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Posts Tagged ‘Photo’

iPhone 11’s coolest photo feature is the hardest one to find

05 Oct
Cinerama leaning back – a natural result of pointing my camera upwards to capture the whole building.

Anyone who has stood at ground level and taken a photo of a building across the street has likely seen the effects of perspective distortion – you tilt your camera back to bring the whole building into frame, causing the straight lines of the building to appear to be ‘leaning back.’ Tilt-shift lenses are designed for exactly this problem, but they’re expensive, specialist optics.

More often, this effect will be corrected in software, but doing so usually requires the user to stretch the top of the image and crop to avoid the blank spaces this creates at the bottom of the frame. Apple is tackling this problem with a unique approach in the iPhone 11: by capturing more data outside of the frame.

I don’t know, I just like boring photos I guess?

For whatever reason, I’m drawn to the types of photos where perspective distortion is painfully obvious – signs, sides of buildings, etc. – but I’m horrible at lining them up correctly. Usually, I find out going through my images later that I wasn’t squared up to my subject even though I thought I was. Horizons are slightly askew, or I was leaning back slightly. Apple, it seems, has heard my cries.

When you’re shooting with the standard camera (with a focal length equivalent to about 26mm), the iPhone 11 will also capture image data from the ultra-wide (13mm equiv.) camera – a feature that is referred to in the settings menu as “Photos Capture Outside the Frame.” If you’re shooting on the telephoto camera of the 11 Pro, it’ll capture additional information from the standard camera.

That extra information is saved alongside your photo. When you edit that image in the native camera app, you’ll be able to use the extra data as you rotate and manipulate your image – a big help when you’re trying to fix crooked lines in a photo.

As you make image adjustments, you’ll see the extra data captured by the ultra-wide lens. This additional image information is available for 30 days.

The phone can use that information to automatically re-crop photos too. In the camera settings menu there’s an option to “Auto Apply Adjustments.” You’ll know that auto adjustments have been applied to an image when it shows a blue “Auto” icon above your captured photo. We’ve noticed this feature being employed when the phone detects a human subject cut off at the edge of the frame.

And even for many photos that aren’t automatically adjusted, the stock camera app will suggest tweaks when brought into edit. For example, take that image of the building that’s leaning back – if you edit it in the iPhone’s camera app and engage the crop tool, it will automatically correct for perspective distortion and use the extra image data it saved to fill in the areas at the edges of the frame that would otherwise need to be cropped out.

Bringing the image into the iPhone’s native editing app, then pressing the ‘crop’ option will take you to this view. The yellow ‘auto’ icon appears at the top of the image if there’s a suggested crop, as there is in this example.
The same adjustments can be applied in Photoshop, but without that extra image information at the sides of the frame you’ll need to crop in to avoid including blank space in your final image.
The iPhone goes beyond these limitations with that extra image data. In addition to correcting perspective, you can creatively re-crop your image to preserve details at the edge of the frame – and even include objects that were well outside of the frame in your initial standard image.

I don’t think many people will discover this feature, and that’s a shame. It’s not just helpful for correcting distortion and fixing crooked horizons – it’s a useful feature if you just want to re-crop an image after-the-fact. However, it will only be discovered by those who enable the ‘capture outside the frame’ feature and attempt to crop an image, which I imagine is a fraction of the many people who will use the camera day in and day out.

Regardless of how widely used this feature will be, what Apple is doing is clever. Photoshop’s Content Aware Fill feature does something similar – it will fill in missing data when rotating or stretching an image – but instead of using data from a wider lens, it’s filling in those empty spaces based on educated guesses. Apple’s approach is just one more way in which smartphone manufacturers are using data to their advantage – to the advantage of boring photo fans everywhere.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm unveils the Instax Mini Link, its latest compact instant photo printer

02 Oct

Fujifilm has launched the Instax Mini Link, its latest photo printer designed to turn digital photos into analog Instax prints.

The handheld device works hand-in-hand with Fujifilm’s new Instax Mini Link app to share and print images wirelessly. Fujifilm says the device can transfer prints in ‘about 12 seconds’ and can print up to 100 Instax prints per charge.

The Instax Mini Link has special printing modes including called ‘Video Print’ and ‘Party Print.’ ‘Video Print’ lets you scrub through a video to capture a still to print with the devices, while ‘Party Print’ allows up to five different smartphones to pair together to create a collage of images in a single print. An additional ‘Surprise Mode’ within the ‘Party Print’ option will randomly scramble the images, ensuring the final print remains a mystery until it’s revealed.

Basic edits can be made to photos within the Instax Mini Link app and a collection of border options are available to for further customization. Fujifilm’s X Series and GFX System cameras can also be paired with the Instax Mini Link via the Fujifilm Camera Remote app—because who doesn’t want an instant print from a $ 4,499 51.4-megapixel camera body?

The Instax Mini Link printer will be available in blue, pink and white versions and is expected to retail for $ 99.95 when it becomes available to purchase on October 4, 2019. For more information, check out the Instax Mini Link website.

