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Posts Tagged ‘National’

National Geographic Photo Contest 2014 winners announced

20 Dec

Winners of the National Geographic’s 2014 Photo Contest have been announced, with first place winners in three categories bringing in cash prizes. The overall Grand Prize winning photo (above) has earned a total of $ 10,000 and a trip to National Geographic headquarters. Take a look at some of the winning images. See gallery

Articles: Digital Photography Review (dpreview.com)

 
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B&W Challenge Day 1 – Point Reyes National Seashore Clouds

29 Oct

My friend Kelly Castro recently challenged me to the 5 Day B&W Photo Challenge on Facebook so I thought I would share my entries. The challenge is merely for fun and an exercise to think creatively. Having been in Dad mode the past several months I thought this would be a good way to get back in the game.

The photo above was taken in the Point Reyes National Seashore where I was tuning up and trying out some new gear. Taken mid-day on a bright sunny day I was trying out a Singh-ray More-Slo 10-stop filter. The effort was experimental and the output translated nicely to a textured black and white image.  Stay tuned for more B&W.

I should also note that the B&W challenge requires that I invite another photographer to take part each day. Today I nominate Richard Wong.

Copyright Jim M. Goldstein, All Rights Reserved

B&W Challenge Day 1 – Point Reyes National Seashore Clouds

The post B&W Challenge Day 1 – Point Reyes National Seashore Clouds appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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  • Wilderness Protection – Only As Strong As The Wilderness Act
  • Wilderness Protection – Only As Strong As The Wilderness Act – Enclosure

 


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23 October, 2014 – Arches National Park – A Quick Guide To Photography

25 Oct

 

 

The National Parks in the US offer a wide variety of photographic opportunities for the landscape photographer.  There is so much to see and photograph, and all of these great parks have something unique to see.  This is the second of a continuing series of National Park Quick Guides by QT Luong.  In his previous guide QT described all the good location in Acadia National Park.  Today QT takes us to Arches National Park, which is one of the most famous parks for photographers.


The Luminous Landscape – What’s New

 
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26, June 2014 – Acadia National Park – A Quick Guide To Photography

26 Jun

 

It’s summer time and a lot of you will be heading out to America’s National Parks to capture their beauty and to enjoy the great outdoors.  I was in Yosemite NP last week working on a NEW LuLA tutorial.  It’s one of the grandest National Parks of them all. I’m still working on images and will post some on the home page soon.  Today’s article is by QT Luong.  He is known for being the first person to photograph all 59 US National Parks in Large Format.  He has come on board as a regular contributor and we will be regularly publishing his articles on his National Park Photography guides.  we’ll start with the ‘A’s and today’s article is  Acadia National Park – A Quick Guide To Photography.


The Luminous Landscape – What’s New

 
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National Park Photography Workshop Permits: Are They Really Necessary?

10 Jun
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Sunrise on the West Side Road at Badwater Basin, Death Valley

Back in February of 2014, I led two back-to-back photography workshops in Death Valley National Park with my friend and fellow photographer Mike Mezeul. Planning workshops is a lot of work and takes a lot of love and dedication to do right. Before the process of getting everything set up (making sure the students had all booked their flights, hotels, rental cars, etc.) we needed to apply for a workshop permit. This is sort of a tough thing to do timeline wise. You can apply for it ahead of time before you even announce the workshop; but then you run the risk of paying the $ 210 (average cost) and the workshop falling through or something like that. Or you can wait until you book spots for the workshop and then apply for the permit; but then you run the risk of not getting the permit in time for the workshop. We opted for the latter because we had plenty of time to get the application in and get the permit back. We got our workshop permit in time and had nothing to worry about. We weren’t going to risk getting in trouble with the park in an effort to save a few hundred bucks.

Now fast forward to the second workshop. We had just wrapped up a beautiful sunrise shoot at Badwater Basin on the West Side Road (Death Valley. The patterns at the main part of Badwater (by the parking lot) were in pretty terrible shape but we decided to take the group there after the sunrise shoot so they could see all the educational signs, walk around for a bit and get a picture of the “280 Feet Below Sea Level” sign. While we were there, a man came up to me and asked if we had found any good patterns. I’ve never been one to withhold secrets so I told him about the spot we found over on West Side Road. I noticed he had a van full of people and shortly after, they were on their way.

Workshop students set up for sunrise at the Mesquite Flat Sand Dunes

Workshop students set up for sunrise at the Mesquite Flat Sand Dunes

Our group stayed at the Badwater parking lot for another 30 minutes or so before heading back into Furnace Creek for breakfast. When we got to the Forty Niner Cafe we saw a large table of around 20 people (all with their photography gear) sitting in silence. It was really strange. Nobody was really talking and everyone looked stressed out and upset. I went to use the restroom and that’s when I saw the same guy who I’d spoken to at the Badwater Basin parking lot.

