use many creative elements with your photography. Go for a variety of angles, close-ups, storytelling, wide angles, and beautiful light.

Football mascot photo session.

Part of your creativity is in choosing the environment and backgrounds for your session. I used a combination of background, composition, and moment for these two photos. The moment began with him confronting his opponent’s mascot and ended with him making a run for it.

Beware of yourself

You’ve got to be able to handle any problems that arise and still get great photos.

Before a toddler photo session, I do some reflection. What could go wrong with this session? Has anything gone wrong in the past? What is the worst that could go wrong? But most importantly, how will I respond? I make this decision in advance so that I don’t have to think in the moment. Do the thinking while things are calm, and you’ll make better decisions.

Consider answering these questions in advance:

  • What if the toddle is grumpy?
  • Suppose the parents are overbearing?
  • What if the kid throws mud at my camera or turns the firehose in my direction?
  • What if the toddler gets hurt?
session at beach.

As much as we all love nature, there are many harmful elements out there for toddlers. Keep parents close by and make sure they are comfortable with where their toddler is exploring.

3. The edit

When it comes to the edit, be ruthless in narrowing down your photos. Most photographers are happy if they keep 10% of their photos from a session. Some are satisfied with less. Don’t be afraid to cut, cut, cut!

Your final selection of photos should have lots of variety to it.

  • Close-ups
  • Full scene
  • Details

When it comes to touching up your photos, I recommend a simple edit with Lightroom or a similar program.

How do you know what to do with a photo? Keep these two principals in mind. When it comes to editing you’re either:

  1. Putting the finishing touches on your photo (crop, exposure adjustments, etc.)
  2. Or you’re trying to fix a photo that didn’t turn out
Toddler-photo-session-Before and after edit with Lightroom

The main things I did with this RAW photo is I cropped it and warmed it up with the temperature slider.

Generally, I would say if you need to do a heavy amount of fixing or editing of a photo, you should just leave it out of the final collection. If you constantly have to fix certain elements of your photos in editing, this is a good clue as to what you need to learn to improve your photography. Editing should be about finishing touches, with fixing as a last resort.

A perfect session for you and toddlers

Follow your nature as a creative person and the nature of the toddler you are photographing. Design everything for the toddler, and you’ll have an amazingly creative toddler photo session that will leave everyone wanting more.

Do you have any other tips for a successful toddler photo session? Share with us in the comments below!

 

toddler-photo-session

The post How to Plan and Pull-Off a Toddler Photo Session appeared first on Digital Photography School. It was authored by Mat Coker.


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ON1 announces upcoming Photo RAW 2020 update, two mobile apps and ON1 Sync

22 Aug

ON1 has announced the impending release of ON1 Photo RAW 2020 as well as three new products: ON1 Video, ON1 Photo Mobile and ON1 Sync Service. ON1 says in its press release that ‘in the coming months’ it will launch a ‘complete line of photo and video products to all levels of photographers providing an integrated creative workflow.’

ON1 Photo RAW 2020

The first product to arrive is ON1 Photo RAW 2020, a successor to ONE1 Photo RAW 2019 that brings with it new AI-powered features and more. Specifically, ON1 says Photo RAW 2020 will feature ‘AI Match and AI Auto, four filters in Effects (Weather, Sun Flare, Color Balance, Channel Mixer), Custom Camera Profiles with X-Rite, SmugMug integration, improved noise reduction, a map view, a Print Module, and significant speed/performance enhancements.’

Additionally, ON1 Photo RAW 2020 will be available in eleven languages for the first time, including English, German, Spanish, French, Japanese, Korean, Simplified Chinese, Russian, Portuguese, Italian and Dutch.

ON1 says it plans to release a public beta for Photo RAW 2020 in ‘mid-September’ 2019. ON1 Photo RAW 2020 is available to pre-order as the full version for $ 99.99 and an upgrade for Photo Raw 2019 users for $ 79.99.

ON1 Photo Mobile 2020 App

ON1 has also announced it will soon release ON1 Photo Mobile 2020, an Android and iOS app that will allow you to both capture and edit Raw photos on your mobile device. According to ON1, the app ‘will allow you to capture raw photos on your smartphone using the pro-level controls you are familiar with on your interchangeable-lens camera.’ In addition to capture, it will provide basic editing tools to adjust the captured images.