Articles: Digital Photography Review (dpreview.com)

 
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Pixelmator Photo gets major v1.1 update with iPadOS 13 support and more

02 Oct

Photo editing app Pixelmator Photo has received a major update to version 1.1, gaining support for Apple’s newly released iPadOS 13, including its redesigned Files app. As well, the updated app brings ‘deeper integration’ with Apple’s iCloud Photos service, batch photo editing that is ‘enhanced’ via machine learning, and the ability to resize exported images.

Pixelmator Photo is a version of the Pixelmator desktop software designed specifically for the iPad. Apple released iPadOS 13 earlier this month for its tablets, bringing a version of iOS tailored specifically for the iPad, including an improved Files app.

The Pixelmator Photo 1.1 update adds support for both iPadOS 13 and that new Files app, enabling users to edit images stored on external devices, including USB drives and SD cards, as well as remote online services including file servers.

Joining that new capability is ML-enhanced batch photo editing, offering users access to machine learning algorithms trained on what the company says were millions of professional images. Pixelmator includes its own batch editing workflows with Pixelmator Photo 1.1, though users can also create their own with actions like cropping and straightening, as well as custom color adjustment presets.

Going forward, Pixelmator Photo will now automatically manage photo edits and save the changes to the user’s library thanks to the updated iCloud Photos integration. Users no longer have to create duplicates or manually import images, plus it is now possible to revert images, favorite them, and delete them in the Photos library without exiting Pixelmator Photo.

Pixelmator Photo is available to purchase for iPad from the Apple App Store for $ 4.99 USD.

Articles: Digital Photography Review (dpreview.com)

 
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PhotoWorks: Photo Retouching Will Never Be Tedious Again

01 Oct

Retouching photos could be a nightmare. Wrinkles, acne, oily skin – sometimes the camera is cruelly precise. It is unpleasant to say the least if those are just your own private pictures. But what if photography is your business? No client wants to see their faces imperfect, especially on pictures taken during a special event (wedding, anniversary, etc.). If you Continue Reading

The post PhotoWorks: Photo Retouching Will Never Be Tedious Again appeared first on Photodoto.


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These are the best new photo features you’ll find in iOS and iPadOS 13.1

26 Sep

Following the launch of its new iPhone 11 models and updated iPad, Apple has released iOS 13 and iPadOS 13, its latest mobile operating systems. Although iOS 13 was released last week, iOS 13.1 was only released yesterday and due to it being a substantial upgrade in terms of features and stability, we held off until now to post this overview.

Summarized below are the new tools, features and functionality iOS 13 and iPadOS 13 bring to a lengthy list of iOS devices that support the latest operating systems.

Update Photos app

One of the first things you’ll notice with iPad and iOS 13 is the updated Photos app. Now, there’s a dedicated ‘Photos’ tab at the bottom of the app that splits your images up into ‘Years,’ ‘Months,’ ‘Days’ and ‘All Photos.’ You can tap on the individual timeframes or pinch in/out to expand and compress accordingly.

It’s not a massive change, but it should simplify the process of finding older images if you know the rough timeframe they were captured.

New photo editing tools

Along with the new organization within the Photos app is an improved user interface and new editing tools.

First and foremost, the interface for editing images has improved dramatically. Rather than the multiple layers of dials that were vaguely worded and unusually categorized, the editing interface now uses dedicated sections, each of which has individual adjustments displayed as circular tiles that can easily be swiped through and individually adjusted. Below is a list, in order, of the editing tools at hand:

  • Auto
  • Exposure
  • Brilliance
  • Highlights
  • Shadows
  • Contrast
  • Brightness
  • Black Point
  • Saturation
  • Vibrance
  • Warmth
  • tint
  • Sharpness
  • Definition
  • Noise Reduction
  • Vignette

Portrait Mode photos have also had a bit of an update. You can now control the intensity of the light on Portrait Mode photos and with newer devices, there’s a Portrait Mode option called High-Key Light Mono.

Video editing in Photos

Another major improvement in iOS 13 is the ability to edit video. You can now crop, make image adjustments and even add filters to videos directly within the Photos app. Previously, video edits required third-party apps, which was anything but intuitive.

New Shortcuts/Automations

Apple has also added new functionality to its Shortcuts app called Automations. These are individual macros of sorts that can be used to trigger certain behaviors on your phone. The uses are seemingly endless, but a few notable examples include the ability to ‘change’ the default camera app, trigger the camera to open when you get a certain location or even upload your latest photos and videos to a backup location of your choice when you connect to your home Wi-Fi.

Shortcuts and Automations are more directed towards power users who want the most from their phones, but Federico Viticci of MacStories has a wonderful rundown as part of his annual iOS and iPadOS 13 review to will help to get you started if it’s something you want to dive into.

Desktop-class browsing

As Apple demonstrated during its keynote, the iPad will now appear to websites as a standard computer rather than a mobile device. While this is overarching across the entire web, one area this could greatly benefit photographers is in regards to an online portfolio and photo blogging. Now, in iPadOS 13 you can use sites such as Squarespace, WordPress and other portfolio and blogging platforms as you would with a desktop computer.

