360Photography

A few nice visual art images I found:

experimental art

Image by dietmut
koolster

v2 da biblioteca

Image by Eduardo Loureiro
Infelizmente os agatha christie não cabem mais.

Então, nessa ordem:

DEMPSEY, Amy. Estilos, escolas e movimentos – Guia enciclopédico da arte moderna. Tradução: Carlos Eugênio Marcondes de Moura. São Paulo: Cosac Naify, 2003.

HURLBURT, Allen. Layout: o design da página impressa. São Paulo: Nobel, 2002.

BRINGHURST, Robert. Elementos do Estilo Tipográfico. São Paulo: Cosac Naify, 2005.

BESSA, José. Diário de Bordo. Rio de Janeiro: 2AB, 2004.

MUNARI, Bruno. Design e Comunicação Visual: Contribuição para uma Metodologia Didática. São Paulo: Martins Fontes, 2001.

FARINA, Modesto. Psicodinâmica das cores em comunicação. 4 ed. São Paulo: Edgard Bluchor, 2003.

PÉON, Maria Luiza. Sistemas de identidade visual. Rio de Janeiro, 2AB editora, 3º edição, 2001.

NIEMEYER, Lucy . Elementos de Semiótica Aplicados ao Design. 1. ed. Rio de Janeiro: 2AB Editora, 2003.

FILHO, João Gomes. Gestalt do Objeto – Sistema de Leitura Visual da Forma. São Paulo, Escrituras, 2004.

FALCONI, Vicente. O Verdadeiro Poder – Práticas de Gestão que Conduzem a Resultados Revolucionários. 1 ed. Minas Gerais: INDG Tecnologia e Serviços Ltda, 2009.

REIS, Abel. Trendzoom – um Olhar Local Sobre Tendências Globais de Comportamento do Consumidor. 2008.

KELLEY, Tom. The Ten Faces of Innovation: IDEO’s Strategies for Beating the Devil’s Advocate & Driving Creativity Throughout Your Organization. New York: Doubleday, 2005.

LOCKWOOD, Thomas. Design Thinking : Integrating Innovation, Customer Experience, and Brand Value. New York: Allworth Press, 2010.

BROWN, Tim. Change by Design: how design thinking transforms organizations and inspires innovation. HarperCollins, New York, 2009.

VERGANTI, Roberto – Design Driven Innovation: Changing the Rules of Competition by Radically Innovating What Things Mean. Harvard Business Press, 2009.

MIETTINEN, Satu; KOIVISTO, Mikko (eds.): Designing Services with Innovative Methods. Keuruu: Otava Book Printing Ltd, 2009.

STANLEY, King. Co-Design: a Process of Design Participation. New York: Van Nostrand Reinhold, 1989.

LECOMPTE, Margaret D.; JEAN J. Schensul. Designing and Conducting Ethnographic Research. Walnut Creek: Altamira Press, 1999.

DEMO, Pedro. Pesquisa e informação qualitativa. Campinas: Papirus, 2001.

GARRETT, Jesse James. The Elements of user Experience: User–Centers Design for the Web. Indianapolis (Indiana), 2003.

MOGGRIDGE, Bill. Designing interactions. Cambridge, MA: The MIT Press, 2007.

NORMAN, Donald. O design do dia-a-dia. Rio de Janeiro: Rocco, 2006.

NORMAN, Donald. Design emocional: por que adoramos (ou detestamos) os objetos do dia- a-dia. São Paulo: Rocco, 2008.

Technology Review: MIT Magazine of Innovation, 2008:April.

ACM interactions magazine, 2009, v.16, n.5.

ACM interactions magazine, 2009, v.16, n.6.

ACM interactions magazine, 2010, v.17, n.1.

ACM interactions magazine, 2010, v.17, n.2.

ACM interactions magazine, 2010, v.17, n.3.

ACM interactions magazine, 2010, v.17, n.4.

PREECE, Jenifer; ROGERS, Yvonne; SHARP, Helen. Design de interação: além da interação homem-computador. Porto Alegre: Bookman, 2005.

