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Posts Tagged ‘Olympus’

Shooting RC jets with the Olympus OM-D E-M1 Mark III

09 Mar

The Olympus OM-D E-M1 Mark III is capable of shooting at up to 60 fps and tough enough to withstand use in harsh environments in every corner of the world. What better environment to put such a small, powerful and fast camera to the test than a remote control jet airplane convention?

Join action photographer Scott Rinckenberger as he takes the OM-D E-M1 Mark III to shoot the fascinating world of remote control jet planes at Jet Jam 2020 – held annually near Coachella, California.

Olympus OM-D E-M1 Mark III at Jet Jam 2020

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This is sponsored content, created with the support of Amazon and Olympus. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Video: Olympus shows off incredible photos from its 150-400mm F4.5 lens, hint at further lens developments

06 Mar

CP+ might’ve been cancelled due to COVID-19 concerns, but Olympus has improvised and shared its presentation on YouTube instead. The 44-minute video covers a variety of topics, but two specific moments stand out.

The first is a demonstration Olympus shared showing just how much zoom you can get out of the Olympus 150–400mm F4.5 lens. One demonstration, seen in the above screenshot from the video, shows a photograph captured with the sun setting over Mount Fuji, captured a ridiculous 67km (42 miles) away, at Olympus’ Ishikawa facility. To capture the shot, Olympus used the 1.25x converter inside the lens as well as the MC-20 2x converter to achieve a 2000mm (35mm equivalent) focal length.

A screenshot from the presentation contextualizing just how far away the photograph and timelapse images were captured from.

The next demonstration with the lens was a hand-held shot of the moon, seen in the below screenshot from the video, captured with the exact same camera setup.

In addition to both images, Olympus also shows a short timelapse video of the sunset over Mount Fuji (the section on the 150–400mm F4.5 lens starts at roughly 36:00).

The above captions in the image are auto-translated via YouTube.

Olympus representatives also note later on in the video that more lenses are in development. However, no further information was given.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus OM-D E-M1 Mark III Announced With 20 MP, 60 FPS Shooting

20 Feb

The post Olympus OM-D E-M1 Mark III Announced With 20 MP, 60 FPS Shooting appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Olympus-OM-D-E-M1-Mark-III-Announced

Earlier this month, Olympus announced their latest mirrorless camera: The OM-D E-M1 Mark III, which continues the professional E-M1 series, and promises a lightning-fast performance for the most serious of shooters.

Like Olympus’s other mirrorless options, the E-M1 Mark III sports a Micro Four Thirds sensor. This means that the E-M1 is impressively compact, as is its lens lineup. In fact, if you haven’t laid hands on a Micro Four Thirds camera, I suggest you go check one out, because the size is astonishing.

Unfortunately, a small sensor also comes with drawbacks, and in this case, they’re compounded by a 20.4 MP option that’s quite a few years old. For some reason, Olympus has insisted on including the sensor used in the E-M1 Mark II, the E-M5 Mark III, and the E-M1X, which is in serious need of an upgrade. It doesn’t offer the worst image quality out there, but Micro Four Thirds cameras struggle to compete with APS-C and full-frame rivals in this area, which isn’t helped by a sensor that’s nearly a half-decade old.

In other words, don’t expect too much in terms of dynamic range or high ISO performance.

The same complaint could be leveled at the Olympus OM-D E-M1 Mark III electronic viewfinder, which only packs 2.36M dots and is frustratingly dated.

On the other hand, there’s a lot to like about the new E-M1 Mark III, including Olympus’s world-class in-body image stabilization (the company promises 7 stops of stabilization, which increases slightly when paired with an image-stabilized lens). This is fantastic for anyone shooting video, especially with Olympus’s longer lenses, and it’s also excellent for still shooters working in low light. Sure, Olympus’s dedication to their sensors is far from impressive, but it’s somewhat counterbalanced by the power of their IBIS.

You also get high-performing autofocus, and an insane 60 frames-per-second shooting speed (with locked AF, and using the electronic shutter). Even with autofocus, you get 18 frames-per-second continuous shooting, which rivals pretty much any pro-sports camera body out there.

Plus, as with Olympus’s other OM-D cameras, the E-M1 Mark III includes a long list of interesting features. I’m talking about things like Starry AF (designed to nail focus on stars during astrophotography), High-Res Shot (which produces 80 MP images), and Pro Capture mode, which starts capturing images before you press the shutter button so that you never miss a critical shot.