ON1 Sync

Alongside the ON1 Photo Mobile 2020 app, ON1 has announced ON1 Sync, an optional service that makes it possible to ‘view and edit photos on all your devices without requiring you to store them in the cloud or a closed system.’

The optional add-on for ON1 Photo Mobile 2020 will sync albums, presets and more between devices. ON1 doesn’t elaborate on how exactly it’ll work, but says ‘You can store your photos on your desktop or laptop computer, an external hard drive, in any of the popular cloud services or on your mobile devices, and you can still access them from anywhere.’

ON1 also emphasizes its priority on privacy, saying using the ON1 Sync service won’t grant ON1 any additional rights to the content, nor will the company ‘have permission to use your photos for image analysis or any sort of marketing purposes.’

ON1 Video 2020

Last but not least, ON1 has announced ON1 Video 2020, a new video editing application that it says was ‘explicitly designed for the photographer.’ ON1 says it ‘will be a simple, yet robust video editor’ with tools for enhancing, tripping, editing audio, grading and sharing videos. ON1 says ON1 Video 2020 will work seamlessly with ON1 Photo RAW 2020.

A public beta for ON1 Video 2020 is expected mid-November with a final release timeframe of ‘early 2020.’

Articles: Digital Photography Review (dpreview.com)

 
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How to Choose the Right Computer for Photo Editing

21 Aug

The post How to Choose the Right Computer for Photo Editing appeared first on Digital Photography School. It was authored by Carl Spring.

How to Choose the Right Computer for Photo Editing

Buying a new computer can be a minefield. There are so many models to choose from with wildly varying budgets. How do you get the best performance for your budget? Where should you invest your cash (and where can you save)?

This article is straight forward, jargon-free advice on what to think about when buying a computer for photo editing. If you are looking for an in-depth analysis, you are in the wrong place. If you are looking to upgrade your current computer, but are unsure of how to spend your cash wisely, then this article will be a great starting point.

Mac vs. PC

I didn’t want to open this up with something that can descend into arguments. Instead, I thought I’d start with the one topic that everyone can agree on (or not) – Mac vs. PC. Seriously though, I thought it best to get this out of the way first. I’m a Mac guy. I have been for years. I am heavily invested in Apple’s ecosystem, and it works best for me.

However, I will put it on record (and be held to it from this day forward), there is very little difference between Mac and PC. Software in the modern world is platform agnostic and very few programs are Mac-only or PC-only. The price difference is not always as large as people make out, and you will generally be invested in one platform or the other already.

I know there is the old argument that most creatives use Macs over PC, but this is outdated and not strictly true. My personal theory is that Mac products tend to look better (thanks to Johnny Ive) and creative people tend to like to surround themselves with beautiful objects. If you go into a high-end design office, Macs tend to fit with the aesthetic better, hence why we see more Macs in these situations.

Both platforms have their quirks. Both are capable of great results. With a similar spec and finish, there will be a similar price involved.

I am sure there will be some discussion in the comments about this, but I really want to leave this argument here. It is boring, and nobody will ever win. We are on the Internet, after all.

how-to-choose-the-right-computerfor-photo-editing

Yes, it’s expensive. Yes, the monitor stand costs more than most monitors. But if these are things you are worried about, this machine (the Mac Pro) is not for you.

Monitor first

Before you begin to look for a computer, invest in a monitor – and for goodness sake, calibrate it. As photographers, we concern ourselves with the best image quality we can achieve. If you are editing the image on a screen with a limited color range and that is way too bright, you will tend to be disappointed when you print your images. They simply will not match what you see on the screen. When looking for a new computer, it is easy get carried away in what processor to go for, or whether we should invest in a larger hard drive. But, surprisingly, a monitor can be, in many cases, an afterthought. It shouldn’t be.

When looking to buy a monitor, you should really aim for one with a wide color gamut and if you can afford it, go for an IPS panel.

Lastly, in terms of resolution, a 4K screen is great but comes with a higher price tag. My advice is color over resolution. 4k is nice, but it is not anywhere near as important as color consistency. I edit on a 2560 x 1440 monitor as when I was looking I could not get the consistency of color I wanted within budget in a 4K screen. I have never wished for more resolution yet.