SAFFER, Dan. Designing for Interaction: Creating Smart Applications and Clever Devices, New Riders, 2007.

LÖWGREN, Jonas; STOLTERMAN, Erik. Thoughtful interaction design: A design perspective on information technology. Cambridge, Mass.: MIT Press, 2004.

ROSENFELD, Louis; MORVILLE, Peter. Information Architecture for the Word Wide Web. 3ed. Sebastopol: O’Reilly, 2006.

AGNER, Luiz. Ergodesign e arquitetura de informação: trabalhando com o usuário. Rio de Janeiro: Quartet, 2006.

FRISONI, Bianka Capucci; MORAES, Anamaria. Ergodesign: produtos e processos. Rio de Janeiro: 2AB, 2008.

BROWN, Dan. Communication Design – Developing Web Site Documentation For Design And Planning. Berkeley, California: New Riders, 2007.

WROBLEWSKI, Luke. Web Form Design: Filling in the Blanks. NY: Rosenfeld Media, 2008.

DIAS, Cláudia. Usabilidade na Web: criando portais mais acessíveis. Rio de Janeiro: Alta Books, 2003.

NIELSEN, Jacob. Usability Engineering. Boston: Academic Press, 1993.

ROCHA, Heloisa Vieira; BARANAUSKAS, Maria Cecília C. Design e avaliação de interfaces humano-computador. Campinas, SP: NIED/UNICAMP, 2003.

RUBIN, Jeffrey. Handbook of usability testing: how to plan, design, and conduct effective tests. New York: John Wiley & Sons, 1994.

KRUG, Steve. Não me faça pensar: uma abordagem de bom senso à usabilidade na web. 2ª edição. Rio de Janeiro: Alta Books, 2006.

MEMÓRIA, Felipe. Design para a internet: projetando a experiência perfeita. Rio de Janeiro: Campus, 2006.

WARFEL, Todd Zaki. Prototyping: A Practitioner’s Guide. NY: Rosenfeld Media, 2009.

SPENCER, Donna. Card Sorting: Designing Usable Categories. NY: Rosenfeld Media, 2009.

YOUNG, Indi. Mental models: Aligning design strategy with human behavior. NY: Rosenfeld Media, 2008.

CYBIS, Walter; BETIOL, Adriana Holtz; FAUST, Richard. Ergonomia e Usabilidade – Conhecimentos, Métodos e Aplicações. São Paulo: Novatec, 2007.

SINKER, Daniel. Não Devemos Nada a Você. Tradução: Marina Melchers. São Paulo: Edições Ideal, 2009.

MACNEIL,Legs; MCCAIN, Gilliam. Mate-me Por Favor. Porto Alegre: L&PM, 1997.

CHOMSKY, Noam. Contendo a Democracia. Tradução: Vera Ribeiro. Rio de Janeiro: Record, 2003.

MARX, Karl; ENGELS, Friedrich. Manisfesto do Partido Comunista. Porto Alegre: L&PM, 2001.

NORTE, Sergio A. Q.. Bakunin: Sangue, Suor e Barricadas. Campinas: Papirus, 1988.

GONZÁLEZ, Horácio. A Comuna de Paris: os assaltantes do Céu. 3ª edição, São Paulo: Brasiliense, 1999.

WOODCOCK, George. História das idéias e movimentos anarquistas – Vol 1. Tradução de Júlia Tettamanzy. Porto Alegre: L&PM, 2006.

WOODCOCK, George. História das idéias e movimentos anarquistas – Vol 2. Tradução de Júlia Tettamanzy. Porto Alegre: L&PM, 2006.

ALVES, Rubem. O amor que acende a lua. Campinas: Papirus, 1999.

Floating-Indonesian-Angels-1

Image by bernardoh

Check out these visual art images:

Ella tiene la batuta

Image by señorita leona
Ella tiene la batuta.
Collage digital.

She has the baton.
Digital collage.

Mariana Fossatti, 2009.