Previously, it was possible to visit the likes of Squarespace and WordPress, but a lot of functionality was greatly limited or downright unattainable due to websites only recognizing the iPad, even the ‘Pro’ models, as mobile devices. Rene Ritchie of iMore has a great rundown on what the new functionality means.

External storage

As we addressed back with iPadOS 13 was first announced at WWDC in May 2019, one of the most significant additions is the ability to use external hard drives natively within the iPadOS 13 Files app. It’s now possible to import, export and transfer images and other content from USB thumb drives, external SSDs and other storage means.

It’ll be up to the developers of third-party applications to make the most of it (we’re looking at you, Adobe), but having the option at all is a much-welcomed addition.

Supported devices

Below is a list of iPhone and iPod Touch models that support iOS 13:

  • iPhone 11 Pro Max
  • iPhone 11 Pro
  • iPhone 11
  • iPhone XS Max
  • iPhone XS
  • iPhone XR
  • iPhone X
  • iPhone 8 Plus
  • iPhone 8
  • iPhone 7 Plus
  • iPhone 7
  • iPhone 6s Plus
  • iPhone 6s
  • iPhone SE
  • iPod touch 7th generation

Below is a list of iPad models that support iPadOS 13:

  • 12.9-inch iPad Pro 3rd generation
  • 12.9-inch iPad Pro 2nd generation
  • 12.9-inch iPad Pro 1st generation
  • 11-inch iPad Pro
  • 10.5-inch iPad Pro
  • 9.7-inch iPad Pro
  • iPad 6th generation
  • iPad 5th generation
  • iPad Air 3
  • iPad Air 2
  • iPad mini 5
  • iPad mini 4

Wrapping up

In conclusion, iOS 13 is well worth downloading if your device is supported. Even if you have iOS 13 installed, make sure you update to iOS 13.1 which should be available now as an over-the-air update, as it irons out a lot of issues found in the first public version of iOS 13.

If you have an extended period of time on your hands and want to see nearly every new feature Apple has added to iOS 13, Jeff Benjamin of 9to5Mac has created this comprehensive video below:

Likewise for iPadOS 13:

If there’s a tip or trick you find that’s not mentioned in this list, let us know and we might add it. We would also love to see what Shortcuts and Automations you come up with for your photo workflow.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 Photo RAW 2020 public beta arrives with AI-powered tools and improved speeds

20 Sep

ON1 has taken the wraps off its upcoming ON1 Photo RAW 2020. The software arrived as a public beta today, introducing the first offering in ON1’s recently announced new line of creative products. Photo RAW 2020 is a layered editor, raw processor, and image organizer that ON1 claims offers ‘everything you need in one photography application.’

Photo RAW 2020 brings new AI-powered tools including AI Match, a feature that processes raw images to appear the way they looked ‘on the back of the camera,’ as well as AI Auto Tone, which brings a new algorithm that was trained using thousands of photos.

In addition to the new AI tools, Photo RAW 2020 brings numerous performance updates that enable the software to open raw files up to two times faster than before. The performance updates also resulted in smoother brushing, something that persists even on devices that feature integrated graphics cards.

Users can also expect improved noise reduction, new map view and timeline albums, several new filters (weather, color balance, channel mixer, and sun flare), plus a new print module, focus mask overlay, more than 100 new presets, SmugMug integration, and custom camera profiles made possible by a partnership with X-Rite.

ON1 says it will release a list of newly added camera and lens support soon. Photo RAW 2020 supports raw image files from more than 800 camera models, as well as expected formats like DNG, JPEG, TIF, PNG, PSD, and PSB.

Below is a sneak peek On1 shared earlier today:

The public beta is available to download now from ON1’s website. Photo RAW 2020 can be preordered at $ 79.99 USD for existing ON1 product owners and $ 99.99 USD for everyone else. The company is bundling a 100 pack of presets for a limited time as a preorder bonus. The product is scheduled to release for everyone by the end of October 2019.

Articles: Digital Photography Review (dpreview.com)

 
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5 Photo Editing Mistakes Every Beginner Must Avoid

12 Sep

The post 5 Photo Editing Mistakes Every Beginner Must Avoid appeared first on Digital Photography School. It was authored by Kunal Malhotra.

We are fortunate enough to be able to capture photos in digital format and edit them later using multiple software. You can adjust exposure, white balance and replace the background with only a few clicks. Being able to edit our photos as per our requirement is a great power – but we must not overuse it. In this article, I share 5 photo editing mistakes which I have made in my initial days as a photographer. I hope that some of you photography enthusiasts will benefit from my learning over the years.

1. Selective coloring

5-Photo-Editing-Mistakes

The image on the left looks more professional and is an ideal portrait, while the image in the right looks very unprofessional.

Sometimes we get so obsessed with a particular element in our frame that we desperately want to highlight it. One of the options that you might opt for is selective coloring, and it can easily go wrong. This is a technique where you keep a selective part of the image colored, making the remainder of the image black and white.

As a beginner, you might be super excited while working on your first few selective-colored images. And you should be.

However, if you wish to step up your photography game and make your images look more professional, avoid using selective coloring.

