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Posts Tagged ‘October’

National Geographic will shutter its ‘Your Shot’ photography platform in October

05 Sep

Following a report late last month from Variety that claimed Disney layoffs would impact National Geographic, NatGeo has officially shuttered its ‘Your Shot’ platform. The announcement was made on the National Geographic website’s ‘Your Shot’ page, where a new notice advises photographers that the program will now take place through the company’s ‘Your Shot’ feed on Instagram.

The National Geographic ‘Your Shot’ platform was a photo community that offered photographers advice from experts, as well as assignments, the opportunity to get one’s work featured on digital and print platforms, and to engage with the wider community of photographers.

According to the notice on the National Geographic website (above), the ‘Your Shot’ platform will be shuttered on October 31, after which point all of the assignments, promotions, and engagement opportunities will be discontinued. Photographers will be able to find the continued version of the platform on the National Geographic Instagram Your Shot account.

Though the message suggests that the ‘Your Shot’ program will continue with assignments on Instagram, both the National Geographic website and the company’s Instagram account lack details on how the process will proceed beyond October 31. Users of the current ‘Your Photo’ platform will soon receive the ability to download their images from the community before it closes next month.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z 24mm F1.8 S to ship in October for $1000

04 Sep

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Nikon has formally announced the Nikkor Z 24mm F1.8 for its full-frame mirrorless system. The wide-angle prime becomes Nikon’s seventh native Z-mount lens, and is one of three remaining lenses on the roadmap for 2019 – the others being the 70-200mm F2.8 and the much-hyped 58mm F0.95 Noct.

The 24mm F1.8 offers dust and drip resistance, and is built with one extra-low dispersion and four aspherical elements. Nikon’s Nano Crystal Coat is also present to reduce ghosting and flare. Additionally, the lens provides the ability to assign aperture and exposure compensation control to the focus ring, and Nikon claims that the lens boasts reduced focus breathing.

The Nikkor Z 24mm F1.8 S will ship in mid to late October for $ 1000.

Nikkor Z 24mm F1.8 S official sample images

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NIKON EXPANDS ITS HIGH-PERFORMANCE S-LINE WITH THE NEW NIKKOR Z 24MM F/1.8 S –
A FAST, WIDE-ANGLE PRIME LENS

The Versatile NIKKOR Z 24mm f/1.8 S Delivers Superior Optical Performance, Equipping Nikon Z Series Creators with an Incredibly Sharp, High-Resolution Lens to Explore Wide-Angle Perspectives

MELVILLE, NY (September 4, 2019 at 12:01 A.M. EDT) – Today, Nikon Inc. announced the fast, wide- angle NIKKOR Z 24mm f/1.8 S, the latest addition to the ever-expanding NIKKOR Z lineup of lenses. The 24mm f/1.8 S is optimized for capturing everything from cityscapes to environmental portraits and is built to take advantage of Nikon’s large Z-mount, delivering the ultimate combination of fast, bright and sharp performance in nearly all lighting conditions.

“The NIKKOR Z 24mm f/1.8 S continues our commitment to offering exciting prime lenses to Nikon Z 7 and Z 6 users, while also providing exceptional level of quality achieved by the S-Line of NIKKOR Z lenses,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The combination of wide-angle perspective and a fast f/1.8 aperture is optimal for all types of photography including landscapes, making the NIKKOR Z 24mm f/1.8 S a must-have lens to unleash the full potential of the Nikon Z series.”

The NIKKOR Z 24mm f/1.8 S – A Storyteller’s Dream Lens:
The NIKKOR Z 24mm f/1.8 S joins the S-Line of high-performance NIKKOR Z lenses, giving creators an essential focal length to add to their kit of fast prime Z-mount lenses. The lens takes advantage of the most advanced NIKKOR technologies to deliver optical superiority, exceptional sharpness, beautiful bokeh and high-resolution across the entire frame, even at maximum aperture.

The new NIKKOR Z 24mm f/1.8 S was designed for photographers and videographers looking to capture gorgeous wide-angle landscapes or vivid street photography, a travel adventure or a stunning starscape. For videographers and content creators, this popular focal length is a staple for production due to its natural perspective. Thanks to the advantages of the lens’ bright and fast f/1.8 maximum aperture along with the wider Z-mount, Nikon Z series users can capture exceptionally sharp images in dimly lit settings, with a lens that’s ideal for nighttime shooting and astrophotography.