Check out these visual art images:

I’m Ready

Image by Peter Alfred Hess
Model: Lee Weinstein

Assignment for Visual Studies 186B, an art photography course taught at UC Berkeley

Betti Richard, American sculptor, born 1916, in her studio

Image by Smithsonian Institution
Description: Betti Richard Matsch was a student of the Art Students League, an important art school in New York City. She preferred to work in bronze and created very expressive figure works.

Creator/Photographer: Peter A. Juley & Son

Medium: Black and white photographic print

Dimensions: 8 in x 10 in

Culture: American

Persistent URL: http://photography.si.edu/SearchImage.aspx?id=5812

Repository: Smithsonian American Art Museum, Photograph Archives

Collection: Peter A. Juley & Son Collection – The Peter A. Juley & Son Collection is comprised of 127,000 black-and-white photographic negatives documenting the works of more than 11,000 American artists. Throughout its long history, from 1896 to 1975, the Juley firm served as the largest and most respected fine arts photography firm in New York. The Juley Collection, acquired by the Smithsonian American Art Museum in 1975, constitutes a unique visual record of American art sometimes providing the only photographic documentation of altered, damaged, or lost works. Included in the collection are over 4,700 photographic portraits of artists.

Accession number: J0033500

Art defector

Image by Pulpolux !!!

A few nice visual art images I found:

art-2010 / resultaat creatiever speelsheid / result creative playfulness

Image by dietmut

art-2010 / resultaat creatiever speelsheid / result creative playfulness

Image by dietmut

art-2009 / new experiments

Image by dietmut
detail uit een patchwork bedsprei
detail of a patchwork bedspread
original:
farm4.static.flickr.com/3363/3578905567_4c04356727.jpg

resultaat van mijn computer knutselwerk
result of my different amateur handicraft

Check out these visual art images:

Diana Canterbury Reception May 2011

Image by Worcester Academy
Reception for retiring theater program director Diana Canterbury, May 14 at 4 p.m. in Walker Gallery, Walker Hall. Attended by alumni, faculty, and friends and family of Diana’s.

Diana Canterbury Reception May 2011

Image by Worcester Academy
Reception for retiring theater program director Diana Canterbury, May 14 at 4 p.m. in Walker Gallery, Walker Hall. Attended by alumni, faculty, and friends and family of Diana’s.

Diana Canterbury Reception May 2011

Image by Worcester Academy
Reception for retiring theater program director Diana Canterbury, May 14 at 4 p.m. in Walker Gallery, Walker Hall. Attended by alumni, faculty, and friends and family of Diana’s.

Some cool visual art images:

Visual Journaling Workshop

Image by Asheboro Public Library

Visual Journaling Workshop

Image by Asheboro Public Library

Visual Journaling Workshop

Image by Asheboro Public Library

Check out these visual art images:

Coke Side of Life: Coca-Cola Art Remix

Image by Coca-Cola Art Gallery
COCA-COLA ART GALLERY

www.coca-cola-art.com

Is she a Victorian pin-up, a girl next-door, a movie star, a party hostess, a factory worker or a swimsuit beauty? Her demeanor is radiant, vivacious and breezy. She exudes youthful energy and appears picture perfect wherever she goes, dressed up in the latest fashion.
When ‘Coca-Cola’ started in the 1890s portraying these independent women, it was still a uncongenial time for a girl with big ideas. Women were discouraged from thinking beyond household drudgery, and derided if they distinguished themselves. From these early days, ‘Coca-Cola’ has used the girl portraits in unique ways, always running miles ahead of the times. ‘Coca-Cola’ encouraged and inspired women to live their lives to the fullest and share life experiences.
Far away from the proper etiquette, the ‘Coca-Cola’ girl spreads her wings, chooses hobbies of the modern age and makes a lot of fun. She is traveling, sporting, sunbathing, inviting her friends over, flirting…
From the portraits of cheerleaders at the soda fountain to the ones of iconic actresses and women in flight suits: as a symbol of women’s emancipation, it could hardly be bettered.