5-Photo-Editing-Mistakes

I would suggest you work on your perspective and composition if you wish to highlight a particular object or color in the frame. Try to frame that highlighting subject in a manner that it stands out in the frame.

If not, you can selectively boost the exposure or saturation in editing without applying the selective coloring method.

2. Overuse of HDR technique

Of the 5 photo editing mistakes I list, if there is an award for the most overused editing technique, it must go to the HDR effect. I must admit that during the first two years, I used to click multiple exposures of almost everything. Then later, I used to merge those exposures to get the HDR effect, thinking I was such a cool photographer.

You must understand the actual meaning of HDR, which is High Dynamic Range. Use it only when you feel that the camera is not able to capture the dynamic range of the scene the way you see it with your eyes. All you have to do is capture 3, 6, or 9 frames of different exposures and later merge them using apps such as Adobe Lightroom.

Image: This is an over-processed HDR image.

This is an over-processed HDR image.

There are few apps which allow you to get the HDR effect using a single photo, but that is simply a gimmick which you must use carefully.

3. Over-saturation

We all come across photos with vibrant and attractive colors, especially on photo-sharing apps such as Instagram. Trying to gain similar results, you might be boosting the saturation level way too far. Over-saturation in your photos can make a well-composed frame look average because you boosted the colors way too much.

Image: The image on the right has way too much saturation, as can be clearly seen on the face.

The image on the right has way too much saturation, as can be clearly seen on the face.

While editing a photo for 3-5 minutes or more, it’s difficult to tell if the photo is well-saturated or over-saturated. Here is a quick tip that I follow that may help you as well: After your final edit is complete, take a 2-minute break from the screen. Now come back to your device and see if the saturation level works or is too much. Trust me; this practice is going to help you a lot if you edit a single photo for more than 4-5 minutes.

4. Converting to ‘Black & White’ when not required

Simply taking the saturation slider all the way to ‘-100’ does not make any image look good in monochrome. If I am converting any image black and white in editing, I check if the frame has contrast in it. If not, I try and avoid converting that image to monochrome.

Image: The colors in the image on the left are much more appealing as compared to the monochrome ima...

The colors in the image on the left are much more appealing as compared to the monochrome image on the right.

Even if a scene has good contrast, check if any prominent colors might complement the colored image. Your frame might have a beautiful and colorful sunset, but because you are used to converting any image into monochrome, you might make a wrong decision.

Be patient and analyze the image. If you feel the colors are not that appealing or the image has high contrast, go ahead and convert it to black and white.

5. Overuse of vignetting effect

The use of the vignetting effect in editing is a personal preference. I have seen many beginners use strong vignetting effects, especially in portraits. I love using a vignetting effect in photos where I want emphasis on a particular subject – but not in every image.

Try and avoid using this effect on photos such as landscapes, or try to keep it subtle so that the overall beauty of the frame does not get destroyed.

5-Photo-Editing-Mistakes

The image on the right does not look good because of the overuse of the vignetting effect.

Have you been making any of these 5 photo editing mistakes? Or if you wish to add any editing mistake to the list, feel free to comment below.

 

5-Photo-Editing-Mistakes

The post 5 Photo Editing Mistakes Every Beginner Must Avoid appeared first on Digital Photography School. It was authored by Kunal Malhotra.


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Great Reasons to put a Carabiner in your Photo Kit

09 Sep

The post Great Reasons to put a Carabiner in your Photo Kit appeared first on Digital Photography School. It was authored by Rick Ohnsman.

The carabiner is a device most closely associated with mountain climbing, but now it finds application in so many other things.  In this article, we’ll explore a few ways you can make good use of a carabiner as a photographer.

Interestingly, the carabiner was not initially invented for climbers.  The history of the device is interesting with an inventor nicknamed “Rambo.” It’s not a story I’ll detail here, but worth a read.  The carabiner is essentially a loop with an easily opened “gate.” It allows quick clipping onto objects and then which closes by means of a spring.  Some carabiners also have a locking mechanism which prevents the gate from inadvertently opening.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

Inexpensive carabiners are great for many of the applications we’ll discuss here. However, note, they are clearly marked “NOT FOR CLIMBING.”

Not for climbing

Carabiners come in a multitude of sizes and designs.  Those specifically made for climbers are carefully designed, tested, rated for strength, and marked with their load-bearing capabilities.  At the other end of the spectrum are the lightweight versions often sold for just a few dollars in hardware stores and the like.  These are often marked “Not for Climbing” as they are not built with the same care or performance capabilities of the climbing-specific types.

Image: The huge almost 8-inch carabiner on the left might have some good photo applications like car...

The huge almost 8-inch carabiner on the left might have some good photo applications like carrying multiple items or hanging an extension cord, but it’s not for climbing. The other three are climbing-rated carabiners. The one at the far right is a locking type.

For the purposes described in this article, we will cover possible uses by photographers. For those applications, the lighter weight, non-climbing versions may work fine.

As a disclaimer, I know very little about climbing. I am not a climber and certainly would not begin to suggest you take anything in this article as instruction on how to use carabiners for climbing. If that’s is your intention, go find an expert – someone you trust with your life.