Image: A high-quality monitor, correctly calibrated, will have the biggest impact on your images.

A high-quality monitor, correctly calibrated, will have the biggest impact on your images.

Laptop or Desktop

This is something that depends on your situation. Modern laptops are hugely powerful. The main thing that holds them back is the graphics card. However, with the rise of the external graphics card, this is starting to be negated.

Obviously, the benefit of a laptop is portability. Traveling with your laptop is great as you can edit whilst out and about. You can also get the images off your memory cards (always back them up before you format the card though). For me, as a wedding photographer, being able to import images into the computer whilst I get a break saves me time when I get home. I can also create a preview for the couple on the day of the wedding. This is something that is not possible with a standard PC or iMac. Also, when shooting multi-day music festivals, most outlets require a same-day turnaround of images. In this situation, a laptop is essential.

With modern laptops, the ability to have it transform into your desktop machine has never been easier. I have a 2018 13” MacBook Pro which, with the use of a dock, simply requires me to plug in one cable to connect it to my monitor and external hard drives and charge it. I have a fully-functioning desktop in seconds.

However, this portability comes at a financial cost. You will always pay more for a laptop than a similar specification desktop PC. If you have no need for the mobility advantages of a laptop, you can get a desktop with similar specs for less money.

What you should buy depends on your requirements and your budget. If your budget is small, I would always recommend a desktop PC, as you will get more bang for your buck.

how-to-choose-the-right-computerfor-photo-editing

Desktop or laptop? It depends on your needs.

Processor

The processor is the brain of your system. When looking at a computer for photo editing, the processor is where you need to be looking to max out as much as your budget can afford. The key thing to look for in processors is the cores. In simple terms, a processor is split into cores. Each core can work on a separate task, so therefore, the more cores you have, the more multi-tasking the computer can do (or the better its ability to split tasks down into smaller parts to complete it quicker).

Ideally, you want to be looking at a quad-core to a six-core processor. A quad-core processor hits this sweet spot of performance to price ratio, but if you can afford to upgrade to a six-core processor, you will see increased performance. After this, unless you are a particularly heavy user, you will see little benefit in more cores.

how-to-choose-the-right-computerfor-photo-editing

A processor is where you really need to max out when choosing a new computer.

RAM

This is where you may be surprised. If you are using your computer solely for editing photographs and you are not applying several layers and effects in Photoshop, you can easily get away with 8GB of RAM. If you want to push the boat out a little, or are planning on getting a camera with a huge megapixel count, such as the new 64MP Sony, you really need to push this to 16GB.

RAM tends to be one of the cheaper upgrades when configuring a computer. Whilst you may not be needing 16 or 32GB right now, as with all things computer-related, buy the best spec you can afford. This allows you to be happy with your computer for longer. RAM is one of the simple upgrade tasks to do yourself. However, note that in some computers, laptops especially, (yes, I’m looking at you Apple) it is not something that can be done after you have purchased the computer.

Graphics Card

Your graphics card (or GPU) is the thing that fools some people. For photography, you really do not need a hugely powerful graphics card. It is something that has one main purpose, which is running your monitor. Now if you are planning on running a dual monitor 4K setup, then it is worth investing a little in your graphics card, but unless you are planning on doing some hardcore gaming, you will not really notice the benefit of the high-end graphics cards in almost all photo editing situations.

When using certain photo editing tools, the graphics card will speed things up a little, but the price to performance ratio of a higher-end graphics card is not as beneficial as spending the money elsewhere, such as an upgrade to your processor.

Now, if you do video editing as well as photo editing, this is where you will see the benefit from a good quality graphics card. If you are doing any type of motion graphics on your videos, you will see an even bigger boost. This is where graphics cards will make a difference. If you are doing video work (or plan to) then you do need to allow some budget for a dedicated graphics card, or GPU if you are going down the laptop route.

Hard Drive

There are two types of hard drives: Solid State (also known as SSD) and a Hard Disk Drive (known as HDD). They work in different ways, both of which have advantages and disadvantages.

Hard Disk Drives have been around for years. Data is stored on a rotating platter, which is then accessed by a read/write head to access or write the data. Most hard drives spin at 5400 or 7200 rpm. Simply put, the faster the rpm, the faster the drive can read/write data. Because they have been around for so long, the cost is much lower than a Solid State Drive. This makes this type of drive ideal if you are looking for a large amount of storage. It also means computers with HDD drives tend to be cheaper.