The NIKKOR Z 24mm f/1.8 S features 9 rounded aperture blades, allowing users to capture beautifully circular bokeh that adds a level of dimensionality to help capture compelling content. Users can confidently explore their creative potential in nearly any landscape thanks to the lens’ reliable dust and drip resistant design, ideal for tough weather conditions. The lens construction also consists of four Aspherical Lens Elements and one Extra-Low Dispersion (ED) glass element to combat aberration, while Nikon’s patented Nano Crystal Coat helps eliminate ghosting and flare. The 24mm f/1.8 S is further equipped with Nikon’s Multi-Focusing System, which uses two AF drives in tandem to deliver superior resolving power and achieve fast and accurate autofocus, even at minimum focus distance.

In addition to achieving the top-notch image quality that storytellers and content creators have come to expect from the S-Line of NIKKOR Z lenses, the NIKKOR Z 24mm f/1.8 S is also optimized for video capture. As a popular cinematic focal length, the 24mm f/1.8 S will be a welcome addition to Z series shooters’ arsenals, boasting near-silent stepping motors for ultra-quiet performance, reduced focus breathing, a customizable control ring for smooth control of aperture and exposure compensation and the ability to take advantage of the in-camera 5-axis VR + eVR of the Nikon Z series cameras.

Price and Availability
The NIKKOR Z 24mm f/1.8 S will be available in mid to late October 2019 at a suggested retail price (SRP) of $ 999.95. For more information on the latest Nikon products, including the new NIKKOR Z 24mm f/1.8 S and the full Nikon Z mount system, please visit www.nikonusa.com.

Nikon Nikkor Z 24mm F1.8 S specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 24 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F1.8
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 12
Groups 10
Special elements / coatings 1 ED + 4 aspherical elements, Nano Crystal and Super Integrated coatings
Focus
Minimum focus 0.25 m (9.84)
Maximum magnification 0.15×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 450 g (0.99 lb)
Diameter 78 mm (3.07)
Length 97 mm (3.82)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 72 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S Pro 24-70mm F2.8 to ship in October for $2200

28 Aug

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Panasonic has announced its fourth L-mount lens: the Lumix S Pro 24-70mm F2.8. The company is making no small claims about it: promising superior bokeh and sharpness. To that end, the 24-70mm uses 18 elements in 16 groups, including three aspherical lenses, four extra-low dispersion lenses and one UHR (ultra-high refractive index) lens.

As with the other ‘S Pro’ lenses, the design is certified by Leica (though the lens isn’t branded as Panasonic/Leica, since Leica designs its own L-mount lenses).

Panasonic also touts the lens’s high-speed autofocus. The system is powered by both linear and stepping motors, and a focus clutch allows for quick switches between auto and manual focus. The lens is dust and splash-resistant, as well as freeze-proof to -10°C (14°F).

The 24-70mm F2.8 should will offer video shooters benefits such as silent focusing, and Panasonic claims that the lens exhibits minimal focus breathing.

The Panasonic Lumix S Pro 24-70mm F2.8 will cost $ 2200 when it ships in mid-October.

Press Release

Panasonic Launches a New L-Mount Interchangeable Lens for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

LUMIX S PRO 24-70mm F2.8 (S-E2470)

Newark, NJ (August 27, 2019) – Panasonic is proud to introduce a new interchangeable standard zoom lens, the LUMIX S PRO 24-70mm F2.8 (S-E2470) compatible with the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Developed with high-quality professional performance in mind, the LUMIX S Series of cameras and lenses together achieve uncompromised photographic expression..

The LUMIX S PRO 24-70mm F2.8 (S-E2470) is a large-aperture standard zoom lens that boasts high descriptive performance across the entire zoom range. Optical performance is remarkably high, passing stringent LEICA standards.

The rugged dust- and splash-resistant* design withstands harsh conditions and ensures versatile use for landscapes, snaps and portraits with its 24-70mm focal length. The LUMIX S PRO 24-70mm F2.8 features stunningly high resolution and high contrast at each focal length point, with a filter diameter of 82 mm and an 11-blade circular aperture diaphragm. The full-range F2.8 high-speed aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image to achieve a beautiful bokeh effect as well as a rich perspective.

Comprised of 18 lenses in 16 groups, three aspherical lenses and four ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. The aspherical shape of the lenses corrects astigmatism, achieving high resolving performance. Furthermore, a UHR (Ultra-High Refractive Index) lens achieves uniform image quality from the center to the edges of the image while downsizing the lens unit.

