Check out these visual art images:
VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
Image by Graffiti Land
VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
Image by Graffiti Land
VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
Image by Graffiti Land
A few nice visual art images I found:
Neck painting
Image by pratiphotography
From the gallery of pictures shot during the "Chitra Santhe – Art for All" festival on 29th January, 2012 in Bangalore.
According to the official website for Chitra Santhe, "This is an attempt to bring art to the public to make art a part of everyday life. It also introduces affordable visual art to all."
Mass Emergencies – McLean Fahnestock – Last Interview in Exile
Image by Angels Gate
From the exhibition Mass Emergencies, May 16 – June 23, 2010.
Photo by AGCC Visual Arts Director Marshall Astor.
Some cool visual art images:
Seattle Street Art Graffiti Book Photos
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com
"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."
Seattle Street Art Graffiti Book Photos
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com
"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."
Some cool visual art images:
North Charleston Arts Festival
Image by North Charleston
Now in its 29th year, the North Charleston Arts Festival will take place April 29 through May 7, 2011. The nine day event is one of the most comprehensive arts festivals in the state, providing thousands of residents & visitors with a fabulous array of performances, exhibitions, and activities featuring national, regional, and local artists and performers.
Organized by the City of North Charleston Cultural Arts Department, the festival strives to maintain the spirit of a community celebration with the mission of presenting a broad, multidiscipline event schedule that provides a wide range of performing, visual, media, and literary arts events for people of all ages and backgrounds. Many of the offerings are free, and those that are ticketed are moderately priced. Recognized by the Southeast Tourism Society as a Top 20 Event, the North Charleston Arts Festival truly offers something for everyone.
North Charleston Arts Festival
Image by North Charleston
Now in its 29th year, the North Charleston Arts Festival will take place April 29 through May 7, 2011. The nine day event is one of the most comprehensive arts festivals in the state, providing thousands of residents & visitors with a fabulous array of performances, exhibitions, and activities featuring national, regional, and local artists and performers.
Organized by the City of North Charleston Cultural Arts Department, the festival strives to maintain the spirit of a community celebration with the mission of presenting a broad, multidiscipline event schedule that provides a wide range of performing, visual, media, and literary arts events for people of all ages and backgrounds. Many of the offerings are free, and those that are ticketed are moderately priced. Recognized by the Southeast Tourism Society as a Top 20 Event, the North Charleston Arts Festival truly offers something for everyone.
North Charleston Arts Festival
Image by North Charleston
Now in its 29th year, the North Charleston Arts Festival will take place April 29 through May 7, 2011. The nine day event is one of the most comprehensive arts festivals in the state, providing thousands of residents & visitors with a fabulous array of performances, exhibitions, and activities featuring national, regional, and local artists and performers.
Organized by the City of North Charleston Cultural Arts Department, the festival strives to maintain the spirit of a community celebration with the mission of presenting a broad, multidiscipline event schedule that provides a wide range of performing, visual, media, and literary arts events for people of all ages and backgrounds. Many of the offerings are free, and those that are ticketed are moderately priced. Recognized by the Southeast Tourism Society as a Top 20 Event, the North Charleston Arts Festival truly offers something for everyone.
A few nice visual art images I found:
Art Institute of Portland Portfolio Show Summer 2008
Image by Art Institute of Portland
The Art Institute of Portland’s Portfolio Show – graduating students in the fields of Advertising, Design Management, Design Studies, Design Visualization, Graphic Design, Industrial Design, Interior Design, Apparel Accessory Design, Apparel Design, Fashion Marketing, Digital Film and Video, Game Art and Design, Media Arts and Animation, Visual Effects and Motion Graphics, Visual and Game Programming, Web Design and Interactive Media show their portfolios to potential employers and the local business community.
Find out more about The Art Institute of Portland: www.artinstitutes.edu/portland
Photo: Lulu Hoeller
Check out these visual art images:
Fixing up hazy days & correcting wide lens distortion…
Image by williamcho
In the near future City Hall Singapore will be transformed into Home of Visual Arts. The National Art Gallery of Singapore. Expect a major facelift when it re-open in 2015… It would be nice if the field in front of City Hall be converted to a large pool with fountains creating a dynamic reflection of the classic architecture.
pp: Just an old archive shot treated with Topazlab Adjust. I hardly use HDR these days as Topazlab gets me there with a fraction of the time in comparison. Applying "Warping" and "Distortion" tools to straighten buildings.