Solid State Drives are much newer technology. You will be most used to them as the storage in your phone and tablet. They work via an inbuilt processor called a Controller that performs the tasks of reading and writing data. The better the quality of the Controller, the faster the drive. They are much faster than Hard Disk Drives, but have one major disadvantage – the price.

The cost per gigabyte of storage Is much greater on SSD drives. On average, it is up to five times more expensive. However, that is really the only downside. SSD drives are much faster, less noisy (an SSD drive has no moving parts, unlike an HDD) and generally a little tougher (the head on an HDD does not like being banged about).

How much faster? Well, on an average computer, the start-up time will generally be over four times faster with an SSD. Programs will load much quicker, and the whole experience just feels snappier.

This is one of those speed boosts that you will not necessarily miss until you have used an SSD-based system. Once you have experienced it, I guarantee, you will not want to go back from it. Upgrading to an SSD on your current computer will give you a great upgrade for relatively little money.

I would always recommend an SSD as your main hard drive and then using larger HDD drives for your storage, either internally or externally. This way, you will have the best of both worlds. If you can afford it, I would suggest a 1TB SSD drive, as this means you can keep current work on the SSD drive to feel the benefits. Then your archive can be kept on HDD to access when you need it.

You also need a backup strategy in place. If you haven’t, please do yourself a favor and read up on how to backup your photos. I would hate the thought of any of you crying over lost photos.

Image: Possibly the most boring photo ever put on DPS. Whilst they are not much to look at, an SSD d...

Possibly the most boring photo ever put on DPS. Whilst they are not much to look at, an SSD drive will give you a big speed boost.

Summary

I could now list some machines that are currently considered the best for photo editing. If you Google the phrase “best computer for photo editing 2019” you will find several lists. However, I don’t want to do that. Not least because if you are reading this 6 months after I wrote it, it will already be out of date. Instead, I thought I would leave you with the top 6 things to think about when choosing the right computer.

  1. Buy the best processor you can afford. The majority of the work for photo editing relies heavily on the processor. Depending on what machine you buy, RAM is something you can upgrade yourself cheaply in the future. If you can afford 16GB then go for it. Just make sure before you stick at 8GB to save some budget, you can upgrade it later.
  2. Go for an SSD, but don’t go crazy for size. Try to go for a 1TB drive, or if on a tighter budget, a 512GB drive. Then invest in a larger 7200RPM external drive for more space. This way you can get the speed benefits of an SSD for your current editing and keep your work stored on a still fast, but cheaper external drive. And pretty please, with a cherry on top, invest in a backup!
  3. Don’t buy a laptop if you’re not going to use your computer out and about. You can get much better value from a desktop. So, if you only edit at home, get the most power for your money.
  4. Invest in a decent monitor. Then invest in a calibration device. Then invest in your computer. A good, calibrated monitor will not only last you longer, but it will also make your photos look better. Not just to you, but to everyone else as well.
  5. Keep your eyes open for deals. These are usually highest when new models are coming out. If you are happy to invest some time searching, you can find some great bargains.
  6. Lastly, don’t be afraid of secondhand or refurb, especially if you are on a budget. I have purchased most of my equipment refurbished by Apple (and saved a lot of money). You can also save huge amounts of money buying secondhand. You can buy some slightly older equipment that will be perfectly adequate for a fraction of the price. For example, lots of gamers often update their graphics cards. You can then pick it up to boost your computer for a fraction of the retail price. Obviously, this method is not without some risks. However, it is a way to get great value for money if you’re on a tight budget.

Lastly to go back to the start, Mac or PC? It really doesn’t matter! Unless you can afford to buy a Mac. In which case, you should always buy a Mac! (Sorry PC fanboys and girls, I couldn’t resist. I await my roasting in the comments ?

 

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The post How to Choose the Right Computer for Photo Editing appeared first on Digital Photography School. It was authored by Carl Spring.


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Slideshow: These are the winners of the 2018-2019 Nikon Photo Contest

07 Aug

2018-2019 Nikon Photo Contest Winners

Nikon has announced the winners of its 2018-2019 international Nikon Photo Contest. The contest, which started in 1969 ‘as an opportunity for photographers to share their unique visions and enrich photographic culture,’ celebrated its 50th anniversary with its highest number of annual submissions since its inception.