Here’s the bottom line:

There’s a lot to love about the Olympus OM-D E-M1 Mark III, even if it falls short in a number of key areas. So it’s certainly worth checking out if you’re looking for one of the most powerful-yet-compact options on the market today.

You can currently pre-order the E-M1 Mark III for $ 1799 USD; the camera will ship on February 24th.

The post Olympus OM-D E-M1 Mark III Announced With 20 MP, 60 FPS Shooting appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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DPReview TV: Olympus 12-45mm F4 Pro review

16 Feb

The new Olympus 12-45mm F4 Pro lens promises to be a high quality, compact zoom for Micro Four Thirds cameras. Does it live up to the hype?

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Size and weight
  • Livin' la Bokeh LoCa
  • Sunstars
  • Sharpness
  • Compared to the Panasonic GX 12-35mm F2.8 II
  • Minimum focus distance
  • Conclusion

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Olympus 12-45mm F4 Pro sample gallery (DPReview TV)

15 Feb

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The DPReview TV team recently traveled to Costa Rica where they had an opportunity to shoot with the new Olympus 12-45mm F4 Pro lens. Check out their sample images in this gallery and see how it performed.

View sample gallery

Watch DPReview TV test the Olympus E-M1 Mark III in Costa Rica

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Olympus 12-45mm F4 Pro review

15 Feb

The new Olympus 12-45mm F4 Pro lens promises to be a high quality, compact zoom for Micro Four Thirds cameras. Does it live up to the hype?

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Size and weight
  • Livin' la Bokeh LoCa
  • Sunstars
  • Sharpness
  • Compared to the Panasonic GX 12-35mm F2.8 II
  • Minimum focus distance
  • Conclusion

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Into the wild: Olympus E-M1 Mark III sample gallery

13 Feb

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The new Olympus E-M1 Mark III brings a number of features down from the sports-specialist E-M1X, including hand-held high-res shot and an updated image stabilizer. So we put both of those features to the test in our sample gallery, with images from Olympus’ official launch event in Costa Rica and our own backyard in Seattle.

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Olympus OM-D E-M1 III

12 Feb

Hands-on with the Olympus OM-D E-M1 Mark III

The Olympus OM-D E-M1 Mark III takes the familiar design of its predecessor and inherits many features from the company’s pro-level E-M1X. Olympus positions the E-M1 III as a pro-level camera for those who want a more compact alternative to the E-M1X but don’t want to compromise build quality.

The E-M1 Mark III is available in a number of kits. For just the body, it’s priced at $ 1799 (in the US, a trade-in program will initially knock $ 200 off of that). There are also a pair of lens bundles: you can combine the body with the 12-40mm F2.8 Pro for $ 2499 or with the 12-100mm F4 Pro for $ 2899.

Sensor and image stabilization

The E-M1 Mark III may use the same 20.4MP Four Thirds sensor as its predecessor, but several things around it have changed. First and foremost is the processor, which is known as the TruePic IX. Olympus says that the TruePic IX allows Handheld High Res Shot and Live ND features as well as new autofocus features to be added to the Mark III. The E-M1X can do many of those things already, but it has two processors to work with.

The image stabilization system is more robust on the Mark III, and the Mark II was already very good, with its in-body IS able to reduce shake by 5.5 stops. The Mark III can reduce shake by up to 7 stops using its internal IS mechanism and, with select stabilized lenses, hit a whopping 7.5 stops. Olympus says that some photographers have taken 4 second exposures, though we imagine that they had hands of stone to pull that off.

Olympus has updated the dust reduction system (officially known as the Supersonic Wave Filter) with a new coating to keep pesky dust spots out of your photos. The camera also has an all-new shutter unit that is rated to 400,000 cycles.

Thoroughly sealed

Olympus’s high-end cameras are well known for their build quality and weather sealing, and the E-M1 Mark III is no exception. While its magnesium alloy body gives the camera a very solid feel, it doesn’t feel heavy. Like its predecessor, the Mark III does a good job of fitting plenty of control points without the camera feeling too cramped.

Manufacturers use the word ‘weather-sealed’ pretty loosely, and E-M1 Mark III is one of very few camera to carry an IPX1 rating (or any rating, for that matter). Olympus claims that you don’t even need to use a rain cover. The company has plenty of weather-sealed lenses available, including the new 12-45mm F4 Pro, which too has an IPX1 rating.