In the climbing world, that really is the purpose a carabiner may serve.

Security and convenience

Carabiners serve two main purposes for climbers:

Safety – Carabiners are used as quick attachment devices to clip into climbing ropes. Those ropes act as safety devices so should the climber fall, the rope and the carabiner restrain the climber and save them from disaster.

Convenience – On the side of a mountain, it’s just you. Fumble and drop something, and it’s gone. Unable to carry a heavy load, you need a strong, lightweight device that provides security as well as easy access to your equipment (sometimes with just one hand). That’s just the job for which the carabiner is well-suited.

Safety and convenient use of carabiners by photographers is what we’ll address.

Security

When fragile things fall onto hard surfaces, bad things happen.  That is why climbers use ropes and carabiners – as safety devices.  If you’ve ever dropped a camera, lens, or other valuable photo gear, you learned this lesson the hard way.  So, what if we could come up with a few tricks using carabiners to provide some safety for your photo equipment so you aren’t punished by the law of gravity?

Image: A simple DIY camera-to-tripod safety tether as outlined here. The top knot is a clove hitch,...

A simple DIY camera-to-tripod safety tether as outlined here. The top knot is a clove hitch, the bottom one a cats-paw knot.

Camera-to-tripod tether

I do a lot of landscape photography and like to mount my camera to my tripod with a Swiss-Arca compatible L-bracket. The bracket clips into the lever lock mount at the top of my tripod. I prefer the lever clamp to twist knobs. It’s quicker to work, easier to see if it’s locked, and unlike a twist knob, doesn’t require periodic checking. After taking a few shots, when moving to a new location, I put the tripod over my shoulder and walk to the new spot with the camera and lens still mounted to the end of the tripod.

Now, I know I’m not the only one to do this – I remember watching Art Wolfe’s “Travels to the Edge,” where he’d routinely carry his camera like this. I like to be cool like Art – silhouetted against the sun with my tripod and camera over my shoulder. Never did I see his camera fall off the tripod and I’ve never had mine fall off…yet.

I’m afraid that one day I’ll be walking, carrying the camera this way, and suddenly feel the tripod get lighter and hear a crash behind me. I know my blood would run cold. A clamp failure or unplanned release could spell disaster and certainly, make a grown man cry. Rather than have that happen, I came up with this idea.

Get two carabiners and tie each to opposite ends of a short length of rope. Paracord works well for this as it’s light and strong. Don’t over-engineer this. You want to pick carabiners and cord with a load strength of maybe 50-lbs or greater to be on the safe side, but not so large as to be cumbersome. What is important is to tie the cord to the carabiners with the proper knot. If the rope comes loose from the carabiner when the need arises…yup…that would be bad.

Go online and find a good video showing how to tie a rope to a carabiner. I like the catspaw knot for this purpose. The clove hitch is good too.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

Walking with your camera on the tripod over your shoulder like in the inset image, if the clamp released your camera would be saved like in the large shot IF tethered. Otherwise…     = :-O

The length of the cord shouldn’t be much longer than the distance to reach from your tripod head to the camera. Usually, 6-8″ (15-20cm) will be about right. Get a split ring, the kind often used for keyrings, and mount that to the lug on the side of the camera made for a regular camera strap.

Now, clip one carabiner through the ring and the other one just under the mount on your ball head. (See the photo). Most ball heads will accommodate this. However, if yours doesn’t, you’ll need to find an alternate place on the tripod to clip the lower carabiner. Now head down the trail confident that if the clamp releases your camera, the tether will save it.

Yes, it might occasionally get in the way or prevent your ball head from completely free motion while photographing, but if so, unclip the carabiners while you work. The peace of mind I get as I walk the trail with my camera on my tripod over my shoulder is well worth a slight inconvenience.

Other uses for a safety tether

A similar DIY device, two carabiners connected by a length of cord, may find other applications in your photo work as a safety tether. The size and weight of the device you need to protect will dictate the strength of your carabiners and connecting cord, rope, or cable. People in lighting or theatrical work are likely familiar with such safety tethers. Having a heavy light fall onto the talent below would be bad, very bad.

Even if your photography doesn’t involve talent under lighting or other equipment, having expensive photo gear fall off a mount and crash to the ground is also bad. Consider devising ways you can create safety tethers for some of your other equipment with a little creative DIY engineering.

Image: A sling-style camera strap attached to the bottom tripod hole of a camera with a locking cara...

A sling-style camera strap attached to the bottom tripod hole of a camera with a locking carabiner-style clip.

Camera Straps

I get it, no one likes a strap around their neck, and most camera straps are a bothersome hassle. But like wearing your seat belt in the car, perhaps you need to consider the risk versus the inconvenience. I wish I had a dollar for every time I’ve seen photographers – even pros – holding their camera and taking a shot with the strap dangling down in front of them rather than around their neck. I see them shooting out the tour bus window, over the side of the boat, over a cliff edge or at the zoo with crocodiles below.

Also, I wish I had all the money wasted when cameras and lenses which could have saved with a strap instead were fumbled, dropped, and destroyed. I use an Op/Tech sling strap (Black Rapid is a similar well-known sling-strap designer). It is more comfortable, keeps the camera on my hip rather than my chest, an is still ready for quick action.