Nikon received 97,369 submissions from approximately 33,000 people across 170 countries and regions around the world. The entries were split up into three categories this year: Open, Next Generation and Short Film, the first two of which are split into single photo and photo story subcategories. Below is a brief description from Nikon for each of the categories:

  • Open: a single photo or photo story representing the theme of ‘Change’
  • Next Generation: a single photo or photo story expressing the idea of ‘Identity’ open to photographers aged 25 or younger
  • Short Film: a video submission that tells the story of ‘Hope.’

One additional submission has received the Participants’ Choice Prize, while another has received the Nikon Photo Contest 50th Anniversary Prize, a new prize implemented this year. These will be included in our gallery of the main category winners.

The winning images were selected by a panel of international judges from different disciplines in the world of art. Nikon says the ‘recipients of the gold, silver, and bronze awards from each category were selected based on a variety of aspects, including their suitability to the category’s theme, the strength of the message, and level of creativity.’ Below is a short video Nikon put together about the judges and their outlook on the images and the contest as a whole:

The Grand Prize winner, which is selected from the Gold Prize winners in each of the categories, will be announced at the awards ceremony on August 23, 2019 in Tokyo, Japan.

The accompanying gallery is a collection of the Gold Prize winners for each category. Additional Silver and Bronze prize winners can be found on the Nikon Photo Contest website.

Open Single Photo Winner

Alma and Alzheimer’s — Open Award Single Photo Gold Prize

Photographer: Jason Parnell-Brookes (United Kingdom)

Story: Donald?90, sits alone in the background consumed in his suffering with Alzheimer’s and unaware of his wife, Alma, 84 having dinner just feet away. He came back from World War II, changed from the kind caring man she had married, suffering with shellshock (PTSD). After a violent 60-year marriage with Alma, Donald was diagnosed with Alzheimer’s. In the last few years of his life there was a sudden and rapid change of his demeanor rendering him placid, back to the man she had married.

Open Photo Story Winner

hope — Open Award Photo Story Gold Prize

Photographer: Thaib Chaidar (Indonesia)

Story: I took a photo of this series while on assignment about free cataract surgery for people who are not able in remote areas in West Papua, Manokwari Regency, and one of his patients was a mother named Sorina Ullo, who was lucky because after decades she could finally returned to see clearly, the cataract that had long suffered will heal soon

Next Generation Single Photo Winner

Ayimpoka — Next Generation Award Single Photo Gold Prize

Photographer: Sara De Antonio Feu (Spain)

Story: Ayimpoka lives with her family in a little town in Bolgatanga (Ghana). Albinism has been a cause of discrimination and persecution during years, and murders have been committed against albino children because of the popular association with magic and witchcraft. At Ayimpoka’s house, everyone gives her love and protection and a local NGO provides her weekly care. That day?she was recovering from malaria and she had a lot of sunburns because she was in the sun all day.

Next Generation Photo Story Winner

??(Fanghua – Moments in Our Youthful Days) — Next Generation Award Photo Story Gold Prize

Photographer: ? ?? [Jinghan Tu] (China)

Story: The camera I always have hanging around my neck is like another pair of eyes, and has essentially become a part of my body. Having the camera doesn’t affect how I engage with other people of the same generation. I am a part of the things that take place in each moment I capture. For me, pointing the lens at something is the same as taking screenshots of my own personal life. Every drop of rain, every smile, every quick motion, and every droplet when water is sprayed. The things I capture are nothing more than ordinary, yet they are all an important part of moments in the dazzling youthful lives of people, including myself. I continue to take photos to preserve the memories of those precious days which I have experienced.

Short Film Winner

Exulansis (link to video) — Short Film Award Gold Prize

Artist: Sara Crochet (United States of America)

Story: Exulansis n. the tendency to give up trying to talk about an experience because people are unable to relate to it. I made this film in one day to display a haunting memory and how I choose to see that as an experience I can share to bring light to women and men around me. Bringing us all together with understanding and love.