Revised controls

The most significant change to the controls on the E-M1 Mark III is the addition of an eight-way joystick, which you can use for adjusting the focus point. To make room for the joystick Olympus shuffled a few buttons around, but the same controls are there, including the rocker which lets you quickly switch between two groups of camera settings. The addition of the joystick allowed Olympus to change the AF-point selection button into one for ISO.

There’s just a small change on the camera’s top plate: the shadow/highlight adjustment button now handles exposure compensation.

The electronic viewfinder is, sadly, the same as before. It has 2.36 million dots and still uses an LCD panel, unlike virtually every competitor who has moved to OLED. If you wear polarized sunglasses, be prepared to have to take them off to compose photos through the EVF.

The camera’s fully articulating 3″ touchscreen is unchanged as well. It has the usual touch features you’d expect, including the ability to move the AF point. The eye sensor that automatically switches between the LCD and EVF has improved, however: there’s an option to disable the eye sensor when the LCD is flipped out (and this option will be coming to other recent Olympus models through a forthcoming firmware update).

Ports, storage and connectivity

At first glance, the sockets on the left side of the E-M1 III look exactly the same as on its predecessor. You’ve got your 3.5mm mic and headphone jacks plus micro HDMI and USB 3 (with a Type C connector) ports. (There’s a flash sync connector on the front plate, as well.)

That USB port not only supports in-camera charging: it supports up to 100W of Power Delivery. If you have a ‘powerful’ USB PD charger or power bank, it can fill up that BLH-1 battery in as little as two hours. But wait, there’s more: The camera can also be operated while connected to a USB PD compatible power bank, allowing for extended shooting while on the go. Olympus points out that you cannot charge the battery in the optional HLD-9 grip from a USB PD source.

Over on the other side of the camera are a pair of SD card slots. Slot 1 supports UHS-II media, while slot 2 is just UHS-I.

Lastly, there have been some connectivity upgrades. The E-M1 Mark III now supports the 802.11ac standard – which adds a 5GHz band – as well as Bluetooth.

Battery and grip

The OM-D E-M1 III uses Olympus’s venerable BLH-1 lithium-ion battery. Officially, the camera can take 420 shots per charge (presumably with the LCD) according to the CIPA standard, but you’ll almost certainly be able to take a lot more.

In addition to using a USB PD compatible power bank, you can attach Olympus’s optional HLD-9 grip, which gives you approximately 840 shots per charge. Since this is a not a new grip, there’s no joystick for moving the AF point.

New bells and whistles

The E-M1 III inherited a large number of features from its big brother, the E-M1X, and we’ve highlighted some of the more interesting ones below.

First up is Handheld High Res Shot. The Mark II let you produce 50 Megapixel Raws by combining 16 exposures, but you needed a tripod. You can now hand-hold the camera to get similar results, namely improvements in resolution and noise. The quality won’t be as quite as high as using a tripod, but there’s still a definite improvement. The camera attempts to correct for moving subjects in the scene, though no camera with this does that perfectly.

Next is Live ND, which combines multiple exposures to replicate the effects of up to a 5EV neutral density filter. There’s also an improvement in noise for non-moving areas in the frame, since the camera is combining multiple shots.

Astrophotographers will be pleased to learn about the Starry Sky AF mode. The camera offers two flavors of Starry Sky AF: accuracy priority and speed priority. The former takes multiple ‘focus scans’ to locate stars and distinguish them from noise. The speed priority mode does as its name implies, with Olympus claiming that you can even hand-hold the camera and take star photos.

Speaking of autofocus, the E-M1 III has new and improved face and eye detection algorithms which, based on our initial testing, is quicker and stickier than on previous Olympus cameras. Switching between faces is also easier.

One feature that didn’t come over from the E-M1X is its ability to detect planes, trains and automobiles, though we can’t imagine that feature is in terribly in high demand.

Video

The E-M1 Mark II already had pretty good video specs, and not a lot has changed on its successor. It continues to offer both DCI and UHD 4K, with bit rates of 237 and 120Mbps, respectively. There’s also a Full HD 120 fps mode that can be replayed in slow motion.

The camera continues to offer the OM-Log400 profile for more flexibility when color grading, and 4:2:2 output to an external recorder.

New to the Mark III is the ability to control the ‘strength’ of image stabilization in video. Exposure settings and white balance for video can be completely different from those for stills.

Audio capture has been improved, with 96 kHz / 24-bit recording when using a compatible external mic. When you’re using an external mic there should be less white noise, according to Olympus. If you’re using the company’s LS-P4 PCM recorder you receive the higher quality audio capture as well as test and slate tone functions.