A double focus system combining linear and stepping motors achieves sensor drive at a maximum speed of 480 fps. This realizes fast, high-precision AF, ensuring the user never misses a photo opportunity. Focus clutch mechanism adoption enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 24-70mm F2.8 also excels in video recording performance with a mechanism that suppresses focus breathing, a common problem in all interchangeable lenses designed for still image photography.

By 2020, Panasonic will design and develop 10 or more Lumix S Pro and other lenses, further expanding the S Series lens lineup. More than 45 interchangeable L-Mount lenses are or will be available from Panasonic, Leica Camera AG and Sigma, demonstrating an almost limitless spectrum of new creative possibilities.

The LUMIX S PRO 24-70mm lens will be available in October for $ 2199.99.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

Panasonic S Pro 24-70mm F2.8 specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm
Image stabilization No
Lens mount Leica SL
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 11
Optics
Elements 18
Groups 16
Special elements / coatings 3 aspherical + 1 UHR + 4 ED elements
Focus
Minimum focus 0.37 m (14.57)
Maximum magnification 0.25×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Focus notes Has double focus system made up of linear and stepping motors
Distance scale No
DoF scale No
Physical
Weight 935 g (2.06 lb)
Diameter 91 mm (3.58)
Length 140 mm (5.51)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 82 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad’s first XCD zoom, the 35-75mm F3.5-4.5, finally arrives this October

22 Jun

Hasselblad’s press release says its first zoom lens for the X system is ‘eagerly awaited’, though some users might consider ‘much delayed’ a more accurate phrase. Promised in 2017, the XCD 35-75mm F3.5-4.5 should finally be arriving in stores in October this year.

The company seems to think it will all be worth the wait though, as its chief designer declares it to be the ‘best zoom lens available on the market’. Said to offer the same edge-to-edge image quality as a series of prime lenses, Hasselblad claims it is the best lens it has ever developed.

Using an internal focusing system that allows the lens to retain the same compact dimensions throughout the zoom range, the lens is said to provide fast AF in a lightweight package.

The Hasselblad XCD 3.5-4.5/35-75 Zoom lens will cost $ 5175 / €4500 / £4050. For more information see the Hasselblad website.

Hasselblad XCD 35-75mm F3.5-4.5
Focal length 35.9-73.1mm
Focal length equiv 28-58mm
Aperture range F3.5-32/F4.5-32
Angle of view (D, H, V) 77°/64°/50°
Length/diameter 145 / 85 mm
Weight (excl. covers and lens shade) 1115g
Filter diameter 77 mm
Minimum distance object to image plane 0.42 / 0.6 m

Press release

THE NEW XCD 3,5-4,5/35-75 – PRIME LENS PERFORMANCE IN A COMPACT ZOOM

The ninth addition to the X System lens range is the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. “This really is the best lens Hasselblad has developed – its performance is extremely high, competing with our prime lenses. I can even go as far to say that it’s probably the best zoom lens currently available on the market,” says Per Nordlund, Hasselblad Lead Optical Designer.

Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000s with full flash synchronisation throughout.

Articles: Digital Photography Review (dpreview.com)

 
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Teaching at Porto Photo Fest this October

09 Jun

Just a quick heads-up for anyone based in Europe that I’ll be teaching several classes at the Porto Photo Fest on October 12-13 this fall. This is the only time I’ll be teaching in a public event this year.

The folks at PFF gave us a lot of control in structuring the classes (which they may live to regret!) But we think we have come up with some really cool stuff.

PLEASE NOTE: There is currently early bird pricing in effect. So if you might be interested, it’s worth acting in a timely manner.

Co-Teaching with Sara Lando

I’m stoked to once be again collaborating with Sara Lando, one of the most creative people (and brilliant photographers) that I know. We will be co-teaching a class, something we last did together in Ireland in 2017.

This Sunday, October 13 class will be on photographing people. It will be taught from two different perspectives. Sara and I will essentially be representing the right and left sides of your brain respectively.

We’ll be flipping back and forth from between the lighting/technical side and the interpersonal/creative side. This is a class designed both to enhance your strengths and, more important, to really go after your weaknesses. At some point Sara and I will probably get into an argument. (Not to worry, she’s Italian, so this is perfectly normal.)

This setup is probably my very favorite approach to teaching lighting, because it interweaves some more organic/human/creative layers with f/stops and lighting techniques.

The course description is not very detailed, so here is what you should know. We’ll be a class of (max) 20 people, usually split into two groups of ten. We’ll work all day progressively hitting both the interpersonal stuff (with Sara) and the technical stuff (with me.)