He told me that he was a workshop instructor and they were on day two (the first full day) of their photography workshop. He had taken my advice and driven his group down to the West Side Road but when he got there, a Park Ranger was waiting for him. As it turns out, the instructor and his partner had decided to forgo the workshop permit because they had applied for one the year before and never got asked about it at during that workshop. He figured, “Why not save the $ 210?” It’s not like Death Valley has much staff left after all the government cutbacks, right? Wrong.

The Ranger asked for his permit and when the instructor said he didn’t have one, he was told to leave the park immediately. He was instantly given a $ 2,000 fine for conducting a workshop inside a National Park without a permit. He had to leave his group of around 20 students inside the park–students who had paid the tuition for the workshop, bought plane tickets into Vegas, rental cars to drive into the park and $ 200/night hotels within the park. On top of that, he had to appear before a judge in federal court in California three months later. That meant another flight to book, a couple nights in a hotel, a rental car and living expenses for the trip. Based on the outcome of the court appearance, he was facing upwards of $ 10,000 in fines and a lifetime ban from the park. I’m not sure what the outcome was with his group of students but I’m assuming they got their money back for the workshop.

A mysterious sailing rock during sunset at the Racetrack Playa

A mysterious sailing rock during sunset at the Racetrack Playa

The Lesson to be Learned

The takeaway here is not to cut corners. If you are conducting a workshop inside of a national park, a national monument or even some state parks; get a permit. It’s not worth taking the risk and there are Park Rangers out there doing research. I talked to another photographer who was holding a workshop out in Zion National Park a while back. He had applied for a permit (and got one) to take his group into the Subway. When he got to the parking lot to start the hike, a Ranger was waiting there for him to check his permit. I’ve heard other stories of the Rangers looking up workshops on Google and then keeping track of the instructors on social media. They then try and pinpoint where the group will be and see if they can track them down to make sure they have the permit. All it takes is a tweet saying, “Beautiful sunrise at the Mesquite Dunes this morning.” To be honest, $ 210 is a very small fee to pay for holding a workshop inside of a national park. On top of that, you are supporting the park by paying the fee much in the same way you support it by purchasing park passes and entry fees.

If you are a student and will be attending a workshop inside a park, make sure that your instructor has the right permits. In my opinion, an instructor that cuts corners to save their bottom line isn’t an instructor worth paying tuition for a workshop.

For more information on choosing a photography workshop or tour, read these:

  • Taking a Photography Workshop; Why it is Different from a Photo Tour
  • Choosing a Photography Workshop Or Tour
  • Is that a Workshop, Tour or Seminar [Part I]

The post National Park Photography Workshop Permits: Are They Really Necessary? by James Brandon appeared first on Digital Photography School.


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National Park Foundation 2013 photo contest winners announced

25 May

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The National Park Foundation, a charitable organization partnered with the National Park Service, has announced the 2013 winners of its annual ‘Share the Experience’ photo contest. Open to U.S. residents, amateur photographers are invited to submit their photos taken within National Parks to compete for a top prize of $ 10,000. Take a look at the winning photographs from 2013 and submit your photos for this year’s competition. Learn more

News: Digital Photography Review (dpreview.com)

 
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National Park Service bans drones in Yosemite

06 May

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More bad news for photographers looking to use unmanned aircraft for photography – at least those hoping to use drones in Yosemite National Park. The National Park Service has issued a statement that makes it clear these devices are banned in the park under any circumstances. Learn more

News: Digital Photography Review (dpreview.com)

 
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National Geographic editor tells how photography changed her life

21 Apr

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Photographer, producer and Senior Photo Editor at National Geographic, Pamela Chen first picked up a camera at around 9 months old. Although she was pointing the camera the wrong way, as children often do, the photo that Chen shares with us in this video is a sweet remembrance. During the video, which is sponsored by Microsoft OneDrive, Chen tells the story of how capturing one blurry photograph when she was a college student changed the course of her life. See video

News: Digital Photography Review (dpreview.com)

 
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Meet ‘The Archivist’ at National Geographic

22 Feb

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Ever wonder who looks after at all the old photographs in National Geographic’s archive? Well, now you can meet that man. His name is Bill Bonner and they call him ‘The Archivist’. For 31 years he’s worked mostly by himself in the basement of National Geographic’s Washington, D.C. headquarters and has handled hundreds of thousands of photographs. In total, Bonner is responsible for about eight million images in the vintage collection. See the video

News: Digital Photography Review (dpreview.com)

 
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Compare present day ‘retakes’ of U.S. National Parks to 1930’s originals

28 Jan

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The past and present collided when the National Parks Service recreated a number of 1930’s panoramic photos of fire lookouts, this time with modern photographic technology. The results are viewable in an interactive format that’s helping the NPS study the changing landscape of U.S. National Parks. Learn more

News: Digital Photography Review (dpreview.com)

 
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