My work camera uses a different connection method. It uses a mount into the tripod screw hole and a snap-clip which is much like a carabiner. Before that, I modified my OEM strap and used a similar hardware store snap-clip.

I guess there are people who “free-climb” mountains with no safety devices, people who drive without their seat belts and, yes, people who don’t like camera straps. I’ll leave it up to you to decide.

Me? Camera straps, carabiners, and safety tethers are my friends.

Photographing near the edge

On a trip to Canyonlands National Park in Utah, we had a photo buddy in our group with less acrophobia than I. (We nicknamed him “Spiderman”). While photographing the canyon at Deadhorse State Park, he was uncomfortably close to the edge. I tried not to look and concentrated on my photography. Then I did look around…and he had disappeared! His tripod and camera were still there, but not him.

Panic!

I feared the worst and cautiously peered over the edge…

Looking…looking…

A few minutes later, with a big grin, he stepped out from behind some bushes.

For our next trip, I’m considering rigging him with a safety tether.

Image: That next step is a doozy! My photo buddy “Spiderman” on a trip to Deadhorse Stat...

That next step is a doozy! My photo buddy “Spiderman” on a trip to Deadhorse State Park in Utah.

I tell that story to suggest this, using a carabiner and length of rope to allow you to make those “edgy shots” safely. The shots where you extend your camera and tripod over the edge, out the window, over the side of the boat, cliff, above the crocodile pit (Crikey!). All of those places where if you fumble or your clamp releases you won’t be getting your gear back. At least not in one piece. There’s also the potential danger to those below to consider.

I’m suggesting attaching your camera/tripod to a tether.  A good device if you do a lot of hand-holding of your camera with a wrist strap.  There are various commercial designs, or you can fashion a strap with a velcro fastening to go around your wrist and a carabiner to clip to a ring on your camera.  Fumble the camera and the safety tether to your wrist saves it.

While working near precipitous edges, it may also be a good idea to have a tether on yourself. However, if you decide to do so, you enter the realm of “climbing.” As I said, don’t look to me or this article for guidance on that subject.

If you do tether your equipment, secure the other end of the rope to something secure, perhaps not yourself. You don’t want a falling camera and tripod dragging you over the edge too. Got all that Spiderman?

Image: Often the hook at the bottom of a tripod column just isn’t large enough to accommodate...

Often the hook at the bottom of a tripod column just isn’t large enough to accommodate a camera bag handle. A carabiner makes it work. Use this arrangement when you want extra weight and stability for your tripod or to keep your camera bag off the dirty or wet ground.

Convenience – What, where, and when you need it

Having what you need, where you need it, when you need it, and available for quick access and return to its storage location is essential to a mountain climber hanging on the side of a cliff. It’s also handy for a photographer who has hands busy operating the camera. Or doesn’t have the time to root through a backpack looking for something while the light is fleeting. Carabiner to the rescue! Putting easy access to equipment within reach is a hallmark of this little wonder.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

Zip-tie and gaff tape a carabiner to a tripod leg and you have a “third-hand” hook. Keep a filter or other accessory bag right at hand while you work.

Creative photographers will come up with many uses for a carabiner, whether in the field or the studio. Others marketing all manner of other goodies and gizmos have also incorporated carabiners into their equipment designs to make them more useful.

Let’s look at some photos that show both some DIY uses as well as product designs that leverage the wonders of a carabiner.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

Many products incorporate carabiners int their design. Here are just a few of possible interest to photographers. Urban Gear knife, TempaBright light/thermometer, Coghlan’s waterproof capsule container, Coghlan’s large carabiner carry handle, small carabiner keychains, Nite Ize S-biner, Nite Ize DoohicKey, LuxPro focusable flashlight, LifeLine weather-resistant First Aid Kit, and don’t forget the zip-ties.

Team these with a carabiner

You’ve seen some great uses for carabiners for a photographer, and hopefully, I’ve introduced you to something you can use. But I’d be remiss if I didn’t suggest some other devices to throw into your pack to increase the versatility of carabiners even more.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

My LowePro ProTactic 450AW backpack has MOLLE webbing on the outside giving many places to clip in carabiners and goodies.

Paracord

Originally developed as the suspension lines used on parachutes, this strong and lightweight nylon cord is a great accessory to have in your pack.  It’s available in many thicknesses and strengths, a rainbow of colors, is easily cut when you need a shorter length and you can seal the ends with a match.  It’s great stuff and a perfect partner to a carabiner.

Image: Need to tighten a loose line? Clip on a carabiner, twist the carabiner until the line is tigh...

Need to tighten a loose line? Clip on a carabiner, twist the carabiner until the line is tight, then clip the carabiner back onto the now tightened line.

Binder clips

Yes, the kind used in the office.  They come in a variety of sizes so you can suit the size to the need.  A perfect photographic application is hanging a backdrop.  Put a few binder clips along the top edge of the backdrop, clip carabiners through the loops of each clip and you can hang the backdrop from a paracord line or rod.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

Hang a backdrop with some carabiners used like curtain hooks on a line or rod. Binder clips work well for this, but these ProGrip TarpSharks were too cute not to buy a couple.