Some cool visual art images:
Installation (Detail) FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54748.P1.L1.SQ / SML
Image by See-ming Lee ??? SML
www.smackmellon.org
Two Solo Exhibitions
Exhibition dates: September 26 – November 8, 2009
Artists’ reception: Saturday, September 26, 5-8pm
Smack Mellon is pleased to present Ellen Driscoll’s installation FASTFORWARDFOSSIL: Part 2 and Fernando Souto’s photographic series The End of the Trail. The two concurrent solo exhibitions compress layers of time to explore industries and lifestyles that go beyond geographic borders. Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States. During extended trips to cattle ranches in the American West, Australia, and Uruguay, Fernando Souto photographed the fading culture of ranchers, creating black-and-white environmental portraits in the tradition of iconic photographers such as Walker Evans and Robert Frank. Both Driscoll and Souto are intimately tied to their craft—painstakingly cutting up salvaged bottles and printing large-scale silver gelatin photographs—asserting a tactile personal connection in their work.
Ellen Driscoll
FASTFORWARDFOSSIL: Part 2
“This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30 AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold.
The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.”
Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design.
Smack Mellon
92 Plymouth Street @ Washington
Brooklyn, NY 11201
Gallery hours are Wednesday-Sunday, 12-6pm.
Related SML
+ SML Fine Art (Flickr Group)
+ SML Fine Art (FriendFeed)
+ SML Fine Art (Twitter)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art
Painting by David Schnell / Galerie EIGEN+ART / The Armory Show 2010 / 20100305.7D.04008.L1 / SML
Image by See-ming Lee ??? SML
David Schnell
The landscape painting of David Schnell reflects the manifestations of a nature, which is getting undercut by our direct, urban surrounding. Thereby architectural pieces capture more or less dominantly the image area of the landscapes. David Schnell uses places such as the cultivated landscape around Leipzig, his domicile and place of study as master student of Prof. Arno Rink, as sources of motive for his pictures.
Within his contemplations of landscape the artist does not evoke real moments of memory. He rather shows an abstract nature which lies beyond any recognizable or concrete experiences. This abstraction manifests itself in the pictorial dissolving of architectural structures and wavering, partly competing vanishing points. Alienating, dissolving, decomposing and subsequent connecting are signs of the artists processual way of working. There are also visual contents which are formed just out of pixels and barcodes. The fluttery status is additionally pointed out by the colouring of the pictures, which ranges from monochrome displays up to prism like light refractions.
The pictures by David Schnell awake the impression of constant speed and destabilisation, which finally also questions the own sense of time.
cgi.eigen-art.com/user-cgi-bin/index.php?article_id=211&a…
Galerie EIGEN+ART Leipzig
+++
The Armory Show is the United States’ leading art fair devoted to the most important artworks of the 20th and 21st centuries. In its twelve years, the fair has become an international institution. Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week.
The Armory Show 2010 also features The Armory Show – Modern, specializing in modern and secondary market material on Pier 92. Pier 94 continues to be a venue to premiere new works by living artists. With one ticket, visitors to The Armory Show on March 4–7, 2010 have access to the latest developments in the art world, and to the masterpieces which heralded them.
Piers 92 and 94 on 55th Street and 12th Avenue, NYC
March 4-7, 2010
Dresden_2010_07_ 164
Image by rs-foto
Dresden 2010 | Hochschule für bildende Künste | academy of visual arts
Some cool visual art images:
Drawings: FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54765.P1.CC / SML
Image by See-ming Lee ??? SML
www.smackmellon.org
Two Solo Exhibitions
Exhibition dates: September 26 – November 8, 2009
Artists’ reception: Saturday, September 26, 5-8pm
Smack Mellon is pleased to present Ellen Driscoll’s installation FASTFORWARDFOSSIL: Part 2 and Fernando Souto’s photographic series The End of the Trail. The two concurrent solo exhibitions compress layers of time to explore industries and lifestyles that go beyond geographic borders. Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States. During extended trips to cattle ranches in the American West, Australia, and Uruguay, Fernando Souto photographed the fading culture of ranchers, creating black-and-white environmental portraits in the tradition of iconic photographers such as Walker Evans and Robert Frank. Both Driscoll and Souto are intimately tied to their craft—painstakingly cutting up salvaged bottles and printing large-scale silver gelatin photographs—asserting a tactile personal connection in their work.