We will further separate into smaller groups of 3-4 people, and you’ll be shooting all day. Lighting equipment will be provided. If time permits, we may bust out a little Iron Chef-style competition at the end of the day. We’ll have to see. No matter what, this class will be both fast-paced and fun.

Portrait Class details and signup

In the Fish Bowl

Later Sunday evening, Sara and I will transition from our co-class to an onstage event where we’ll be putting some of these yin-yang principles to the test in front of an audience, real-time, mistakes and all. Think of it as a tag-team portrait session between two brains that think nothing alike.

If you are in the day class, you are automatically included in the evening event. But you can also attend separately.

(Way) Outside the Box

On Saturday morning (October 12) I’ll be doing a 3-hour talk on some of the things we usually don’t think about as photographers. But these are things that, in retrospect, probably should have been obvious. This is an evolution of a talk I have given in Seattle, Berlin and London.

This class is designed to help you to integrate your photography with the rest of your non-photo life skills and expertises; to learn to think of photography not as an end-all but as a catalyst for creating more powerful and unique other things.

We’ll look at how other photographers have quietly applied this approach to great ends, and I’ll help you to roadmap how you can learn to adapt this thought process to your own situation.

In short, the key to being able to compete effectively with the bajillion other image makers out there is to create, and then own, a very un-level playing field. Because if life is not going to be fair anyway, it should at least be unfair in your favor.

Class details and signup


Strobist

 
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2017 in review: a look back at October

30 Dec
Leica’s Thambar-M 90mm F2.2 costs $ 325 per aperture blade – and it has 20 of them.

October – in America anyway, the month of costumes, changing leaves and inebriated frights. This year, I dressed up as a sheep for halloween (apologies to anyone who saw that), so the ‘frights’ part is pretty suspect. Anyway, I digress.

This past October was also a great month for gear releases as well. As you see above, we have Leica’s Thambar 90mm F2.2, as well as Olympus’ 17mm and 45mm F1.2 Pro lenses. Sigma released a 16mm F1.4 ‘Contemporary’ lens for both Micro Four Thirds and Sony E-mount, and Google released two new Pixel phones that offer groundbreaking (for phones) photographic results. Last, but not least, Canon released a new PowerShot flagship in the G1 X Mark III.

We published our full review of the Nikon D850, as well as a review of Fujifilm’s very likable X-E3

And while the camera companies were busy, so were we. We published our full review of the Nikon D850, as well as a review of Fujifilm’s very likable X-E3. And our own Dale Baskin looked back on the Samsung NX1 for one of our most popular editions of Throwback Thursday.

We would, of course, be remiss to ignore the release of the new silver edition of the Leica Q. Like so many Leica ‘special editions,’ its could be easy to dismiss, but we’re big fans of the highly capable Q and also fans of the new design – even though it comes at a $ 245 premium over the all-black model. Maybe silver paint is more expensive than we thought.


Photo Plus Expo 2017: Full coverage

This year’s PPE saw new releases from several manufacturers, from more or less conventional compact cameras to some really out-there products (ahem – Leica Thambar…). As usual, DPReview was there with full coverage

The California Coast with the Canon EF 28mm F2.8 IS

We spent some quality time with Canon’s compact EF 28mm F2.8 IS USM on the California coast in October – read how it performed.

Read our Canon 28mm F2.8 IS shooting experience

Looking (further) back at the PowerShot G5

As Canon announced the newest G-series flagship in the G1 X III, Barney looked back at the PowerShot G5 – a remarkable camera that he picked up for the princely sum of $ 9 at a local thrift shop.

Read about Barney’s thrift shop PowerShot G5

Check out our full D850 review to find out why it’s just so darn good.

See the Nikon D850 review

Articles: Digital Photography Review (dpreview.com)

 
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CIPA figures show disappointing October sales, but mirrorless continues to rise

05 Dec
Graph: CIPA

The Camera & Imaging Products Association (CIPA) has released its statistics for October 2017, and in contrast to previous years, we did not see the Black Friday/Thanksgiving induced spike we’re used to seeing, with month-to-month shipments remaining fairly flat (read: disappointing).

In fact, year-on-year total camera shipments in October are down a whopping 13 percent, although we did see an overall year-over-year increase of 11 percent in the digital camera market for the January-to-October timeframe, and 6 percent for ILCs. Part of this development could be due to production coming back online after the Kumamoto earthquake; however, this trend is likely to continue for another couple of CIPA reporting periods or so.