Participants’ Choice Prize Winner

The phoenix — NPC 50th Anniversary Prize

Artist: Helena Pelletier (Canada)

Story: As a young women, Halifax resident Holly Fox survived a terrible house fire?that took her young husband and left her with extensive scars after she ran into the flames to save their infant baby who made it out without injury thanks to the bravery of his mother. The child has grown now an adult man?and her scars a beautiful reminder of her courage and strength. Out of the ashes she will rise, stronger and more beautiful than before. Marked with evidence of such and wearing it with pride.

Nikon Photo Contest 50th Anniversary Prize Winner

????(Harvesting Season) — Participants’ Choice Prize

Artist: ? ?? Huaming Zhao (China)

Story: Fall is the season of harvesting. The tall green bamboos can be cut into strips for creating various crafts. They are dried, disinfected, then made into chopsticks to become a part of people’s everyday lives and bring joy to them.

Articles: Digital Photography Review (dpreview.com)

 
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Kodak Moments unveils M1 Order Station, scalable photo kiosks with smartphone support

07 Aug

Kodak Moments (a division of Kodak Alaris) has introduced the M1 Order Station, a scalable photo-printing kiosk designed to enable the average consumer to easily print photos from their phone, a USB drive, or an SD card. As demonstrated by Kodak in the video above, the M1 Order Station can be scaled from a small desktop station to a full standing kiosk to meet the needs of different retailers.

Though photo-printing kiosks used to be commonly found in big box and convenience stores, these machines have become scarce amid the rise of digital photography and online printing services. Kodak is aiming to change that with its printing kiosks.

The new M1 Order Station is described as a ‘seamless’ solution featuring the Kodak Moments retail software version 9.0, which presents users with printing options via a 13″ touchscreen. Retailers can pair the station with the Kodak 305 printer countertop enclosure, the 305 print station cabinet, or the 305 printer booster with a print catcher.

In addition to memory cards and USB drives, customers can download the Kodak Moments app to directly print images from a smartphone using WiFi, Bluetooth, or a physical connection cable. The system supports printing 4×6, 5×7, and 6×8 prints, as well as photo cards, collages, and ‘DIY products.’ A brochure fully detailing the M1 Order Station is available here [PDF].

Articles: Digital Photography Review (dpreview.com)

 
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10 Photo Editing Services Compared

01 Aug

Are you planning to use photo editing services to save time on image post production but not sure which websites deserve your money? Searching for a decent option among dozens of photo editing services can turn into a very time-consuming and exhausting process. It can also be quite tricky as some companies pay for fake reviews. That’s why I decided Continue Reading

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Basic Photo Retouching in GIMP

25 Jul

The post Basic Photo Retouching in GIMP appeared first on Digital Photography School. It was authored by Ana Mireles.

Do you feel your photos are good but not great? Do you think something is missing in your images? You may just need a little post-production to give your images the punch they need to become eye-catching. Keep reading to learn some basic photo retouching in GIMP – a free software – that will make your photos pop.

Basic Photo Retouching in GIMP

GIMP is an image manipulation software you can download for free. If you’re not familiar with it, check my previous article, A Brief Introduction to GIMP. There are many things you can do with it. To start you up, I decided to do a quick overview of the most common adjustments for photo editing.

Rotate

Most times you take a photograph without a tripod, you’re bound to have the horizon line leaning towards one side. You can easily fix this common problem by using the rotation tool. First, you may want to turn on the visibility of the grid. For this go to View -> Show Grid. If you want to make it wider or narrower, go to Image -> Configure Grid.

GIMP. Configure the grid

Now, to straighten the image, click on the rotation button from the toolbox to open the tool’s setting window. Then you can either drag the slider or type the degree of the angle you want. The last two options are there to re-position the rotation center point if you want. You can also do this by dragging the image itself.

Basic Photo Retouching in Gimp. Rotate Tool

Crop

After the rotation or other transforming methods like perspective, some parts of the canvas remain empty, and you need to crop them out. For this, click the Crop tool from the toolbox and drag around the part you want to keep. The part that will be cropped out becomes shaded. To fine-tune the selection click, and drag the edges. When you’re satisfied click on the image to apply the crop.

Crop Tool

To keep an eye on the composition while cropping, you can put some guides to use as points of reference. For example, to play with symmetry put a guideline at 50%. Alternatively, put one at 33% and another at 66% if you want to follow the rule of thirds. You can do this by right-clicking the image window to open the main menu. From there, you need to go to Image -> Guides -> New Guide by percent.