ROCKANDROLL AGENCY is a full-cycle communication agency offering marketing services, strategic development and art direction. RockAndRoll Agency was founded in 2003 by Jean-Philippe Noterman and Wouter De Coster. Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RockAndRoll Agency, they worked already together for 5 years in the publishing and communication business.
RockAndRoll Agency is dedicated to the production of visual identity design, graphic animation and websites. As art buyers and curators, RRA is always looking for artists with strong ideas and an individual voice. Contact: wdc@rockandrollagency.com

Blog: www.coca-cola-art.com
Official Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery

Check out these visual art images:

Fragile

Image by Original Bliss
Digital Photo Collage

Visit:

Original Bliss – Blessings – Stormy Weather

CedarsArtFarringtons

Image by /\ \/\/ /\

“Dryland Jar” by Leroy Von Glan

Image by ali eminov
Wayne State Art & Design Faculty Exhibit, Nordstrand Visual Arts Gallery

Some cool visual art images:

Dublin Contemporary 2011 – Iveagh Gardens In Dublin

Image by infomatique
A NEW VISUAL arts exhibition has opened in Dublin which features over 90 artists from five continents.

A major exhibition called The Office of Non-Compliance is housed in Earlsfort Terrace and I hope to publish some photographs later this week. The Iveagh Gardens are being transformed into a sculpture garden throughout the six-week event and I took the opportunity to photograph some go them. I assume that more are to be added, I will check on a regular basis.

Theme

The title and theme of Dublin Contemporary 2011 is Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance. Taken from William Butler Yeats’ famous poem “Easter, 1916”, the exhibition’s title borrows from the Irish writer’s seminal response to turn-of-the-century political events to site art’s underused potential for commenting symbolically on the world’s societal, cultural and economic triumphs and ills.

The second part of the exhibition’s title underscores Dublin Contemporary 2011’s emphasis on art that captures the spirit of the present time, while introducing the exhibition’s chief organizational engine: The Office of Non-Compliance. Headed up by Dublin Contemporary 2011 lead curators Jota Castro (artist/curator) and Christian Viveros-Fauné (critic/curator), The Office of Non-Compliance will function as a collaborative agency within Dublin Contemporary 2011, establishing creative solutions for real or symbolic problems that stretch the bounds of conventional art experience.

Venues and Programme

The main exhibition hub at Earlsfort Terrace, former home of University College Dublin, will provide a range of unusual spaces for mini solo exhibitions that range from large-scale installations to smaller intimate hangings. The Office of Non-Compliance, located within the Earlsfort Terrace exhibition site, will function as a promoter of ideas around a laundry list of non-conformist art proposals. This element of the exhibition will include ad-hoc, accessible structures for discourse around art and its place in society.

Extending its reach across the city, Dublin Contemporary 2011 will partner with four important Dublin galleries: The Douglas Hyde Gallery, Dublin City Gallery The Hugh Lane, The National Gallery of Ireland and The Royal Hibernian Academy.

Dublin City Gallery The Hugh Lane will present a retrospective of the work of renowned Irish artist Willie Doherty. An exhibition of American painter Alice Neel’s striking, psychologically penetrating portraits will take place at The Douglas Hyde Gallery.

The National Gallery of Ireland will host works by a number of international artists as well as a new commission by the distinguished Irish artist Brian O’Doherty. The Royal Hibernian Academy will host an exhibition of works by American painter Lisa Yuskavage and a new commission by Irish artist James Coleman.

Dublin Contemporary 2011 – Iveagh Gardens In Dublin

Image by infomatique
A NEW VISUAL arts exhibition has opened in Dublin which features over 90 artists from five continents.

A major exhibition called The Office of Non-Compliance is housed in Earlsfort Terrace and I hope to publish some photographs later this week. The Iveagh Gardens are being transformed into a sculpture garden throughout the six-week event and I took the opportunity to photograph some go them. I assume that more are to be added, I will check on a regular basis.

Theme

The title and theme of Dublin Contemporary 2011 is Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance. Taken from William Butler Yeats’ famous poem “Easter, 1916”, the exhibition’s title borrows from the Irish writer’s seminal response to turn-of-the-century political events to site art’s underused potential for commenting symbolically on the world’s societal, cultural and economic triumphs and ills.