Zip ties –  (aka cable ties)

Zip ties are very lightweight, strong, and able to be pulled very tight and locked there. These are wonder devices.  When you can’t attach your carabiner directly to an object, try attaching a zip tie to it and before tightening, a carabiner as well.  The example above of attaching a water bottle to a carabiner is a good one.  You’ll think of dozens of other uses.  Zip ties can also save the day when straps or other things in your photo kit break and you need an emergency fix.

Gaffer tape

People in the film and theatrical professions know and love this stuff and no photographer ought to be without a small roll in their pack.  Don’t confuse this with duct tape, it will only make a sticky, hard-to-remove mess of your equipment.  Get real gaff tape and then go nuts with the many ways you’ll be able to use it.

Image: In the studio, an easy way to keep two joined extension cords from becoming unplugged.

In the studio, an easy way to keep two joined extension cords from becoming unplugged.

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

Not a lock, but at least a way to use a carabiner on your backpack zippers to discourage a potential thief from a quick grab of your gear.

The DIY photographer

If you haven’t figured it out by now, I’m a real DIY nut! If I can figure out a cheaper, better, innovative way to do something, including my photography work, I’m all over it.

Carabiners certainly fall into the list of useful parts in the “goodies” bag I keep in my photo backpack.  I hope you picked up a useful tip here. If there’s something I missed that you’d like to share with the worldwide photographic community here on DPS, please include it and maybe a photo too in the comments section below.

Now go forth and photograph!

 

Great-Reasons-to-put-a-Carabiner-in-your-Photo-Kit

The post Great Reasons to put a Carabiner in your Photo Kit appeared first on Digital Photography School. It was authored by Rick Ohnsman.


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Facebook expands Face Recognition photo scanning, makes feature opt-in for new users

06 Sep

Facebook will no longer scan uploaded images for users’ faces by default, according to The Verge. The change will apply to new users who receive the Face Recognition setting as Facebook rolls it out globally over the next several weeks. The Face Recognition feature, which was first introduced in late 2017, will not be turned on unless the user chooses to enable it.

The facial recognition feature works by scanning images for users’ faces and alerting them about these images even if they’re not tagged in them. Users who receive one of these alerts can choose to tag themselves in the image, ignore it, or report the image when applicable.

In an update on the technology following the outcome of its federal appeal in August, Facebook has revealed that the facial recognition feature is rolling out to all users, but that they’ll need to manually enable it if they want the platform to scan other users’ images for their face. A notice in the user’s News Feed will alert that user when the feature becomes available on their account.

Users will be able to find the Face Recognition feature in their account’s Settings menu. Facebook users who currently have Face Recognition on their accounts can find instructions on disabling it here.

Articles: Digital Photography Review (dpreview.com)

 
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How to Use Pinterest to Grow Your Photo Business (Step-By-Step Guide)

02 Sep

The post How to Use Pinterest to Grow Your Photo Business (Step-By-Step Guide) appeared first on Digital Photography School. It was authored by Darina Kopcok.

Do you use Pinterest to market your photography services?

You should.

Because here’s the thing: Millions of potential clients use Pinterest. In fact, 250 million people around the world use Pinterest every month, and this number continues to grow. 

Most people think of Pinterest as a social media platform, but it’s actually a search engine that’s driven by search and discovery. Statistics show that nearly half of online users search in Pinterest before turning to Google. It has an incredible power to drive traffic to your site and grow brand awareness. Visitors from Pinterest convert into leads or sales faster than those from social media networks.

Why?

One reason is that Pinterest has a much longer shelf life than social media. Once an image is uploaded to an Instagram or Facebook feed, it gets buried quickly. With Pinterest, your pins will have staying power and benefit you more the longer they’re around. 

Now that you know why Pinterest is so great…

…let me tell you how you can gain traction on Pinterest, fast.


pinterest photography business profile page

Step 1: Get a business account 

In order to use Pinterest effectively for your photography business, you’ll need to sign up for a free Business account. A Business account will allow you to monitor your analytics from within Pinterest. This will give you important information about the boards and pins that are most popular with your audience.

These insights can help you increase your engagement and pin more effectively.

pinterest statistics

Step 2: Create a succinct Pinterest profile

Your Pinterest profile needs to be short and to the point. It needs to let people know what you do. Are you a wedding shooter? Do you specialize in personal branding portraits? Include it in your profile.

For example, my main income comes from commercial and still-life photography, but I’m also a photography mentor. This third aspect of my business is the focus of my Pinterest account. Therefore, it’s the focus of my profile biography.

Step 3: Organize your board for your viewers

If you want to promote yourself as a photographer, you must always keep your target audience in mind. Your boards are not for you; they’re for your viewers, and so you need to speak to what they might be looking for when they log onto Pinterest.

This doesn’t mean you can’t have boards on crafting and cooking. It just means that you need to hide these non-business boards from public view.

Just remember, all of your visible boards must be relevant to potential clients.