Guides by Percent

Layers

For retouching, it’s always best to work on layers. That way, you can always go back if you don’t like how things are going. First, make sure the layers dock is visible. If it’s not, open it from Windows -> Dockables.

From there you can add a new empty layer from the blank page icon. Duplicate the current layer with the symbol of 2 squares, or delete it by dragging it into the paper shredder one.

Basic Photo Retouching. Create and manage layers

By the way, if you don’t want to cancel the entire process you’ve done on a layer, you can go to the tab, Undo, and do it step by step. The Undo tab keeps a history dialogue allocated as a dock containing your latest actions. If the dock is not there, you can open it from Windows -> Dockables.

Basic Photo Retouching. Undo

Color Adjustments

If your image is not well exposed, you can find the Adjustment tools to fix it in the Color menu. To access it, right-click on the image window and choose Colors. Then choose the tool that best suits the adjustment you need to do. To see these options more in-depth check the article Make your Photos Sparkle with GIMP. For now, I’ll just show you the Levels tool, which I find to be one of the most versatile.

Basic Photo Retouching in GIMP. Color Adjustment tools

Levels

With Levels, you can fix the color balance and tonal range of your image. GIMP gives you different choices to modify the Levels from the same window. You can move the sliders, enter the values underneath, use the eyedroppers to set the brightest, darkest and middle tones, and even use the auto-mode. They all make similar changes, but they can be more or less precise.

Remember to have the preview box checked so you can see the changes take effect before you apply them.

Basic Photo Retouching. Levels

Filters

You can also apply a great variety of filters; from correcting ones like sharpening an image, to special ones like coffee stains. You can find all these options in the Main Menu -> Filters.

Feel free to experiment with them.

Basic Photo Retouching in GIMP using filters

Finally, you can switch to the Multiple Windows Mode (in case you weren’t using it) by going to the menu Windows -> Single Window Mode and uncheck it. Then open the original file and a second window will open with the image so you can compare the side-by-side before and after images.

GIMP. Before and After

I hope you learned some useful tips to fix or boost your images.

If you’re interested in doing some more in-depth work on GIMP Check out the tutorials:

  • How to Replace a Sky in GIMP
  • Content-Aware Resizing in GIMP

Have you used GIMP? What are your thoughts? Do you have any other tips to share in the comments? We’d love to hear from you.

 

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How to Take the Perfect Macro Photo (Step-By-Step Guide)

22 Jul

The post How to Take the Perfect Macro Photo (Step-By-Step Guide) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

In this article, I’m going to show you exactly how you can take the perfect macro photo.

I’m talking about macro photos that are unbelievably good – the kind of photo that professionals strive for.

Because it turns out there are a few simple macro secrets. And if you use them regularly, you can practically guarantee some gorgeous macro images.

Are you ready for some step-by-step instructions that will take your macro images to the next level?

Let’s dive right in.

Step 1: Shoot during the right light (clouds or Golden-Hour!)

Macro photography starts with light.

And without good light?

Your photos just won’t work.

But what counts as good light for macro photography?

First of all, the golden hours are amazing for macro photography. If you shoot during the hour or two after sunrise and the hour or two before sunset, you’re guaranteed incredible light.

You do have to be careful about the light’s direction. During the golden hours, the sun is low in the sky. This means that the light hits your subject from an angle. And this angle will affect how your photos turn out.

In general, frontlight is the best type of light for macro photography.

(Frontlight refers to light that comes from over your shoulder, and hits the front of your subject.)

So if you stick to frontlight, you’ll do just fine.

If you struggle to find the best position for frontlight, try pointing your shadow at your subject. That way, you can be sure that your subject is always perfectly lit.

However, the golden hours aren’t the only type of good light for macro photography.

You can also shoot beautiful macro photos when the day is heavily overcast.

Because clouds diffuse the light, making it nice and soft.

With soft light, you don’t have to worry about the direction. Instead, focus on shooting subjects with color. The soft light will make the hues more vivid.

And speaking of subjects:

Step 2: Find a single stand-out subject

All perfect macro photos need a strong subject.