The second part of the exhibition’s title underscores Dublin Contemporary 2011’s emphasis on art that captures the spirit of the present time, while introducing the exhibition’s chief organizational engine: The Office of Non-Compliance. Headed up by Dublin Contemporary 2011 lead curators Jota Castro (artist/curator) and Christian Viveros-Fauné (critic/curator), The Office of Non-Compliance will function as a collaborative agency within Dublin Contemporary 2011, establishing creative solutions for real or symbolic problems that stretch the bounds of conventional art experience.

Venues and Programme

The main exhibition hub at Earlsfort Terrace, former home of University College Dublin, will provide a range of unusual spaces for mini solo exhibitions that range from large-scale installations to smaller intimate hangings. The Office of Non-Compliance, located within the Earlsfort Terrace exhibition site, will function as a promoter of ideas around a laundry list of non-conformist art proposals. This element of the exhibition will include ad-hoc, accessible structures for discourse around art and its place in society.

Extending its reach across the city, Dublin Contemporary 2011 will partner with four important Dublin galleries: The Douglas Hyde Gallery, Dublin City Gallery The Hugh Lane, The National Gallery of Ireland and The Royal Hibernian Academy.

Dublin City Gallery The Hugh Lane will present a retrospective of the work of renowned Irish artist Willie Doherty. An exhibition of American painter Alice Neel’s striking, psychologically penetrating portraits will take place at The Douglas Hyde Gallery.

The National Gallery of Ireland will host works by a number of international artists as well as a new commission by the distinguished Irish artist Brian O’Doherty. The Royal Hibernian Academy will host an exhibition of works by American painter Lisa Yuskavage and a new commission by Irish artist James Coleman.

Check out these visual art images:

North Charleston Arts Festival

Image by North Charleston
Now in its 29th year, the North Charleston Arts Festival will take place April 29 through May 7, 2011. The nine day event is one of the most comprehensive arts festivals in the state, providing thousands of residents & visitors with a fabulous array of performances, exhibitions, and activities featuring national, regional, and local artists and performers.

Organized by the City of North Charleston Cultural Arts Department, the festival strives to maintain the spirit of a community celebration with the mission of presenting a broad, multidiscipline event schedule that provides a wide range of performing, visual, media, and literary arts events for people of all ages and backgrounds. Many of the offerings are free, and those that are ticketed are moderately priced. Recognized by the Southeast Tourism Society as a Top 20 Event, the North Charleston Arts Festival truly offers something for everyone.

North Charleston Arts Festival

Image by North Charleston
Now in its 29th year, the North Charleston Arts Festival will take place April 29 through May 7, 2011. The nine day event is one of the most comprehensive arts festivals in the state, providing thousands of residents & visitors with a fabulous array of performances, exhibitions, and activities featuring national, regional, and local artists and performers.

Organized by the City of North Charleston Cultural Arts Department, the festival strives to maintain the spirit of a community celebration with the mission of presenting a broad, multidiscipline event schedule that provides a wide range of performing, visual, media, and literary arts events for people of all ages and backgrounds. Many of the offerings are free, and those that are ticketed are moderately priced. Recognized by the Southeast Tourism Society as a Top 20 Event, the North Charleston Arts Festival truly offers something for everyone.

North Charleston Arts Festival

Image by North Charleston
Now in its 29th year, the North Charleston Arts Festival will take place April 29 through May 7, 2011. The nine day event is one of the most comprehensive arts festivals in the state, providing thousands of residents & visitors with a fabulous array of performances, exhibitions, and activities featuring national, regional, and local artists and performers.

Organized by the City of North Charleston Cultural Arts Department, the festival strives to maintain the spirit of a community celebration with the mission of presenting a broad, multidiscipline event schedule that provides a wide range of performing, visual, media, and literary arts events for people of all ages and backgrounds. Many of the offerings are free, and those that are ticketed are moderately priced. Recognized by the Southeast Tourism Society as a Top 20 Event, the North Charleston Arts Festival truly offers something for everyone.