Ellen Driscoll
FASTFORWARDFOSSIL: Part 2
“This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30 AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold.
The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.”
Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design.
Smack Mellon
92 Plymouth Street @ Washington
Brooklyn, NY 11201
Gallery hours are Wednesday-Sunday, 12-6pm.
Related SML
+ SML Fine Art (Flickr Group)
+ SML Fine Art (FriendFeed)
+ SML Fine Art (Twitter)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art
Drawings: FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54767.P1.L1.CC / SML
Image by See-ming Lee ??? SML
www.smackmellon.org
Two Solo Exhibitions
Exhibition dates: September 26 – November 8, 2009
Artists’ reception: Saturday, September 26, 5-8pm
Smack Mellon is pleased to present Ellen Driscoll’s installation FASTFORWARDFOSSIL: Part 2 and Fernando Souto’s photographic series The End of the Trail. The two concurrent solo exhibitions compress layers of time to explore industries and lifestyles that go beyond geographic borders. Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States. During extended trips to cattle ranches in the American West, Australia, and Uruguay, Fernando Souto photographed the fading culture of ranchers, creating black-and-white environmental portraits in the tradition of iconic photographers such as Walker Evans and Robert Frank. Both Driscoll and Souto are intimately tied to their craft—painstakingly cutting up salvaged bottles and printing large-scale silver gelatin photographs—asserting a tactile personal connection in their work.
Ellen Driscoll
FASTFORWARDFOSSIL: Part 2
“This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30 AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold.
The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.”
Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design.
Smack Mellon
92 Plymouth Street @ Washington
Brooklyn, NY 11201
Gallery hours are Wednesday-Sunday, 12-6pm.
Related SML
+ SML Fine Art (Flickr Group)
+ SML Fine Art (FriendFeed)
+ SML Fine Art (Twitter)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art
Mixed Media Painting Work-in-Progress inside Dean Russo’s Studio / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54887.P1.L1 / SML
Image by See-ming Lee ??? SML
Most people like to see the end result, but I prefer seeing the process. I believe that process is an important part, without it you cannot have the result.
Here’s a mixed media painting in progress, seen at Dean Russo’s artist studio during the 13th Annual Art Under the Bridge Festival organized by the Dumbo Arts Center in New York City in 2009.
During our interview, Dean told me about his entire process in creating his mixed media paintings, as long as I don’t record it nor write it down. As such, I cannot really write about it either but all I can say is that I find it very interesting — that an artist workflow is not far from that from designers (my primary profession).
Dean Russo on the Web
+ deanrusso.com
+ facebook.com/deanrussoart
+ www.deanrussoart.etsy.com
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation’s largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists’ studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
www.dumboartscenter.org
www.dumboartfestival.org
www.video_dumbo.org
Related SML
+ SML Fine Art (Flickr Group)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Art
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art
Some cool visual art images:
Nucleon – a interactive visual installation
Image by Retinafunk
This is our interactive visual art installtion called NUCLEON at Boom Festival 2010. Created by the Retinafunk visual and 3D artist Hannes Neumann a.k.a. Humanspacecraft with tools such as 3DS MAX and Quest3D with some additional Help by Retinafunks Andy Weisner on building up abnd interfaxce .
Its a immersive panoramic 3D virtual reality space, and its interactive, so the the public can navigate and trigger layers and textures. in the virtual 3D space with a MIDI controller or multi touch interface. Its aim is to provide a interactive virtual psychedelic experience.
Nucleon – a interactive visual installation
Image by Retinafunk
This is our interactive visual art installtion called NUCLEON at Boom Festival 2010. Created by the Retinafunk visual and 3D artist Hannes Neumann a.k.a. Humanspacecraft with tools such as 3DS MAX and Quest3D with some additional Help by Retinafunks Andy Weisner on building up abnd interfaxce .
Its a immersive panoramic 3D virtual reality space, and its interactive, so the the public can navigate and trigger layers and textures. in the virtual 3D space with a MIDI controller or multi touch interface. Its aim is to provide a interactive virtual psychedelic experience.
A few nice visual art images I found:
Welcome to Khaltsha / Music video stills
Image by *spo0ky*
Watch the video on YouTube
www.youtube.com/watch?v=IzV4PNvhqiU
Welcome to Khaltsha / Music video stills
Image by *spo0ky*
Watch the video on YouTube
www.youtube.com/watch?v=IzV4PNvhqiU