Since I’m a food photographer, most of my boards feature beautiful images of food, organized into topical boards such as Salads, Desserts, Main Dishes, etc., as well as themes such as food photography lighting and styling.

And since I mentor food bloggers and emerging photographers, I also have boards such as Learn Food Photography as well as Blogging Tips. Use basic names for your boards that will be searchable and easy to find. 

Your boards should be organized from most relevant to least relevant, not by alphabetical order. Have your first board feature your own photography only; you want to show potential clients what you can do. Clean up your own boards and create new ones.

You’ll quickly see a big difference in your Pinterest traffic.

pinterest business boards

Step 4: Use keywords in your descriptions

Pinterest works similarly to Google – users search for specific content they’re interested in by using keywords.

In fact, keywords are the number-one tool for content discovery.

That’s why each of your boards should have a description using keywords or using hashtags created from keywords. Also, use as many keywords as possible in your pin descriptions. General keywords make your content easier to discover.

You can also use keywords to attract potential clients in your region. If you live in Portland and want to attract brides in your area, use keywords like “Portland Bride” or “Portland Weddings.” Add them to all of your descriptions and alt tags. Local keywords are underused and undervalued, especially in small markets, so they can make a big difference.

pinterest keywording
Step 5: Brand your pins

When creating pins, you may want to add text (depending on your niche and your reason for pinning posts).

If you’re just trying to share your stunning images, then this may not be relevant. But if you can think of a way to add text that will advertise your services, it’ll work in your favor. Surprisingly, pins with text get more attention than those without text.

For example, the purpose of my Pinterest account is to attract people to my photography coaching services and products. I do this by driving traffic from Pinterest to my blog.

How?

I create pins for each blog post I write. The pins are simply designed, but they’re consistent. I use the same font and style for each pin, which creates a “brand” for my pin that is consistent and that viewers will easily recognize.

Consider creating some pins with text in Photoshop or using an easy app like Canva. Canva offers a variety of free templates already sized for use on Pinterest. Test a few different styles and fonts and see how they perform. You may see that one style of pin gets repinned more than another. If so, then stick with that style.

branded pins

Examples of branded pins created on Canva.

The bottom line is that you should try to keep a strong brand identity, one that highlights specific services and remains visually consistent. It might be a bit of extra work at first, but it’ll pay off in the end.

Step 6: Join group boards selectively

Group boards are like regular boards, except that the board owner can invite collaborators to add pins of their own.

Group boards used to be a great way to generate traffic. Until Pinterest introduced the “Smart Feed,” which prioritizes and ranks pins based on their quality and engagement.

This led to a big decline in the value of group boards. You see, group board collaborators often rarely look at the board, and therefore rarely repin other members’ content. Because no one interacts with the boards, Pinterest assumes the pins are not popular. So they don’t show up in the Smart Feed.

How do you avoid this problem and use group boards to your advantage?

Choose active, niche boards that focus on one topic and have less than 100 contributors. Too many contributors can mean low-quality content.

The important thing to remember is that quality is much more important than quantity.

A board that encourages mutual sharing is also crucial. For example, a policy stating that you need to repin two pins for every post you make can make a big difference.

If you choose to join group boards, then keep these points in mind.

Step 7: Use boards to collaborate with clients

Visuals are a part of the communication that should take place between you and your clients before you start a job, especially if you’re in the commercial world. Pinterest can help you share images that serve as inspiration or a guideline for an upcoming shoot. If you work with commercial or editorial clients, you can collaborate on a mood board using Pinterest. This ensures that everyone involved in the shoot understands what the final results should be.

If you work in a retail niche like weddings or portraiture, you can use Pinterest to get a sense of the mood and color your client is drawn to. After all, a picture is worth a thousand words, right? Light green might mean one thing to you and another to your customer, so images that demonstrate the feel and color treatment that is sought can go a long way in helping you get the right look.

You can also use Pinterest boards to educate clients. If you do glamour or boudoir portraits, you can send your client a What to Wear board. This will provide inspiration and examples for choosing outfits for their shoot.

chef portraits board

Step 8: Schedule pins with the Tailwind app

Tailwind is a Pinterest-approved scheduling tool. It’s a fantastic app to help you grow your audience like crazy.

You see, pinning consistently is important growth strategy, but most people don’t have time to be pinning throughout the day. With Tailwind, you can sit down once a week to schedule your pins. They’ll automatically upload throughout the week at optimal times. Or, if you prefer, you can customize your pin schedule.

Tailwind also offers powerful tools that analyze your pins and boards, as well as your Pinterest profile. You can see which pins are getting the most engagement and reschedule them right from the interface.

Tailwind analytics

Conclusion

Pinterest is a great tool for generating visitors and leads.

And if you follow the steps I’ve given above, your Pinterest account will start expanding, fast.

So go set up your Pinterest account and start pinning!

Do you have any other tips for using Pinterest? Share with us in the comments section!

How-to-Use-Pinterest-to-grow-your-photography-business

 

The post How to Use Pinterest to Grow Your Photo Business (Step-By-Step Guide) appeared first on Digital Photography School. It was authored by Darina Kopcok.


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