Something that stands out. Something that can act as a focal point for your photo. Something that anchors the shot.

There are dozens of possible macro photography subjects, including:

  • Flowers
  • Insects
  • Rocks
  • Feathers
  • Leaves

But here’s the thing:

The particular category of the subject isn’t important. You can take amazing macro photos of flowers or insects, rocks or feathers.

What’s important is that you choose the right flower, the right insect, the right rock.

Because you need to choose a subject that’s going to stand out from its surroundings. That is, you should aim for a subject that contrasts with the environment (ideally in multiple ways).

For instance, your subject can be sharp, while its surroundings are soft.

Your subject can be dark, while its surroundings are light.

Your subject can be red, while its surroundings are green.

The point is for your subject to stand out. If your subject blends in with the environment, the shot generally won’t work. Because almost every macro photo needs an anchor.

Note that this means your subject shouldn’t overlap chaotically with other, similar objects. For instance, you don’t want a flower that’s surrounding by other distracting flowers.

Bottom line:

Make sure your subject is powerful. That’s the first step to capturing the perfect macro photo.

Step 3: Find a simple background that enhances the subject

You know the importance of a stand-out subject.

But your background is important, too.

If you want to capture a stunning macro photo, you’ve got to make sure that your background is totally aligned with this goal.

What makes for the perfect macro background?

First, the perfect background is simple. It doesn’t have much going on. It doesn’t distract.

Second, the perfect background enhances the photo as a whole. That is, it adds a splash of color, or creates a pure white look for the subject to rest on.

In general, you can make your macro backgrounds simple by creating a deep blur. You do this two ways:

  1. Use a wide aperture (in the f/2.8 to f/5.6 range).
  2. Have a large subject-to-background distance. For this, make sure that your background is off in the distance.

To enhance the photo with your background is harder. I like to make backgrounds by using the sun-shade technique – where you make sure that your subject is in the shade, and your background is in golden sun.

That’s how I was able to capture backgrounds like this one:

If you can’t use the sun-shade technique, that’s okay. Try to find a background that includes a bit of color – such as a distant autumn tree.

Note that you can often find better backgrounds by simply walking around your subject and observing it from multiple angles. Try getting down low, shooting from up high, or getting on a level with your subject.

Step 4: Pick the perfect settings for a sharp, well-exposed macro photo

Once you’ve chosen a subject and a background, it’s time to choose your macro settings.

I’ll start by sharing my common settings, and then explain why I choose them and what I suggest you work with.

When I shoot macro photography, I use Manual mode, because I like tweaking both my shutter speed and aperture to try out different looks. However, it can also make sense to work in Aperture Priority mode if you’re not interested in playing with different shutter speeds for creative results.

I don’t recommend Shutter Priority mode, because this relinquishes control over your aperture – and aperture is something that you should absolutely choose yourself.

Speaking of aperture: I consistently use apertures between f/2.8 and f/5.6. This gives me the perfect blurry background – which, as I mentioned above, helps create a stand-out subject.

However, macro photographers sometimes prefer their subject to be sharp throughout. In this case, you’ll need an aperture in the area of f/16 and beyond, and you’ll need a tripod. In fact, if your subject is very three-dimensional, you’ll need to focus stack (a technique that’s beyond the scope of this article).

I tend to work handheld (because I like the flexibility). This means that I rarely let my shutter speed drop below 1/120th of a second. But if you use a tripod, you’re free to let your shutter speed drop far below this mark (if there’s absolutely no wind, that is!).

In general, I advocate using the lowest ISO you can get away with. You want to minimize noise as much as possible. So try to keep this down.

Finally, make sure that you switch from autofocus to manual focus, especially if you’re working at high magnifications. You simply can’t focus well with autofocus at macro magnifications, no matter how good your lens. So manual focus is key to getting the perfect shot.

And that’s it! Take your shot – and admire it! Because if you’ve followed the instructions above, it’s going to look really, really stunning.

How to take the perfect macro photo: next steps

You know how to take the perfect macro photo.

You know how to find the perfect light, the perfect subject, and the perfect background.

You even know the perfect macro photography settings.

So go out and take some perfect macro photos of your own!

Which step in capturing a perfect macro photo do you struggle with the most? Leave a comment right now letting me know – and I’ll see what I can do to help!

 

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