Wrap up

Although it has some useful new features, such as a ‘live’ ND filter and a much-appreciated joystick, the Olympus OM-D E-M1 Mark III isn’t a huge leap over its predecessor.

And that’s not necessarily a bad thing, as the E-M1 Mark II was a very well-designed camera, with excellent build quality, a broad feature set and effective in-body image stabilization. Olympus has improved the weather sealing even further on the Mark III, to the point where it can claim an IPX1 rating, and its Image stabilizer can reduce shake by an amazing 7.5 stops with certain lenses. We do wish that the EVF used an OLED panel, rather than an LCD, however.

The camera’s new features, such as Handheld High Res Shot and Live ND, are fun to use and produce great results, and the Mark III’s autofocus improvements seem to live up to their billing. Photographers who are out shooting for a long period of time will appreciate the E-M1 III’s support for USB PD compatible power bricks. And if you capture a lot of video, the improved audio quality when using an external mic (and especially Olympus’s PCM recorder) is a pretty big deal.

Would we recommend that E-M1 II users rush out and trade in their camera for an E-M1 III? Probably not, unless you think you’ll be frequently using the new features mentioned above. The E-M1 II is more than adequate for most photographers and will save you hundreds, at least until they’re no longer available.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Olympus E-M1 Mark III hands-on preview

12 Feb

Chris and Jordan traveled to Costa Rica to test the new Olympus E-M1 Mark III. Will Chris survive the crocodiles? Will Jordan’s audition tape for the next reboot of Baywatch make your head spin? Watch to get answers to these and other important questions.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • River photography + crocodile photos
  • Design and handling
  • Image stabilization
  • Monkeys!!!
  • Starry sky AF mode
  • Pro Capture mode
  • Displays
  • Video features
  • Autofocus
  • Live ND filter
  • Conclusion

Olympus OM-D E-M1 III sample gallery

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Olympus OM-D E-M1 Mark III initial review

12 Feb

Introduction

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The Olympus OM-D E-M1 Mark III is the third iteration of the company’s sports and action-oriented Micro Four Thirds model. It uses a 20MP Four Thirds sensor and inherits many of the capabilities of the larger E-M1X, including its multi-shot handheld High Res mode.

The company says the Mark III is designed with portability and agile shooting prioritized over the better handling and operability of the larger ‘X’ model. And, while it doesn’t have the E-M1X’s transport-recognition AF modes, the E-M1 III has the latest TruePic IX processor, which brings a couple of features of its own.

Key Specifications

  • 20MP Four Thirds sensor
  • 121-point autofocus system with deep learning-based subject recognition
  • Handheld high-res shot mode
  • Up to 60 fps Raw + JPEG capture (up to 18 fps with autofocus)
  • Pro Capture mode records frames before you hit the shutter
  • Image stabilization rated at 7.0 (CIPA standard), up to 7.5EV with ‘Sync IS’ lenses
  • ‘Live ND’ multi-shot mode simulates ND filters
  • Large 2.36M-dot LCD viewfinder able to work at up to 120 fps
  • 420 shots per charge (CIPA) battery life rating
  • Dual SD card slots (1x UHS-I, 1x UHS-II)
  • Extensive direct control, dual AF joysticks, articulating touchscreen
  • UHD 4K/30p video and DCI 24p at up to 237Mbps
  • Extensive, IPX1-rated weather sealing
  • USB charging (using USB PD standard)

The Olympus OM-D E-M1 Mark III will be available from the end of February 2020 at a price of $ 1800 ($ 2400 CAD). It will also be sold with the 12-40mm F2.8 Pro lens for $ 2500 ($ 3300 CAD) or the 12-100mm F4.0 IS Pro for $ 2900 ($ 3800 CAD).


What’s new and how it compares

The E-M1 Mark II gains a series of features from the E-M1X as well as improved eye-detection AF. We look at what’s been updated.

Read more

Body and controls

There’s an AF joystick and some interface updates on the Mark III. But we were perhaps most stuck by the flexible way the camera’s Custom modes now work.

Read more

Initial impressions

The E-M1 Mark III sits more comfortably alongside the E-M5 III than its predecessor did. And we think the balance of features and capabilities remains competitive.

Read more

Sample gallery

The DPR editorial staff and the DPRTV team have been shooting with the E-M1 III for a while and we’ve shot a gallery that gives you a taste of what it can do.

View the gallery

Articles: Digital Photography Review (dpreview.com)

 
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