Compared to October 2016, only 78 percent of DSLRs were shipped globally, but 112 percent for mirrorless, indicating that mirrorless is continuing its rise while simultaneously cannibalizing market share from its DSLR cousins. Most of the mirrorless shipments are going to the Asia region, though, which still accounts for more than 50 percent of all mirrorless cameras shipped. Globally, mirrorless is now 36 percent of the total market for ILC.

With smartphones fulfilling most consumer imaging needs and a big manufacturer like Nikon thinking about re-entering the mirrorless segment, we’ll be watching closely to see how those numbers develop over the coming months into 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Your Wacom tablet won’t work with macOS High Sierra until ‘late October’

26 Sep
Photo by Damian Patkowski

Apple’s newest macOS operating system, macOS High Sierra, launched today. But if you use a Wacom tablet to do your photo editing, you’ll want to hold off on hitting the upgrade button. It seems Wacom tablets won’t work with High Sierra until the end of October.

The disappointing news was broadcast in a tweet published by the main Wacom Twitter account that read, “We will release a Driver update late October for 10.13 High Sierra. The current driver is not compatible.” If you click on the more info link offered in that tweet, you get this slightly more detailed explanation:

Apple has announced 10.13 High Sierra will be released September 25th. Wacom is currently working on a new driver update to support the new operating system. The new Wacom driver will be ready by late October at the latest. Due to nature of the changes in High Sierra, the existing Wacom driver for 10.12 will not work. To continue to use your tablet uninterrupted, Wacom suggests not to upgrade to 10.13 until the new driver is released.

The news is particularly disappointing given that Apple announced High Sierra months ago, and gave developers access to that beta the very same day. And based on the wording of the announcement, the old driver won’t work at all, so upgrading to macOS High Sierra will leave you Wacom-less for at least a couple of weeks—if you rely on a Wacom tablet for your work, you’ll just have to wait.

Keep an eye on this link to know the instant Wacom releases their overdue macOS High Sierra driver.

Articles: Digital Photography Review (dpreview.com)

 
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Yashica teases ‘Unprecedented Camera’: Coming to Kickstarter in October

23 Sep

Last week’s Yashica teaser was met with a lot of excitement. But it didn’t take long for people to claim that teaser had nothing to do with a camera. In fact, they said, Yashica was just teasing a clip-on smartphone lens they had already released. Womp womp…

But not so fast! Another teaser video released yesterday seems to hint at the big return to the camera market we were all actually hoping for.

The teaser, titled “The Prologue,” shows more of the same girl walking around with an old Yashica film camera (maybe?) and even a brief scene with that clip-on smartphone lens. All unremarkable, except the whole thing starts with this tagline:

Expect the Unexpected

The Unprecedented Camera by YASHICA

And later on a date floats onto the screen:

October 2017, Kickstarter

It looks like Yashica may be making a grand return after all. Hopefully they don’t disappoint us after all this teasing. If you’re claiming to release an “unprecedented” camera, you’d better deliver.

Articles: Digital Photography Review (dpreview.com)

 
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Google teases Pixel smartphone launch, takes on iPhone X on October 4th

16 Sep

Responses to the iPhone 8/Plus and iPhone X launch have ranged from “meh, unimpressed” to “holy crap this is going to change everything.” But if you’re waiting for Google’s response to the iPhone X camera, you won’t have to wait long. In fact, you can mark October 4th on your calendar and start the countdown today.

The release date was announced in the snarky little teaser video above, which points people to a landing page complete with the tagline: “Thinking about changing phones?” Billboards asking you to ‘Ask more of your phone’ have been sighted, possibly a nod to Google Assistant’s generally accepted superiority over Siri.

Indeed, questions in the video like ‘why is my phone so dumb?’ or ‘impersonal’ seem to be a jab at Siri, while other questions like ‘why is my phone so fragile’ point to a more durable phone than last year’s not-so-durable Pixel phones, with far less glass than the newly launched iPhones. We hope the ‘why does my phone take so many blurry photos’ question refers to the addition of optical image stabilization.

Even without OIS, when the original Pixel and Pixel XL came out, the phones’ exceptional camera performance wowed reviewers. And that was even without the use of a dual camera module like the iPhone 7 Plus. From a photography perspective, we can’t wait to see what Google does next. Apple already played their hand, the ball is in Google’s court now.

Maybe I am thinking of changing phones Google… convince me.

Articles: Digital Photography Review (dpreview.com)

 
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